Gort Scott, in collaboration with developer Pocket Living, has secured planning permission to build 45 affordable “Pocket” apartments on the site of an unused office building in Walthamstow, England. In an effort to produce highly-sought-after living space in the heart of the city, the design features three- and four-story elements that complete the terrace in the rear of the existing building, filling the gap between neighboring developments.
Inspired by the legacy of the William Morris School that previously occupied the site, as well as by the Warner Houses typical to the city, the exterior of the project will be characterized by a decorative fletton type red brick and precast concrete.
Manila Architecture Workshop (MAAW) was just awarded one of six outstanding entries to the recently completed Metrobank Art and Design Excellence (MADE) programs for Architecture and Interior Design. In partnership with the United Architects of the Philippines and BluPrint Magazine, MADE encourages architects to design inventive buildings that address public, economic, and environmental issues.
French studio Lacaton & Vassaland Chilean studio UMWELT have been revealed as the recipients of the 2016 Lisbon Architecture Triennale's Lifetime Achievement Award and Début Award, respectively. An award ceremony will take place on the 15th November 2016 at the Centro Cultural de Belém (CCB), followed by a conference convened by Anne Lacaton and Jean-Philippe Vassal.
Berkeley-based TLS Landscape Architecture has won the Lion Mountain Park Design competition in Suzhou, China, corresponding to the Chinese government's new Urban Work Guidelines. The guidelines prioritize ecological and urban development, as well as rejuvenation of local character in public spaces. Lion Mountain Park will be the first large-scale public project to be constructed according to these values, envisioned as the core of a new urban ecosystem complex.
181 Fremont—which will become the third tallest structure in San Francisco and the most resilient tall building on the West Coast of the U.S.—has been awarded the REDi™ Gold Rating, a new earthquake resilience rating. The building was designed by San Francisco-based Heller Manus Architects.
The 56-story mixed-use tower, built above five basement levels, is being constructed in compliance with a new set of holistic design and planning guidelines—the Resilience-based Earthquake Design Initiative (REDi Rating System)—that allow it to withstand the impact of a 475-year seismic event (roughly a M7.5-M8.0 earthquake on the San Andreas Fault) with minimal disruption.
Developed by Arup with contributions from external collaborators, the REDi™ system outlines design and planning criteria within a resilience-based framework, creating a system that not only considers occupant safety but also takes into account the future of the building after an earthquake.
FXFOWLE has unveiled their design for a new Statue of Liberty Museum on Liberty Island in the New York Harbor. Set into a new landscape and lighting plan, the 26,000 square foot (2,415 square meter) museum will feature an exhibition experience by ESI Design, giving the island’s 4.3 million yearly visitors an opportunity “to learn about and honor the Statue’s history, influence, and legacy in the world.”
For centuries before the invention of screws and fasteners, Japanese craftsmen used complex, interlocking joints to connect pieces of wood for structures and beams, helping to create a uniquely Japanese wood aesthetic that can still be seen in the works of modern masters like Shigeru Ban.
Up until recent times, however, these techniques were often the carefully guarded secrets of family carpentry guilds and unavailable for public knowledge. Even as the joints began to be documented in books and magazines, their 2-dimensional depictions remained difficult to visualize and not found in any one comprehensive source.
That is, until a few years ago, when a young Japanese man working in automobile marketing began compiling all the wood joinery books he could get his hands on and using them to creating his own 3-dimensional, animated illustrations of their contents.
BIG’s planned residential complex along the High Line in New York has gone through multiple iterations since its unveiling last November. Now, in its latest form of two twisting towers rising from a split podium, the project is receiving a new name and key program piece.
The winners of the 2016 Restaurant & Bar Design Awards have been announced. Now in its eighth year, the global competition seeks the best of food and beverage spaces, and “covers every imaginable space, from ships to airports, museums to burger vans, and from revered Michelin-starred establishments to the fleeting dynamism of pop-ups.”
This edition of the annual Awards attracted 1,000 entries from the UK and 70 other countries, and was judged by a panel of influential design personalities.
The winners of the 2016 Restaurant & Bar Design Awards are:
Designed as a free public gallery to house artist Damien Hirst’s private art collection, Caruso St John’s scheme sandwiches three restored Victorian-era industrial buildings between two new structures, one of which features a distinct saw-tooth roof.
"This highly accomplished and expertly detailed art gallery is a bold and confident contribution to the best of UK architecture. Caruso St John’s approach to conservation is irreverent yet sensitive and achieves a clever solution that expresses a poetic juxtaposition of old and new," said the jury in their citation.
OMA has released new images of their design for Axel Springer’s business and digital division, in Berlin, Germany. One of the largest digital publishing houses in Europe, Axel Springer officially launched the project to celebrate the 50th anniversary of the company’s publishing building.
JCJ Architecture and Leong Leong have unveiled their design for the Center for Community and Entrepreneurship, a new mixed-use community building for the non-profit organization, Asian Americans for Equality (AAFE), which will be located in Flushing, Queens, New York. Upon completion, the building will span 90,000 square feet over seven stories at the corner of College Point Boulevard and 39th Avenue.
Inspired by AAFE’s mission to enrich the lives of Asian Americans and others in need throughout New York City, the design is modeled using a progressive building form following the concept of holding hands in interweaving fingers.
Born in the small Swiss city of La Chaux-de-Fonds, Charles-Édouard Jeanneret-Gris—better known by his pseudonym Le Corbusier (October 6, 1887 – August 27, 1965)—is widely regarded as the most important architect of the 20th century. As a gifted architect, provocative writer, divisive urban planner, talented painter, and unparalleled polemicist, Le Corbusier was able to influence some of the world’s most powerful figures, leaving an indelible mark on architecture that can be seen in almost any city worldwide.
Designer and architect Neri Oxman and the Mediated Matter group have announced their latest design project: the Synthetic Apiary. Aimed at combating the massive bee colony losses that have occurred in recent years, the Synthetic Apiary explores the possibility of constructing controlled, indoor environments that would allow honeybee populations to thrive year-round.
On Friday, September 30, 2016, the US Fish and Wildlife Service added seven species of bees to the Federal Endangered Species list, after a UN-sponsored report released in February found that nearly 40 percent of invertebrate pollinator species (which includes bees and butterflies) are now facing extinction. Bees play a vital role in the reproductive cycle of many plants, including those used for human food production, and according Mediated Matter, losses continuing at these rates could have dire impacts for both human and environmental well-being.
2016 New York State Firm of the Year WXY Architecture + Urban Design has been commissioned to masterplan and develop a 130-acre former shipyard into a modern “innovation district” featuring flexible workspaces and a modern maker hub at Kearny Point, New Jersey. Working with owner Hugo Neu, WXY’s plan calls for the adaptive reuse of several former maritime industry buildings that once served as factories for warships.
At the age of just 21 and while she was still finishing her undergraduate degree at Yale, Maya Lin (born October 5, 1959) won the design competition for the Vietnam Veterans Memorial in Washington DC. The memorial went on to become among the most recognizable designs in the world, and heralded a sea change for memorial design, breaking with classical conventions and dramatically changing the discourse of a typology.
The competition to design a new flagship factory and bottling plant for San Pellegrino has been narrowed down to two firms: BIG and MVRDV. Searching for a “truly innovative project that not only conveys an artistic vision, but also sets new standards in terms of efficiency and compliancy to environmental sustainability,” the jury committee selected the two final proposals from a 4-firm list which also included designs from Snøhetta and aMDL Michele De Lucchi.
“The judging committee were so impressed by the four proposals that they decided to narrow their selection to a shortlist of two and deliberate further before announcing the winning project early next year,” explained San Pellegrino in a press release.
UNStudio has designed the final portion of a 225,000 square meter (2,420,000 square foot) urban plan for the district of Oosterdokseiland in the city center of Amsterdam. Located at the tip of the island, the last sub-plan will consist of a lively social hub and 72,500 square meters (780,000 square feet) of public facilities, apartments and office space for Amsterdam-based company Booking.com.
“The design for this fully integrated new urban campus is envisioned as a highly multifunctional living and working environment, enriched with special amenity and public programmes,” said UNStudio Founder Ben van Berkel. “The urban gesture of the building weaves together with the existing streets, while the east side of the building will become a recognisable emblem for Oosterdok.”
The Arkansas Arts Center has selected five top architecture firms to compete for the design of a $55 million to $65 million museum expansion project in Little Rock, Arkansas. The project will include a renovation to existing theater and studio spaces, as well as new education facilities for families and gallery space to house the museum’s expanding art collection.
An advisory panel and selection committee named the finalists following a RFQ process featuring 23 local and international firms.
The MIT School of Architecture’sSelf-Assembly Lab has teamed up with Google to create Transformable Meeting Spaces, a project that utilizes woven structure research in wood and fiberglass pods that descend from the ceiling, transforming a large space into a smaller one. Designed as a small-scale intervention for reconfiguring open office plans—which “have been shown to decrease productivity due to noise and privacy challenges”—the pods require no electromechanical systems to function, but rather employ a flexible skeleton and counterweight to change shape.
This skeleton is composed of 36 fiberglass rods, which are woven together into a sort of textile or cylindrical braid. Thus, the structure behaves “like a Chinese finger trap: The circumference of the pod shrinks when it’s pulled, and expends when relaxed.”
In Hidden Dimension, Boston-based Russian photographer Anna Yeroshenko converts a series of architecture photographs into three-dimensional structures. The work is intended to transform the viewer’s perspective of forgettable utilitarian buildings and encourage a closer look at the physical and social impacts of the built environment on our everyday lives.
The 2016 MPavilion, designed by Indian architect Bijoy Jain of Studio Mumbai, has opened in Melbourne’s Queen Victoria Gardens. Over the next four months, the bamboo structure will play host to a free public program of over 400 talks, workshops, performances and installations.
Bijoy Jain’s design joins the growing international trend of “handmade architecture” as it becomes the largest bamboo structure in Australia, utilizing 7 kilometers of Indian bamboo, 50,000 kilograms of Australian bluestone, 5,000 wooden pins and 26 kilometers of rope to cover a 16.8 square meter area. The slatted roof panels are constructed from sticks of the Karvi plant and were woven together by craftspeople in India over a four month period.