Adam Nathaniel Furman, architect and winner of this year’s Blueprint Award for Design Innovation, is currently undertaking his tenure as the recipient of the 2014/15 Rome Prize for Architecture at the British School at Rome. His ongoing project, entitled The Roman Singularity, seeks to explore and celebrate Rome as “the contemporary city par-excellence” – “an urban version of the internet, a place where the analogical-whole history of society, architecture, politics, literature and art coalesce into a space so intense and delimited that they collapse under the enormity of their own mass into a singularity of human endeavour.”
In this short essay inspired by the work of Dietrich C Neumann, an architectural historian at Brown University (Providence, RI USA), Furman examines what would have been “the tallest building in the world [...] housing Italy’s new Parliament, lecture halls, meeting rooms, a hotel, library, enormous sports facilities, lighthouse, clock, astronomical observatory, telegraph and telephone stations, [reflecting] sunlight off its acres and acres of white Carrara marble.” In the shadow of Italian Fascism, Mario Palanti saw an opportunity to transform the skyline of the Italian capital by pandering to the egotistical ambitions of a dictator. Ultimately the extent of his vision was matched only by his failure.
Within the walls of OFL Architecture‘s open-air wooden pavilion, the term “built environment” truly earns its keep. In Wunderbugs, humans become spectators of the natural world as insects toil away in six spherical ecosystems, and sensors weave movements into a web of data. Upon entering the pavilion, visitors are transformed into components of an interactive soundtrack harvested from the sensors and broadcast in the space, uniting the insect and human experience. The project was conceived for the second annual Maker Faire Europe in Rome, where it was installed earlier this month.
Enter the interactive acoustic experience of Wonderbugs after the break.
A major competition for reuse has just been announced for the Malagrotta Landfill, one of the European Union’s biggest landfill sites. After Malagrotta was closed in August 2013 due to its controversial size and negative impact on the surrounding community, the Municipality of Rome began a process of redevelopment through community engagement. Multi-displinary teams are tasked with a creating a proposal to reinvent the sprawling 240-hectare property while considering its original purpose. The competition is designed to begin a conversation on the long-term vision for the property.
MAXXI and Insula architettura e ingegneria with Based Architecture present “Cose Turche”, a conversation of six voices about Istanbul, aimed to recognize and trace the pulsating identity of a metropolis, which in its present metamorphosis is able to tell us about significant pieces of third millenium urban culture.
Recently some of Istanbul public spaces as Gezi Park, Taksim square with Ataturk Cultural Center by Hayati Tabanlioglu and Third Bosphorus Bridge became symbol and central places of an intense debate still open, which assumed a global broader connotation.
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless – to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary ”Material Mind,” after the break.
Just as the 2014 winners of the Young Architects Program (YAP) in Chile and Korea were announced this week, the architecture collective of Orizzontale was crowned victorious for the program’s MAXXI edition in Rome.
The winning scheme, dubbed “8 1/2,” will be a translucent wall of recycled beer kegs and an inhabitable timber podium that will be used as a stage for summer events within the confines of the MAXXI piazza. Shaded during the day and illuminated at night, the glass wall is intended to inspire people to rest, play, watch and listen.
Global firm Woods Bagot has unveiled designs for the Italian Serie A soccer club AS Roma’s new stadium: Stadio della Roma. Planned for completion by the 2016-17 season on the outskirts of Rome, the colosseum-inspired stadium will be capable of hosting more than 52,000 fans and designed to be easily configured to accommodate multiple sporting and entertainment events.
“The design draws visual cues from the world’s most historic spectator venue, the Roman Colosseum,” says Woods Bagot Sport Design Leader, Dan Meis. “The design features a state-of-the-art steel and concrete seating bowl wrapped in a ‘floating’ stone scrim, evocative of the rhythmic facade of the famous arena; with polycarbonate clad roof is reminiscent in form of the historic retractable fabric canopy that once covered the upper tiers of the Colosseum.”
He has made his debut in the MAXXI piazza. As the winner of the Young Architects Program (YAP) in Rome, Turin-based studio Bam! Bottega di Architettura metropolitan has transformed the concrete facade of the Zaha Hadid-designed museum into a visual spectacular with the installation of a yellow, translucent and aerostatic prism.
On Saturday September 7, at 6 pm at Ara Pacis Museum in Rome,CITYVISION, in partnership with NuFactory and OUTDOOR International Street Art Festival, will present Sick & Wonder / Best Act, the most important annual event curated by the roman based urban lab for contemporary architecture.
The OUTDOOR Festival, now in its fourth edition, has raised re-appropriation of urban spaces as a place of meeting, exchange, inter-cultural and inter-generational dialogue. OUTDOOR became an unique platform to interact with other forms of creativity. Among these, the architecture is certenly playing a key role. This explains the partnership with CityVision.
During the eleventh edition of the PECHA KUCHA NIGHTTM ROMA the event will feature bloggers, gallery owners, opinion makers, architects, to arrive to the Rio Cityvision Competition Awards Ceremony.
More info after the break.
Rome’s new mayor, Ignazio Marino, is leading a crusade for walkability by eliminating noisy, out-of-control traffic surrounding the ancient monuments. Starting with the Via dei Fori Imperiali – a major avenue connecting the Piazza Venezia to the Colosseum – Marino plans to ban private traffic so pedestrians will have a place to “bike, walk, enjoy this incredible archaeological site.” More on the story at NPR.
Third project of the Living Architectures series, Xmas Meier takes us, during the Christmas season, in the heart of a working-class neighbourhood in the suburbs of Rome, which had been lifted from anonymity to international renown thanks to the church built by Richard Meier for the Jubilee. Controversy, caustic irony and free speech opposed to the faithful’s devotion. Welcome to Rome!