Entrance to Palazzo Citterio, indicative render. Image Courtesy of ACDF and Bethan Laura Wood Studio
From April 20 to 26, Milan Design Week 2026 returns as a citywide platform where design operates as both a cultural practice and a form of exploration. Framed by the Fuorisalone theme "Be the Project," this year's edition shifts the focus from outcome to process, positioning design as a dynamic, human-centered act shaped by intuition, responsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.
From April 21 to 26, the 64th edition of Salone del Mobile.Milano returns to Rho Fiera Milano, bringing together over 1,900 exhibitors across more than 169,000 square meters of sold-out exhibition space. Yet beyond its scale, the 2026 edition signals a more structural shift through collaborations with figures such as Rem Koolhaas and David Gianotten (OMA) and Formafantasma, the Salone continues to reposition itself as an evolving cultural infrastructure rather than a conventional trade fair. This year introduces new curatorial and strategic layers, most notably the preview phase of Salone Contract and the debut of Salone Raritas, alongside immersive installations and exhibitions, while the Salone's footprint across Milan grows further through city-wide interventions during Milan Design Week.
In recent years, Albania has undergone a rapid and visible transformation, emerging as one of the most active urban environments in Southeast Europe. This growth is not only reflected in the expansion of its built fabric but also in the scale and ambition of new architectural interventions that seek to redefine the country's image. Across its territory, a series of large developments, cultural institutions, and infrastructural projects are being introduced as part of a broader effort to reposition Albania and its capital, Tirana, within regional and international networks.
A significant number of these interventions are being designed by internationally recognized architectural offices, whose presence has become a defining characteristic of the city's current phase of development. Rather than relying primarily on incremental or locally embedded processes, Tirana's transformation is increasingly shaped through externally authored visions that introduce new formal languages, typologies, and urban strategies. These projects often operate as singular objects or large-scale fragments, contributing to a landscape where the city is assembled through distinct and highly visible gestures.
Milan, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.
Among Milan's most iconic landmarks are the flamboyant Gothic Duomo di Milano, the historically and artistically significant Santa Maria delle Grazie, and the ornate Galleria Vittorio Emanuele II, along with numerous Renaissance and Baroque sites. The city also boasts some of the most innovative modern and contemporary architecture, showcasing a unique dialogue between tradition and modernity. This synergy is exemplified by the contributions of architects like Aldo Rossi,Gio Ponti,Stefano Boeri, Mario Cucinella, Zaha Hadid, Grafton Architects, Herzog & de Meuron, and Foster and Partners.
The following guide highlights key historical landmarks alongside exemplary contemporary architecture curated by ArchDaily. This guide serves as an indispensable resource for those planning to explore Milan during the 2026 Design Week, presenting a blend of essential sites designed by renowned local and international architects.
RICA, MASS Design, Rwanda. Image Courtesy of Pan-African Biennale (PAB)
This week, architecture presents new visions of the future across a geographically diverse landscape, with landmark projects and renewal initiatives emerging in Saudi Arabia, Taiwan, Bahrain, Germany, Italy, Australia, Morocco, and Burundi. New platforms for discussing urban futures highlight decolonization and the climate crisis as central priorities for contemporary architectural practice. At the same time, contrasting perspectives on urban regeneration are reflected in both the demolition of recent landmark structures and the large-scale transformation of industrial sites. On another note, the Olympic Games continue to act as catalysts for architectural production, as seen in the proposal for a new sports center in Australia for Brisbane 2032. This momentum coincides with major international infrastructure developments in Africa, including a new airport terminal in Morocco, as well as projects that rethink spaces for research and public engagement, such as a new building for the German Language Forum.
OMA's Metropolitan Village, also known as Taipei Xinyi–Wenchang Residence, is a new high-rise residential tower located in Taipei's Xinyi Central Business District. The project, led by David Gianotten and Chiaju Lin, with HCCH & Associates Architects Planners & Engineers as local collaborator, provides 11,961 m² of residential floor area on a 736 m² site. The 95 m, 23-storey building follows the concept of a "vertical village," reflecting the increasingly fluid boundary between living and working identified by the architects in post-pandemic Taipei. Commissioned by Continental Development Corporation, the project broke ground in 2024 and is scheduled for completion in 2027. Recent images show construction progress, with the highest structural element now being installed.
A domed, ellipsoidal pavilion for mushroom production designed by OMA for Fundación Casa Wabi opened on March 4, 2026. The building is located within Casa Wabi's 25-hectare site in Oaxaca, Mexico, on the Pacific coast, about 30 minutes from the city of Puerto Escondido. Casa Wabi is a foundation created by artist Bosco Sodi that promotes the exchange of ideas between artists of various disciplines and local communities. The foundation's flagship building was designed by Japanese architect Tadao Ando and completed in 2014. The OMA-designed pavilion adds a new space for cultivating mushrooms and fostering exchange between food, art, nature, and local communities to the foundation's facilities, which include a multipurpose palapa, six bedrooms, two enclosed studios, six open studios, a screening room and auditorium, a 450-m² exhibition hall, and various workspaces.
Tagaytay City Hall / WTA Architecture and Design Studio. Image Courtesy of WTA Architecture and Design Studio
This week's architecture news brings together a series of announcements that reflect how the discipline is engaging with larger structural and institutional frameworks. The OBEL Foundation's introduction of Systems' Hack as the theme for its 2026 cycle foregrounds architecture's relationship to the systems that organize contemporary life, from infrastructure to resource flows. At the scale of the design industry, Salone del Mobile.Milano's outline of its 2026 framework, including OMA's involvement in the Salone Contract master plan, signals an evolving understanding of major fairs as long-term cultural and economic infrastructures rather than standalone events. Running alongside these agenda-setting developments, the final days of nominations for the 2026 ArchDaily Building of the Year Awards underscore the role of collective evaluation and public participation in shaping contemporary architectural discourse.
Salone del Mobile.Milano has announced the framework for its 64th edition, scheduled to take place from April 21 to 26, 2026, at Fiera Milano, Rho. The upcoming edition will bring together more than 1,900 exhibitors from 32 countries across over 169,000 square meters of exhibition space, highlighting the fair's continued scale and international reach. Beyond its quantitative dimension, the 2026 Salone positions itself as an evolving cultural and economic infrastructure, increasingly structured around long-term strategies rather than isolated events. The program reflects a growing emphasis on accessibility, curatorial depth, and cross-sector dialogue, pointing at the Salone's role not only as a marketplace for the industry but also as a platform where architectural thinking, industrial production, and global dynamics intersect within a single, coordinated framework.
Spanning multiple geographies and scales, this week's architecture news reflects ongoing discussions around long-term planning, institutional frameworks, and the public role of architecture. National-scale urban initiatives and large civic developments point to how planning and infrastructure are being used to reorganize cities and territorial systems, while parallel attention to stadiums, cultural facilities, and mixed-use projects highlights the expanding civic ambitions of large-scale architecture. Alongside these, interviews and heritage-focused projects foreground participatory practices and the careful reuse of existing structures, highlighting architecture's capacity to operate within complex social and political conditions. Recognition platforms and professional programs further situate these practices within a broader architectural discourse, offering insight into how contemporary work is evaluated and shared across regions.
New Manchester United Stadium aerial render. Image Courtesy of Foster + Partners
During 2025, several sports infrastructure projects were announced that remain on our radar, most of which are scheduled for completion between 2028 and 2030. Located across Asia, Europe, Africa, the Middle East, and North America, these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.
MVRDV and Delft University of Technology Release _Le Grand Puzzle_, an Urban Study of Marseille in the South of France. Image Courtesy of HÇläne Bossy, Manifesta
In architecture, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, how cities are changing, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: studios, collectives, and foundations that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.
The idea of a think tank is not new. Traditionally found in politics, economics, or science, think tanks bring together experts to study complex problems and propose solutions. In architecture, their rise reveals a tension at the heart of the discipline. If architecture is to remain socially and environmentally relevant, can it continue to rely only on client-driven practice? Or must it carve out space for slower, deeper inquiry?
In contemporary architecture, commercial spaces have become more than points of sale; they are stages where identity, image, and experience converge. Stores, showrooms, and branded interiors often operate as laboratories where architects experiment with form, material, and light, translating corporate narratives into spatial experiences. In this context, the architect emerges as a mediator of desire, shaping atmospheres that guide perception, evoke emotion, and subtly influence behavior. This role reveals a complex intersection between design and capitalism: the creation of spaces that sell not only products, but also aspirations, lifestyles, and cultural meaning. By transforming commerce into an architectural performance, these projects invite reflection on how the discipline negotiates its agency in a world where visibility and image have become as essential as function.
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
Who designs architecture today? In a professional landscape increasingly defined by collaborative workflows, generative software, and distributed teams, the figure of the architect as a singular creative author feels both anachronistic and inadequate. This article argues that architectural authorship is no longer an individual act, but a collective and distributed condition shaped by institutions, technologies, and shared forms of labor. The transition from individual to collective authorship is not simply a consequence of larger offices or digital tools; it signals a deeper structural shift in how architecture is produced, communicated, and validated.
Stretching along the Atlantic coast at the southern tip of Florida, Miami is often introduced through postcard views of beaches, palm trees, and glass towers facing the water. Yet, behind this familiar image lies a city shaped by migration, tourism, and real estate cycles, where architecture has repeatedly been used to project new identities and reinvent the urban landscape. From early resort hotels and the Art Deco façades of South Beach to experimental high-rises and cultural institutions on the bay, the built environment offers a way to read how Miami negotiates climate, economy, and everyday life.
Over the past century, the city has grown through successive layers of development that remain visible in its streets and skylines. The streamlined geometry and pastel colors of the historic Art Deco District coexist with the exuberant forms of Miami Modern (MiMo) motels and postwar infrastructure along Biscayne Boulevard. Downtown and Brickell have transformed from low-rise business districts into dense clusters of residential and office towers, many designed by international firms working alongside local practices. At the same time, neighborhoods such as Little Havana, Allapattah, and Wynwood reveal how diasporic communities, industrial heritage, and creative industries occupy and adapt existing fabrics, often in contrast with the image-driven waterfront.
In total, the three-day festival will see over 460 live pitches from the 2025 finalists, presented to more than 160 international judges. Today has seen shortlisted projects from around the world compete for 21 award categories within Completed Buildings, Future Projects, and Interiors. Award winners include OMA, Sordo Madaleno, Studio Arthur Casas, and NIKKEN SEKKEI.
https://www.archdaily.com/1036039/world-architecture-festival-2025-day-two-winners-announcedEnrique Tovar
