White Arkitekter has teamed up with the City of Stockholm to redevelop Södra Skanstull, a neighborhood characterized by obstructive overland infrastructure bridging the south of Stockholm to the island of Södermalm.
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One of the key challenges faced by the European currency union, the Euro, was that of their design. In 2002, when the banknotes entered circulation across large parts of the European Union, the imagery that they possessed had to represent a continent of cultures. The answer: to create fictitious illustrations or, as the European Central Bank states, "stylised illustrations [of windows, doorways and bridges], not images of, or from, actual constructions." In a recent exhibition architect Anna Pang, in collaboration with Johan Holkers and Rolf Stålberg, have attemped to present the "fictive architecture" of the Euro as sugar sculpture.
In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the show explores how wood is being used creatively at every scale by designers and architects today. From the "timber terrazzo" of London-based designer Conor Taylor, to the four protected (yet threatened) wooden escalators at Sydney's Wynyard Railway Station, the episode questions how innovative designers are, or need to be, with this age-old tried and tested material. Finally, the show visits Folkhem in Sweden – a construction company who believe wood "to be superior to conventional alternatives in almost every respect, from construction time to acoustic properties."
Foster + Partners has broken ground on the new headquarters for Ferring Pharmaceuticals A/S in Copenhagen, Denmark. Located on the urban fringe of Copenhagen in Kastrup, the 39,000-square-meter project occupies a waterfront site along the Øresund crossing between Copenhagen and Malmö near the Copenhagen International Airport.
Snøhetta has released new images of their MAX IV Laboratory Landscape Design as it opens in Lund, Sweden. Winning the commission for the project in 2011, Snøhetta’s design transformed 47-acres (19 hectares) of formerly agricultural lands northeast of the city into an undulating earthwork aimed at “creating a functional landscape solution for the high-performance synchrotron radiation laboratory MAX IV.”
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
In this film, Jesús Granada visits the Nordic Pavilion, “In Therapy”, at the 2016 Venice Biennale. The video presents a series of measured stills in 4K resolution which introduce the central installation of the exhibition—a stepped pyramid, or ziggurat—and its series of reflective "rooms without walls." The pavilion itself, which was completed in 1969, was designed by Sverre Fehn to partially reflect and concretize certain ideas about Nordic society and its architecture – including a sense of openness. This year, therefore, the pavilion has been orchestrated as an extension of the public space of the Giardini.
Earlier this month The Guardian reported that the King of Sweden, Carl XVI Gustav, has denounced David Chipperfield's designs for Stockholm's new Nobel Center (Nobelhuset) in the Dagens Nyheter (DN), a national Swedish newspaper, as both too volumetrically large and badly sited. The practice's initial proposal, which was lauded by the awarding jury for its “lightness and openness,” is a glass and stone structure which attempts to “convey dignity” and embody the ideals of the Nobel Prize.
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