This reconstruction is primarily of language. The architects draw from archives—mental, digital or printed on paper—distant from the typical parametric and highly schematic rationales that characterized the last thirty years of design in architecture. Within the theoretical system that drives architectural composition, these archives inevitably become homages, references, and quotes.
Buildings, perhaps unlike any other art form or edifice, have a capacity to influence or become part of a place's cultural identity and history. Defining an architectural monument is, however, an ambiguous exercise – most of their ilk only reach this status years after completion. AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. Here we've assembled five structures and buildings which, often aside from original intentions, embody that most ephemeral feeling: a sense of progress.
http://www.archdaily.com/802463/ad-round-up-5-monuments-to-progressAD Editorial Team
Locked within Rome’s labyrinthine maze of narrow streets stands one of the most renowned buildings in the history of architecture. Built at the height of the Roman Empire’s power and wealth, the Roman Pantheon has been both lauded and studied for both the immensity of its dome and its celestial geometry for over two millennia. During this time it has been the subject of countless imitations and references as the enduring architectural legacy of one of the world’s most influential epochs.
The encounter between CAMPO and Le FRAC Centre-Val de Loire of Orleans produced MISUNDERSTANDINGS, a project which, addressing one of the most important archives of architectural experiments worldwide, opens a reflection on the operative value of museums and collections for the contemporary discourse and practice of architecture.
Ierimonti Gallery New York is pleased to present Re-Constructivist Architecture, curated by Jacopo Costanzo and Giovanni Cozzani with Giulia Leone and promoted by the Scientific Technical Committee of Casa dell'Architettura in collaboration with Consulta Giovani Roma. The exhibition will feature the work of thirteen international emerging architecture firms, aiming to portray a generation of architects born in the ‘80s: a countertrend that tries to recover a debate lost years ago and obstructed by a cumbersome star system.
Following an earthquake measuring 6.6 on the Richter Scale that struck central Italy this morning at 7:40 a.m. local time—the fourth to hit this part of the country in three months—a number of structures have collapsed entirely or been severely damaged. While no deaths have been reported at this time, the BBC suggests that twenty people have been injured.
The series will start next Friday, and the lectures will be every month up to June 2017 in Rome, at Casa dell’Architettura. The participants - all born in the Eighties - will be paired in couples, in order to obtain an interesting dialogue in each and every meeting.
OUTDOOR LAB is an initiative promoted by NUfactory within the Outdoor Festival 2016. The competition aims to exploit one of the former pavilions of the Guido Reni military station, reflecting on the theme of conversion that the space is experiencing: transform an old industrial laboratory in a meeting space, production, sharing and experimentation.
The BSR is delighted to announce that the competition is now open for a Scholars' Prize in Architecture. This is an exciting and valuable opportunity for an early-career architect or post-Part II student of architecture to spend three months in Rome (January-March 2017), and be a member of a vibrant residential community of architects, artists and researchers in the humanities and social sciences.
http://www.archdaily.com/783297/call-for-entries-british-school-at-romes-scholars-prize-in-architectureAD Editorial Team
The Palazzo della Civiltà Italiana (also known as the 'Square Colosseum') is perhaps the most emblematic architectural project realised during Benito Mussolini's Fascist dictatorship, which governed Italy between 1922 and 1943. Now, sixty years later and having never been used, Italian fashion house Fendi and architect Marco Costanzi have—amid controversy—renovated the historically charged building into their headquarters, with office space to accommodate around 450 employees. Having reportedly signed a fifteen year lease with the municipality of Rome, the haute fashion house will be paying around €240,000 ($265,000) in annual rent.
http://www.archdaily.com/776091/fendi-fashion-house-relocates-to-the-palazzo-della-civilta-italiana-in-romeAD Editorial Team
With its hundreds of churches, Rome has a developed a rich history of domes. Inspired by this heritage, Jakob Straub has photographed the city's most remarkable rotundas from the ancient Pantheon up to Pier Luigi Nervi's modern sports arena. His neutral photo perspective, taken looking upwards from the center of the rotunda, opens a new view for the underlying concepts where the architecture yearns for the firmament. For Elías Torres, these “zenithal-lit” spaces constitute an important method for daylight architecture, where the exterior is also transformed into a fascinating distant reality.
Torres has analysed numerous strategies for lighting architecture effectively with daylight from above. In his book “Zenithal Light,” illustrated with an abundance of striking photos, he came to the conclusion that “Amongst the representations of the sky in the interior of architecture, the one that depicts the sun shining from above with a circular form has been the favoured one for many cultures.”
CDP Investimenti has selected Studio 015 Paola Viganò as the winner of the Progetto Flaminio International Design Competition to master plan a new district surrounding the City of Science in Rome. After launching the competition in December 2014, CDP Investimenti Sgr and the Municipal Government received over 240 entries. Of those, six teams were shortlisted and given 24,000 euros each to develop and submit their final proposals. Learn more about the winning proposal after the break.
Developed for an international planning and architectural competition, this proposed masterplan for the Città della Scienza by Vincent Callebaut Architectures, coffice - studio di architettura e urbanistica, and Studio d'Architettura Briguglio Morales fuses sustainability with history to propose a self-sufficient urban ecosystem in Italy. Operating on the principle of living facades, the Città della Scienza revitalizes the forgotten military district into a vibrant, continually regenerating living city.
Read on after the break for a closer look at the plan.
Adam Nathaniel Furman's tenure as the recipient of the 2014/15 Rome Prize for Architecture at the British School at Rome has come to an end. The project that he has investigated over the past months, entitled The Roman Singularity, sought to explore and celebrate Rome as “the contemporary city par-excellence” – “an urban version of the internet, a place where the analogical-whole history of society, architecture, politics, literature and art coalesce into a space so intense and delimited that they collapse under the enormity of their own mass into a singularity of human endeavour.”
In The New Yorker's latest Postcard from Rome Elizabeth Kolbert talks to Renzo Piano in his Senate Office at the Palazzo Giustiniani, just around the corner from the Pantheon. Piano, who was named a Senator for Life by Italian President Giorgio Napolitano in September 2013 (when he was 75 years of age), immediately "handed over the office, along with his government salary, to six much younger architects." He then "asked them to come up with ways to improve the periferie - the often run-down neighborhoods that ring Rome and Italy’s other major cities." Kolbert attests to Piano's belief in the power of museums and libraries and concert halls. For him, "they become places where people share values [and] where they stay together." "This is what I call the civic role of architecture."