For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section, the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
From the Publisher. The May 2016 issue of a+u is a special issue dedicated to recent works by BIG – Bjarke Ingels Group.
The team is engaged with projects both large and small in locations all over the world. The issue reflects that diversity, with the first half devoted to the large, urban-scale works for which the practice is best known, and the second half devoted to smaller works, including residences and a pavilion. Including those nearing completion, 20 of the 22 projects introduced here are currently underway. Over the next few years, we will see many more of their works finished.
http://www.archdaily.com/787062/a-plus-u-548-big-plus-smallAD Editorial Team
With the 2016 Salone del Mobile now behind us, Romanian photographer Laurian Ghinitoiu has shared his photos from Milan Design Week, along with his ranking of the top five architectural installations. Read on to see his exceptional collection of images accompanied by short descriptions of each project.
Photographer Laurian Ghinitoiu has captured the latest photos of BIG's courtscraper, VIA 57WEST. Exploring the urban context of this unconventional high-rise, the images illustrate how the building's swooping facade and peak appear from different sight lines.
BIG has revealed their concept for the Redskins new stadium complex. Complete with a moat, the semi-transparent, undulating structure was designed to redefine the American stadium. Rather than being (mostly) preserved for game-day, BIG envisions the stadium to be a year-round destination used for more than just football.
“The stadium is designed as much for the tailgating, like the pre-game, as for the game itself,” Bjarke Ingels said on 60 Minutes. “Tailgating literally becomes a picnic in a park. It can actually make the stadium a more lively destination throughout the year without ruining the turf for the football game.”
Five major firms have been shortlisted for the Albright-Knox Art Gallery's $80 million expansion in Buffalo, New York. Chosen for their "design intellect" and ability to collaborate, the competing firms will envision ways to expand the gallery's exhibition space and create a new public urban area that maximizes the site's potential, as the Albright-Knox campus is located on the edge of Delaware Park - one of Frederick Law Olmsted’s major works.
“The selection of the architects reflects that malleability, because none of them has a fingerprint style,” Albright-Knox director Janne Sirén said. “All of them, almost, specialize in an ability to build for a given context.”
French department chain Galeries Lafayette has commissioned BIG to design its new flagship on Paris' historic Avenue des Champs-Élysées. BIG's first retail client, Galeries Lafayette hopes to position the project "as an upmarket department store for the 21st century" that will "endow the legendary boulevard with renewed cachet," according to a report on Business of Fashion.
Sited for 52 Champs-Élysées, the 7000-square-meter space will take its inspiration from the historic Art Deco building its housed in. As BIG described, they hope to enhance that space and respect the existing architecture, rather than radically transform it.
We've all been there: it's time to write a cover letter to apply for the job you've always dreamed of, but all that you can seem to muster are tired phrases and generic expressions. Well, in walks Étienne Duval to put us all to shame. Duval, a 30-year old architect, wanted to work at BIG, with "Yes is More"-man Bjarke Ingels. And what kind of cover letter did Étienne write? A rap... with an accompanying video. It's witty, well-done and (in our humble opinion) a perfect fit for BIG.
After the video made the rounds here at ArchDaily, we had some burning questions for Étienne. Check out the video, which has racked up over 20,000 views, and the short interview below.
ArchDaily: What inspired you to create a video for your application?
http://www.archdaily.com/781534/the-story-behind-the-most-creative-job-application-weve-ever-seenAD Editorial Team
Reports indicate BIG will design the Washington Redskins new stadium. Details have yet to be released, however according to Sports Business Daily the practice's head of communications, Daria Pahhota confirmed BIG is working on an NFL stadium. The Redskins currently play at the 80,000-seat FedEx Field in Maryland; it is said that they are considering moving back to Washington DC or relocating to Virginia.
Until recently, the only options for providing clients and the public with visualizations of what a prospective building would look like were almost exclusively hand drawn renderings, or scale models built by hand. Both of these practices are still in use today, but now there is a much wider range of options with 3D modeling software providing the bulk of renderings, the growing presence of 3D printing, and even video fly-throughs with special effects that rival the latest Hollywood action movie. This 16mm film created by architecture firm Skidmore, Owings & Merrill (SOM) in 1984, and digitized by illustrator Peter Little, reminded us of what the early days of digital 3D modeling looked like.
Over time, people have found many different ways to fund the construction of a building. Museums for example have long benefited from the support of deep-pocketed patrons, with The Broad Museum, a permanent public home for the renowned contemporary art collection of philanthropists Edythe and Eli Broad, being the newest example in a long history of such practices. However in our ever-more-connected world - and against a backdrop of reduced government support for creative endeavors - the onus of funding seems to be shifting once again, away from the individual and towards the crowd.
Update:The Kickstarter campaign launched by BIG to fund the development of their steam ring generator reached its goal of $15,000 in less than a week after it was launched. As of today (24th August) the campaign total stands just short of $25,000, with 19 days still to go.
BIG has launched a Kickstarter campaign, aiming to fund the ongoing research and prototyping of the "steam ring generator" designed to crown the firm's Waste-to-Energy power plant in Copenhagen. The campaign was announced on Friday and picked up a lot of steam (pun intended) in the design press - but at ArchDaily we were hesitant to publish news of the campaign because, in short, it led us into a minefield of questions about the role of invention, public engagement, and money in architecture.
Of course, BIG are far from the first to attempt to crowdfund an architectural project. Previous projects however have generally focused on otherwise-unfundable proposals for the public good, barely-sane moonshots or complex investment structures which depending on your viewpoint may or may not even count as crowdfunding. BIG are perhaps the first example of an established architectural firm attempting to crowdfund the design of a project that is already half-built, causing some people - ArchDaily staff included - to ask: "Why wasn't this money included in the project's budget?"
Join the CTBUHNew York City Chapter for a discussion on the VIA 57 West building. Guest speakers Bjarke Ingels (BIG), Aine Brazil (Thornton Tomasetti), and Jeff Crompton (Hunter Roberts) will discuss the architecture, engineering and the construction process behind this unique structure. VIA stands tall at 467 feet and is one of the most architecturally distinctive buildings constructed in New York City. The building provides a dramatic visual gateway to Manhattan’s skyline along the Hudson River. VIA is a hybrid between the European perimeter block and a traditional Manhattan high-rise development. The building’s unique shape combines the advantages of both: the compactness and efficiency of a courtyard building providing density, a sense of intimacy, and expansive views. The form of the building shifts depending on the viewer’s vantage point. While appearing like a pyramid from the West Side Highway, it turns into a dramatic glass spire when seen from West 58th Street.
According to the report, 21st Century Fox and News Corp have "tipped" BIG to redesign the tower should they strike an agreement with project backers Silverstein Properties and The Port Authority of New York and New Jersey to move into the tower. If the deal goes through, the two companies would occupy nearly half of the building - enough to kickstart development.
One of the six winners of the Rebuild by Design competition, Bjarke Ingels Group’s (BIG) “Dry Line” project aims to protect Manhattan from future storms like Hurricane Sandy by creating a protective barrier around lower Manhattan. The barrier will be formed by transforming underused waterfront areas into public parks and amenities. Now, you can learn more about the vision behind the project and how it was developed in a webinar led by Jeremy Alain Siegel, the director of the BIG Rebuild by Design team and head of the subsequent East Side Coastal Resiliency Project. The webinar will take place on Friday, June 12. Learn more and sign-up on Performance.Network.
Field Condition has published a photographic tour through BIG’s first New York project, two months after W57 topped out. A “courtscraper,” as the Danish practice affectionately calls it, the 32-story, 709-unit tower is a hybrid of the European courtyard block and New York City skyscraper. It’s tetrahedral shape, “born from logic,” is designed to provide every resident in the building's North Tower to have views of the Hudson River, while allowing sunlight deep into the building's interior space. View the project from within, after the break.
The City of Mountain View is expected to receive a massive proposal from the city’s largest employer; reports confirm that Google has enlisted Bjarke Ingels Group (BIG) and Heatherwick Studio to design its new California headquarters. With the few details released, it is unclear if the proposal plans to update the company’s existing 3.1 million-square-foot Googleplex or replace it. However, as the New York Times reports, the proposal will boast a “series of canopy-like buildings” on a campus organized around bicycle and pedestrian paths.