The inaugural Dwell Vision Award, designed to “celebrate excellence in innovation and skill in the fields of architecture or interior design,” has been awarded to New York based Amanda Schachter and Alexander Levi of SLO Architecture for “Harvest Dome 2.0″. According to Dwell, “the gigantic Harvest Dome structure, made from recycled materials, captured the imagination of the judges by emphasizing the human connection to nature and New York’s waterways, often overlooked by the urban population.”
In a profession all-too-often associated with and dominated by men, women have begun to carve a space for themselves in the architecture world – but still few are recognized as they deserve.
So Alice Shure and Janice Stanton, the founders of Amici Productions LLC, began work on a new documentary, Making Space: a visual register for future generations of architects that will document what is changing in architecture today and how these changes are affecting women.
After interviewing over 30 architects, Shure and Stanton selected five women, five “rising stars” to hi-light. The documentary will show their day-to-day lives as well as tell the stories of how they achieved success.
Thanks to a recent Kickstarter campaign, this project will soon be a reality. But to get your sneak peek into these five female pioneers, read on after the break.
On Friday, one of the strongest storms ever to hit land left 660,000 Filipinos homeless, with countless more desperately needing basic supplies to survive.
In the wake of catastrophe wrought by Typhoon Haiyan in the Philippines, the American Institute of Architects (AIA) and Architecture for Humanity are calling for immediate help as survivors face severe shortages of food, water, shelter and medical supplies.
Both organizations will be aiding local volunteers to help rebuild in the coming days and weeks. Through speaking with local stakeholders and construction professionals, they are working to begin understanding the on-the-ground situation to prioritize rebuilding needs and help affected regions build back better and stronger. Relief and reconstruction, however, cannot happen without your support. Learn how you can send aid to typhoon victims today after the break.
MoMA P.S.1 has announced five finalists to compete in the 2014 Young Architects Program (YAP). Now in it’s 15th edition, the competition will challenge a group of emerging architects to design a temporary installation within the walls of the P.S.1 courtyard for MoMA’s annual summer “Warm-Up” series.
The 2014 shortlist includes Collective-LOK (Jon Lott of PARA-Project, William O’Brien Jr. of WOJR, & Michael Kubo of over,under; NY, MA), Fake Industries Architectural Agonism (Cristina Goberna & Urtzi Grau; NY), LAMAS (Wei-Han Vivian Lee & James Macgillivray; Ann Arbor, Toronto), Pita + Bloom (Florencia Pita & Jackilin Hah Bloom; Los Angeles), and The Living (David Benjamin; NY). The winners will be announced in early 2014.
The Council on Tall Buildings and Urban Habitat (CTBUH) has official ruled Skidmore, Owings & Merrill’s One World Trade Center (1WTC) as the tallest building in the United States. The decision comes after a long debate questioned whether or not the tower’s 408 foot spire should count towards its overall height.
As CTBUH explained: “Due to design changes that resulted in the removal of the architectural cladding around the mast at the top of the structure, it became unclear whether the structure was in fact a ‘spire’ – a vertical element that completes the architectural expression of the building and is intended as permanent, or whether it was an antenna – a piece of functional-technical equipment that was subject to change.”
Eight teams have been selected to participate in the second stage of an international competition to masterplan a new financial center west of “New Moscow”. Located in Rublyovo-Arkhangelskoye, the 460 hectare mixed-use development will include the construction of offices, housing and hotels, as well as commercial and social infrastructure.
The 8 shortlisted teams are:
Northwestern University has unveiled three final proposals that are in the running to replace Bertrand Goldberg’s Prentice Woman’s Hospital, which is currently being demolished in Chicago after a long, high-profile preservation battle. The shortlisted architects – Goettsch Partners and Ballinger, Perkins + Will, and Adrian Smith + Gordon Gill Architecture and Payette – have each proposed a two-phased plan for the 600,000 square-foot Biomedical Research Building, which is intended to become a “world-class research and development enterprise” that serves as an “anchor” for the Feinberg School of Medicine’s research facilities.
View the shortlisted proposals after the break…
The search is over: DIALOG and Snøhetta have been selected from a shortlist of four to design a new central library in the Canadian city of Calgary. Planned for a prime location adjacent to City Hall, the 280,000 square foot “landmark” will “strengthen the fabric of community life by weaving East Village, the original heart of Calgary, back into the story of Centre City.” Once complete in 2018, the new library will serve over 140,000 workers and students who travel downtown every day.
Although university is meant to be a place of educational exploration, paths, particularly for architects and designers, tend to be extremely prescribed. In “Notes from the Dean,” originally published in Metropolis Magazine, Executive Dean Joel Towers describes how the Parsons New School for Design is pioneering a new design program that is more reflective of modern design approaches: “The world has changed; the role of design has changed. And the way that designers are taught to engage with the world must change, too.”
Every generation is presented with challenges specific to its time and place. We live in a world changing in ways that were unimaginable at the beginning of the Industrial Revolution, when design education first began to take shape. Technology (aided and abetted by design), advances in scientific knowledge, and shifts in social and cultural norms shaped design in the twentieth century. Our problems today involve more complex and interconnected systems—climate, cities, resources, networks, flows—and call for a new paradigm. Design in the twenty-first century is of critical importance in both addressing these challenges and transforming them into opportunities to remake the world around us. To do so, design education must change.
Design schools have traditionally adhered to a model that builds programs based on a foundation year, a well-defined and contained introduction to the basics of material, form, and color. And while that foundation is an important cornerstone of design education, it leaves little room for the more exploratory methods of cross-disciplinary and technology-based learning, and for understanding and applying design in the context of the larger world. That old model needs to evolve to reflect design’s enhanced role as a catalyst for innovation and creativity.
In this article on Fast Company, seven leading architects in the field of designing for disaster – including Peter Gluck, Michael Manfredi, and principals of James Corner Field Operations and Snøhetta – give their take on what lessons Hurricane Sandy, one year on, has taught us. Their responses raise a number of issues, but above all share one common theme: urgency.
54 years after the death of Frank Lloyd Wright, Florida Southern College, home to the largest collection of Frank Lloyd Wright buildings in the world, opened another structure designed by the famed architect last Friday. Originally called the Usonian house, it was envisioned as a professor’s home in 1939 but wasn’t built until this year using blueprints left by Wright.
A total of 68 entries from across the globe representing 14 countries on 5 continents were narrowed down to 4 ﬁnalists and 4 honorable mentions in July by the First Round jury consisting of Phil Anzalone, Maria Mingallon, Gregg Pasquarelli, Randy Stratman, and Skylar Tibbits. The Second Round juried by James Carpenter, Neil Denari, Mic Patterson and William Zahner conferred and selected from the ﬁnalists 3xLP. All four ﬁnalists were exhibited at the ACADIA Adaptive Architecture Conference at the University of Waterloo in October, 2013.
In a recent article for the Seattle Daily Journal of Commerce, Barney Mansavage champions the idea of transforming STEM into STEAM (Science, Technology, ART, and Mathematics). He argues that overlapping science and art helps launch cross-disciplinary conversations and relationships, and in turn, promote experimentation; he thus suggests that educational spaces be designed to bring these fields together. Check out the article here, and more about the TED talk that inspired it, here.
Morocco will host its first pavilion at the 2014 Venice Architecture Biennale. Curated by the Foundation FADA’ (Fondation pour l’Art, le Design, et l’Architecture) and directed by architect Tarik Oualalou, the concept for the Moroccan pavilion will be based upon Morocco’s role as an urban and architectural laboratory in the twentieth century. The project, entitled “Fundamental(ism)s,” will be organized in two parts:
OMA’s CCTV Headquarters in Beijing, ArchDaily’s 2012 “Building of the Year,” was deemed “Best Tall Building Worldwide” by the Council on Tall Buildings and Urban Habitat (CTBUH). Selected from a shortlist of four deserving skyscrapers, CCTV was awarded “best” due to its “unusual take on skyscraper typology.”
The jury stated: “Instead of competing in the race for ultimate height and style through a traditional two-dimensional tower soaring skyward, CCTV’s loop poses a truly three-dimensional experience, culminating in a 75-meter cantilever.”
Since Hurricane Sandy struck New York, much has been made of “green infrastructure” and its potential to defend cities against waves and floods. Now though, two articles, from the New York Times and Grist, claim that green infrastructure would actually protects us very little. But, since engineered “gray” solutions, such as storm-walls, also have their limitations (namely just moving the surge elsewhere), it seems the solution is a combination of both “gray” and “green” (moving the surge to where it can safely release its energy). Read the original articles here and here.