One of Detroit’s most prominent vacant sites is slated to become one of its most iconic buildings. SHoP Architects will partner with Detroit-based Hamilton Anderson Associates to transform the site formerly occupied by Hudson’s Department Store. Located at Grand River and Gratiot in the city’s Central Business District, the two-acre site has remained a scar in the urban landscape since the implosion of the Hudson’s building in 1998.
Biopharmaceutical company AstraZeneca has commissioned Herzog & de Meuron to design their new Global R&D Centre and Corporate Headquarters. Planned for the Cambridge Biomedical Campus on the southern outskirts of the city, the new £330m project will be home to one of the company’s three global strategic research and development centres as well as its corporate headquarters.
The concept of the open plan revolutionized architecture - promising light, space, and effortless collaboration (not to mention a more cost-effective way of getting lots of people into one space). Today, it’s practically become a standard of design – but at what cost?
A new report from researchers Jungsoo Kim and Richard de Dear, published in the Journal of Environmental Psychology, concludes that the open plan comes with some serious collateral damage – namely a lack of “sound privacy” – which outweighs its positive qualities. What’s more, according to their results, the open plan doesn’t even make a measurable improvement in communication at all.
From Atlanta’s Beltline to Los Angeles’ Spring Street “Parklets,” architecture and design is increasingly more relevant in the fight against obesity and chronic disease, conditions which have reached epidemic levels in the United States. In the article, “Toward a Fit Nation,” the AIA and FitNation identify 18 projects from around the country, ranging from large complexes to temporal installations, that encourage physical activity and healthy lifestyles. The AIA National Headquarters will be curating the FitNation exhibit till January 31, 3014. Read the article here.
The Cultural Landscape Foundation recently launched its newest documentary as part of the ongoing Oral History series, this time focusing on the ideas and career of Laurie Olin, a recipient of the National Medal of the Arts and one of the greatest landscape architects of our time. Olin’s influential work as a practitioner, educator and author over the past forty years has helped to guide the future of landscape architecture and shape urban life around the world.
HAO, together with community group, Williamsburg Independent People, hope to save the historic Domino Sugar Factory site and halt the current masterplan by SHoP Architects which proposes an additional 2,200 luxury apartments along the East River waterfront in Brooklyn, New York.
HAO’s counter proposal seeks to adaptively reuse the existing factory buildings, including the iconic Civil War-era Domino Sugar Refinery — which has defiantly held its ground amidst heavy redevelopment in surrounding areas. Not unlike SHoP’s proposal, HAO aims to regenerate these spaces into a “world-class cultural destination” that combines public and private programs.
In the architectural stomping ground that is Rotterdam, it’s no small task to design a building that actually stands out. But, according to The Guardian’s Oliver Wainwright, the recently completed De Rotterdam building manages to. Although the Koolhaas-designed structure, which houses offices, apartments and even a boutique hotel, may at first seem simple (simplistic, even), Wainwright praises how the shifting masses cleverly play tricks on your perception. The building is undoubtedly impressive, but is the unconventional envelope enough to distract from a bland-at-best interior? Read the rest of Wainwright’s critique here. evaluate
“As Autumn Leaves” (AAL) is a spatial installation designed and built by students of the Laboratory for Computational Design (LCD) for Beijing‘s 2013 Design Week. Located in a historic hutong district in Beijing, AAL highlights the existing entrance to Dashilar Factory where emerging creatives exhibit their design. The concept is based on ephermerality of nature. As temperatures change, autumn turns to winter, and trees shed their leaves, AAL recalls the passage of time through changing seasons.
According to LA Times architecture critic Christopher Hawthorne, buildings experience a pretty distinct mid-life crisis. After seeing the demise of mid-century gems such as the Houston AstroDome and the Prentice Women’s Hospital in Chicago, it’s difficult to disagree. But unfortunately architectural value isn’t convincing enough an argument – if preservationists want to get serious about their cause, he suggests, they will have to pick their battles far more strategically.
Qantas has selected Michael Ong as the winner of the 2013 Spirit of Youth Awards 365 (SOYA 365) for architecture and interior design, awarding him $5,000 in cash, $5,000 in Qantas flights, and a rare 12-month mentorship with leading architect and founding partner of Tonkin Zulaikha Greer, Brian Zulaikha. Ong, a Melbourne-based architect, founded MODO (Michael Ong Design Office) in 2011, and was chosen for the prize due to his work on the project Hans House. Check out more about the story here.
Robert Miles Kemp is going to be one of 2014’s Innovators of the Year. Mark my words. If I worked for Autodesk, I’d be calling him up right about now – or at the very least trying to steal his secrets.
And secrets they must be because Kemp’s little company, Digital Physical, has kept under the radar, housed away in some nondescript loft space in Los Angeles. What Mr. Kemp and his bearded acolytes have developed is something so simple, so obvious, and yet utterly revolutionary. It’s one of those inventions that all architects are soon going to realize they need – and clients will soon start to expect.
The “it” is Spacemaker VR, architecture’s first virtual reality system made for designers. Yes, you have to wear a VR headset, but you won’t care if you look like a dork because you (and your big clients) will be blown away by the fact that you’re looking, flying around a 3D model of a future-space – all while being firmly in the present.
Getting instantaneous, accurate structural dimensions in the early stages of the design process, or even when exploring the feasibility of a project, can often be challenging. In response to this, Vancouver-based structural engineering firm Fast + Epp have developed a new mobile application called Concept, a depth calculator which uses typical span-to-depth ratios for common steel, concrete and wood members to give you a quick overview of what dimensions a certain structural idea will require. In addition to this, the app also includes project photos to give users an idea of how certain materials will be expressed in built form.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.
Five architect and landscape architect-led teams have been shortlisted to redesign and re-imagine the grounds of London’s world famous Natural History Museum. The major project will aim to “create an innovative exterior setting that matches the architectural excellence of the iconic 19th Century site, whilst ensuring that the Museum grounds are easily accessible to all visitors.”
Without further ado, the leaders of the five teams are:
This intriguing article on The Atlantic Cities highlights a growing trend as cities become more focused on pedestrians, bicycles and public transport: parking garages that are designed with alternative uses in mind. Developers are ensuring that these garages have ”good bones”, such as comfortable ceiling heights, that will allow them to be easily converted into apartments or offices in a future when many city-dwellers don’t own cars. You can read the full article here.