The famous actress Mae West once described a curve as "the loveliest distance between two points." While she may have been discussing the human form, this observation goes beyond physical appearance and gets to the heart of that which comforts and soothes the human psyche in the design of nature.
Rolling hills, the arc of an ocean wave, the fiery glow of dawn on the horizon—these natural forms evoke peace and serenity when observed. As work environments and common spaces are created, it is important that those in design remember that there are very few straight lines found in nature. When soft edges, arched ceilings and radius walls are applied to the interior of a building, the design of nature is brought indoors.
Architectural professionals recognize how exterior design choices influence both perception and performance. A canopy is more than a functional overhang — it is a visual statement, a layer of environmental control, and a reflection of the project's overall design vision.
Among available materials, custom aluminum canopies have become a preferred choice in modern architecture for their resilience, adaptability, and sleek aesthetics. The following outlines their primary advantages.
Series 8670 Casement Window. Image Courtesy of Western Window Systems
Windows have long held an ambivalent role in architecture, as they both define and enclose interiors while simultaneously creating a link to the outdoors. This dual function goes beyond simply meeting construction needs or providing daylight, directly influencing how occupants experience and engage with the views. The 20th century saw the introduction of materials such as steel, aluminum, and glass, which enabled different types of windows with thinner frames and expansive panes, enhancing transparency and reinforcing the visual connection with the surrounding setting.
American architects such as Frank Lloyd Wright and Philip Johnson explored these possibilities to harmonize architecture with landscape. In Fallingwater House, windows and terraces seamlessly connect the house to the waterfall and surrounding forest, whereas the Glass House's minimal framing nearly dissolves the boundary between interior and exterior, bringing the natural environment to life inside the house. Through its evolution, windows have become an element that unites space, materials, and perception, opening new pathways for exploring the relationship between architecture and its environment.
https://www.archdaily.com/1034016/framing-interiors-and-landscapes-in-aluminum-and-glass-to-master-the-viewEnrique Tovar
Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in regions with a rich cultural heritage, such as Spain, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life extends into interiors, where each intervention has the potential to actively reshape how people experience a space and open new possibilities for living and interaction.
As urban neighborhoods continue to evolve, design plays a key role in shaping how buildings respond to urbanization, functional demands, and the character of their surroundings. Intertwined, these elements guide the transformation of urban life and influence how new developments engage with their context—a dynamic clearly visible in Seattle's Central District. Long considered a historic hub for the city's African American community, the Africatown Plaza project proposes a comprehensive approach that integrates architectural performance with community resonance, using the building envelope as a primary medium.
https://www.archdaily.com/1030331/metal-facade-systems-with-community-resonance-the-case-of-africatown-plazaEnrique Tovar
It’s now clear that approximately 80% of emissions from landscape architecture projects come from materials. This includes the extraction of natural resources, and their manufacturing, transportation, and construction in parks, plazas, streets, campuses, and neighborhoods. A significant portion of emissions in the built environment can be traced back to two materials: concrete and metal, which includes steel and aluminum.
The challenge lies in the fact that we use a large amount of both materials, they are difficult to replace due to their strength and utility, and improving their environmental impact is a complex process. But progress is being made.
Whether rising to the highest room of the tallest tower in a Disney-esque castle, giving an admirer the chance to confess their love on an apartment buildingfire escape, or connecting a basement or attic room with a decorative period feature, there’s something unavoidably romantic about spiral staircases. But there’s more function behind these coiling forms than just their good looks.
One common-held theory is that spiral staircases were first installed in historic castles as vertical baffles, tiring out enemy infiltrators before they could make it to the top. This is why – it is said – many are set to turn clockwise on the ascent, so attackers have a smaller arc for swinging weapons (mostly held in right hands) than defenders making their descent.
Enhancing the energy performance of existing buildings through refurbishment processes provides the opportunity to create more comfortable and sustainable environments, while also improving their functionality, aesthetics, and safety. Architectural approaches to these renovations encompass various aspects of a building, including interior spaces, structure, internal systems, and facades.
When it comes to rethinking a building's envelope, STACBOND’s composite panel solutions delve into the development of ventilated facades. These facade systems serve as an architectural strategy for energy-efficient building renovations. Minimizing energy consumption for heating and cooling, the rehabilitation strategy incorporates thermal insulation, moisture management, and thermal mass optimization.
The design of a facade defines its architectural identity. Besides being a barrier against diverse weather conditions, providing acoustic comfort, and regulating light penetration, the external skin of a building determines its character and perception. At first glance, a facade can make the building stand out or blend with its urban environment, or even convey different levels of brightness, translucency, and smoothness. Simultaneously, the structure and color of interior walls and ceilings can leave a lasting impression when entering a room.
Following news of Edelburg Development's plans to completely remodel the modernist facade of Dytiachyi Svit (Kids’ World), one of Kyiv's most notable modernist buildings from the Soviet era, and replace it with an "unrecognizable" vibrant and contemporary design, members of the community and activists protested against the intervention, forcing all parties to agree on a design competition to restore the historical facade. Dmytro Aranchii Architects was selected as the winner of the competition, with a proposal that "traces the transition from the original building to the new one" in a minimalistic and recognizable stylization, preserving the original facade and complimenting it with a contemporary intervention.
Westfield Mall of the Netherlands / MVSA Architects. Image Courtesy of Kriskadecor
In architecture and interior design, ceilings are fundamental elements that combine functionality with aesthetic features such as colors, textures, and materials. While providing quality and comfort, unique and well-thought ceilings can create a dramatic visual impact, defining a building’s tone and character. However, even though a room’s “fifth wall” is a crucial design component, it is not frequently emphasized in architectural projects – or not nearly as much as decor, furniture, wallpaper, or other elements that define interior ambiance. It is therefore important to explore the numerous creative opportunities that a ceiling can offer, beyond the typical plain white shade that continues to dominate in most interior spaces.
Door handles are a ubiquitous part of daily life, being used constantly in almost every space but rarely given thought by the passing user. Nevertheless, the chosen material of each handle can vary widely in terms of aesthetics, durability, and sustainability, with good choices going noticeably right and poor choices going noticeably wrong. For objects that are seen and used multiple times every day without fail, it’s imperative that designers get the choice right.
To deepen this topic, FSB helps us to lay out the properties of four of the most common handle materials below, allowing you to make an informed decision on which material aligns best with your project’s needs.
https://www.archdaily.com/929360/stainless-steel-bronze-brass-or-aluminum-how-to-choose-handle-materialsLilly Cao
The Union of architects of Russia invites you to participate in the Russian competition with international participation «Aluminum in architecture 2020».
The Union of architects of Russia invites you to participate in the Russian competition with international participation «Aluminum in architecture 2020», which will be held as a part of the 2d international forum «Aluminum in Architecture and Construction» / AlumForum 2020 from May 19-21, 2020 in the Technopark Skolkovo simultaneously with the 3d international forum of architectural glass industry ArchGlass 2020.
This is the only competition in Russia that demonstrates the capabilities of aluminum in realized projects and the prospects for its use in architecture and construction.
Among the laureates of 2019 there are: - Rhythmic Gymnastics Center by Irina Viner-Usmanova in Moscow
As ingenious solutions for environments that require additional space and ventilation, articulated or accordion doors and windows operate by folding their leafs one over the other and onto the sides of the opening. They moving via upper and lower rails which can be embedded into masonry and allow separation and integration rooms while adding aesthetic value to the project.
This system generates a similar effect to that of a sliding door or window, but it differs in that all its leafs remain in the same plane when they are closed, giving a clean appearance to the façade.
As a part of the second Art and Architecture Triennial in Bruges, Marc Fornes / THEVERYMANY’s prototype pavilion entitled nonLin/Lin has been taken out of storage and placed on public display for the first time. First commissioned and displayed in 2011 by the FRAC Centre in Orleans, France, the exhibition will explore the rise of computational form-making. The work will spend the summer installed in the nave of the Grootseminarie, a 17th century Cistercian Abbey hosting an exhibition curated by Abdelkader Damani entitled Liquid Architectures.
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Courtesy of Team Aesop (Josh Draper, Lisa Ramsburg, Powell Draper, Edward M. Segal, and Max Dowd)
Cast & Place has been announced as the winner of the 2017 City of Dreamscompetition to create a pavilion for New York City’s Governors Island. Held by not-for-profit arts organization FIGMENT, the AIANY Emerging New York Architects Committee, and the Structural Engineers Association of New York, the competition called for a design to be the hub of FIGMENT’s free community arts festival during Summer 2017, based on questions of the future of New York, how design can confront environmental challenges, and how architecture can be built from recycled or borrowed material.
With these questions in mind, Cast & Place was conceptualized as a pavilion made entirely from waste. 300,000 recycled aluminum cans, cast into the cracks of dried clay, will form structural panels that assemble into shaded spaces for performance and play.
The advent of parametricism has brought architects many new design capabilities; form finding, sun shading and visual texturing are just a few of the ways the technology has impacted structures. But perhaps its most noble function is its ability to optimize structure, especially through the folding of thin, rigid materials. This is the function that architect Tal Friedman has chosen to explore in his Origami Pavilion.
Daniel Libeskind teamed up with the professionals at Immersive and Innovision to realize the four 10-meter-high, "shimmering" sculptures that are outlining the Milan Expo 2015's central square. The LED-lit aluminium structures, dubbed "the Wings," were designed to "animate the public space with a constant flow of pulsating patterns and imagery related to the theme of the Expo: health, energy, sustainability and technology." They will remain on view through the duration of the Expo, which concludes October 31.
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