“Designed by LMN Architects in partnership with executive architects Marmon Mok Architecture, the $150 million expansion and renovation project embrace the multi-faceted cultural identity of the city with a distinctive tapestry of form, materiality, light, and landscape" stated Mark Reddington, FAIA, lead designer and partner at LMN Architects.
Completed in 2014, the project incorporates a metallic veil that wraps program elements in programmable LED lighting, in order to create a variable play of light on the city’s skyline.
White Arkitekter has teamed up with the City of Stockholm to redevelop Södra Skanstull, a neighborhood characterized by obstructive overland infrastructure bridging the south of Stockholm to the island of Södermalm.
In order to reclaim these underused areas of the city, the revitalization project will create pedestrian and cyclist boulevards, as well as 65,000 square meters of space for culture, sports, and offices, 22,000 square meters for commerce, and 750 new apartments. The project will additionally identify, map, and upgrade existing facilities.
Architectural photographer Rod Edwards specializes in 360º virtual reality imagery and virtual tours of iconic buildings. Having spent the last decade producing this type of media, Edwards was recently commissioned by Visit Britain to shoot his “More London” project as part of the global campaign for the 2015 James Bond film “Spectre.”
Read on to see “More London” and more projects by Edwards.
The project emphasises a consumerist and touristic view of art at the expense of the cultural and humane task of art. instead of strengthening local artistic traditions and practices, the project strengthens the already doubtful globalisation and commercialisation of art. The public funds could clearly be used in a more innovative and efficient manner to support Finnish artistic culture.
http://www.archdaily.com/800188/finnish-architect-juhani-pallasmaa-refuses-to-support-guggenheim-helsinki-projectAD Editorial Team
Pneumatic Vacuum Elevators, LLC has created a series of air-powered, space-saving, “plug & play” elevators designed to be easily installed into home environments.
Ranging from a single-passenger to a three-passenger, wheelchair accessible model, the elevators—called Pneumatic Vacuum Elevators (PVE)—are self-supporting, and do not require equipment rooms or other additional spaces above or below the shaft. Similarly, the elevators are completely enclosed and are not built into the framework of the home around them, and thus it can easily be relocated.
OMA, led by partner Ippolito Pestellini Laparelli, have been chosen as the "Creative Mediators" for the 12th edition of Manifesta, which will be held in Palermo in 2018. The practice will assemble an interdisciplinary team to investigate the role of governance in the Italian city, and address how contemporary urban centers are affected by tourism, gentrification, migration and climate change. They will also work "with specialists from the fields of contemporary art, sociology, music, cinema and architecture" to develop a series of "interactive, interdisciplinary, performative and artistic interventions."
http://www.archdaily.com/800045/oma-announced-as-creative-mediators-for-manifesta-12-in-palermoAD Editorial Team
18 June 2015: Denmark has a new right wing government. A couple of months later, despite student protests in front of city hall, the new government declares a decision to cut 8.7 billion Danish kroner (over $1.2 billion US) from education in Denmark, effectively cutting nearly 30 million kroner (around $4 million US) from the Danish Royal Academy of Fine Arts Schools of Architecture, Design and Conservation (KADK).
The result? 31 employees have been laid off this month; the student body is to be reduced by 30% over the coming years; 4 masters courses in architecture are being discontinued within the next 4 years; and 6 bachelor programs, 7 special programs and one entire institute in the Design School are being terminated. Teaching is being refocused towards technology and the professional sphere, but will this really improve the prospects of fresh architecture graduates, as they claim? Is it more important to challenge, or to adapt?
El País reports that the project will cost €30 million and will "provide a large atrium to access the building’s south façade." This "will lead to an exhibition space on the first story," while also making the park and surrounding site more pedestrian friendly.
As the birthplace of our most recent Pritzker Prize winner, Alejandro Aravena, Santiago, Chile is full of iconic architecture. Because many of these buildings are situated in busy urban areas, their superior design is easy to miss. In an effort to encourage viewers to slow down and appreciate the volume, facades, context, and function of these urban landmarks, Benjamin Oportot and Alexandra Gray of San Sebastian University guided their 4th-year students in producing axonometric drawings of 11 buildings. The project centered on medium-sized office buildings built between 1989 and 2015, particularly focusing on their use of reinforced concrete.
In the spirit of Thanksgiving, ArchDaily looks back to present a compilation of the most stunning kitchens we've covered in the last year. While it may be a bit too late for this year, read on to get some inspiration for perfecting your feast and amaze your guests in 2017.
Aedas have recently won two international competitions to design international airport buildings: the ShenzhenAirport Satellite Concourse and Hong Kong International Airport Third Runway Passenger Building.
In recent years, Aedas have emerged as a leader in airport design, as they are also currently working on the Hong Kong International Airport Terminal 2 Expansion, and have previously worked on Hong Kong International Airport Midfield Concourse and North Satellite Concourse. With the two newly-won projects, Aedas hopes to reinforce their strength and growing influence in airport design.
Intimidating to design a Design Museum for designers? No, because what you're doing is working with the challenges of the existing space.
In this new video from NOWNESS, the audience is treated to a viewing of the new Design Museum in London, courtesy of its interior architect John Pawson. Part interview and part guided tour, NOWNESS uses the unorthodox technique of giving the building's designer his own camera, making parts of the video an intriguing insight into how Pawson sees his own work.
Designed in collaboration with OMA and Allies and Morrison, the project is a thorough renovation of the former Commonwealth Institute building, a 1962 structure by Robert Matthew, a founding partner of RMJM. Pawson dwells on the experience of working with their dramatic hyperbolic paraboloid roof, the materials used in the design, and the challenges of working on such a sensitive project.
Many have walked by and wondered what purpose this vast, windowless skyscraper in the heart of Manhattan serves. 33 Thomas Street, also known as the "Long Lines Building" (LLB), is an impenetrable monolithic fortress amid canyons of glass and steel. Ostensibly an AT&T telecoms building, the New York Timeshave recently reported (based on investigative work by The Intercept) that this "blank face[d] monument to privacy" may in fact be a NSA (National Security Agency) listening post, hidden in plain sight.
http://www.archdaily.com/799980/monument-to-privacy-is-this-manhattan-skyscraper-a-nsa-listening-postAD Editorial Team
Gensler's Shanghai Tower has won the 2015 Emporis Skyscraper Award. Selected from over 300 buildings of over 100 meters in height completed in 2015, the Emporis jury was impressed by the Shanghai Tower's "elegant spiraling cylindrical shape," and the "extraordinary energy efficiency" provided, in part, by the building's double-skin facade.
Helical staircases are often designed to be show-stoppers, focal points of architectural spaces that are intended to impress. But even compared to its eye-catching peers, this staircase developed by Webb Yates Engineers and The Stonemasonry Company is unusually audacious. Developed for a residential design by RAL Architects in Formby, UK, each step of the two-story, 4.6-meter diameter helical staircase is composed of an individual block of stone, giving an impression of weightlessness as the structure circles its way up through the building's atrium towards the glazed roof above. For their efforts, Webb Yates recently won the Award for Small Projects at the Institution of Structural Engineers' 2016 Structural Awards, whose judges said that they were "amazed by the grace and audacity" of the design. Read on to find out how Webb Yates achieved this feat of engineering.
VOID is an interactive sensory art installation created by New York-based artists Sergio Mora-Diaz, Oryan Inbar and Jordan Backhus, that manipulates light in physical space to generate an immersive interaction arena and a meditative, transcendent spatial experience, which reminiscent of the cosmic sky and streams of information.
The installation is composed of an arrangement of translucent screens, digital generative images displayed through a projector and sensors that respond directly and visually to the proximities and movements of its users.
Last week ArchDaily attended the 2016 World Architecture Festival in Berlin. We chatted with Sir Peter Cook and asked him about the current state of global affairs (Brexit, the US election, etc). He explained how his experience and work has influenced a career that has spanned over five decades, and reminds us of the inspiring power of architecture.
Peter Cook: You have to understand that I'm a very particular kind of animal both politically and in my general opinions. I'm what I would call a creative cynic. I'm an old person and I've seen a lot of not very good things happen. On the other hand I was privileged as a child to have free education and free college.
The idea of revitalizing a public space by bringing improvement that brings people together should not generate suspicion or fear. However, specific examples of places that have seen the cost of living greatly increase after their revitalization have been creating paradoxes. After all, does this "new villain" called gentrification have any relation to placemaking?
The answer, unfortunately, is yes. Although it's not a direct relation of cause and effect, it is impossible to deny the tenuous line between the two concepts. By definition, gentrification, or "ennoblement," refers to the social, cultural, and economic improvement of a neighborhood or, on a larger scale, of an entire region. Placemaking is the process of planning quality public spaces that contribute to the well-being of the local community. The concepts may be similar, but the methods and consequences of the two are very different.
The Villa Beer (1929-1930) is considered to be one of Josef Frank's—the great Austro-Swedish architect—most important built projects. As reported by DisegnoDaily, the architectural integrity of the house—which was originally commissioned by the industrialist Julius Beer and built in the Viennese suburb of Hietzing—is now under threat despite being proposed for protection by the Austrian government as a historic site in 2007.
http://www.archdaily.com/799821/the-architectural-integrity-of-josef-franks-villa-beer-may-be-irrevocably-lostAD Editorial Team