The Saudi Arabian government has revealed the design for the Mukaab, a cube-shaped supertall skyscraper that will become the center of the New Murabba district in downtown Riyadh. The Mukaab aims to become the largest built structure in the world, measuring 400 meters in height, width, and length. The building will be situated in the North West of Riyadh, in a 19 square kilometers area that will become one of the largest downtown developments in the world. The Mukaab skyscraper and the Murabba district were announced by His Royal Highness Crown Prince Mohammad bin Salman bin Abdulaziz, Prime Minister and Chairman of the New Murabba Development Company (NMDC).

After multiple delays, the Grand Egyptian Museum has announced it will start allowing the public to pre-book tours starting next week. Designed by Irish firm Heneghan Peng Architects, the project was initiated in 2003. The museum, located on a 500,000 sqm site just a mile away from the monumental Great Pyramids of Giza, is designed to accommodate some of humanity's most precious artifacts.

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The precast and prefabricated elements made of concrete (such as slabs, pillars, beams and walls) are part of the constructive process known as modular construction. A construction methodology carried out in stages, based on the standardization of the parts that make up the building, with its modules produced on an assembly line, transported and assembled to shape the architecture.

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Architectural photographer Marc Goodwin adds one more photo series to his Atlas of Architectural Atmospheres, this time capturing 12 architecture offices in the Austrian capital of Vienna. The series includes the intimate workspaces of AllesWirdGut, Feld72 Architekten, querkraft architekten amongst others.

Goodwin has been working on this project for several years, and the collection holds photographs of work environments of architecture offices in Madrid, Frankfurt, Berlin, Istanbul, Seoul, and many more.

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This article was originally published on Common Edge.

In the late 1960s, Ben Bradlee, the storied executive editor of The Washington Post from 1965 until 1991, confronted making the paper more appealing to younger readers. He ditched Lifestyle as the name of a new, updated section, which he found irksome; instead, he chose Style. As he explained in his memoir: “I liked the word ‘Style’ … I like people with style, with flair, with signature qualities.” After 50 years as Style, and nine years after Bradlee’s death, the section has been renamed Lifestyles. The editorial change notwithstanding, Bradlee used “style” as most non-architects think of it and much in keeping with how Duo Dickinson seems to frame it in a recent Common Edge piece: “Wrestling With Architectural Style in a Post-Style World.” Yet in matters architectural, at least historically, it’s long been another thing altogether.

In recent decades, the industrial style has strongly attracted the attention of architects, designers and homeowners. However, few know its true origin. Following the rise of industrialization in the United States during the 1950s, many old industrial spaces, such as warehouses or factories, were abandoned in areas like New York's Soho. As a consequence, prices fell and became affordable housing alternatives for city dwellers. These new repurposed spaces were characterized by an aesthetic that mixed raw and exposed materials with modern elements and technologies, generating a strong aesthetic identity that was as rustic as it was sophisticated.

Today, industrialized-looking interiors are highly appreciated for the character of their materials, providing different shades, textures, brightness and opacity. There are, however, new materials that blend this weathered aesthetic with innovations that facilitate their installation and maintenance. Let's review the case of Aparici's Corten Tile Collection and its possible applications in different spaces of the home.

After another successful selection process, with over 150,000 votes cast during the last 3 weeks, the collective intelligence of our community has helped us to highlight and recognize the best recent architecture projects. The 75 finalists, which is already a winners list, are a testament to the innovative and diverse ways in which architecture responds to the challenges of our built environment.

The scale of this award is a reflection of how important architecture is today, as the deepening complexity of our world places increasing pressure and demands upon our built environment. To deal with issues such as the climate crisis, energy scarcity, population density, social inequality, housing shortages, fast-moving urbanization, diminished local identity, and a lack of diversity, architecture needs to open itself. We are happy to see how the question posed by this award has gained global attraction. Voices from outside of the architectural profession stated: “This is what we consider good architecture”, due to its impact and symbolism, as seen on Globo or El País. Architectural recognition goes beyond its usual professional borders, and is able to motivate, rejoice and excite an ever growing number of people who understand the importance of our built environment and its impact on quality of life.

The winners are a concrete example of what society recognizes as good architecture, but also of what it demands from it. We take the responsibility to continue building on the spirit of the award, strengthening the expert’s choice and the contribution that our community makes based on their preferences and selections throughout the year, together with the voice of a wider community.

The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

The United Nations estimates that the world population will reach 10.4 billion by 2100. Already by 2050, 2 out of 3 people will call cities home, coming in search of the opportunities, services and amenities on offer. That puts even more pressure on urban areas given all these people will need access to water, food, public space, good infrastructure and, above all, housing. In fact, estimates suggest more than two billion homes will need to be built by the end of the 21st century to accommodate this population explosion. As cities grow, so does urban sprawl, which brings its own set of environmental and social challenges. In the face of climate change, sustainable urban development must ensure that future housing solutions –new and renovated– are built to support healthy communities, prioritizing both human and environmental well-being. In turn, cities will need to be built denser and faster, but not without meeting a long list of stringent criteria. Only this way can we avoid the negative, often overlooked, effects of uncontrolled hyper densification that give urban development a bad name.

Snøhetta, in collaboration with MQDC, has released the design for Cloud 11, a large-scale mixed-use complex in the South Sukhumvit district in Bangkok, Thailand. The new development addresses the pressing need for urban green spaces in the densely built neighborhood. The project, measuring a total of 250.000 square meters, also aims to help transform the Sukhumvit into a hub for innovation and tech companies in the city while providing the area with a large, green public space and spaces for artists, makers, and tech entrepreneurs. Construction has already started, and the project is expected to be completed by the end of 2024.

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The Kalba Ice Factory, located in the city of Sharjah, on the coast of the UAE, has been renovated by the Sharjah Art Foundation and designed by Peru studio 51-1 Arquitectos, creating a space that seamlessly blends industrial aesthetics with natural surroundings. The transformation of this abandoned fish feed mill and ice storage facility into an art space is a testament to the power of adaptive reuse and preservation. In time for the Sharjah Biennial 15, the Kalba Ice Factory was opened to the public on 8 February 2023 as a venue for the Biennial.

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Venice, a city usually concerned with devastating floods, now faces the opposite problem: canals are starting to run dry following weeks of dry winter weather and unusually low tides. A combination of factors is believed to have caused this rare sight: lack of rain, high atmospheric pressure, and the lunar cycle producing low water levels during ebb tide. Since the canals serve as streets in the city, the phenomenon has implications beyond the disappointment of the tourists. Some of Venice’s smaller calas have dried up almost entirely, making it impossible for gondolas, water taxis, and ambulances to reach areas of the city.

Local governor Toyohito Ikeda of Takamatsu, in Japan, announced that the famous Kagawa Gymnasium will be demolished. Built between 1961 and 1964 by the Pritzker Prize winner Kenzo Tange, the structure is a landmark of the modernist post-war era in Japan. This news has sparked the creation of a petition in an effort to save this 47-year-old monument.

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The National Institute of Fine Arts and Literature (Inbal) announced the selected proposal that will represent Mexico at the 18th International Architecture Exhibition of the Venice Biennale 2023. The selection was derived from 44 registered teams and 14 projects submitted. The selected proposal is called "Utopian Infrastructure: The peasant basketball court" and is made up of the following participants:

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A24 and Atomic Monster have recently confirmed a movie adaptation of The Backrooms, a Youtube short horror film (expanded to a series) created by 17-year-old director and VFX artist Kane Parsons.

Based on the namesake creepypasta, The Backrooms is set in a seemingly infinite labyrinth of yellow-tinted, carpeted office spaces, bathed in fluorescent indoor lighting, like an abandoned building, in 1996. Its kitsch corporate aesthetic is reinforced by the imitation of the VHS tape recording style that allows Parsons to hide imperfections (or avoid an uncanny valley effect) of a simple 3D scenario created in Blender and edited in Adobe After Effects during the post-production stage.

We invite you to participate in the ArchDaily Building of the Year Awards. We ask you to recognize and reward the projects that you feel are creating the largest impact in the built environment, that ArchDaily has published on our projects database in 2022. By voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from countries large and small, and architects of all descriptions. Already 4000 projects have been filtered down to just 75 finalists – representing the best in each project category on ArchDaily.

Remember, registered users will be able to vote for their favorite project for each of the 15 categories included in the Awards. One vote per category. Voting ends on February 23rd, 2023 at 12:01 AM (EST). Thank you once again for helping us continue to democratize architectural excellence across the world.

The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

The World Design Capital, a city project dedicated to promoting the design profession around the world, showcases a new capital every two years. The initiative recognizes cities for their constructive use of design to drive social, cultural, and environmental change and improve the overall quality of life. This week, San Diego and Tijuana have been named the World Design Capital of 2024, due to their human-centric design strategies and their cross-border collaboration. In previous editions, the World Design Organization had selected Valencia and Mexico City as design capitals of the world.

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Stefano Boeri has been awarded the Lifetime Achievement Award at the sixth edition of the Madrid Design Festival. According to the organizers, this recognition pays homage to a “great figure in design”. It acknowledges the significance of his contributions to the disciplines of architecture and urban planning, as well as publishing and academia. The award ceremony, held at the Institución Libre de Enseñanza (ILE), was conferred by the architect Rafael Moneo, who personally handed the award to Stefano Boeri.

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The proposal "EN OPERA. Future Scenarios of a Young Forestry Law" by INST/MAPA + Carlos Casacuberta has been selected to represent Uruguay at the 18th International Architecture Exhibition of the Venice Biennale, to be held from May 20th to November 26th, 2023.

When lockdowns first hit and retailers were forced to shut up shop, many took to the digital high street instead, with those investing hardest and quickest in their online personas invariably winning the battle for our bookmarks. As the world opened again, some kept both their physical and digital presence in a hybrid model, while others chose to remove themselves from bricks and mortar altogether.

As we become more accustomed to using both models together, it’s clear that physical retail spaces can offer sensorial experiences that the digital simply can not – yet. These four projects buck the online retail trend and encourage consumers – and therefore other retailers, too – to move back into the physical, by turning the act of shopping into an exciting, invigorating, or relaxing luxury pastime, rather than a chore.

Cleveland-based gallery SPACES has been selected to organize the US exhibition at the 2023 Venice Architecture Biennale in collaboration with the U.S. Department of State’s Bureau of Educational and Cultural Affairs. As curators, Tizziana Baldenebro, the executive director of the gallery, has collaborated with Lauren Leving, a curator at the Museum of Contemporary Art Cleveland, on the proposal. Together they plan to fill the space of the pavilion with works in plastic by architecture professors, designers, and artists. The exhibition, titled “Everlasting Plastics”, aims to examine the role of this material “both literally and as a cultural metaphor”.

The Brick Award is an internationally established award that presents outstanding brick architecture from all around the world. Independent architecture critics, experts, architects and developers are invited to submit innovative and creative buildings and other construction works made of clay building materials. The spectrum of applications ranges from building solutions using classic clay blocks, facing bricks and roof tiles to the creative application of clay pavers and ceramic façade panels.