The renowned Centre Pompidou in Paris is to open its doors to two living sculptures, embodying the future forms of spatial intelligence. The exhibition, titled “La Fabrique du vivant” [The Fabric of the Living], will feature “H.O.R.T.U.S. XL Astaxanthin.g” by ecoLogicStudio in collaboration with Innsbruck University - Synthetic Landscape Lab, CREATE Group / WASP Hub Denmark - University of Southern Denmark, and "XenoDerma" by Urban Morphogenesis Lab directed by Claudia Pasquero at The Bartlett UCL.

Running from February 20th to April 15th, the exhibition will examine the notion of “living” in a digital era, where new interactions are emerging between the fields of life science, neuroscience, and synthetic biology. Permeating the entire urbanscape, this global, digital apparatus “encompasses miniaturization, distribution, and intelligence of manmade urban networks of in-human complexity, engendering evolving processes of synthetic life on Earth.”

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Six “Winter Stations” have been installed along Toronto’s beachfront, injecting new life into the shoreline during the Canadian city’s winter months. Completed as a result of the annual Winter Stations design competition, the six projects responded to this year’s theme of “Migration,” which sought installations that engaged with “complex social issues that surround humanity’s shaping of our global society, the flight of animals and the exchange of ideas."

Four professional and two student designs were constructed this year along Toronto’s Beach community. Bold structures sitting on the site of lifeguard stations dotted along the beach, the stations have been designed by teams from Mexico, Poland, Boston, and Toronto.

Reiulf Ramstad Architects will inaugurate a new exhibition series “In the World of an Architect” at The Utzon Center, focusing on “architecture and design created in the tension field between local and global.” The exhibition will consist of a number of spatial installations spread across five rooms, setting out the concept of “Nordic” and appreciating the importance of the architects’ standpoint.

Rather than cancel the importance of a regionally-based building tradition in a globalized profession, the exhibition invites a more diverse, nuanced understanding of what it means to be a Nordic architect in a globalized era.

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Milan-based Studio PARE has won a competition for the design of a small concert hall in Valsolda, Lake Lugano, Italy. The competition called for a new space to house the 40-person Valsolda Philharmonic Orchestra, with Studio PARE responding with a scheme inspired by the music box: a mechanical device prevalent in the 19th century which could generate melodies without the need for live musician.

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Turkish practice Melike Altınışık Architects (MAA) has won an international competition for the design of a Robot Science Museum in Seoul, South Korea. Hosted by the Seoul Metropolitan Government, the competition called for a “world first” museum to support public education in robotics, and increase public interest in robots.

The principles of robotics, science, technology, and innovation have shaped all aspects of the scheme’s design, from form and structure to material and operation. The main character of the museum is to “create its own universe for robots and their visitors,” manifesting as a non-directional, fluid, spherical structure.

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Rogers Stirk Harbour + Partners have gained planning permission for the proposed extension and full refurbishment of the Grade II-listed Hammersmith Town Hall in London. A joint venture with Hammersmith & Fulham Council and commercial partners a2Dominion, the scheme seeks to promote “the creation of a new high quality civic mixed-use development” derived from the historic structure.

Through the demolition of a 1970s extension, the scheme will create a new public square that enhances the setting of the existing protected Town Hall, reinstating its presence on Kings Street. The main alternations seek to enhance the existing building through a glass box rooftop extension containing council office space.

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Studio NAB has released details of their proposed Superfarm project, a six-story exercise in indoor urban farming that “focuses its production on the culture of foods with a high nutritional value.” The project is founded on the principles of pragmatic implementation, high-yielding foods, reducing health risks, promoting short circuits, reviving economies, energy self-sufficiency.

The scheme is a response to the projections that by 2050, 80% of the earth’s population will live in urban centers, demanding an area of farmland 20% more than is represented by the country of Brazil. By moving farm systems indoors, Superfarm represents an “ecological transition” that is resilient, human-sensitive, and technologically advanced.

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An iconic piece of architecture recognized around the world, the Sydney Opera House was designed by Jørn Utzon, following a 1956 competition that attracted 222 competition entries. Since its opening in 1973, the building has redefined the ambitions of Australia and only last September celebrated its latest milestone: turning completely carbon neutral.

The history behind the Opera House and its creation is as rich as the architecture itself. In 1956 the New South Wales Government called an open competition for the design of two performance halls, for opera and for symphony concerts, hoping to establish Sydney as a major city. Danish architect Jørn Utzon won the competition with an entry that consisted of a few simple sketches that intrigued the jury.

3XN has designed a new multipurpose arena on the site of the former Olympic cycling track stadium in Munich’s Olympic Park. The Copenhagen-based firm was awarded the contract with German landscape and urban planning firm LATZ+PARTNER to design an 11,500-capacity arena that will serve as the home of German ice hockey champions Munich Red Bulls and German basketball champions FC Bayern Munich.

Manifesting as an oval structure, the sports arena “naturally and respectfully melds into the world-famous Olympic Park with its many iconic buildings.” A green roof combines with a façade of vertical lamellas to allow the scheme to blend with its urban context, with breaks in the lamellas forming glass-paneled entrances.

Construction has begun on MVRDV’s “Downtown One,” a 140-meter-tall mixed-use skyscraper for the Albanian capital city of Tirana. Set to become Albania’s tallest building, the 37-story scheme is defined by its “relief of cantilevered houses and offices, which form a pixelated map of Albania, each representing a town or city.”

Situated in the center of the city, on the Bajram Curri Boulevard, the scheme intends to boost the economy of the capital through a mix of apartments, shops, offices, and restaurants. In addition to manifesting as a map of Albania when viewed from afar, the iconic cantilevers also generate spectacular panoramic views of the city and mountains, and create a connection between residents of this “vertical village.”

In the design of the “Stump House,” situated in the Santa Cruz Mountains of California, Brooklyn-based PARA Project was faced with unique constraints and unique possibilities. With local regulations imposing a 1,200 square foot footprint limit, 40-foot height limit, and provision for an adjoining 1,000 square foot uninhabitable structure, the design team was challenged to fit an extensive live-work space with little margin for maneuver.

In response, the design team, led by Jon Lott, stacked one structure on top of the other, with an uninhabited art studio at the lower level embedded in the sloping landscape. Combined with the above habitable space, the proposal creates a combined live-work program under a single roof, in-keeping with height and use regulations. Such was the beauty of their response, the Stump House has been awarded an Honorable Mention at the 2019 Architect Magazine Progressive Architecture Awards.

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Schmidt Hammer Lassen has announced details of their second U.S. project: the Seaport World Trade Center in Boston, Massachusetts. An adaptive reuse project that will bring new life to Boston’s Commonwealth Pier, the 68,500-square-meter mixed-use project seeks to reactivate a historic maritime hub to create a new waterfront destination.

The largest pier building in the world when completed in 1901, the Commonwealth Pier will be reactivated with the introduction of new materials, increased daylight, and new points of connectivity. The exercise in adaptive reuse will contain flexible office space, dynamic event space, new retail, dining, and public amenities.

In 2020, the French city of Marseille is set to host Manifesta 13, the European Biennial of Contemporary Art. In preparation for the event, MVRDV has collaborated with thinktank The Why Factory (directed by MVRDV co-founder Winy Maas) in unveiling “The Grand Puzzle,” a 1200-page interdisciplinary pre-biennial research study of the urban potential for Marseille.

MVRDV produced the study through deep analyses of the city, such as interviews and spatial data, culminating in suggestions for possible urban interventions. As part of this engagement, the firm worked with The Why Factory, founded as “the think tank on the future city” at Technical University Delft, who collaborated with local architecture and design schools on the study. Having received overwhelmingly positive feedback, the work will now be “contextualized, analyzed, and refined as it becomes a tool for Marseillais to imagine possible futures for their city.” In addition, the study will serve as a point of inspiration for artistic and cultural interventions both before and during the Manifesta biennial.

Construction has begun on “The Spiral,” a 1,031-foot-tall project in New York’s Hudson Yards designed by Bjarke Ingels Group. The fifth supertall to be added to the area, The Spiral was commissioned by developer Tishman Speyer as part of the ongoing revitalization of the Midtown West region of Manhattan.

The tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels. The scheme will offer 2.85 million of office space, with the anchor tenant Pfizer occupying 18 floors, according to New York YIMBY.

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MVRDV has won a competition to renovate and extend the Palais du Commerce in Rennes, France. Developed in collaboration with co-architects Bernard Desmoulin and developers Frey and Engie Avenue, the transformation of the historic landmark will “signify a renaissance for both the building and its surroundings.”

The MVRDV scheme will reactivate both the Place de la Republique and the Palais, turning a former public building into a centerpiece of the city’s main commercial street as was originally intended. While being respectful to the existing building, the MVRDV proposal adopts a critical approach to its drawbacks, such as transparency and accessibility.

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US-based innovators HOZO Design C.O. have launched an Indiegogo campaign for the “first compact digital rolling ruler.” The “ROLLOVA” seeks to replace traditional measuring tapes with a compact gadget that measures curves and lines. The pocket-sized stainless steel body contains a 10000:1 high-contrast ratio OLED screen, displaying measurements of flat surfaces and curved objects.

With a maximum tolerance of +-0.4%, the rolling device is capable of measuring to a distance of 10 meters (32 feet). When measuring distances between corner to corner, such as window sills, the device’s offset mode adds either the radius or diameter of itself into the measurements, similar to conventional laser measures.

The European Space Agency has teamed up with a group of architecture students to speculate on the future design of sustainable lunar habitats. From the ESA’s astronaut center in Cologne, Germany, the organization challenged the students to draw on extreme environments in remote places, and speculate on sourcing and producing materials on the Moon to build a sustainable habitat.

Giving consideration to sunlight, temperature, and terrain, the design team developed a system of inflatable modules that can land at the base of a small crater on the South Polar Region of the Moon, where they will gradually fill the cavity with lunar soil until the modules are effectively buried.

The OMA / Reinier de Graaf-designed Nhow Amsterdam RAI Hotel has topped out at its 91-meter height. The main hotel for the RAI Amsterdam convention and exhibition center, the scheme will offer 650 hotel rooms across 25 floors. Formed of three shifting triangular volumes, the scheme draws from a triangular advertising column on the Europaplein that once stood prominently on the site.

OMA was chosen ahead of eleven practices to design the project, which will operate as a hub for business travelers, tourists, and Amsterdam locals. The project has been 15-years in the making, as a larger 800-room proposal was once rejected by the city a few years back.

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