New images have been released of the $925million (£700million) redevelopment of west London’s Olympia Exhibition Centre, designed by Heatherwick Studio and SPPARC Architecture. The project will see an extensive renovation of the existing exhibition halls, and the addition of creative offices, studios, and co-working space.
The 130-year-old center will be transformed into a creative hub with 2.5 acres of public space, intended to “support ambitious enhancement to focus on creative industries, entrepreneurship, and new green space for community and visitors.”
https://www.archdaily.com/897589/heatherwick-studio-and-spparc-transform-19th-century-london-exhibition-hall-into-creative-hubNiall Patrick Walsh
The Terminal 5 building will accommodate 50 million passengers per year, giving Changi Airport a total capacity of 135 million by the late 2020s. The scheme is being developed within the context of a $1.2 billion expansion programme, which has seen the completion of a Terminal 4 building by Benoy, and a mixed-use “Jewel” biodome by Safdie Architects, pictured above, set to contain the world’s largest indoor waterfall.
https://www.archdaily.com/892371/heatherwick-reportedly-prevails-in-competition-for-airport-super-terminal-in-singaporeNiall Patrick Walsh
The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.
Just one month after the Thomas Heatherwick-designed Pier 55 project in New York City was declared dead in the water, opposing parties seem to have come to an agreement that will allow the project to continue, thanks to the intervention of New York State Governor Andrew Cuomo.
Two large-scale US cultural projects have, this week, announced major updates relating to the renovation of existing buildings – and both involve, to a greater and lesser extent, American business magnate, media mogul, and philanthropist David Geffen.
Primary backer Barry Diller, chairman of IAC/InterActive Corporation, announced the decision yesterday, citing ballooning costs and gear-halting legal worries. Initially estimated in 2011 to cost $35 million, the project had reached a $250 million price tag due to the complexity of the design and unforeseen environmental and legal concerns.
The saga of London’s controversial Thames Garden Bridge project has finally come to end, as the Garden Bridge Trust has announced the official “closure of the project” after losing the support of the public and London Mayor Sadiq Khan.
"It is with great regret that Trustees have concluded that without Mayoral support the project cannot be delivered,” said Lord Mervyn Davies, Chairman of the Garden Bridge Trust in a statement released today.
“We are incredibly sad that we have not been able to make the dream of the Garden Bridge a reality and that the Mayor does not feel able to continue with the support he initially gave us.”
Located in central Shanghai, this multifunctional arts and culture complex is part of the Bund Finance Centre – a joint project between London-based practices Heatherwick Studio and Foster+Partners. Sitting between the old town and the new financial district, this new space combines exhibition and events spaces with a performance venue inspired, according to the architects, "by the open stages of traditional Chinese theatres." Of most visual interest is the building's mechanical "moving veil," captured here by photographer Laurian Ghinitoiu.
Google has submitted the design for its new London office to Camden Council for planning approval. Designed by BIG and Heatherwick Studio, the 11-story "groundscraper" design will be located in King's Cross, and will combine with their existing office at 6 Pancras Square and a third, forthcoming building to create a campus for up to 7,000 Google employees.
Construction has officially begun on Vessel, the 15-story tall staircase sculpture designed by Heatherwick Studio that will serve as the centerpiece of New York’s massive new Hudson Yards development. To build the structure, 75 individual units are being prefabricated by Cimolai S.p.A. in their Monfalcone, Italy facility, then shipped to New York where they will be assembled on site. These first 10 of these pieces have now completed their 15-day overseas journey, with the remaining pieces scheduled to arrive on-site and put into place over the coming year.
When Thomas Heatherwick—the nimble London-based designer known for work that defies easy categorization—unveiled his design for a new public landmark called Vessel at Hudson Yards to a crowd of reporters and New York City power players in September, questions abounded. What is it? What will it do to the neighborhood? And what does it say that Stephen Ross, the president and CEO of Related Companies, the primary developer of Hudson Yards, is financing the entire $250 million piece by himself?
It’s natural that Ross chose Heatherwick Studio to design his centerpiece, because the office’s creations stun. For the UK Pavilion at the 2010 Shanghai Expo, it extruded 60,000 clear acrylic tubes from a center space to create a fuzzy, crystalline object whose apparent fragility is as mesmerizing as it is clever. As the studio moves toward ever-larger and ever-more-public commissions, the people who will live with its work will need to seriously consider what it will mean for their neighborhoods and cities.
The latest chapter in the saga of London's Garden Bridge, which has seen counter proposals and reactionary follies alike, has revealed major concerns relating to its funding mechanisms. As reported by the Architects' Journal, new findings from the United Kingdom's National Audit Office (NAO), which has studied the decision taken by the Department for Transport's decision to grant £30 million ($37 million) of funding to the Garden Bridge Trust, has discovered that the "sum [£30 million] was provided following a commitment from [the] then Chancellor George Osborne, and despite the DfT’s conclusion that there was ‘a significant risk that the Bridge could represent poor value for money’."
https://www.archdaily.com/797111/uk-nao-presents-report-thomas-heatherwicks-garden-bridge-londonAD Editorial Team
UPDATE: We've added a video of Thomas Heatherwick explaining the design of "Vessel," after the break!
Thomas Heatherwick is bringing a new public monument to New York City. Today, Heatherwick Studio revealed the first renderings of “Vessel,” a 15-story tall occupiable sculpture comprised of 154 intricately interconnecting flights of stairs that will serve as the centerpiece of the new Hudson Yards development in west Manhattan.