With the intention of creating a beautiful public space from what is usually one-function building, JAJA architects are redefining what a parking deck can be. Their recent competition entry for a parking garage in the city of Nordhavn, Copenhagen is an inviting structure that incorporates green facades and a rooftop playground, making full use of its placement in an up-and-coming urban neighborhood. Read all about the aptly named “Park ‘N’ Play”, after the break.
In their collateral event for the debut of the Moscow pavilion at the Venice Biennale, the exhibition “Moskva: urban space“ explores the historic development of public spaces and examines the city’s progress in the context of Diller Scofidio + Renfro’s winning proposal for Zaryadye Park. Curated by Sergey Kuznetsov, Chief Architect of Moscow together with Kristin Kristin Feireiss from AEDES, and organized by MCA – Moscow Committee of Architecture and Urban Development, the exhibition comes at a pivotal moment in determining the future of urban development in Moscow. As Kuznetsov states, “While the face of Moscow in the past 100 years was largely determined by the architecture of its buildings, representing political and economic developments, today’s urban singularity is based on the “connective fabric” of its public spaces that have become equally important identity-makers and contributes significantly to improving the quality of urban life for its citizens.” To see photos of the exhibition by Patricia Parinejad and learn more about the story behind it, continue reading after the break.
Having an office with a view may be more than just a symbol of seniority. New findings show that there are public health benefits associated with working by a window, Fast Co Design reports. An interdisciplinary group of architects and medical researchers compared workers exposed to natural light with those who aren’t, and found that window workers sleep, on average, 46 minutes more a night. They also scored better on self-report health and sleep surveys. Learn more about the study in the full article, “Workers in Windowless Offices Lose 46 Minutes of Sleep a Night,” at Fast Co Design and start convincing your boss that it’s time you had a window office!
Led by Will Alsop, aLL Design’s funky apartment tower will soon add a whole lot of interest to London’s south bank. The tubular building, which tapers at the bottom and top, will rise above an existing four-storey building on purple stilts and be adorned with corten steel cladding, brightly colored balconies, and irregular rounded windows. Each apartment will include two balconies overlooking the River Thames and the neighboring heliport – bringing about the name “Heliport Heights.” To learn more about the lively design, keep reading after the break.
Set to be installed over a set of light rail tracks, Junya Ishigami’s Cloud Arch will soon be one of the biggest landmarks in downtown Sydney. Commissioned by Sydney’s public art program, City Art, the arch will symbolize Sydney’s qualities of being “Green, Global, and Connected.” Over 50 meters high, it will change shape as viewer’s walk past it. Cloud Arch will act as both a gateway for the pedestrian George Street, and a defining feature of the city.
New York City have released images of fourteen tower proposals as part of a controversial scheme to bring affordable housing to the 85 acre Brooklyn Bridge Park, originally designed by Michael van Valkenburgh and realised in 2004. The schemes, designed to be located on “two coveted development sites” on Pier 6, have been actively met with strong opposition from local community members. The park and surrounding area has seen a number of interesting recent regeneration proposals, from an 11,000ft² beach beneath the Brooklyn Bridge to a triangular pier proposed by BIG. Read on to see the proposals in detail, including those by Asymptote, Pelli Clarke Pelli, Davis Brody Bond, and Bjarke Ingels Group (BIG).
Twelve thousand pairs of shoes and stacked, rotating geometric forms were installed in the city centre of Abrantes, Portugal from July 13th-20th. The installations were the two winning projects of Portugal’s 180 Creative Camp 2014, which was designed by the country’s Canal 180 to promote Urban Interventions Projects.
The competition received 72 entries from 18 countries and was created in partnership with Archdaily, Canal 180, and the Municipality of Abrantes. The contest ran until June 8th with a jury that included Archdaily Executive Editor Becky Quintal, the Executive Director of Canal 180, and the President of the Municipality of Abrantes. The two winning projects each received 2,500 Euros to realize and install their work in Abrantes.
See photos and read more about the winning projects of 180 Creative Camp after the break.
Creating designs for cities all over the planet may have just gotten a whole lot easier – thanks to Brandon Liu, a Software Developer from San Francisco who used data from OpenStreetMap to create .DXF CAD files of 241 major cities worldwide. These files are entirely free to download, and from San Francisco to Sydney, Buenos Aires to Beijing and Helsinki to Harare, most of the world’s major cities are included.
The files do have some limitations, due to the way they were converted from online data (perhaps the most limiting is that roads are only marked by a single line), however the files give information on roads categorized from major to minor, buildings, railways, parks and bodies of water, with each element given its own layer on the drawing.
Check out the links to all 241 files after the break, and visit Liu’s website here for more information.
— Lloyd Alter (@lloydalter) August 6, 2014
Numerous awards recognize innovative, forward-thinking and environmentally-friendly design, yet there is no way to recognize projects that are harming the environment or detrimental to the planet – until now. Created by Cameron Sinclair, one of the co-founders of Architecture for Humanity and current Executive Director of the Jolie-Pitt Foundation, the recently launched “DEAD Prize” seeks to highlight projects that have a negative impact on the planet, with the aim of inspiring designers to “see these failures as a challenge to create something new, to correct the mistakes of the past or to find the antidote for the project in question.” Tweet your nominations for the prize to @deadprize by November 1 and learn more about this tongue-in-cheek award at the DEAD Prize website.
One of the latest installations at London’s Serpentine Gallery, where Smiljan Radic recently unveiled an ethereal pavilion, is Marina Abramović’s performance installation entitled 512 Hours. Creating what has been described as “the simplest of settings” in one of the gallery’s large spaces, the artwork employs Abramović’s most frequently used material: herself. Coupled with the audience and a selection of common objects, the constantly changing sequence of events on display is the very first live installation by the artist displayed in the UK. Upon arrival, visitors are asked leave their baggage (including mobile phones, cameras and any other electronic equipment) behind in order to enter the exhibition. Find out more about what you can expect from it here.
UPDATE: Our interview with Lateral Office is now up!
For this year’s Venice Biennale, the Canadian Pavilion explored the ways modernity was absorbed in the extreme environment of Nunavut, Canada. As Nunavut is the newest, northernmost, and largest territory (with an area of over 2 million square kilometers) in Canada, Lateral Office hoped to shed on light on what Mason White called “modernity at an edge.” Wowing the jury with their research and design, Arctic Adaptaptions: Nunavut at 15 garnered Mason White, Lola Sheppard, Matthew Spremulli, and their team a Special Mention during Saturday’s awards ceremony.
The geographic and cultural “edgeness” of Nunavut is examined over different parts of the exhibition in three mediums: a recent past, a current present and a near future. Matthew Spremulli explained that Arctic Adaptions sought to “look beyond standards” to see how the fundamentals of architecture are impacted in an area like Nunavut. Given the specific and acutely unique challenges to building and designing in an environment that, understandably, resists being colonized by southern models, the curators presented a case for adaptation.
The only Chilean architects selected by Rem Koolhaas to participate in the Collateral Event “Time Space Existence” at the 2014 Venice Architecture Biennale were Ortuzar & Gebauer and Simonetti & Stewart. The architecture firms teamed up to showcase two singular projects – a hotel on stilts and an open plan office building – that mark the beginning of renewal in different neighborhoods. The exhibition, which runs until 23 November 2014, looks at how architects influence our daily existence through our understanding of time and space. To learn more about the Chilean team’s contribution to the event, keep reading after the break.
Every year as the weather gets warmer, millions of visitors flock to music festivals around the world. Fans often have to brave the elements and sleep in tents to attend such events, and if hotel rooms are available they are usually in short supply. However, the B-AND-BEE camping concept may offer a smart alternative.
After nearly eight years of design and construction, what will soon be China’s tallest and the world’s second tallest building has entered into its final phase of construction. Designed by Gensler, the 632-meter (2,073 feet) spiraling Shanghai Tower is now set to be completed in 2015, becoming the centerpiece of the city’s Lujiazui commercial district.
In light of the tower reaching its final phase of construction, Marshall Strabala, the Chief Architect of the building, has unveiled new photos of the construction process. Enjoy these photos as well as a video interview with Strabala on the construction process after the break…
The Guangzhou Bureau of Science and IT has announced the shortlists for two major projects in Guangzhou. The two museum projects – the Guangzhou Museum and the Guangzhou Science Museum, each worth over $160 million – will be the latest in a host of high profile projects in China‘s third-largest city, a list which includes Zaha Hadid‘s Guangzhou Opera House, the 600m tall Canton Tower, IFC Guangzhou by Wilkinson Eyre Architects and the Guangzhou Circle, among others.
The Guangzhou Museum will be located to the West of Lingnan Square near the Canton Tower, while the Guangzhou Science museum will be located to the East. Practices making the two lists include Bjark Ingels Group, Miralles Tagliabue EMBT, TFP Farrells, MAD Architects and Steven Holl Architects. Read on after the break for the complete shortlists.
CurrentSet, one of a number of cloud-based digital apps for managing construction drawings on the go, seeks to foster collaboration among architects, project managers and on-site professionals. Uniquely, the app is offered free of charge before allowing users to add features as and when they require them.
If you didn’t get to see “Made in Europe” — the incredible exhibition presented by The European Commission and the Fundació Mies van der Rohe – during this year’s Venice Biennale, you’re in luck. Though the show officially closed on August 4th, the projects featured in exhibition can now be viewed online.
Showing an unparalleled examination of the development in European architecture over the past 25 years, the exhibition drew on the continent’s largest collection of documents (more than 2,500 projects and 230 original models) on contemporary architecture. On the site, you can sort and view projects by location, program, and author. Don’t miss out on the opportunity to take advantage of this remarkable resource!
To learn more about this exhibition (and the symposium that accompanied it), click here. After the break, see a full gallery of exhibition. Also, don’t miss ArchDaily’s coverage of the European Union Prize for Contemporary Architecture – Mies van der Rohe Award.
The sky is not always the limit when it comes to building vertically – rather, elevator technology is often the restricting factor when it comes to skyscraper height. With current technology, a single elevator can travel approximately 500m before the weight of the rope becomes unsupportable. This means that ascending a mile-high (1.6km) tower would require changing elevators up to 10 times. However, UltraRope, a recently unveiled technology by Finnish elevator manufacturer KONE, may change the heights of our cities. A new hoisting technology that will enable elevators to travel up to one kilometer, UltraRope doubles the distance that is currently possible.
In an article for The Guardian, “The new lift technology that will let cities soar far higher,” Rory Hyde looks at the current limitations of elevator technology, how its development over the years has shaped our cities and the impact that UltraRope could have skyscraper design. Read the whole piece, here.