You’ve probably seen the ads. Popping out from your Facebook newsfeed, the Masterclass sales pitch immediately attracts the eye: beautifully backlit wooden models and silky hand sketching emphasized by orchestral swells are accompanied by an adorable pirouette by the one and only Frank Gehry. The combination of Gehry’s status and slick production has managed to amass over 1.6 million views for the trailer on Youtube. Even in the company of courses taught by Martin Scorsese, Deadmau5, and Samuel L Jackson, the lone architect impressively lays claim to the eighth most popular teaser in the Masterclass series. The production value alone is almost a convincing argument for the $90 USD price, a detail that is quietly left out of the trailer.
The course has been reviewed by a critic, a practicing architect, and a curator—but what of its ostensible target audience, the architecture student? Has Masterclass managed to crack the online class conundrum with cinematography and celebrity?
https://www.archdaily.com/885220/frank-gehrys-online-masterclass-a-review-by-architecture-studentsAndy Chen & Thomas Musca
Originally conceived as as 22-story hotel and residential tower, the project has now been shortened to 12 stories (130 feet) to meet restrictions imposed by the city’s Downtown Community Plan, which calls for “aggressively slow growth” and a “lower scale downtown” of mainly 4-5 story tall buildings.
Coinciding with their 100th anniversary, the Los Angeles Philharmonic (LA Phil) has announced plans to build a new, dedicated space for the Youth Orchestra Los Angeles (YOLA) to be designed by Los Angeles’ own Frank Gehry. Architect of Los Angeles’ and one of the world’s most famous performance spaces, the Walt Disney Concert Hall, Gehry has been called upon to transform a 17,000-square-foot facility in the LA neighborhood of Inglewood that will allow LA Phil to reach its goal of doubling the number of students involved in its programs by 2022.
The Guggenheim Museum Bilbao, which celebrates its twentieth anniversary this month, has been hailed as a pinnacle of technological progress since its October 1997 opening. While the use of the modeling software CATIA (Computer Aided Three-Dimensional Interactive Application) was without question groundbreaking, some of the greatest moments of ingenuity during the building’s design and construction were distinctly low-tech. Developed between 1991 and 1997, the curved and angular titanium-clad building was conceived at the turning point between analog and digital practice. This profound shift enveloped and permeated every aspect of the project, from the design process and construction techniques to the methods of communication technology put to use.
In celebration of the 20th Anniversary of the Frank Gehry-designed Guggenheim Museum Bilbao, creative production studio 59 Productions has put on a 4-day projection mapping light show, transforming the museum’s iconic shimmering surfaces into a canvas for a dazzling light display.
From October 11-14th, the 20-minute-long multisensory production Reflections combined music, light and projection, creating a show on the building’s north-facing titanium facades that told the story of the museum’s genesis and design.
Along with the change in designer comes a change in location to an 83,000-square-foot site on Christopher Columbus Drive (near contemporary art museum Mass MoCA) and a major increase in scope – while original plans called for a 45,000-square-foot museums, new figures project the building will total as much as 75,000 square feet.
Renderings for a new office building in the Playa Vista neighborhood of Los Angeles designed by Gehry Partners have been revealed in documents released by the LA Department of City Planning. Called New Beatrice West, the eight-story development consists of a series of terraced glass boxes, capped with abundant vegetation aimed at contributing passive energy-efficiency to the complex. The new building will integrate an existing adjacent office building that currently houses the offices of Gehry Partners.
Six internationally-acclaimed teams have been selected as finalists in a competition to design a new home for London Symphony Orchestra and Guildhall School of Music & Drama to be known as the Centre for Music London.
Planned to contain a world-class concert hall, education, training and digital spaces, top-grade facilities for audiences and performers, and a number of supporting commercial areas, the Centre for Music building will become a new landmark within the heart of London, aimed at becoming “a place of welcome, participation, discovery and learning fit for the digital age.”
Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
https://www.archdaily.com/871555/23-examples-of-impressive-museum-architectureAD Editorial Team
Text description provided by the architects. Even at the Vitra Campus in Weil-am-Rhein—a collection of furniture factories, offices, showrooms, and galleries, many of which are the products of iconic architects—the Vitra Design Museum stands out as exceptional. With its sculptural form composed of interconnected curving volumes, the museum is the unmistakable work of Frank Gehry – an architect who has built a legacy for himself upon such structures. What may not be immediately apparent is the crossroads that this serene white building represents: it was in this project at the southwestern corner of Germany (close to the Swiss border) that Gehry first realized a structure in the vein of his now signature style.
The Philadelphia Museum of Art has broken ground on the Core Project, a $196 million transformation of its main building led by Frank Gehry. In total, the renovation will add a total of 90,000 square feet to the museum, including 67,000 square feet of new public space, 11,500 square feet of gallery space for the museum’s American Art collection, and another 11,500 square feet of contemporary art display space.
As suggested by its name, The Core Project will focus on the heart of the museum; the main circulation of the building will be completely reorganized and museum infrastructure will receive much-needed upgrades, improving access to the community and enhancing the visitor experience.
“If it hadn’t been for Frank Gehry, we would have made a simple, straightforward concert hall where students play concerts. But if the space is there, and somebody so gifted, like him, is prepared to do that, then of course you have to do that” - Daniel Barenboim, Founder, Pierre Boulez Saal.
In this Facebook video, Frank Gehry discusses the circumstances of his most recently-completed project, the Pierre Boulez Saal concert hall in Berlin, and the significance of contributing a new venue to Berlin’s historic musical scene.