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Parish Church of the Celestial Queen / 4 plusz Építész Stúdió

© Albertszki Tamás © Albertszki Tamás © Albertszki Tamás © Albertszki Tamás

Funeral Home in Dabas / L.Art Architectural Office

  • Architects: L.Art Architectural Office
  • Location: Dabas, Hungary
  • Area: 128.0 sqm
  • Project Year: 2015
  • Photographs: Dorottya Sára Ligetvári

© Dorottya Sára Ligetvári © Dorottya Sára Ligetvári © Dorottya Sára Ligetvári © Dorottya Sára Ligetvári

Batthyány László Institute for Blinds / A4 Studio

  • Architects: A4 Studio
  • Location: Budapest, Mátyás király utca 29, 1162 Hungary
  • Architect in Charge: Géza Kendik, Zoltán Papp, Orsolya Maza, Viktória Dóczy, Sándor Gombár
  • Constructor: Grabarics Kft.
  • Area: 1500.0 sqm
  • Project Year: 2015
  • Photographs: Courtesy of A4 Studio

Courtesy of A4 Studio Courtesy of A4 Studio Courtesy of A4 Studio Courtesy of A4 Studio

The Vision of a Village / Csécsei Ákos

  • Architects: Csécsei Ákos
  • Location: Nemesgörzsöny, Hungary
  • Photographs: Frikker Zsolt

© Frikker Zsolt © Frikker Zsolt © Frikker Zsolt © Frikker Zsolt

MenoMenoPiu Proposes a Circular Form for the House of Hungarian Music

Envisioning the House of Hungarian Music as the new center of distribution within Liget Park, MenoMenoPiu Architects proposed a circular form for the concert hall, facilitating circulation to and from the museum and within the park. Although not the final winner of the Liget-Budapest Competition, “The Circle” demonstrates an interesting organizational strategy and perspective on sound. 

Music Hall. Image Courtesy of +imgs Aerial View. Image Courtesy of +imgs Entrance. Image Courtesy of +imgs Exhibition Space. Image Courtesy of +imgs

Dekoratio Branding & Design Studio / Dekoratio

  • Architects: Dekoratio
  • Location: Budapest, Rózsa utca 36, 1077 Hungary
  • Graphic Design, Interior Design, Art Direction: kissmiklos
  • Area: 100.0 sqm
  • Photographs: Balint Jaksa

© Balint Jaksa © Balint Jaksa © Balint Jaksa © Balint Jaksa

Visegad Town Center / aplusarchitects + S73 stúdió

  • Architects: aplusarchitects, S73 stúdió
  • Location: Visegrád, Hungary
  • Design Team: Tamás Anna Mária, Kovács-Andor Krisztián
  • Landscape Architects: S73 stúdió
  • Area: 370.0 sqm
  • Project Year: 2014
  • Photographs: The Greypixel Workshop

© The Greypixel Workshop © The Greypixel Workshop © The Greypixel Workshop © The Greypixel Workshop

Hello Wood 2015: Project Village

Hello Wood is looking for students and young architects, designers, and artists in their Project Village, its 2015 workshop and symposium held 11-19 July. Applications are due before the 16th of May.

This year’s event follows the success of Hello Wood’s workshop in the summer of 2014, which saw participation from over 120 architects, artists and designers from 25 countries. Project Village will examine the typology of the village and the means for its production, proposing new and more efficient methods of master planning and construction. Among the invited team leaders of Hello Wood 2015 are: the founder of Invisible Studio and Studio in the Woods, Piers Taylor; winner of ArchDaily’s Building of the Year 2014 award, Katsuya Fukushima; and founders of 72 Hour Urban Action architectural group. Open Call for students is available here.

K4 Office Building / 3h architecture

  • Architects: 3h architecture
  • Location: Budapest, Hungary
  • Design Team: Andras Mark Bartha, Zsombor Feher, Lilla Kantor, Bence Kertesz, Anna Sara Kiss, Tamas Nemeth, Orsolya Pataj
  • Design architects: Katalin Csillag, Zsolt Gunther
  • Project Architect: Tamas Bekesi
  • Area: 23330.0 sqm
  • Project Year: 2015
  • Photographs: Tamas Bujnovszky

© Tamas Bujnovszky © Tamas Bujnovszky © Tamas Bujnovszky © Tamas Bujnovszky

Why Budapest's Contemporary Architects had to Go Underground to Find Success

This article by ArchDaily's former managing editor Vanessa Quirk first appeared on ArtsCultureBeat, the web magazine of Arts & Culture concentration at Columbia Journalism School’s MA program, titled "The Secret Life of Hungarian Contemporary Architecture."

This time last year, Hungarian Prime Minister Victor Orbán stood at a podium in a pristine new subway station. Raw concrete beams criss-crossed above him; state-of-the art, driverless trains stood silently beside him. It was the opening ceremony for Line 4, a subway line that due to delays, corruption, and disputes had been 40 years in the making.

“The people of Budapest began to accept the thought that only their grandchildren would use Budapest’s new Metro line, or not even them.” Orbán told the crowd. He recounted an old joke that embodied the cynicism that once surrounded the project: Chuck Norris had been on Metro Line 4.

Orbán credited the line’s completion, which occurred only a few weeks before the 2014 parliamentary elections, to “the solidarity and unity that was established in 2010 [when Orbán’s government took power] and has since been maintained.” He didn’t mention how, under his first government (1998 to 2002), he had withheld funds from the project, contributing significantly to its delay. Nor did he mention that his party had fought against the idea that the line, an expensive infrastructural project, needed architecture at all.

Today, though, the line’s stunning architecture is its most noticeable feature. Line 4 is not just a watershed achievement in Hungary’s history, but also a symbol of what it takes to make contemporary architecture in Hungary today. Both literally and figuratively, contemporary architecture had to go underground.

Fovam Station / sporaarchitects. Image © Tamás Bujnovszky Gellert Station / sporaarchitects. Image © Tamás Bujnovszky Kálvin tér Station / PALATIUM Studio. Image © Tamás Bujnovszky Bikás Park Station / PALATIUM Studio. Image © Tamás Bujnovszky

Playing with Balance and the Balance of Play: Hello Wood's 2014 Camp

A shortened version of this article by ArchDaily's Managing Editor Rory Stott appears in HW 1-5, a book by the organizers of Hello Wood about the camp's first five years.

Arriving at Budapest’s international airport on a warm Saturday in July, I confess to being unprepared for my week ahead at Hello Wood 2014. Hungary was the third country and Budapest the fourth city I had been in in 72 hours, and thanks to this (uncharacteristically) chaotic week, I hadn’t had the chance to research anything about the camp. All I knew was what could be learned from the photos of the 2013 camp which I had published almost a year earlier: that is, that the camp is held in an idyllic rural setting, presumably a significant distance from Budapest; and that the quality of work seems unusually high for a week-long architecture workshop, presumably indicating a serious, focused atmosphere at the camp.

The first of these assumptions was absolutely right. But the second could hardly be more wrong. In fact the atmosphere at the camp was so far from being serious that by Tuesday, Gábor Betegh - a friend of the organizers and coincidentally Cambridge University’s new Laurence Professor of Ancient Philosophy - told me how fascinating it was to compare the “centripetal madness” of the philosophers he knows to the “very centrifugal madness” of the architects at the camp. This remark was made in response to one of the team leaders screeching like a monkey from the top of his team’s half-completed tower.

© Géza Talabér © Anna Vághy Playground / Architecture Uncomfortable Workshop. Image © Géza Talabér © Géza Talabér

Doboz Bar / Péter Szendrő

  • Architects: Péter Szendrő
  • Location: Budapest, Klauzál utca 10, 1072 Hungary
  • Collaborators: Dávid Loszmann, Gábor Korintus, Kristóf Pataricza
  • Area: 492.0 sqm
  • Project Year: 2011
  • Photographs: Dániel Dömölky, Zsolt Batár, Tamas Bujnovszky

© Zsolt Batár © Dániel Dömölky © Tamas Bujnovszky © Zsolt Batár

New Visitor Entrance, Benedictine Archabbey Of Pannonhalma / CZITA Architects

  • Architects: CZITA Architects
  • Location: Pannonhalma, Hungary
  • Architects in Charge: Tamás Czigány, Anikó Páll, Györgyi Tóth
  • Project Year: 2013
  • Photographs: Tamás Bujnovszky, Tamás Czigány

© Tamás Czigány © Tamás Czigány © Tamás Czigány © Tamás Bujnovszky

O'Donnell + Tuomey's Central European University In Budapest Breaks Ground

Work has begun on O'Donnell + Tuomey's first project in Hungary. The new collection of buildings and restoration projects for the Central European University in Budapest sits within existing courtyards in a dense area of the city. Bringing a total of 35,000m² of new space to the inner-city campus, the project consists of a new library spread across five floors, an auditorium, multiple public spaces, teaching and learning facilities, study rooms, and a café.

Roof terrace. Image Courtesy of O'Donnell + Tuomey / Central European University Internal courtyard. Image Courtesy of O'Donnell + Tuomey / Central European University Internal courtyard. Image Courtesy of O'Donnell + Tuomey / Central European University Lecture Hall. Image Courtesy of O'Donnell + Tuomey / Central European University

In Conversation With Sheila O'Donnell And John Tuomey, 2015 Royal Gold Medallists

When Sheila O'Donnell and John Tuomey, who practice in partnership as O'Donnell + Tuomey, were named as this year's recipients of the RIBA Royal Gold Medal, a palpable collective satisfaction appeared to spread throughout the profession. No one could find criticism in Joseph Rykwert and Níall McLaughlin's nomination, nor the ultimate choice of the RIBA Honours Committee, to bestow the award upon the Irish team. Their astonishingly rigourous body of work, compiled and constructed over the last twenty five years, has an appeal which extends beyond Irish and British shores. A robust stock of cultural, community and educational projects, alongside family homes and social housing projects, leaves little doubt about the quality, depth and breadth of their mutual capabilities and the skill of those that they choose to collaborate with.

Read the conversation with the Gold Medallists after the break.

Ground sketch, Venice Biennale 2012 (Common Ground). Image © O'Donnell + Tuomey Sketch, Glucksman Gallery (Cork, Ireland). Image © O'Donnell + Tuomey Watercolour sketch, Ireland. Image © O'Donnell + Tuomey Sketch Plan of the Saw Swee Hock Centre (London). Image © O'Donnell + Tuomey

Liget Budapest Awards Graeme Massie Architects' Museum of Ethnography Third Place

Recent participants in the Liget Budapest design competition, Graeme Massie Architects have taken home third place for their proposed Museum of Ethnography design. The museum, one of five museums planned for the Liget Budapest development, is located at the very corner of Budapest City Park and is meant to act as a welcoming landmark for the city. Graeme Massie fulfills this requirement in a unique fashion, creating a building that is instantly recognizable, but still manages to blend with its surroundings. Learn more, after the break.

Permanent Exhibition Space. Image © Graeme Massie Architects Children's Museum. Image © Graeme Massie Architects Tower View. Image © Graeme Massie Architects Lobby. Image © Graeme Massie Architects

Liget Budapest Awards Third Place to LEAD's Blue Tiled Museums

Taking home third place in the Liget Budapest competition, the Laboratory for Explorative Architecture and Design (LEAD) has proposed a colorful design for Budapest’s new photography and architecture museums. A stunning shade of blue, the undulating buildings will mark the entrance to Budapest City Park, and provide a new cultural hotspot for Hungary’s capital city. Learn more about them, after the break.

Aerial View. Image © LEAD Library- Museum of Architecture. Image © LEAD Roof View- Photo Museum. Image © LEAD Park VIew. Image © LEAD