Enquanto meio de representação da arquitetura, a fotografia apresenta qualidades indiscutíveis. Com ela, é possível apresentar a um público distante obras erguidas em qualquer lugar do mundo, de vistas gerais a espaços internos e pormenores construtivos - ampliando o alcance e, de certo modo, o acesso à arquitetura.
Entretanto, como qualquer outra forma de representação, não é infalível. Na medida que avanços tecnológicos permitem fazer imagens cada vez mais bem definidas e softwares de edição oferecem ferramentas para retocar e, por vezes, alterar aspectos substanciais do espaço construído, a fotografia, por sua própria natureza, carece de meios para transmitir aspectos sensoriais e táteis da arquitetura. Não é possível - ao menos não satisfatoriamente - experienciar as texturas, sons, temperatura e cheiros dos espaços através de imagens estáticas.
Materials, products, and construction systems are constantly evolving and following new technologies, discoveries, and market trends. The question is: are we, as architects, evolving with them? We have heard about robots working on construction sites, responsive and intelligent materials and the continued rise of 3D printing, but is it all white noise at the moment of starting a new design? More importantly, could these new systems continue to progress without sensitively and effectively taking people's quality of life into account?
How should we use materials—both in their traditional forms and in their future conceptions—so that our projects are making relevant contributions to the way we are inhabiting our planet?
In order to evolve, we have to know how, so it’ s worth beginning a discussion around these issues.
https://www.archdaily.com/909823/6-thoughts-on-materials-and-construction-decisions-that-improve-peoples-quality-of-lifeAD Editorial Team
While the next edition of the Venice Biennale for Architecture is still more than a year away, the Art Biennale sister event is right around the corner. Ghana, for whom this will be their first ever foray into the major art event, has announced their pavilion lineup and designer - none other than Sir David Adjaye.
https://www.archdaily.com/912301/david-adjaye-to-design-ghanas-first-ever-pavilion-at-the-2019-venice-art-biennaleKatherine Allen
Just like the architectural elements that make up built space - floor, walls and ceilings - natural elements are also capable of creating spaces in large-, medium- and small-scale areas, in places like public and residential gardens.
According to Brazilian landscape architect Benedito Abbud, "Landscaping is the only artistic expression in which the five senses of the human being participate. While architecture, painting, sculpture and other visual arts use and abuse only the vision, landscaping also involves smell, hearing, taste and touch, providing a rich sensory experience by adding the most diverse and complete perceptual experiences. The more a garden can sharpen all the senses, the better it fulfills its role. " [1]
Below we list some of the key elements of landscape planning and design. See the principles and learn why you should never randomize the placement trees!
Bolzano Museum Quarter. Image Courtesy of Snøhetta
Snøhetta has designed a new Museum Quarter for Bolzano, Italy that will be home to Ötzi the Iceman. Sited atop Virgl mountain, the project would overlook the city and connect to the new Bolzano cable car. As an open landmark, the Museum Quarter was made to serve as a terrace for Bolzano. The elevated museum and park will include exhibition and collection space around the iconic 5,300-year old glacier mummy.
19 installations have been unveiled across the California Desert as part of the Desert X international contemporary art exhibition. The second edition of the exhibition, running from February 9th to April 21st, 2019, is free and open to the public, and seeks to “activate the desert landscape through nineteen site-specific installations and performances by some of today’s most recognized international contemporary artists.”
Co-curated Amanda Hunt and Matthew Schum, the exhibition explores ideas of site-specificity, framing post-industrial art and the interactive possibilities it contains. The 2019 edition includes film projects and process-driven works, spanning 50 miles across the Coachella Valley into Mexico.
Weiss/Manfredi has unveiled their design for the re-envisioned U.S. Embassy campus in New Delhi, India. The first phase of a long-term masterplan, the scheme features a New Office Building, a support annex, and connected landscape offering a secure campus for America’s mission in India. Included in the design is the restoration of the early modernist Chancery Building by Edward Durell Stone.
As the Durell Stone-designed embassy reaches its sixtieth anniversary, the scheme offers a sustainable vision for the Embassy’s future that builds on the legacy of the historic campus to create a new foundation for American diplomacy in India.
https://www.archdaily.com/912252/weiss-manfredi-designs-us-embassy-in-new-delhi-indiaNiall Patrick Walsh
When we think of energy from renewable sources, the first that probably come to mind are solar and wind. And decentralizing power generation is something that has inspired engineers and inventors from all over the world.
So what about turning the mechanical energy generated when people walk into electrical energy? It can be done thanks to technology developed by Laurence Kemball-Cook,founder of Pavegen. Using platforms inserted within sidewalks Pavegen converts steps into electric power (while also generating data and even rewards). But before you go out there feeling like Michael Jackson in Billie Jean, you should understand how this system works.
Yu Qingcheng Gallery, Tianjin, China. ImageCourtesy of Architectural Design and Research Institute of Tianjin University
The following excerpt from my recent interview with Tianjin-based architect Zhang Hua continues an ongoing series of interviews that I’ve been conducting during my frequent trips to China. Zhang Hua is leading his design studio, Zhanghua Architects, which is a part of Tianjin University Research Institute. Professor Zhang Hua’s work follows his uncompromising form-generating theory, which is based on the desire to capture the progression of transformational processes. In his many built projects, the architect examines and expresses such formal transformations as turning from something basic to complex or from monolith to disperse. The focus is on the state of transformation itself, how a form is changing and morphing from one state to another. We spoke with Zhang Hua through an interpreter at the institute, with half a dozen young architects and researchers from his studio, seated all around and taking notes.
Sketches are the first inkling into the design process of an architect, a way of observing and investigating a project’s development or even representing solutions for it. Through an architect’s sketches, one can better understand how a specific design move mirrors echoes throughout an entire work. Here, we have compiled sketches by Pritzker Prize winners - designers who have been awarded the highest recognization in the field of architecture - offering diverse techniques that can certainly inspire your next freehand experiment.
The Academy of Motion Pictures Museum by Renzo Piano Building Workshop is nearing completion along the Miracle Mile in Los Angeles. Piano’s design consists of the renovation of the May Company department store located at the corner of Fairfax and Wilshire, as well as a new glass sphere addition that will house the 1,000-seat David Geffen Theater. Set for opening this year, the project aims to become the world’s premier institution dedicated to movies.
In a profession as complex as architecture, resistance to change is common. Adopting new technology brings new challenges. Nevertheless, as technology moves forward, architecture practices keep pace with it to stay relevant.
Global Warming is causing a series of changes in our climate, and as a result, in our landscape. Successful and exemplary Landscape Architecture delivers proposals that tackle these environmental changes in two areas of development: Design and Architectural Representation.
Having launched at the end of 2018, Project Correl used VR headsets and apparatus to transport visitors to a virtual environment to collaborate with each other on an ever-evolving structure. The design was periodically captured and exhibited in the gallery as scaled 3D printed models to further demonstrate the design process encouraged by Correl. The final resulting model is now on display as part of the Design As Second Nature Exhibition.
As industry has shifted over the past century, in format, location, and type, the manufacturing and industrial spaces scattered across the western world have been repurposed. You have no doubt seen these structures, though perhaps without realizing. The large windows, high ceilings, and open floor plans optimized for factory work now mark the territory of the “creative class”. Such spaces have been disproportionately appropriated by creative industries such as arts and architecture; think of Herzog + de Meuron’s renovation of the Tate Modern (from a former power station) or the recent collaborative transformation of a locomotive yard into a library in the Netherlands.
https://www.archdaily.com/911719/lacaton-and-vassals-frac-dunkerque-is-an-architectural-echo-both-in-form-and-in-conceptKatherine Allen
Foster + Partners revealed their design for a new mixed-use office tower in Taipei. Created for the Goldsun Group, the headquarters building recently received planning approval from city councill The high-rise office block will replace the existing Goldsun factory and create a new mixed-use typology for the city. The tower was formed with a series of blocks around a central courtyard that becomes the heart of the open-air concept.
Precht has designed a timberskyscraper concept that combines modular housing with vertical farming. The concept was created by Penda co-founder Chris Precht and his wife Fei to reconnect people in cities with agriculture. In their proposal, the modular housing units would be built so that residents can produce their own food. Dubbed the Farmhouse, the concept aims to create more sustainable ways of living as city dwellers are increasingly losing touch with food production.
RKW Architektur + has released images of their Neue Deutsche Oper am Rhein, a new cultural venue for Dusseldorf, Germany. The striking opera house, situated on the River Rhine, represents a “new Dusseldorf” due to its prominent location along a popular inner-city embankment route.
The light-flooded opera house, emphasizing transparency in order to develop an open affinity with the surrounding city, represents a node along the embankment promenade, “becoming not only a walkway and amusement route but also a pilgrims’ path of culture.”
https://www.archdaily.com/912148/rkw-architektur-plus-designs-light-flooded-opera-house-on-the-rhine-river-in-dusseldorfNiall Patrick Walsh
The Centre Pompidou in Paris has acquired 12 architectural models by MAD Architects, depicting 10 significant projects undertaken by the firm. Each model embodies MAD’s core values that “look to envisioning a futuristic architecture that is akin to dream-like earthscapes – one that creates a conversation with nature, the earth, and the sky.”
The collection, permanently acquired by the Pompidou, represents projects developed by MAD between 2005 and the present day, demonstrating the evolution of the firm’s design process. The Pompidou has become the first major European cultural institution to acquire such a collection of MAD’s work, on display in an exhibition beginning in April 2019.
Starting this month, ArchDaily has introduced monthly themes that we’ll explore in our stories, posts and projects. We began this month with Architectural Representation: from Archigram to Instagram; from napkins sketching to real-time-sync VR models; from academic lectures to storytellers.
It isn’t particularly novel or groundbreaking to say that the internet, social media, and design apps have challeged the relation between representation and building. A year ago we predicted that "this is just the beginning of a new stage of negotiation between the cold precision of technology and the expressive quality inherent in architecture". But, is it? Would you say digital tools are betraying creativity? This is an older dilemma than you think.
In this new edition of our Editor's Talk, four editors and curators at ArchDaily discuss drawings as pieces of art, posit why nobody cares about telephone poles on renders and explore how the building itself is becoming a type of representation.
Internationally renowned for her avant-garde search for architectural proposals that reflect modern living, Zaha Hadid made abstract topographical studies for many of her projects, intervening with fluid, flexible and expressive works that evoke the dynamism of contemporary urban life.
In order to further knowledge of her creative process and the development of her professional projects, here we have made a historic selection of her paintings which expand the field of architectural exploration through abstract exercises in three dimensions. These artistic works propose a new and different world view, questioning the physical constraints of design, and showing the creative underpinnings of her career.
Visitor Center and Knowledge Center. Image Courtesy of Studio Lotus
Delhi-based design practice Studio Lotus have won the competition to design the new Visitor Center and Knowledge Centre at the Mehrangarh Fort in Jodhpur, India. The design features metal and stone dry construction that explores flexibility and modularity to meet evolving needs. Selected from three finalists, the winning entry attempts to create an architectural system for the next phase of interventions in the Fort through new linkages in the precinct.
.jpg?1551218987)
.jpg?1550747759 "Cortesia de Pavegen")
.jpg?1551200522)
.jpg?1551200522)
_11.45.04.jpg?1550328316)
.jpg?1550610722 "Landscapes of Cohabitation")
_7061.jpg?1550506965)
.jpg?1550605438)
_PA_01.jpg?1472565216 "The World (89 Degrees) - 1983. Image Cortesía de Zaha Hadid")
