For decades, our society and the development of our built environment have been strongly associated with intensive extractive processes. While these methods were fundamental to the growth of urban areas, they also laid the groundwork for significant challenges that contemporary generations face today. Nowadays, construction debris accumulates on the peripheries of our cities, and plastic waste floats in the oceans.
In this context, and similarly to the idea expressed by Alvar Aalto, who stated that "modern architecture does not imply the use of new materials, but rather employing existing materials more humanely," it is crucial to reconsider how we manage our resources and waste. This shift in direction provides us with new opportunities to address the challenges that the ongoing climate crisis has brought. In response, various actions are now being taken, using materials such as food waste, recycled wood, and plastic debris, among others, exploring innovations in a context where raw materials are becoming increasingly scarce.
https://www.archdaily.com/1013787/casting-furniture-with-upcycled-plastics-and-urban-debris-los-colados-projectEnrique Tovar
Often associated with an industrial aesthetic, metal has become more prevalent in residential and commercial architecture. Its reflective quality has broadened the scope of texture and color combinations, giving rise to a fresh aesthetic for interior design. Consequently, architects and designers increasingly incorporate metallic surfaces to define floors, benches, and other furniture elements, thereby defining spatial layouts and infusing them with a contemporary vibe. To inspire this trend, we explore various methods for incorporating aluminum or similar materials into your space.
Jonas Salk Institute for Biological Sciences (1959-65). Image Courtesy of Form Portfolios
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched “Monumental Modernism,” the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn’s buildings.
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.
Well-planned lighting makes all the difference in an interior design project, impacting various aspects. It goes beyond mere aesthetics to play a crucial role in creating atmospheres capable of influencing and altering people's emotions and perceptions within spaces. While direct lighting can provide overall and uniform brightness, ensuring proper illumination for daily activities, indirect lighting offers a more subtle and effective approach, which creates cozy, gentle, and pleasant environments.
As we head towards the end of 2023, an eventful year that could be defined as the year of "shifts", we take a look at how global events and trends impacted the design of interior spaces. Looking back, people questioned everything, and the architectural practice was no exception. A new voice was given to nations often forgotten as architects searched for alternative ways of designing and building. We questioned colonialism, consumer culture, waste, tradition, and authenticity, bringing about new perspectives within the discipline. Interior design in 2023, however, was reserved; explorative, but a lot more modest and subtle compared to previous years. Following years of constant changes, it seems as though people felt the need to pause, slow down, and embrace simplicity, while expressing their individuality through acupuncture interventions.
A familiar attraction in more populous cities, bistros are said to have been born in Paris, where enterprising residents would set up makeshift stalls in front of their homes, selling their leftover produce to earn a little extra income. What started out as a neat little side hustle turned into the homely or perhaps even cozy restaurants and café spaces we know as bistros today. With minimal space inside their small-scale premises, these small-scale eateries often continue their ancestors’ traditions and pitch up tables and chairs outside.
Fighting for their lives in the hazy pandemic months, small hospitality spaces took advantage when major cities relaxed their rules surrounding outdoor dining. Anywhere and everywhere from piazza-facing pizzerias in Porto to cobbled back-alley sandwich bars in Edinburgh cordoned off what little space they had with as many tables and chairs as they could. Enabling safe fresh-air dining, the furniture also served to entice customers in – once allowed.
The Duffle is a modular system that can create an armchair, or a much larger composition of units joined together, offering a broad spectrum of possibilities depending on the space it occupies. Image Courtesy of BOSC
There’s something old-fashioned, or indeed anti-fashion about a duffle coat. It’s charmingly naïf, the stuff of school uniforms and Paddington Bear, with a history that goes way back to the mid-19th century. It had a life in the military, as part of the uniform for the Royal Navy, and like much service attire, was then reimagined by the world of high fashion. Jean Cocteau used to stroll with close friend Coco Chanel, wearing his white version. Decades later, Rei Kawakubo made an oversized statement with versions at Comme des Garçons, and it remains a favorite of arch Modernist Margaret Howell. When Jean Louis Iratzoki was working on plans for a new sofa to join his ever-growing range of designs at BOSC, he took inspiration from the toggles and nostalgia of all things duffle. It was a subtle way to infuse what is a contemporary and highly sophisticated piece of furniture with a touch of something softer, from the past.
https://www.archdaily.com/1007402/nostalgic-comfort-the-charm-of-the-duffle-coat-on-a-sofaMark C. O'Flaherty
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
https://www.archdaily.com/1007326/re-purposing-materials-from-post-industrial-recyclate-to-accessible-furnitureEnrique Tovar
Shelves are incredibly versatile furniture items that are vital in organizing, decorating, and maximizing efficiency in various spaces, including homes, businesses, and industries. Crafted from a wide range of materials and available in numerous designs, shelves enhance compact environments by adding flexibility and easy access. With this in mind, we've compiled suggestions to elevate these ubiquitous solutions — temporary additions or integrated architectural features — into prominent elements within interior design.
Color plays a significant role in the world. Partly because of the significance attached to each hue, the use of color in architecture – especially in interiors – changes the ambiance of each project. In commercial establishments, color has a considerable influence on highlighting a given brand, and in homes, it can reflect the resident’s personality and complement the language adopted in the project. This exploration can take place directly in the tectonic object (architecture) through the surfaces that constitute the building, or it can take advantage of mobile elements, easily changeable.
Circles, as a fundamental geometric shape, possess a captivating and harmonious quality that has been seamlessly integrated into architecture and design across various eras and styles. From subtle accents to bold focal points, the use of circles in interior design transcends mere ornamentation, often symbolizing continuity, connection, and a soothing visual rhythm. With their endless and unbroken curves, they offer a sense of unity, movement, and balance that can transform spaces into inviting and aesthetically pleasing environments – an effect especially useful for interior design. In this article, we take a look at 27 projects from our ArchDaily database that illustrate circular forms in interiors across the globe.
After years of dominance, orthogonal lines and right angles are giving way to organic designs and rounded shapes within interior design projects. This profound shift in formal language has led to the infiltration of gentle curves and amorphous volumes into design pieces, furniture, and decorative elements, a transformation that's becoming increasingly evident. Some argue that this change may be indirectly linked to the growing interest in sustainability and the pursuit of strategies that reconnect people with nature, as seen in the consistent presence of biophilia across projects of various scales. The period of social isolation during the COVID-19 pandemic further heightened this inclination, prompting individuals to devise ways to incorporate nature into their living spaces, thereby enhancing well-being in day-to-day life.
Sun protection is a universal need for human beings. While sunlight benefits our health and mood, it is also essential to protect ourselves from its harmful effects on our well-being and comfort. Throughout history, architecture has provided solutions to this need by offering shelter and comfort in shaded areas. Since ancient Egypt, sunshades made of palm leaves attached to a pole have been used to protect against the sun in open spaces.
Thanks to contemporary materials, we can now develop more durable outdoor structures and furniture than the palm leaves used by the Egyptians 4000 years ago. This has resulted in lightweight and aesthetically pleasing structures that resulted from the designs and materials that emerged in the 20th century. Although these designs are not made from natural elements, they incorporate pieces that replicate their characteristics, providing shade with unique shapes and a distinctive design. In this context, cbdesign has created the Daisy umbrella. This flower-shaped parasol reproduces the colors found in natural surroundings, such as the sea, yellow frangipani, the blue sky, and purple bougainvillea.
https://www.archdaily.com/1002858/aesthetic-accents-flower-shaped-umbrellas-that-fuse-beauty-and-utilityEnrique Tovar
Standard, project sketches. Francesco Binfaré, 2012. Image Courtesy of Edra
The earliest vestiges of furniture in society can be traced back to the Fourth Dynasty of Egypt when the armchair of Queen Hetepheres I (ca. 2600 BC) was discovered. This armchair marked a significant milestone in the history of furniture. It is not surprising, therefore, that the chronology of furniture is intertwined with architectural, pictorial, and sculptural expressions of the time, where these elements often act as witnesses and, in exceptional cases, as central objects in the history of art and design.
Furniture consists of everyday objects designed to meet specific needs in our daily lives. However, sometimes they transcend their practical function and take on an autonomous presence. A piece of furniture has no nobler purpose than its interaction with human beings, therefore, separating these objects from their utilitarian dimension becomes an act of disruption. As a result, designers such as Francesco Binfaré have described sofas as “The most mysterious object amongst the furniture populating the interior design universe”. In this context, Edra creates unique objects that blend art and industrial production, reflecting contemporary domestic landscapes and experimenting with new shapes and materials.
https://www.archdaily.com/1002698/the-renaissance-of-the-sofa-innovations-atypical-shapes-and-anthropometryEnrique Tovar
As true spatial orchestrators, architects’ expertise extends beyond the mere construction of buildings, often transcending the physical realm of design. They possess the unique ability to craft spaces that are not only visually appealing, but that also feel welcoming, harmonious, and, above all, functional. Embracing this vital role involves careful consideration of all the bits and pieces that make up a project; from a building’s foundations to a sofa, architects must ensure that all the elements, in every scale, tie together in a way that is cohesive and positively influences our everyday lives.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
Flexibility and open spaces are themes in contemporary house design. Multifunctional spaces and creative storage solutions are more than welcome when seeking easily adaptable environments to meet owners' constantly changing needs. To give you some fresh inspiration, we have selected ten projects that feature countertops that integrate different programs and serve more than one function in the home.
