You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.
As part of Concéntrico 03, architects Manuel Bouzas Cavada, Manuel Bouzas Barcala and Clara Álvarez Garcí designed a temporary exhibition pavilion in the Escuelas Trevijano Plaza, with the objective of “making the unclear, transparent, and the heavy, light."
A paper sheet alone does not sustain itself, but when formed in a series of precisely folded sheets, they are capable of sustaining not only themselves but also much greater forces. With the same logic, a wooden panel does not sustain itself but when formed as a series of precisely folded wooded panels, it has the capacity to sustain not only itself but to support much more. An example of this is the information pavilion at Concéntrico 03.
At times, Landscape design lacks proper consideration or its overlooked within architecture, as a result of current but preconceived notions within architectural practice and education that privilege building over site, or the constructed over the existing. While at face value, landscape is treated as an abject and constant entity of sorts, the reality is that it possesses a layered complexity of patterns and ecosystems, much of which is increasingly impacted by our own actions, more significantly than what meets the eye.
At the same time, the definition of landscape is constantly evolving to encompass a greater number of influences and factors. We have cultural, built and ecological landscapes, which influence one another and come about as a result of the intersection between the architecture and the environment that we are presented with. As a result, it is important to view terrain in a more holistic light, acknowledging its ecological underpinnings and well as the anthropological effects it is subject to, both physically and theoretically. Here is a list of five online resources, which investigate the interdisciplinary nature of landscape design and its relation to architecture and culture.
Since construction began in 2005, the 58-story luxury condominium tower has sank approximately 17 inches downward and while leaning 14 inches to the North. And according to a new report from Arup Ground, the issue doesn’t appear to be resolving itself anytime soon: in the past 7 months alone, the building has sunk an additional inch and tilted a further two inches, causing cracking in the building to worsen.
Triggered to action, developer Millennium Partners brought in LERA and DeSimone to devise a solution that would return the building to its original siting and secure it against sinking, all while allowing the building to continue operating through the repair process.
http://www.archdaily.com/876722/engineers-have-a-solution-for-san-franciscos-sinking-millennium-towerAD Editorial Team
The SHoP-designed 111 West 57th Street, “the world’s skinniest skyscraper,” is at risk of never being completed due to soaring construction costs, the New York Post has reported. With fewer than 20 of the supertall skyscraper’s 82 stories currently constructed, a lawsuit filed by investment group AmBase is claiming the project is already $50 million over budget due in part to “egregious oversights” including neglecting to factor in the cost of construction cranes.
http://www.archdaily.com/876704/with-costs-soaring-shop-designed-worlds-skinniest-skyscraper-faces-foreclosureAD Editorial Team
Kotor is an ancient fortified city located in a secluded bay on Montenegro's Adriatic coast. It has been Venetian, Austrian and—most recently—part of the former Yugoslavia. Today, as part of an independent nation, it's narrow streets, small squares, and warm stone buildings define the character of a UNESCO World Heritage Site which, each summer, becomes one vast cruise terminal as tourists arrive in their droves to bask in it's dry heat and spectacular natural environment. At this time, however, it also plays host to KotorAPSS (Architectural Prison Summer School) – an eight day-long gathering dedicated to infusing contemporary cultural life into the city by means of temporary architectural installations.
Known for his daring neo-futurist sculptural buildings and over 50 bridges worldwide, Santiago Calatrava (born July 28, 1951) is one of the most celebrated and controversial architects working today. Trained as both an architect and structural engineer, Calatrava has been lauded throughout his career for his work that seems to defy physical laws and imbues a sense of motion into still objects.
Zaha Hadid Architects, collaborating with digital artists and computer science researchers Andy Lomas and Mubbasir Kapadia, have been selected to create a projection mapping light show at the 2017 Schlosslichtspiele Festival in Karlsruhe, Germany. Titled ‘Behaviour Morphe,’ the dynamic light display will be projected onto the city’s 18th century baroque palace, simulating how users move throughout and interact with the building’s interior spaces.
One of last year’s most long-awaited buildings may have just met its match in terms of complexity – and it comes in the form of its own LEGO replica.
Created by LEGO sculptor Brick Monkey, the LEGO version of Herzog & de Meuron’s spectacular Elbphilharmonie was constructed from more than 20,000 individual LEGO pieces, featuring point perfect scaled versions of the concert hall’s signature features, including the building’s elevated public terrace, glass facade and sail like roof, made up of hundreds of precise umbrella shaped elements. But most impressively, the model can be opened in half to reveal a detailed recreation of the structure’s main concert hall.
Global photography community EyeEm has announced the finalists of their 2017 Photography Awards. Free and open to photographers of all skill levels and backgrounds to submit through the EyeEm web platform and app, this year’s awards received more than 590,000 submissions from users around the world across five categories: The Architect, The Great Outdoors, The Photojournalist, The Portraitist, and The Street Photographer.
The architecture category alone received over 95,000 submissions, from which 20 images were selected by a jury of photographers and editors from institutions including National Geographic and the BBC. All of the finalist images will be displayed at the 2017 EyeEm Photography Festival & Awards in Berlin from September 15-17, where each of the category winners and Photographer of the Year will be announced.
Continue on to see the 20 finalists in the architecture category.
To celebrate the 150th Anniversary of Brooklyn’sProspect Park, AREA4 and Suchi Reddy of Readymade Architecture and Design collaborated with the Prospect Park Alliance to create a public art exhibition that features more than 7,000 pinwheels. Called The Connective Project, the installation covers the Rose Garden in the northeast corner of the park with yellow pinwheels that include art and written work submitted by the public. Influenced by the vision of the park’s 1867 designers Frederick Law Olmsted and Calvert Vaux, Reddy's aspiration for the project was to create a playful urban retreat that sparks a conversation about the value of public spaces.
A new exhibition of commissioned work by artist Pablo Bronstein at London's Royal Institute of British Architects (RIBA) will explore "ubiquitous" neo-Georgian developments as exemplar of a British vernacular. The show—Pablo Bronstein: Conservatism, or The Long Reign of Pseudo-Georgian Architecture—will feature fifty new drawings of buildings constructed during the second half of the 20th Century in "an ostensibly neo-Georgian style." These will be presented alongside historical Georgian and neo-Georgian material chosen by Bronstein from the RIBA’s collections.
RKW Architektur + has been selected as the winners of a competition to design a new mixed-use residential tower located at Mailänder Platz in Stuttgart, Germany. Rising from a triangular site, the building features a dynamic facade of shifting stone that creates openings for vertical greenery, and an abundance of public space, including cafes, retail, a hotel and a library.
Plans for a new iron ring sculpture located at Flint Castle in Wales have been put on hold following public outcry.
Earlier this week, George King Architects was selected as the winners of a competition held by the Welsh Government to design a signature art piece celebrating Wales’ Year of Legends with their proposal, the Iron Ring, which consists of a large circular structure embedded in the earth at just two points to create a cantilevered observation point with views of the castle and the River Dee.
But opponents of the design have claimed that the sculpture is an overt reference to the “iron ring” of fortresses used by King Edward I to “subjugate and oppress” the people of Wales during his reign from 1272 to 1307. After an online petition calling for the project to be scrapped reached over 7,000 signatures, Economy Secretary Ken Skates announced a "pause" to review the design.
The UIA (International Union of Architects) has announced the winners of the 2017 UIA Gold Medal and Prizes. Established in 1961, the UIA Prizes are awarded every 3 years to “honour professionals whose qualities, talents, and actions have had an international impact on the diverse sectors of architectural practice.” This year, a total of 46 nominations were considered by the Secretariat.
The National Capital Planning Commission (NCPC) has reviewed the revised concept for the National Washington WWI Memorial as part of several major commemoration and transport projects taking place in the capital city. Designed by architect Joseph Weishaar and sculptor Sabin Howard, the proposal won the memorial’s competition last year, beating out 4 other finalists with its multilevel design and use of relief sculpture.
reSITE, an annual conference held in Prague, is among the world's most important forums for discussing cities and urbanism. Pooling together experts, architects, mayors, planners, municipal leaders, real estate developers and city makers from twenty countries, the event brings almost 1,000 participants together.
In these two episodes of The Urbanist, Monocle 24's weekly "guide to making better cities," the team report from this year's incarnation—entitled "In/visible City"—talking to the likes of Kathryn Gustafson, Jean-Louis Missika (Deputy Mayor of Paris), Adriana Krnáčová (Mayor of Prague), and Marlena Happach (the Chief Architect for Warsaw).
http://www.archdaily.com/876385/reporting-from-resite-2017-monocle-24-talks-to-mayors-chief-architects-and-city-plannersAD Editorial Team
In a major victory for preservationists, one of Sydney’s few examples of brutalist architecture, the Sirius Apartment Building, has been saved from the wrecking ball after court ruled against the government’s attempt to deny it a place on the State Heritage Register.
http://www.archdaily.com/876508/sydneys-brutalist-sirius-building-saved-from-demolition-after-court-rulingAD Editorial Team
The Urban Development Corporation (SAU-MSI) has announced the seven shortlisted teams competing for the design of the latest Centre Pompidou outpost in Brussels, Belgium. The finalist teams were selected from 92 entries to the competition, which sought proposals to transform the existing Art Deco Citroën Yser garage in the heart of the city into a mixed-use museum complex focusing on contemporary art and architecture.
To be known as the Citroën Cultural Centre, the $135 Million project will consist of 375,000 square feet (35,000 square meters) of public cultural, education and recreation space, including 160,000 square feet (15,000 square meters) designated for the new Centre PompidouBrussels. An additional 108,000 square feet (10,000 square meters) will host a museum run by Brussels’ International Centre for Urbanism, Architecture & Landscape.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
Major changes are on the way for Los Angeles’ Union Station that will improve connectivity between the stations various train, metro and bus lines. In a new video released by the Los Angeles Metropolitan Transportation Authority, one possible future – a ring-shaped passenger concourse floating over the train platforms below – is visualized for the first time.
The award is given in four categories: Category A: Built, Less than $25 million in construction cost; Category B: Built, More than $25 million in construction cost; Category C: Unbuilt, Must be commissioned for compensation by a client with the authority and intention to build (No projects were selected in this category this year); and Category D: Innovations in Planning and Design Research, Built and Unbuilt.
Eight minutes. That is the length of time UK-based company Ten Fold Engineering’s self-deploying structures can transform itself from a portable rectangular container into a fully habitable space that can be used for either the residential or service sector. Transported by truck, the company offers a shelter that is energy efficient, eliminates labor costs, and is highly customizable in an effort to revolutionize the possibilities of prefabrication and construction.
Japanese designer Michiru Tanaka has released a new product partnering with lighting manufacturer Kaneka to create a stainless steel tile that doubles as both an OLED and a mirror. A graduate of Tokyo’s Musashino Art University, Tanaka pursued a career in architectural lighting and her projects range from commercial installations, lighting at museums as well as product design. Coined “Kumiko,” the tiles come from a fusion of inspirations, ranging from traditional Japanese architecture and woodworking techniques to Manhattan’s gridded cityscape.