Greek Architecture

In an effort to aid the plight of refugees around the world fleeing war and persecution, two young architects in 2016 embarked on a project designed to improve the mental health of refugees in camps. Led by Bonaventura Visconti di Modrone and Leo Bettini Oberkalmsteiner, and supported by the UN International Organization for Migration, “Maidan Tent” allows refugees to benefit from indoor public space – a communal area to counteract the psychological trauma induced by war, persecution, and forced migration.

Experimental design practice Studio INI's has designed a kinetic installation to represent this year's Greek Pavilion for the 2018 London Design Biennale. Entitled ΑΝΥΠΑΚΟΗ (Disobedience), the installation responds to the Biennale theme of Emotional States. Selected for the central courtyard exhibit, the design is comprised of a 17 meter-long wall constructed from a steel spring skeleton built up with recycled plastic which flexes, morphs and breathes around the human body.

Russian-German architect Sergei Tchoban of Tchoban Voss Architekten has won the Gold Medal in the First Athens Architecture Club Exhibition, organized by the Chicago Athenaeum and The European Centre for Architecture Art Design. Participating architects included Steven Holl, Daniel Libeskind, and Santiago Calatrava.

The Renzo Piano Building Workshop (RPBW) has presented their preliminary design approaches for three hospitals in Greece. Part of a €200 million ($240 million) healthcare initiative launched by the Greek government, RPBW will produce designs for a General Hospital of Kromotini, a Children’s Hospital in Thessaloniki, and the Evangelismos Hospital in Athens which will also form part of the University’s Faculty of Nursing.

Whether it's to start analyzing a detail or impressing someone in conversation, understanding a classical building begins with an awareness of the different classical orders of architecture. In the historical records of architecture, the first account of the orders was written by Vitruvius: "[...] The orders came to provide a range of architectural expressions, ranging from roughness and firmness to slenderness and delicacy. In true classical design, order choice is a vital issue—it is the choice of tone," [1] which for the author, synthesizes the "architecture grammar." [2]

As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Greek Pavilion. Below, the participants describe their contribution in their own words.

From NEON.
NEON is a nonprofit organization that works to bring contemporary culture closer to everyone.

The Parthenon, unquestionably the most iconic of the Ancient Greeks' Doric temples, was built between 447 and 432 BC. Located on the Acropolis in Athens, for many architects, it is one of the first buildings we analyzed when beginning our studies. Designed by Ictino and Calícrates, it displays a unique repertoire of architectural elements that can be fully appreciated individually, or for the role they play in forming a complete and magnificent whole.

As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.

The Arcade Providence is 188 years old, but it's getting its second wind.