Pabellón_Centro Raíz_Global Woods . Image Cortesía de Mextrópoli
For the ninth time, the MEXTRÓPOLI Architecture and City Festival held the Arquine Competition No. 25 | MEXTRÓPOLI 2023 Pavilion, a platform where architecture, urbanism, and art converge to contemplate and celebrate Mexico City. The event also aims to engage the public by occupying public spaces with architectural pieces that can be activated by visitors. Celebrating public spaces or offering a different perspective on the places routinely traversed is the reason MEXTRÓPOLI showcases these ephemeral architectural pieces.
In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.
While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.
Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.
A simple walk in the park will relax even the most tightly wound individual. But what about the places where people spend far more of their time, such as schools, office buildings, and hospitals? What role can design play in incorporating nature into those environments? And at what additional cost? Bill Browning has published a book—The Economics of Biophilia: Why Designing With Nature in Mind Makes Financial Sense, 2nd Edition (written with Catie Ryan and Dakota Walker)—arguing that the cost of bringing nature into building projects isn't prohibitive but additive. An environmental strategist with a long history in green building, Browning is one of the founding partners (with architects Bob Fox and Rick Cook) of the sustainable design consultancy Terrapin Bright Green. Recently I talked with Browning about biophilic design—and, because he was a founding member of the U.S. Green Building Council's board of directors, about the strengths and shortcomings of the LEED rating system.
As the world grapples with the effects of climate change, natural disasters like flooding, and the spread of incontrollable wildfires are increasingly threatening cities and inhabitants. While architecture and urban planning cannot prevent these occurrences, they still possess strategies to minimize the damage associated with these events and help protect the citizens. Unfortunate events over the course of last year, like the earthquake that hit central Turkey and north-west Syria this February or the more recent earthquake in western Afghanistan, the flooding and dam failures in Libya, and the wildfires that devastated the city of Lahaina, Hawaii, demonstrate the urgency of implementing preventative and mitigation measures in addition to creating procedures for emergency intervention. This article explores the strategies and resources available to architects and urban planners to address these challenges in three types of natural disasters: flooding, wildfires, and earthquakes.
Architectural studio Parabase has been chosen for the development of several plots of Areal Walkeweg in Basel for the purpose of creating affordable apartments and an integrated migration center. The design solution, titled “Elementa,” reuses components from deconstructed cantonal properties, transforming the former columns and floor plates into walls and façade elements. The project was chosen following an open competition, where the international jury favored Parabase’s solution for its strong aesthetics combined with the creative reuse of prefabricated concrete elements.
Courtesy of Tegmark | Sejong Cultural Center / ZHA
Zaha Hadid Architects has been shortlisted for their proposal for the 2ndSejongCultural Center. The proposal draws inspiration from the surrounding city’s lengthy history as well as future vision. Connecting Yeouido Park to the Han River, the 2ndSejong Cultural Center is embedded within the park's natural landscapes, aiming to become an integral part of the public function in the city within a natural setting, seamlessly connecting indoor and outdoor spaces.
The experience of a space depends on various factors, including its size, lighting, views, temperature, and uniqueness. In essence, multiple architectural elements evoke emotions in individuals, both intentional and unintentional. For architects, alongside considerations like client preferences and project proposals, there exists a formal intention, an aesthetic aspect that aligns with the artistic dimension of their discipline. Striking the right balance between these aspects forms the foundation of architectural thinking. This commitment to balance guides the work of spaceworkers, a firm founded by Carla Duarte, who serves as the financial director, and creative directors Henrique Marques and Rui Dinis.
How can a building be more efficient? It is a concern that architects face on a daily basis, as they try to keep up with the demands of an industry that is increasingly aware of its environmental impact. Today more than ever, there is an effort to design buildings that integrate sustainability, efficiency and thermal comfort, which are fundamental pillars of a healthier built environment.
Having an effective solar control strategy is crucial to achieving a more efficient architecture. In addition to providing solar protection and economic savings, these strategies also carry benefits in terms of aesthetics, acoustics, thermal comfort, durability and maintenance.
How to design livable spaces, making the most of the available square meters? Currently, the design of housing in major urban centers is often linked to finding ways to optimize interior spaces, integrate environments for better lighting and ventilation, and establish a connection with the outdoors. According to the needs of its inhabitants, project requirements, and often construction costs, architecture professionals seek to provide flexibility, spaciousness, and adaptability to spaces through renovations, transformations, and more, which provide good living conditions and consider the possible changes that future generations may have to face.
For the 18th year, the International Architecture Awards has returned to celebrate outstanding architectural achievements globally. Based in Chicago, these awards feature exceptional new buildings, urban planning projects, and landscape architecture of 2023. Additionally, this month, the Chicago Architecture Biennial (CAB 5) is currently taking place in the city. Both the awards and the Biennial attempt to shed light on each country’s architectural, design, cultural, and social trends.
Until October 16, 2023, the second edition of TAC! Urban Architecture Festival will take place in the city of Valencia under the temporary Mediterranean pavilion designed by Manuel Bouzas. Located in the Plaza Músico López Chavarri in the Carmen neighborhood, the pavilion pays homage to vernacular architecture in response to the Mediterranean climate and the role of the Mediterranean shutter, a mechanism that for centuries provided an effective, simple, and lightweight solution for sun protection, allowing habitable spaces to adapt to climatic conditions.
The history of 'neutral colors' is a fascinating journey through the evolution of human aesthetics and design sensibilities. Closely related to the makeup of materials organically found in nature, the color chorus of whites, grays, and earthy brown tones has played a pivotal role in artistic expression, fashion, interior design, and architecture for millenia. From the understated hues of early clay, straw, wood, or brick architectural structures to the now prevalent contemporary interior style, neutral colors have transcended cultural boundaries and continue to hold a special place in our visual landscape – offering a sophisticated elegance and versatility that has stood the test of time.
Exploring materiality, contextuality, and approach, our editors developed thought-provoking articles seeking to question and describe some of the aspects that make any Architecture, a good one.
Discover in this piece a selection of editorial writings that aim to answer this interrogation, grouped under the themes of cities, materials, history, context, and Interior Spaces. Moreover, find at the end an excerpt from the ArchDaily book.
Irene Roca’s “Appropriating the grid” project is born out of the contemporary ruins of our current construction processes. An exploration of the waste that is generated and the legal complexities of discarding this waste awakened a sense of urgency and creativity in the architect, resulting in a collection that molds and re-formulates construction waste into versatile interior design objects.
https://www.archdaily.com/963957/materials-are-being-produced-according-to-fictitious-demand-in-conversation-with-irene-rocaDaniela Porto
Italian Designer and architect Andrea Branzi passed away on October 9, 2023. Born in Florence in 1938, Branzi co-founded the world-renowned architecture studio Archizoon Associati. The studio also consisted of Gilberto Corretti, Paolo Deganello, and Massimo Morozzi, and then were joined by Dario and Lucia Bartolini. Andrea Branzi also played a significant role in establishing the iconic Domus Academy and served as a professor and chairman at the Politecnico di Milano’s School of Interior Design.
In today's fast-paced and highly connected urban environment, people are increasingly realizing the vital importance of nature in improving both our physical and emotional health. This awareness directly impacts the quality of the spaces where people reside. Discussions and studies on topics such as neuroarchitecture and biophilia are becoming more prominent in the field of modern architecture and interior design. These discussions prompt us to think critically about the deliberate and mindful selection of design elements that shape our shared living environments.
In this scenario, the use of materials such as wood, whether in residential, commercial, or corporate environments, has shown positive effects on how we feel and experience the spaces by eliciting a connection with the natural environment, reconfiguring the way we perceive our living and working spaces and how we are affected by them. By incorporating wooden elements, we can create places of greater tranquility that allow us to disconnect from the stress and busyness of urban life.
The priority when it comes to a building’s exterior surface material is durability. Having to literally stand up to the tolls of rainwater, wind, sunlight, temperature fluctuations, and many other weather conditions, we demand a lot of them. On the opposite side of the insulated coin, meanwhile, interior surfaces instead tend to prioritize their finish – with the characterful color, pattern, and texture of materials such as paints, ceramic tiles, or wood panels.
Traditionally, these two worlds, exterior and interior, never need to be met. Opposing requirements, it was thought, need opposing surfaces. But as our external and internal environments continue to collide into a singular typology of simply liveable space, more and more projects both large and small, commercial and private, are taking surface design inspiration from the outside world. Dragging the materials, themes, and the history of facades inside. Here are four recent projects from the Architonic Archive that do just that.
Eva Prats and Ricardo Flores started their Barcelona-based practice, Flores & Prats Arquitectes in 1998 after both worked at the office of Enric Miralles. They overlapped for about one year there, from 1993 to 1994. After her nine-year stint with Miralles, Eva won the EUROPAN III International Housing Competition with a friend. The success that led to a real commission and was going to be built, served as the springboard for starting their independent practice. Shortly thereafter they won another competition. Ricardo joined Eva after working for five years with Miralles. By then they were a couple for three years and decided to start working together. Today they practice out of the same sprawling apartment where Eva’s original studio rented a room along with several other young architects and designers. Even though the office now occupies the entire space—the architects told me they typically employ ten, no more than twelve people—they keep traces and memories of the former “dwellers” alive. Curiously, Eva and Ricardo implement the same strategy in their architectural projects as well.
