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Adrenaline junkies rejoice: the Willis Tower has announced plans for $20 million dollars of improvements to their popular glass-bottom SkyDeck observation attractions. Among the additions will be a series of new all-glass protrusions from the building, as well as a chance to rappel down a glass shaft suspended from the building’s 103rd floor.
The City of Chicago and the Chicago Housing Authority have announced the selection of Skidmore, Owings & Merrill (SOM), Perkins + Will and John Ronan Architects to lead in the design of three new “co-located” affordable housing and library developments in the Chicago neighborhoods of Little Italy, West Ridge, and Irving Park.
Selected from a shortlist of nine firms, the three Chicago-based teams were chosen for their “innovative ideas that will ensure that each community will have a design that best reflects its needs.” The practices will work intimately with their respective communities to develop their designs.
In this fourth episode of GSAPP Conversations, third-year GSAPP Master of Architecture student Ayesha Ghosh speaks with Swiss architect Christian Kerez, who delivered the opening lecture of the school's Spring 2017 Semester. Kerez's recent projects include Incidental Space at the Swiss Pavillion of the 2016 Venice Architecture Biennale, an amorphous structure which raised questions of the limits of imagination and technical feasibility in architecture today.
Swedish architecture firm Kjellander Sjöberg has released images of their proposed new city block to enrich the Swedish city of Uppsala. The four competition-winning residential buildings, known collectively as the Tunet, will feature cross-laminated timber construction and wood detailing, creating an environmentally-friendly addition to the city.
IFC has announced the release of their latest documentary, Citizen Jane: Battle for the City, which will dive into “the enduring legacies of one of the most prominent figures of modern urban planning, Jane Jacobs, and talks about her David-Goliath fight to save NYC.”
MVRDV and developer Provast has revealed plans for a two new mixed-use residential towers in The Hague that will add over 500 new apartments to the city’s Central Business District. Located on Grotiusplaats adjacent to the National Library and near the city’s Central Station, the “Grotius Towers” will offer 61,800 square meters of residential and commercial space to service the needs of The Hague’s growing downtown core.
The towers’ design reacts to the typical tower typology found in the Hague by focusing on high-quality details, a subtle facade, a ‘soft’ landing on the street and a ‘crown’ of large outdoor spaces. Inside, a mix of social housing and private accommodations will ensure the buildings are inhabited by a diverse community, while their ground-floor commercial plinths will make the complex a destination for shopping, dining and socializing.
Cast & Place has been announced as the winner of the 2017 City of Dreams competition to create a pavilion for New York City’s Governors Island. Held by not-for-profit arts organization FIGMENT, the AIANY Emerging New York Architects Committee, and the Structural Engineers Association of New York, the competition called for a design to be the hub of FIGMENT’s free community arts festival during Summer 2017, based on questions of the future of New York, how design can confront environmental challenges, and how architecture can be built from recycled or borrowed material.
With these questions in mind, Cast & Place was conceptualized as a pavilion made entirely from waste. 300,000 recycled aluminum cans, cast into the cracks of dried clay, will form structural panels that assemble into shaded spaces for performance and play.
IBM and New-York-based design studio SOFTlab have teamed up to create the first thinking sculpture, inspired by Gaudí and developed with IBM’s Watson cognitive technology for the Mobile World Congress in Barcelona, Spain.
In order to help design the sculpture, Watson was taught about the history and style of Gaudí and the architecture of Barcelona through volumes of images, literary works, articles, and even music. From these references, Watson helped to uncover critical insights on patterns in Gaudí's work—like crabs, spiders, and color palettes—that the design team didn't initially associate with Gaudí. The resulting four-meter-tall sculpture features a structural surface made of over 1200 unique aluminum parts, and is unmistakably reminiscent of Gaudí’s work both in look and feel, yet entirely distinct.
The sculpture was on display from February 27 to March 2 at Mobile World Congress in Barcelona, where it interacted with visitors by changing shape in real-time, in response to sentiments from Twitter. To learn more about the sculpture, ArchDaily was given to opportunity to speak with IBM Watson Manager Jonas Nwuke.
In this third episode of GSAPP Conversations, Columbia GSAPP Associate Professor Mabel O. Wilson speaks with Sharon Sutton about the publication of her new book, When Ivory Towers Were Black, which tells the story of how an unparalleled cohort of ethnic minority students earned degrees from Columbia University’s School of Architecture (GSAPP) during a time of fierce struggles to open the ivory tower to ethnic minority students.
Studio Libeskind has won competitions for two new mixed-use projects in France, the firm announced at the MIPIM world property market conference this past week in Cannes. The first project comprises a retail, conference and transportation center for the city of Nice, while the second will see the firm complete a 150-meter-tall skyscraper in Toulouse.
“With these important projects in two of the main French cities, we unveil our new development strategy to create urban mixed-use buildings. Once completed, both will become new landmarks for Nice and Toulouse. With Studio Libeskind, we are up to great things!” says Philippe Journo, CEO of Compagnie de Phalsbourg, the developer behind both projects.
Architecture and music are two very different art forms – one is visual, tactile and logical; the other audial and emotional. So what happens when you bring these two artistic media together?
This is the idea explored by Chilean web series Insigne Sesiones, which aims to “[expose] he ideal mix between contemporary architecture and music, generating the first audiovisual project worldwide that officially joins these two disciplines.” For their first season, Insigne Sesiones invited six world-renowned musicians to perform their music in the intimate settings of some of the most celebrated works of Chilean architects across the country.
Check out the full first season below.
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
Material Immaterial Studio has unveiled MIRAGE, a series of concrete furniture hardware inspired by the works of architect Carlo Scarpa.
The MIRAGE series is made up of concrete handles, knobs, and robe hooks, all of which aim to create character through light and shadow. Some of the pieces, with a zigzag pattern, are meant to reduce the heaviness of the concrete material, making it seem light and delicate, while other pieces are meant to express a sense of solidity.
As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location. This trait carried over into the design of the windows in his houses. Borrowing from organic motifs, Wright created a series of compositions suited for each house, from the tall, triangular stained glass windows of the Hollyhock House to the mahogany Samara clerestory panels of the Bachman-Wilson House.
One of Brazilian architect Oscar Niemeyer’s final designs, a 12-meter-diameter glass and concrete sphere perched on the corner of a factory building, is set to be completed in Leipzig, Germany, reports Mitteldeutscher Rundfunk (Central German Broadcasting, MDR).
Homerton College, Cambridge and competition-organizers Malcolm Reading Consultants have announced that emerging practice Feilden Fowles has been selected as the winners of the competition to design a new £7 million showpiece dining hall for Homerton College, the newest constituent college of the University of Cambridge. Unanimously selected by the competition jury, Feilden Fowles’ scheme was chosen over a shortlist of entries from 2016 Stirling Prize winner Caruso St John, dRMM, Hall McKnight and Walters & Cohen Architects.
“Feilden Fowles’ concept design for the dining hall subtly relates to the existing ensemble of buildings and the garden setting, and yet has the poise to convince as a showpiece,” said Professor Geoffrey Ward, Principal of Homerton College, Cambridge.
“What appealed so strongly about the team’s particular approach was their openness to creating many opportunities for dialogue. We are looking forward to working with them as they develop the detailed design.”
A degree in architecture teaches you to see the world differently. For confirmation of this fact, look no further than the poor souls who have accompanied an architect on vacation—people who, at some point between being dragged far outside of their destination city to visit some apparently exemplary office buildings, and stopping for hours to photograph structural details, probably started to question their companion's sanity.
But what happens when an architect visits the Taj Mahal? The experience of being in the presence of this wonder of the modern world must surely be so humbling that even he or she can do no more than stand in awe like any regular person... right?
In this second episode of GSAPP Conversations, Amale Andraos speaks with Spanish architect and GSAPP Professor Juan Herreros about the relationship between teaching and practicing architecture, and how he has carefully designed a particular way of working globally. Herreros, who co-founded Abalos&Herreros in 1984 and currently leads estudio Herreros, offers insight into how working sensitively in foreign settings also helps to develop a robust local practice, and how he is bringing new models of emerging practices to his students in GSAPP’s Advanced Architecture Studios.
In 2014, midtown Manhattan received its first supertall (taller than 1,000 feet) residential building, Christian de Portzamparc’s One57. The following year, Rafael Viñoly Architects’ 432 Park Avenue surpassed the mark, confirming the trend of sky-shattering, pencil-thin skyscrapers rising along Central Park’s southern edge. In all, at least 10 supertall projects have been planned for the neighborhood, earning it the nickname of Billionaire’s Row.
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
Carmody Groarke’s competition winning design for a new hotel retreat on Burgh Island off the coast of Devon, UK, has received planning approval, clearing the way for the dramatic structure to begin construction. The cliff-top “Pool House” will join the Grade-II listed art deco Burgh Island Hotel in providing accommodation to adventurous visitors, offering panoramic views of the of the Bantham Estuary and the hotel’s Mermaid Pool, an outdoor seawater pool and private beach for hotel guests.
International student architecture competition 120 Hours has announced the winners of its 2017 competition, “The Way of the Buiy.” For this year’s edition of the challenge, which gives participants just 5 days from the announcement of the brief to its deadline to conceive a project, students were asked to design a 100-square-meter building housing a canteen and library for the LiangMeng school complex, located in the rural area of Puan City, China.
This year’s competition saw 3024 participants from 79 countries across the globe, with winners selected by a jury consisting of Jan Olav Jensen, Chiara Sala, Tran Kinh Manh, Angela Gigliotti, Fabio Gigone and Christian Hermansen Cordua. For the first time ever, the winning project will be constructed, after further development alongside the 120 Hours team. The building is expected to be completed by the end of 2017.
MVRDV’s public Art Depot Boijmans Van Beuningen has broken ground on the northern edge of Rotterdam’s Museumpark in the heart of the city’s cultural campus. The 15,000-square-meter reflective vessel will store the esteemed collection of over 70,000 art and design objects, adding a new cultural landmark to join the nearby Kunsthal, Het Nieuwe Instituut, Chabot Museum and Sonneveld House.
Officially breaking ground this past Friday, the BREEAM Excellent-planned “Collection Building” will combine restoration facilities, exhibition spaces, offices, logistics, a bar, restaurant, public roof terrace and private collectors facilities alongside a specially commissioned atrium that will allow visitors to experience 90% of the collection, including artworks in storage.
BIVAK Architecture and Design has won a competition to design a rowing arena in Hungary for a host of championships taking place in the country in the coming years. The competition, hosted by the Hungarian Rowing Association (MKKSZ) and Hungarian Academy of Arts, was open to architects under 40 years of age. BIVAK’s winning proposal, announced in February 2017, centers on a 90-meter-long tower ‘gliding’ above the water.
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This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.
The architecture of Casa 28 shows itself as an extension of the arid and exuberant landscape of the Cerrado. A variety of perspectives unfolds as you walk through the house. A family looking for tranquility and connection with nature commissioned this urban refuge located 10 minutes from the National Congress in Brasilia. The elements have different heights that confirm a spatial hierarchy. Extensive walls, coated with polymeric mortar, define fluid spaces and openings placed in all directions integrate cohabitating areas. We talked with architect Samuel Lamas from Equipe Lamas to learn more about the choices of materials used in the project and the influence these choices had on the design concept. Read the interview below:
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