About a month before he unveiled his eighth album Ye in June, Kanye West re-entered architectural conversation with the unexpected and mostly unexplained announcement that he intends to hire architects and industrial designers to staff an architecture practice connected to his Yeezy brand. An outspoken fan and admirer of contemporary architecture, Kanye’s fashion and design projects have been a major focus for him since shortly after the prodigious producer started making his own rap albums. Kanye’s architectural ambitions have been an interesting factor in the relationship between architecture and rap culture, which seems to be just coming into focus through programs like the Hip Hop Architecture Camps organized by Michael Ford’s Urban Arts Collective, and the research of Sekou Cooke. Architecture and rap music have influenced each other in ways we’re just starting to notice—with the connection between the two even revealed as consciously and conspicuously as rappers including references to notable architects in their lyrics.
Le Corbusier: The Latest Architecture and News
Paul Clemence of Archi-Photo shares rare images of the house of Pierre Jeanneret in Chandigarh. The photographer described the experience in an article published in Modern Magazine, which is republished below with permission.
Chandigarh, India’s modern planned city, is most commonly associated with the pioneering modernist master Le Corbusier, who conceived the radical urban plan and most of its important civic buildings. But credit is also due to the architect’s younger cousin and long-time collaborator, Pierre Jeanneret, who turned Le Corbusier’s sweeping vision into a reality. The cousins had worked extensively together, sharing a common, forward-thinking design sensibility. Appointed to senior architect, the Swiss-born Jeanneret oversaw the ambitious project on the ground and proved himself particularly skilled at connecting with the professionals and local community alike. “Effectively, he is respected like a father, liked as a brother by the fifty or so young men who have applied to work in the Architect’s Office,” wrote Corbusier in praise of his cousin.
From the Fundación Arquia Blog, architect José Ramón Hernandez brings us an article that reflects on projects that can only be appreciated because of who they were created by. If it weren't for the fact that they bear the signature of their illustrious creator, they most likely would have gone completely unnoticed or even despised.
Architect Philipp Mohr has led the renovation of an apartment at Le Corbusier’s iconic Unite d’Habitation in Berlin, carried out to the architect’s original design. Over the course of two years, Mohr’s team engaged with archival research, antique shopping, and the surveying of the Unite d’Habitation Marseille in France.
Mohr purchased the apartment in 2016 and embarked on a journey of demolition, measurement, and extensive renovation including lowering ceilings and moving walls in order to recreate the interior likely envisioned by Le Corbusier.
In the ambit of architecture, much of the twentieth century is marked by a production that reads, in general, as modern. The foundations of this work have been the subject of discussion for at least six decades, bringing together conflicting opinions about the true intention behind the modern gestalt.
Cape Town native Alexis Christodoulou is a winemaker by day but also dabbles in the art of 3D visualization. His Instagram (@teaaalexis) is a striking composition of intricate spaces rich with color, light, and materiality. Crafted entirely from scratch, each of Christodoulou's digital worlds appears to be influenced by many of the modernist masters. In a recent interview with Curbed, Christodoulou lists Aldo Rossi, David Chipperfield and Le Corbusier among his inspirations.
Much has been said about the new "Instagram aesthetic." Put that together with the emerging role of Instagram and other social media platforms in the design process, and the result is a new type of digital art form. Christodoulou's page is the creative collection of a year-long personal challenge to regularly create and publish images of his own fantasy worlds, which has resulted in a community of nearly 20K followers.
Get lost in more of the images below.
In the 1920s, Dutch-born artist Piet Mondrian began painting his iconic black grids populated with shifting planes of primary colors. By moving beyond references to the world around him, his simplified language of lines and rectangles known as Neo Plasticism explored the dynamics of movement through color and form alone. Though his red, yellow and blue color-blocked canvases were important elements of the De Stijl movement in the early 1900s, almost a century later Mondrian’s abstractions still inspire architects across the globe.
But, what is it about these spatial explorations that have captivated artists and designers for so long?
This article was originally published by Metropolis Magazine as "The Fascinating History of Le Corbusier’s Lost Barge."
This winter, France experienced some of the heaviest rains it has seen in 50 years. In Paris, the Seine flooded its banks, submerging parks, streets, and disrupting metro service. The deluge also claimed an architectural curiosity. On February 8th the Louise-Catherine, a concrete barge renovated by Le Corbusier, slipped below the murky waters of the Seine and came to rest on the bottom of the river by Quai D’Austerlitz on the east side of Paris.
As the floodwaters receded, the 100-year-old barge’s bow became stuck on the wharf, tipping it into the river, according to Le Parisien. Though firefighters were present and attempted to save the historic vessel, it filled with water and sank in a matter of minutes.
This year’s Pritzker jury has selected Indian architect Balkrishna Doshi, often known as B.V. Doshi or Doshi, as the 2018 Pritzker Prize Laureate. Doshi has been a practitioner of architecture for over 70 years. Previously, he had studied and worked with both Le Corbusier and Louis Kahn. Doshi’s poetic architecture draws upon Eastern influences to create a body of work that “has touched lives of every socio-economic class across a broad spectrum of genres since the 1950s,” cites the jury. Doshi is the first Indian architect to receive architecture’s highest honor.
The Getty Conservation Institute has announced a workshop to address the care and conservation of three museums designed by Le Corbusier. The three museums are the only museums designed by the prolific architect. The workshop will be held in India, where two of the three museums are, with municipal corporations from Ahmedabad and Chandigarh serving as hosts for the event. The Foundation Le Corbusier, located in Paris, will also be assisting with the workshop.
Throughout history, there have been certain architects whose unique ideas and innovative styles have influenced generations to come. Some of these pioneers introduced ideas so revolutionary that entirely new words had to be invented to truly encapsulate them. Whether they became a style embraced by an entire era, or captured the imagination of millions for decades to come, we know a Gaudiesque or Corbusian building when we see one.
Here are eight adjectives derived from the works of architects whose names are now in the dictionary:
Eyeglasses: the quintessential accessory of the architect. They are mini pieces of architecture you can wear, and an outward expression of your inner persona. Whether they be square, round, or wire-frame, black, white, tortoiseshell, or bright neon tones, they represent our visionary ideals. As such, many of the most iconic spectacles have an interesting history behind them; so here are the stories behind seven of the most recognizable eyeglasses in the architecture world.
Creator of London’s Design Museum and columnist for CNN, Stephen Bayley named Le Corbusier’s Pavillon de l’Esprit Nouveau as one of, “20 designs that defined the modern world.” Before Bayley lays out the list, he gives a brief history and several definitions of design; culminating to his conclusion that design gives life meaning. Bayley writes, “Le Corbusier declared that design is ‘intelligence made visible’. That’s certainly true, but intelligence can take many forms…” 
London-based publisher Blue Crow Media’s architectural guide series continues with Concrete Tokyo Map. A collaboration with design writer Naomi Pollock and photographer Jimmy Cohrssen, the map lays out 50 of Tokyo’s concrete wonders.
Now, these texts along with a comprehensive record of his buildings, projects and sketches are available for free download!
In a world in which the "happy" architectural image feels all-pervasive, the British architect and academic Dr. Timothy Brittain-Catlin reveals its darker side suggesting why, and how, we might come to celebrate it. You can read Brittain-Catlin's essays on British postmodernism here, and on colorful architecture, here.
"Contemporary buildings celebrate openness, light and free-flowing movement," says the President of the Royal Institute of British Architects (RIBA) in the March 2017 issue of the Institute’s journal. This is what at my school we call an "announcement", rather than a statement of fact. Indeed, all architects and architecture students hear these words all the time. But are they true? Should they be?
One of only two projects completed by Le Corbusier in the Americas—the other being the Carpenter Center for the Visual Arts in Cambridge, Massachusetts—Casa Curutchet is located in La Plata, Argentina. Commissioned by the surgeon Dr. Pedro Domingo Curutchet in 1948, the four-story residence includes a small medical office on the ground floor. The form of the building echoes traditional Latin American courtyard houses while also exemplifying Le Corbusier's five points of architecture.
You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.