As the 19th Venice Architecture Biennale enters its concluding weeks, the global architecture scene continues to unveil significant projects and recognitions. This week's highlights include Studio Libeskind's residential complex in Prague; sauerbruch hutton's Panorama Constance exhibition building in Germany, and CRA–Carlo Ratti Associati's digitally fabricated bivouac for the upcoming Milano Cortina 2026 Winter Olympics. In New York, Venezuelan artist Miguel Braceli designed a major public artwork for the city's waterfront, addressing themes of migration, diversity, and the complexities of geopolitical identity. The week also brought recognition to sustainable and creative achievements, from the Holcim Foundation's regional awards for sustainable construction to the publication of Tadao Ando. Sketches, Drawings, and Architecture by Taschen, celebrating nearly five decades of the architect's design process.
Studio Libeskind has released new images of the design for the transformation of the Boerentoren tower, one of Europe's earliest skyscrapers, located in the heart of Antwerp, Belgium. Developed in collaboration with Belgian architecture firm ELD, the project reimagines the 1932 Art Deco landmark as a new public cultural hub that will house The Phoebus Foundation's art collection. The design includes the addition of exhibition spaces, a panoramic viewing platform, a rooftop sculpture garden, and new restaurants and bars. According to the architects, the original architectural features will be preserved while introducing a new architectural feature, which they are calling the "Reimagined Crown." Initially announced in 2022, the project has now received preliminary approval from the Flemish Heritage Agency and the City of Antwerp.
Following an international competition, Polish American architect Daniel Libeskind's firm, Studio Libeskind, in collaboration with La Compagnie de Phalsbourg, has been selected to design the flagship building for the Léon Blum district, adjacent to the future Line 15 station of the Grand Paris Express. The competition featured eight teams, including Snøhetta, Valode et Pistre, Stefano Boeri, Sou Fujimoto, and Jean-Paul Viguier. The winning project is a mixed-use building of over 20,000m², featuring a green wall and incorporating bio-sourced materials. The project is part of a broader urban development strategy for Issy-les-Moulineaux, an extra-wall area of Paris currently undergoing significant transformation.
Studio Libeskind, working in close partnership with the Memorialization Working Group, has unveiled the preliminary design for the memorial for the 11 killed on 27 October 2018 at the Tree of Life Synagogue in Pittsburgh, United States. The design was developed in a process led by the victims’ families, communal leaders, and concretional representatives. The building’s official groundbreaking is expected in 2024.
Whether rain or shine, Toronto is a yearlong bustling city, the largest in Canada and the fourth largest in North America. It’s become a cosmopolitan center with its renowned business district and cultural venues/ events that come alive during the summer and early fall nights. Toronto suggests a beautifully diverse urban setting between shimmering high rises and smaller brick houses, intertwining residential and vibrant commercial areas, public parks, and even beaches. All become part of the city's striking skyline, crowned by the iconic CN tower.
Toronto’s ongoing sprawl and constant urban development are noticeable as new projects spread through the city, weaving themselves into the existing buildings, from 19th-century landmarks such as the Gooderham Building to modern and contemporary major works like the Aga Khan Museum. These new constructions include increasing adaptive reuse and retrofitted projects throughout the city as more efforts and incentives are provided to reduce carbon emissions.
While the city of Berlin has a long history, dating back to the 13th century, its architecture and urban fabric has undergone the most significant changes during the last century, reflecting the impact of major historical events that took place in the German capital. During the early 20th century, Berlin transformed into a modern metropolis, marked through the construction of grand buildings and imposing structures to demonstrate the city’s growing economic and political power. The 1920s and 1930s saw the emergence of the Modernist movement, which, together with the Bauhaus school of architecture founded in 1919, influenced the image and urban fabric of Berlin.
During the Second World War the city was heavily bombed, resulting in the destruction of many historical buildings. During the post-war period, reconstruction efforts focused on rebuilding infrastructure and housing, while the city remained divided until 1989, with the fall of the Berlin wall. After this period, Berlin witnessed a renewed interest in architecture and urban design. Interventions such as David Chipperfield’s Neues Museum aimed to rebuild historical monuments without erasing the markings of their difficult past. Other projects such as the renovation of the Reichstag had a different purpose. Norman Foster’s intervention intended to keep the image of this building but change its symbolism from a structure representative for the Nazi regime to one embracing the ideals of democracy and equality.
Museums reveal local and shared heritage. As cultural institutions embedded in the fabric of modern life, each museum serves as a window into history and human exchange. Made to promote understanding and provoke new ideas, these monumental buildings are inspired by spatial exploration. With some of the most influential museum projects in the world, Germany is home to a range of diverse institutions showcasing unique approaches to curating, taxonomy and spatial organization.
Berlin is a city defined by an eclectic mix of style and a rich history. It's built environment has been dramatically shaped by a series of municipal construction programs, and in turn, a past of extensive demolition, planned residential areas, and diverse new cultural projects. Combined with influences across Europe, Berlin's contemporary architecture showcases new ideas on building concepts, forms and facades.
Daniel Libeskind (b. 1946, Lodz, Poland) studied architecture at Cooper Union in New York, graduating in 1970, and received his post-graduate degree from Essex University in England in 1972. While pursuing a teaching career he won the 1989 international competition to design the Jewish Museum in Berlin before ever realizing a single building. He then moved his family there to establish a practice with his wife Nina and devoted the next decade to the completion of the museum that opened in 2001. The project led to a series of other museum commissions that explored such notions as memory and history in architecture.
18.36.54 House, Connecticut. Image Courtesy of Nikolas Koenig
Polish-American architect, artist, professor, and set designer, Daniel Libeskind, founder of Studio Libeskind in 1989, believes that buildings are crafted with perceptible human energy, constructed with the intention to address the greater cultural context in which they are built. His commitment to expanding the scope of architecture reflects his profound interest and involvement in philosophy, art, literature, and music.
He addresses the notion of drawings being akin to a score, a piece of music that is interpreted by a like-minded community. Proportions, light, and materiality are all implicated in the drawing, and in this same way, buildings are also called to present space, atmosphere, and illuminate the practice.
The six shortlisted concepts for the National Pulse Memorial & Museum will be on display at the Orange County Regional History Center where people can view and comment on the schemes, helping the jury choose the winning proposal, to be announced on October 30.
The shortlist has been announced for the design of the National Pulse Memorial & Museum in Orlando, Florida, honoring the 49 people killed during the Pulse nightclub shooting on June 12th, 2016. Established by Dovetail Design Strategists for the onePULSE Foundation, the open, two-stage international competition seeks to honor those killed while also supporting the families, survivors, and first responders.
https://www.archdaily.com/918366/high-profile-architects-shortlisted-for-pulse-nightclub-shooting-memorialNiall Patrick Walsh
Daniel Libeskind has collaborated with photographer Caryl Englander and curator Henri Lustiger Thaler from the Amud Aish Memorial Museum to present a temporary exhibition at the Auschwitz-Birkenau State Museum. “Through the Lens of Faith” opens on July 1st, 2019, marking the 75th anniversary of the concentration camp’s liberation in 1945.
Studio Libeskind has unveiled details of Ngaren: The Museum for Humankind, a museum dedicated to the story of humans to be situated in the Great Rift Valley, Kenya. Commissioned by paleoanthropologist Richard Leakey, the museum will be the culmination of Dr. Leakey’s work, whose fossil discoveries have helped to reveal how humans evolved. The Museum will be the first center of its kind to present research, discovery, and exploration of more than two million years of human history and the origins of our universe from evolution, biodiversity, overpopulation, to war, disease, and climate change.
https://www.archdaily.com/917048/studio-libeskind-unveils-vision-for-a-museum-for-humankind-in-kenyaNiall Patrick Walsh
The project will include two major changes to UCD’s Belfield campus, located about 5 km from Dublin’s city center: a major update to the campus’ entry precinct along Stillorgan Road, as well as a new 8,000 square meter Centre for Creative Design, which will house UCD’s design studios.
In the architecture world, few designers can claim to have a more clearly-defined style than Daniel Libeskind (born May 12, 1946). Much of Libeskind's work is instantly recognizable for its angular forms, intersecting planes, and frequent use of diagonally-sliced windows, a style that he has used to great effect in museums and memorials—but which he has equally adapted to conference centers, skyscrapers, and shopping malls.
In PLANE-SITE's latest video from their Time-Space-Existence series, Daniel Libeskind describes his work in relation to Shakespeare's quote that "time is out of joint." Weaving in his philosophy regarding time, memory and architecture, Libeskind discusses his seminal works such as the Jewish Museum Berlin and the Ground Zero master plan. These ideas will be transferred to his new project named Facing Gaia, an architectural sculpture to be located in Giardini Marinaressa, which explores the connections between climate, time, space and existence.
The complications of war and violence demanded a bold piece of architecture to provoke the public's understanding of the impact it had on Germany. Daniel Libeskind chooses to engage with such events in his extension to Dresden's Military History Museum, by crashing a huge steel and concrete structure through the neoclassical facade, tearing apart the symmetry of the original building. Photographer Alexandra Timpau has captured the sharp edges and harsh angles of the museum's extension that convey the pain and the stark reality of war Libeskind and the museum refer to.
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_Doublespace.jpg?1523414942 "National Holocaust Monument. Image© Doublespace")
.jpg?1523415119 "Facing Gaia Sketch. Image© Studio Libeskind")
_Georges_de_Kinder.jpg?1523414986 "Mons International Cogress Xperience. Image© Georges de Kinder")
_Studio_Libeskind.jpg?1523414813 "Modern Art Museum Vilnius. Image© Studio Libeskind")
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