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Norman Foster on the Boeing 747 "Jumbo Jet"

07:00 - 10 June, 2016
Norman Foster on the Boeing 747 "Jumbo Jet", The first public display of the Boeing 747 (30 September 1968). Image © SAS Scandinavian Airlines
The first public display of the Boeing 747 (30 September 1968). Image © SAS Scandinavian Airlines

In an article for Reading Design, Norman Foster—a passionate aeronaut—describes how the groundbreaking design of the Boeing 747 "Jumbo Jet," the iconic airplane envisioned by engineer Joseph "Joe" Sutter in the 1960s, remains timeless. Likening both its method of construction and means of operation to that of a typical building, Foster asserts that it speaks of "the international hotel style," which he supposes as appropriate: "people come and go, it does not have a great deal of character and it could be almost anywhere."

From Chile to the World: Reporting From the Venice Biennale 2016

06:00 - 10 June, 2016
Grupo Talca. Image © Laurian Ghinitoiu
Grupo Talca. Image © Laurian Ghinitoiu

In early March, at the Presidential Palace in Chile, a never before seen event took place for Chilean architecture. Architects, government officials as well as the media gathered for the first Venice Biennale press conference to be held in Spanish.

As the first South American selected to curate the Biennale, Alejandro Aravena was excited as he delivered the latest news on “Reporting from the Front,” the XV International Architecture Exhibition at the Venice Biennale, which opened its doors to the public on May 28:

“The Biennale, the invited architects, as well as the curators, did not intend to do anything other than open a debate in which architecture can be used to improve quality of life through the sharing of knowledge. This debate holds more significance since we are speaking at the Presidential Palace because it conveys the message that these issues are important. Thank you so much for the opportunity and the chance to be here.”

The President’s presence at an event like this is a symbol that consolidates a chapter of progress and achievements in Chilean architecture. In the last two decades, Chilean architecture has positioned itself in the world as a force to be recognized, and Chilean architects are now obtaining international recognition, which would have been unimaginable a few years ago.

Iwan Baan Photographs Steven Holl's Nelson-Atkins Museum for Its Ninth Birthday

16:00 - 9 June, 2016
Iwan Baan Photographs Steven Holl's Nelson-Atkins Museum for Its Ninth Birthday, © Iwan Baan
© Iwan Baan

Today marks the ninth anniversary of the opening of the Steven Holl Architect’s Bloch Building for the Nelson-Atkins Museum of Art. To commemorate the occasion, Iwan Baan has visited the project to show how it has settled into place on the museum’s campus, become an architectural icon for Kansas City, and continues to shine as one of Steven Holl's most recognized projects.

© Iwan Baan © Iwan Baan © Iwan Baan © Iwan Baan +25

OMA, MLA, and IDEO Selected to Design New Park for Downtown Los Angeles

13:01 - 9 June, 2016
OMA, MLA, and IDEO Selected to Design New Park for Downtown Los Angeles, Courtesy of OMA
Courtesy of OMA

The City of Los Angeles has selected landscape architects Mia Lehrer + Associates (MLA) with partners OMA and IDEO to design a new public park at First and Broadway in downtown LA. Located across from Los Angeles City Hall, the new development, to be known as “FAB Park,” will connect into the existing Grand Park, turning the area into one of the city’s most important civic spaces.

BIG and Lacaton & Vassal Lead Shortlist for Museum of London's Future Home at West Smithfield

12:30 - 9 June, 2016
BIG and Lacaton & Vassal Lead Shortlist for Museum of London's Future Home at West Smithfield, Courtesy of Malcolm Reading Consultants
Courtesy of Malcolm Reading Consultants

The Museum of London has released a shortlist and designs for the West Smithfield International Design Competition, organized by Malcolm Reading Consultants. The site, which will be the museum’s future home after outgrowing its place at the Barbican, is part of London’s Smithfield Market and includes the Smithfield General Market building, the Fish Market, the Red House and the Engine House. Welcoming over a million annual visitors at its current home, the museum’s new facility would allow attendance to double and enable the display of never-before-seen artifacts from the historic collection. The competition was funded by the Mayor of London through a £200,000 grant.

RIBA to Open New National Architecture Centre in Liverpool

06:00 - 9 June, 2016
RIBA to Open New National Architecture Centre in Liverpool, Courtesy of Broadway Malyan, ©Walter Menzies
Courtesy of Broadway Malyan, ©Walter Menzies

The Royal Institute of British Architects (RIBA) will open a new national architecture centre, RIBA North, in Liverpool this August. The centre will house an exhibition gallery, a conference and event space, a cafe and a shop, and aims to build upon the Waterfront location’s status as a lively cultural destination.

MoMA Announces a Major Retrospective to Commemorate Frank Lloyd Wright’s 150th Birthday

16:30 - 8 June, 2016

Today, the Museum of Modern Art in New York announced a major retrospective of Frank Lloyd Wright's work to be displayed in 2017, commemorating 150 years since the architect's birth. Opening next June, the exhibition will feature approximately 450 works spanning Wright’s career including architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, photographs, and scrapbooks, along with several works that have rarely or never been shown publicly.

Interview with the Curators of the Golden Lion Awarded Spanish Pavilion at the 2016 Venice Biennale

14:45 - 8 June, 2016

This video is part of a partnership between ArchDaily and the Spanish photographer Jesús Granada. Granada's stock images of the Biennale can be obtained on his website, here. ArchDaily’s complete coverage of the 2016 Biennale can be found, here; with coverage focused on the Spanish Pavilionhere.

In an interview conducted by Jesús Granada, the curators of this year’s Spanish Pavilion at the 2016 Venice Biennale, Iñaqui Carnicero and Carlos Quintáns, discuss their reasoning and intentions for the Golden Lion awarded national pavilion’s design. Titled “Unfinished,” Quintáns describes the project’s influence as “the detection of reality that we show only through photography, of what happened (in Spain) after the housing bubble, first the real estate boom and then the crisis, and how we can offer solutions thanks to the many talented architects of the many projects which have been realized in Spain and have been partially obscured.” The pavilion answers Director Alejandro Aravena’s call for national pavilions that identify domestic responses to architectural dilemmas that could be the solutions for other places facing similar issues.

LifeObject: Inside Israel's Pavilion at the 2016 Venice Biennale

12:00 - 8 June, 2016
LifeObject: Inside Israel's Pavilion at the 2016 Venice Biennale, © Laurian Ghinitoiu
© Laurian Ghinitoiu

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show. Here, Arielle Blonder, one of the curators (along with Dr. Ido Bachelet, Bnaya Bauer, Dr. Yael Eylat Van-Essen and Noy Lazarovich) of the Israeli Pavilion, gives us an insight into one of the exhibited works in the pavilion: LifeObject, "a freestanding structure inspired by a 3D scan of a bird's nest." The essay was originally published in LifeObject: Merging Biology and Architecture.

Gallery: Frank Lloyd Wright's Solomon R. Guggenheim Museum by Laurian Ghinitoiu

10:00 - 8 June, 2016
Gallery: Frank Lloyd Wright's Solomon R. Guggenheim Museum by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

The Solomon R. Guggenheim Museum, which opened in 1959, was controversial for being “less a museum than it is a monument to Frank Lloyd Wright.” Although Wright intended to display paintings on the curved interior walls of the central open space, the concave walls made it unworkable. Instead, the central atrium became a place for procession and the uncovering of space through movement. The continuous ramp overlooking the atrium allows people to interact from different levels.

Photographer Laurian Ghinitoiu places people at the core of his photography which perhaps explains how, in this photoset of the Guggenheim Museum to mark Wright's 149th birthday, he captured the essence and vitality of the Guggenheim Museum. While some images depict the museum’s atrium as a place for passing-by, wandering or socializing, others grasp the growing influence of photography and self-representation on visitors’ experience. Some shots also show the building in its urban context with people involved in daily life activities.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +30

Architecture as a Means of Synthesis – Monocle Films Report from the 2016 Venice Biennale

04:00 - 8 June, 2016
Architecture as a Means of Synthesis – Monocle Films Report from the 2016 Venice Biennale, Both the opening rooms of Biennale Architettura 2016 – at the Central Pavilion at Giardini and at Arsenale - were built with the 100 tons of waste material generated by the dismantling of the previous Art Biennale: 10,000m2 of gypsum board, 14km of metal studs. Image © Andrea Avezzù
Both the opening rooms of Biennale Architettura 2016 – at the Central Pavilion at Giardini and at Arsenale - were built with the 100 tons of waste material generated by the dismantling of the previous Art Biennale: 10,000m2 of gypsum board, 14km of metal studs. Image © Andrea Avezzù

"Scrutinizing the horizon and looking for a new perspective" is what Alejandro Aravena has encouraged in the 2016 Venice Biennale, Reporting From the Front. "[He] has staged one of the most socially charged Biennales," Gillian Dobias reports, by "exploring the different ways that design can add value." In this, the first of two film reportages from the Biennale, Monocle talks to Aravena about his hopes for stimulating the debate on improving quality of life in the built environment, and tour the Central Pavilion and the Arsenale to uncover what's on show.

NLÉ's Makoko Floating School Reportedly Collapses Due to Heavy Rain

18:11 - 7 June, 2016
NLÉ's Makoko Floating School Reportedly Collapses Due to Heavy Rain, via NAIJ.com
via NAIJ.com

As reported by Nigerian news website NAIJ.com, the celebrated Makoko Floating School, designed by Nigerian architect Kunlé Adeyemi of NLÉ, has collapsed after heavy rain battered the city of Lagos. Photographs show the roof of the school still largely in tact, but sitting directly on top of the building's floating base of 256 plastic drums, as the lower levels and supporting structure appear to have failed completely.

This article has since been updated (June 8 2016) with a statement from NLÉ.

Gallery: The Serpentine Pavilion and Summer Houses Photographed by Laurian Ghinitoiu

17:40 - 7 June, 2016
Gallery: The Serpentine Pavilion and Summer Houses Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Earlier today, the 17th Serpentine Gallery Pavilion was unveiled with a press preview ahead of its public opening this Friday. With its 13-meter tall "unzipped wall" of square fiberglass tubes, the pavilion is an impressive presence in Hyde park, standing next to the single-story Serpentine Gallery. As described by Bjarke Ingels in his design statement, the pavilion is all about its visual effects from various angles - going from an expansive, transparent rectangle when viewed from the side, and an opaque, curving sculptural shape when seen from either end.

With so much visual intrigue, the project offers plenty to be explored through photography - and accordingly, photographer Laurian Ghinitoiu was there at the opening to investigate the project's visual effects. He also captured the pavilion's neighboring Summer Houses, by Kunlé Adeyemi of NLÉ, Barkow Leibinger, Yona Friedman and Asif Khan. Read on to see the gallery.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +72

Pezo von Ellrichshausen's Vara Pavilion at the Venice Biennale is a Maze of Circular Forms

16:20 - 7 June, 2016
Pezo von Ellrichshausen's Vara Pavilion at the Venice Biennale is a Maze of Circular Forms, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Pezo von Ellrichshausen’s Vara Pavilion for the 2016 Venice Biennale is described by the architects as “a series of exteriors within other exteriors.” Breaking down this crypticness, what emerges is a maze-like complex of circles – ten of them – formed with steel, cement, and painted plaster, which collectively create a series of walls, but no roof, thus forming a pavilion that is open to the elements from above. The 324 square meter pavilion’s title, “vara,” refers to an imprecise and obsolete Spanish unit of measurement, that was employed during the country’s conquering of America to trace and measure cities. Each of circles of the Vara Pavilion is a diameter of the unit, ranging from two to eleven.

OMA's Fondaco dei Tedeschi Department Store is Revealed in Venice

14:15 - 7 June, 2016
OMA's Fondaco dei Tedeschi Department Store is Revealed in Venice, Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti
Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti

OMA’s long-awaited conversion of the 16th century Fondaco dei Tedeschi as a department store is finally complete in Venice. The project was commissioned by Edizione S.r.l., the Benetton family's holding company, in 2009, and will bring comprehensive changes to one of the city’s largest and most recognizable buildings. The Fondaco was first begun in 1228 and is located at the foot of the Rialto Bridge, across from the fish market. With many past lives, it was first used as a trading post for German merchants, later as a customs house under Napoleon, and in the twentieth century, as a post office under Mussolini. Despite numerous and radical structural changes, the building was listed as a 'Monument' in 1987, restricting further alterations.

Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti Courtesy of OMA, Photograph by Delfino Sisto Legnani and Marco Cappelletti +30

BIG's 2016 Serpentine Pavilion Opens Alongside 4 Summerhouses

12:50 - 7 June, 2016
BIG's Serpentine Pavilion. Image © Iwan Baan
BIG's Serpentine Pavilion. Image © Iwan Baan

The 2016 Serpentine Pavilion, designed by BIG, has today been unveiled at the Serpentine Gallery in Hyde Park, London. The design consists of an "unzipped wall" in which a straight line of tubular fiberglass bricks at the top of the wall is split into two undulating sides, housing the program of the pavilion. For the first time, the 2016 Serpentine Pavilion is also accompanied by four "summerhouses" designed by Kunlé Adeyemi, Barkow Leibinger, Yona Friedman and Asif Khan. The Pavilion and summerhouses will open to the public later this week, on June 10th, and will be in place until October 9th. Read on to find out more about all five designs.

Kunlé Adeyemi's Summerhouse. Image © Iwan Baan Barkow Leibinger's Summerhouse. Image © Iwan Baan Yona Friedman's Summerhouse. Image © Iwan Baan Asif Khan's Summerhouse. Image © Iwan Baan +17

OMA Selected for Buffalo's Albright-Knox Art Gallery Expansion

12:15 - 7 June, 2016
OMA Selected for Buffalo's Albright-Knox Art Gallery Expansion, Courtesy of OMA
Courtesy of OMA

Buffalo’s Albright-Knox Art Gallery has selected OMA to expand and refurbish the historic museum and its campus. The project team is being lead by OMA New York’s Principal, Shohei Shigematsu, who will spend the next year in partnership with the museum and in consultation with the community on how to renew and revitalize the august institution. Known as AK360, the building will be OMA’s first art museum project in the United States, and the Albright-Knox’s first expansion in more than a half-century. According to the museum, the project’s name is a reflection on this being the institution’s third expansion in its 154-year history, in addition, it establishes an embrace of public feedback and the acknowledges the condition of being encircled by parkland.

Phyllis Lambert Receives the 2016 Wolf Prize for the Arts in Israel

16:15 - 6 June, 2016
Phyllis Lambert Receives the 2016 Wolf Prize for the Arts in Israel, Phyllis Lambert receiving the Wolf Prize for the Arts, with Israeli President Reuven Rivlin. Image © Oded Antman
Phyllis Lambert receiving the Wolf Prize for the Arts, with Israeli President Reuven Rivlin. Image © Oded Antman

Phyllis Lambert, architect and Founding Director Emeritus of the Canadian Centre for Architecture (CCA), has been announced as the winner of the 2016 Wolf Prize for the Arts. Awarded by the Wolf Foundation in Israel on June 2, the architect was cited for six decades of championing innovations in building design, for her preservation and regeneration efforts with significant historical works, and for her leadership the field of architectural research.