Two winners have been announced for the fifth annual cycle of New York’s “City of Dreams” competition: the “Billion Oyster Pavilion” by locally-based BanG Studio and “Organic Growth” by Izaskun Chinchilla Architects of Madrid and London. Pending approvals and fundraising, both pavilions will be assembled on Governors Island and open to the public for the summer 2015 season. The winning pavilions, after the break.
In celebration of Rogers Stirk Harbour + Partners’ relocation to their newly constructed Leadenhall Building, the London-based practiced has released a short film that captures the “making of” the 52-story, 225-meter skyscraper. RSHP, now occupying the building’s 14th floor, is said to be proud to be Leadenhall’s latest tenants:
“After 30 years at Thames Wharf Studios, it is important for us to be moving into a building that reflects the ethos and evolution of our design practice, clearly stated in its urban relationship with the Lloyd’s building opposite,” says the partners of RSHP. “We will begin this new phase of our history in a building that already feels like home but allows us the advantages of a contemporary, flexible office space in a prime location in the increasingly vibrant and exciting City of London.”
Most contemporary architects probably don’t spend too long thinking about stained glass in their everyday practice – and for the “art glass” industry, that’s becoming a big problem. In a fascinating article for the Wall Street Journal, Timothy W Martin carefully examines an industry that has been in decline for decades, ever since glass designer Kenneth von Roenn warned them in a 1970s conference speech that it was “time to jump ship” and diversify from their work in religious buildings.
Chile may soon be home to the only Antoni Gaudí-designed building located outside of Spain. At a recent press conference, Chilean President Michelle Bachelet confirmed government funding for the construction of the Gaudí Cultural and Spiritual Center in the city of Rancagua, which will include a chapel designed by the Catalán architect.
The project originated in 1922 through a series of letters exchanged between Gaudí and Chilean Franciscan Friar Angélico Aranda, who asked Gaudí to design a chapel for Chile. “I wish to implement an original work, very original, and I thought of you,” wrote Aranda to Gaudí, who by then was immersed in constructing his masterpiece, La Sagrada Familia. Since 1996, Chile’s Corporación Gaudí de Triana has been working to make the design resulting from this conversation a reality.
Learn more about this project after the break.
An appeals court has revoked permission for SANAA’s restoration of the landmark Art Deco La Samaritaine department store in Paris. The plans, which would see a comprehensive overhaul of the 19th-century structure that finally shut its doors in 2005 following four decades in decline, would create an all-new shopping centre and luxury hotel as part of a 70,000m² mixed use development.
The project, commissioned by the LVMH conglomerate – which owns brands like Dom Pérignon, Givenchy, Louis Vuitton and BVLGARI - was halted because “the wavy, etched-glass facade proposed [SANAA] did not meet local planning requirements and was out of character with the surrounding buildings.” It is understood that La Samaritaine will now appeal to the Council of State, France’s highest administrative court. The city of Paris has mentioned in a separate statement that it would also support this latest appeal.
64 North, HNTB Engineering, Bionic Landscape Architecture and sculptor Ned Kahn have been chosen by the City of Palo Alto to realized a new bicycle and pedestrian bridge over the 14-lane Highway 101 at Adobe Creek. Their winning proposal, “Confluence” will connect residential and commercial areas in south Palo Alto to the Baylands Nature Preserve and the regional Bay Trail network.
Read on for more information and a video about the design.
The Royal Institute of British Architects (RIBA) has announced Sutherland Hussey Architects and Gross Max Landscape Architects as winners of a competition to design a new community hub for Sessay Village in North Yorkshire. The proposal, which jury chair Robin Snell believed to have “best expressed the client vision,” aims to become a well-used public destination that properly serves more than 20 local organizations, including a primary school, cricket club and the Sessay First Responders.
The narrow, single-story pavilion will stretch between two circular sports fields, connecting it’s inner halls directly to the outdoors. Continue after the break for more images of the project.
Several projects have been selected to receive this year’s Institute Honor Awards for Architecture, chosen by the American Institute of Architects (AIA). The award celebrates projects which exhibit design excellence in the field of architecture, and is one of the highest such awards in the industry. The recipients will be recognized for their work at the AIA 2015 National Convention and Design Exposition in Atlanta.
View the winners after the break.
Working in reverse, Italian architect Federico Babina’s latest set of illustrations deconstructs the stylistic forms of 25 famous architects into a series of abstract compositions that embody the essence of each architect’s style. This “process,” as Babina says, aims to reveal the “ideal connection between architecture itself as a form of representation and the representation used in its design.”
“The architecture is a set of shapes that draw volumes and voids which sequence generates functions and meanings. These illustrations are one of the possible ways to watch, observe and describe architecture… In these pictures you can read architectural references or simply let your mind get lost between the lines and colors for more imaginative interpretations.”
View all 25 illustrations, after the break.
This past year was a record-breaking season for skyscraper construction. According to a new survey by the Council on Tall Buildings and Urban Habitat (CTBUH), 2014 saw the completion of 97 buildings that were at least 200 meters tall. Of those, 11 were 300 meters or taller, earning them the classification of “supertall.” These are the highest figures on record, with 2011, for example, seeing only 87 200-meters-plus buildings completed.
In addition, in 2014 the total height of completed buildings (23,333 meters) broke the 2011 record of 19,852 meters. With major countries like China becoming increasingly urbanized, and the world economy recovering from recession, the CTBUH expects that these numbers will only increase. See the details of CTBUH’s report, and learn what the numbers may predict about the future of skyscraper construction, after the break.
In The New Yorker’s latest Postcard from Rome Elizabeth Kolbert talks to Renzo Piano in his Senate Office at the Palazzo Giustiniani, just around the corner from the Pantheon. Piano, who was named a Senator for Life by Italian President Giorgio Napolitano in September 2013 (when he was 75 years of age), immediately “handed over the office, along with his government salary, to six much younger architects.” He then “asked them to come up with ways to improve the periferie - the often run-down neighborhoods that ring Rome and Italy’s other major cities.” Kolbert attests to Piano’s belief in the power of museums and libraries and concert halls. For him, ”they become places where people share values [and] where they stay together.” “This is what I call the civic role of architecture.”
Five consortiums have been shortlisted to envision the University College London’s (UCL) new 125,000-square-meter campus on a key section of London’s Olympicopolis. Planned for the site’s cultural and educational district, nearby the future homes of Victoria & Albert Museum, University of the Arts London and Sadler’s Wells, the campus’ first phase will include the university’s first School of Design, a “Museum of the Future,” and the UCL Center for Experimental Engineering.
The complete shortlist, including Aecom, Gehl Architects and Stanton Williams, after the break.
Rem Koolhaas and art philanthropist Dasha Zhukova will be gracing the WSJ. Magazine’s February cover as “art partners” embarking on a transformation that will turn a ruined Brezhnev-era Communist landmark – the Vremena Goda in Moscow’s Gorky Park – into the Garage Museum of Contemporary Art’s new home. “The building is basically a found object,” said Koolhaas, regarding his “raw” design and intent to preserve the structure’s decay. “We are embracing it as it is.”
The museum’s new home will “challenge the white-cube tradition of Western museums,” says Zhukova. A double layer of polycarbonate plastic will encase the intact structure so it appears as a translucent box hovering six feet above ground. Commissioned artworks will be presented on a backdrop of “raw brick and broken tiles.” Learn more about the Garage’s design, here, and read the WSJ. Magazine’s full report, here.
Ole Bouman, former director of the Netherlands Architecture Institute (NAi), has been appointed director of the new Victoria and Albert Museum-backed Shekou Design Museum in Shenzhen, China. Set to open at the end of 2016 in a Fumihiko Maki-designed building within the Sea World Arts and Culture Center, the new design museum aims to serve as an international platform for Chinese design.
“We wanted to offer the local residents an internationally important museum that would help promote the development of China’s creative industries and further progress design in China,” stated China Merchants Group (CMG) vice president Sun Chengming. CMG is collaborating with London’s V&A to realize the project.
More about Bouman’s appointment, after the break.
UPDATE: Congratulations to winners Robert, Angelo, Nathaniel, Enasaveva, and Avi! We will be contacting you via email.
When Italian architect Federico Babina released his Archibet set this past year, it was an instant hit; no surprise, considering Babina’s illustrations depict the styles of 26 famous architects, from Alvar Aalto to Zaha Hadid, in a clever way unlike anything else. Now, thanks to Babina and publisher Laurence King, five of our readers can win their very own Archibet set.
Official rules: Check out Babina’s complete Archibet set (here) and let us know your favorite “letter” in the comment section below. Five winners will be chosen at random from entries received between Monday, January 12th and Sunday, January 18th 11:59 EST. Anyone in the world is welcome to participate. One entry per person. ArchDaily will enforce verification and remove duplicated ones before choosing the winner.
Bonus: ArchDaily readers can purchase a copy of Archibet by Federico Babina at a discount of 30% when ordering from www.laurenceking.com. Enter the code ARCHIBET30 at the checkout.
Visiting a city as large as Chicago can be overwhelming. For the architect, this is doubly true. The city is a treasure trove of architectural history, perhaps most notable as the birthplace of the skyscraper and the Chicago School. Names like Louis Sullivan, Frank Lloyd Wright, and Daniel Burnham are commonplace in Chicago, their buildings nestled amidst more modern works by the likes of SOM, Jelmut Jahn, and Studio Gang Architects.
Still more works are hidden away in obscure corners of the city, less well known but equally representative of the time and style in which they were built. In the interest of cataloging these buildings, and bringing attention to those that may not be on the typical city tour, blogger John Morris has created Chicago Architecture Data. A near-comprehensive survey of projects built before 1940 organized by neighborhood and architectural style, Chicago Architecture Data is a veritable history book for the architecture of the Windy City.
The Berlage’s Master of Science in Architecture and Urban Design: Architectural Education in the Age of Global Practice
In the second decade of the twenty-first century, the built environment continues to be redefined on an unprecedented scale by global shifts of culture, economy, and geopolitical structures. Cities and countrysides are transforming differently from country to country; national and local governments continue to define specific legal frameworks impacting building practice; and value systems and social norms remain strongly bound to culture. At the same time, different regions around the world deal with similar changes, from urban sprawl and rapid urbanization to the consequences of an aging population and the lifestyle challenges of the middle class.
In the last two decades the spread of professional skills and new technologies around the world expanded the market for international design services. The looming new role of global professionals raises crucial questions regarding the knowledge and expertise of architects and urban designers: How can we learn from different cultures of building all over the globe? How can designers perform within the clash of cosmopolitanism and localism? Which design strategies and research approaches mediate between international and local conditions? How can a globally oriented designer engage with local mores and trades? Do practitioners who operate internationally have an ethical duty to assist in transferring new skills to local architects? These considerations underscore how globalism is affecting every practitioner, even those who never leave their home nations.
Drawings, technologies, clients, and workforces flow easily between networked continents and cultures. Yet designers are often confronted with the intractability of local circumstances. How can architects and urban designers critically contribute to the construction of a borderless, cosmopolitan culture that transcends national borders and identities?
The 2015 RIBA Norman Foster Travelling Scholarship has launched and is inviting applications from schools of architecture around the world. A £6,000 grant will be awarded to one student by a panel of judges which will include Lord Foster and the current President of the RIBA, Stephen Hodder. First established in 2006, the scholarship is now in its eighth year and is designed to fund international research on a topic related to the survival of our towns and cities in a location of the student’s choice.