WeWork has announced that Bjarke Ingels will be its new Chief Architect. Ingels, who has taken the architecture world by storm since founding BIG in 2005, will continue in his role as Founding Partner and Creative Director of his firm, however in his new role at WeWork he also "will offer his insights and ideas to extend and help us push the boundaries of architecture, real estate, technology, and design," explained WeWork today in a press statement.
In recent years, it seems like Bjarke Ingels has been everywhere you look; he has been profiled by The New Yorker, was named one of TIME Magazine's 100 most influential people in 2016, has given TED Talks, and featured in countless other documentaries, videos, and articles (yes, including many on ArchDaily). But there is one place he hasn't yet appeared: on the cover of Surface Magazine. Today, with the launch of Surface's May/June issue, that changes.
"When The New Yorker published Ian Parker’s 11,000-word story on BIG’s rise in 2012, I knew Surface should put a pause on any major coverage, at least for several years, just to see how the firm’s story would evolve," says Surface editor-in-chief Spencer Bailey to explain the magazine's apparent omission. "I think that inkling was right: BIG has grown to five hundred employees, twelve partners, and three offices, with twenty projects under construction and fifty in development. His clients include Google, WeWork, and Audemars Piguet. There’s so much to unpack now."
The shortlist for a new landmark project in Melbourne has been announced, comprising award-winning global architects such as Bjarke Ingels Group, MVRDV, and OMA. For the “Southbank by Beulah” mixed-use development, the shortlisted architects will engage in a design competition working in collaboration with local Australian firms, each producing a design proposal for Melbourne’s BMW Southbank site.
With an end value in excess of $2 billion, Southbank by Beulah will be the first large-scale private project adhering to the Australian Institute of Architecture guidelines, while the design competition will be chaired by a jury of seven regarded individuals from academic, architectural, property and government sectors.
It was an early morning in Chelsea, and men in suits were standing around the street, ushering in guests into a dark, 12,000 square-foot exhibition space at the XI gallery. Inside, the room was lit by a centerpiece installation of the New York City skyline, sprawling upwards towards the ceiling with its reflection. Bjarke Ingels was going to unveil new plans for The XI (‘The Eleventh’), a pair of twisting towers set between 17th and 18th Streets and 10th and 11th Avenue. Es Devlin, a British artist who has stage-designed for Beyoncé and Katy Perry, was tapped by HFZ Capital Group to create three installations to present the project.
In the gallery, Bjarke Ingels's work is seen through a sculptural map of Manhattan constructed within a 30-foot wide concave hemisphere (Egg); a pair of illuminated towers gently rotating upon shimmering water (Dance); and a 360-degree film strip of Ingels and his sketches scrolling across a horseshoe-shaped room (Paper, Stone, Glass, Water).
“Evolution in constant motion,” Es Devlin told reporters as she gestured towards the curves of the dancing towers.
Bjarke laughed. “I’ll bring it down to pragmatism.”
BIG-Bjarke Ingels Group has unveiled images of their proposed Audemars Piguet Hotel des Horlogers, a ski hotel set in the scenic Vallée de Joux, Switzerland. The compact scheme, designed in collaboration with Cche Architecture, is defined by a zig-zag form seamlessly integrated into the smooth topography of the surrounding valley, forming a connection with the nearly Musée Atelier.
New York YIMBY has revealed initial renderings of BIG’s proposed office skyscraper at West 29th Street, New York, on the site of the old Bancroft Bank Building. Officially named “29th and 5th,” the scheme will offer a LEED-certified design focused on wellness and sustainability, featuring outdoor terraces stacked alongside a glass curtain façade.
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The Shenzhen International Energy Mansion is the main headquarters of the Shenzhen Energy Company in China. In designing the building, Bjarke Ingels Group (BIG) paid special attention to one feature: the building's facade. The firm knew that in such a tropical climate, using a traditional curtain wall glass envelope would overheat the buildings and make people crank up their air conditioners. What BIG came up with in their winning design, and what is now the building's most defining feature, is a folded, origami-like facade. This facade provides high insulation and diffuses incoming sunlight, while reflecting the strongest rays onto solar panels.
Laurian Ghinitoiu points his lens towards this uncommon facade design and places the skyscraper within the lively metropolitan context of Shenzhen, China.
March 22 is World Water Day, an annual international celebration launched and organized by the United Nations. The goal of the day is to raise awareness about a wide range of water-based issues from around the world. This year’s theme is “Nature From Water”, which invites everyone to think about how nature can provide solutions to the water challenges we face today.
To celebrate World Water Day this year, we’ve rounded up 20 of our favorite projects that utilize water as a central design feature. Whether it be Zumthor's Thermal Vals or Chritso and Jeanne-Claude's Floating Piers, water has been playing an important role in architectural design and in demarcating the boundaries of nature against our built environment.
Bjarke Ingels Group (BIG) has released images of its bow-shaped National Theatre of Albania, responding to a thriving performance art scene in the nation’s capital. Situated in the cultural heart of downtown Tirana, the scheme seeks to create new urban gathering places for a pedestrian-focused district, while casting the theater as a performer in its own right.
Situated on a cultural axis, adjacent to public landmarks such as Skanderbeg Square, the National Opera, and the National Art Gallery, BIG’s scheme will replace the existing theater while adding three new performance spaces, a rooftop amphitheater, and a covered public space underneath the building.
Construction is moving along quickly on The Eleventh, BIG’s twisting residential towers located near Chelsea Piers on New York City’s High Line park.
A new rendering released of the project shows the design in its final form (developed through a series of iterations), standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.
What if the one thing that makes BIG "BIG" was suddenly stripped away right at the apex of its potential? That's the question posed by the trailer for Kaspar Astrup Schrøder’s documentary BIG TIME, which ominously illustrated a possible problem with Bjarke Ingels’ health.
Schrøder's documentary highlights the intense journey of Bjarke Ingels, the founder of Bjarke Ingels Group, through the past few years of his life. This unique insight into what exactly it's like to be an architect on top of the world ultimately poses a question that needs to be answered by anyone seeking to reshape the world through design. How do you handle the responsibility of forming the future you want to live in?
Bjarke Ingels Group and Carlo Ratti Associati have broken ground on 88 Market Street, a new skyscraper at the heart of Singapore's business district. Transforming a site which was previously occupied by a parking structure from the 1980s, the 280-meter-tall building will include plentiful greenery both on its facades and internally. Inside, the building will include offices, 299 serviced residential units, and ancillary retail space.
In just 13 years since its inception, Danish firm BIG has earned world renown for its inventive architecture and its founder, Bjarke Ingels, has become one of the most popular names in the architectural world. However, with success comes criticism; BIG has been called out by some critics for what they believe is the "infantilization of architecture," referring to their designs as isolated, self-admiring and solely photogenic.
On her most recent visit to Spain, Spanish journalist Anatxu Zabalbeascoa spoke with Ingels about the impact of the Danish office on architecture and how their work wavers on a tightrope between "breakthrough projects for the world of the powerful" and "a face for people who are not happy with existing architectural models."
Despite 3 years of community input and redesign, BIG’s plans for the new Smithsonian Institution Campus Master Plan in Washington, D.C., has been met with skepticism from the Commission of Fine Arts, one of the two federal agencies charged with approving the plan.
Update 1/23/18: The jury for the competition has been announced as the architects arrive on site for walkthroughs.
Six star-studded teams have been shortlisted in the Adelaide Contemporary International Design Competition, which is seeking to create a new contemporary art museum and public sculpture park on a significant site near the University of Adelaide and the Adelaide Botanic Garden in Adelaide, Australia.
Selected from 107 teams made up of over 500 individual firms, the six shortlisted teams were chosen through the “outstanding quality” of their initial submissions and for the complementary strengths of each of the team members.
“This is an extraordinarily rich list of diverse creative partnerships of architects looking to complement their talents by working with both peers and smaller talented practices. The final decision was very demanding but these are the teams that convinced us through the outstanding quality of their submissions,” said Nick Mitzevich, Director, Art Gallery of South Australia.
BIG has unveiled an updated vision for the new Campus Master Plan for the Smithsonian Institution in Washington, D.C., after taking into account over 3 years of community input and collaboration with the storied museum and research institution. The revised proposal pays particular attention to the preservation of unique character of the Enid A. Haupt Garden while still addressing the existing and future needs of the Smithsonian at one of the nation’s most historically significant sites.
Google has unveiled plans for a new campus in the Moffett Park area of Sunnyvale, California that will be located just a few miles from its long-awaited ‘Googleplex’ headquarters in Mountain View. And just like the company’s Mountain View and London campuses in the works, the building has been designed by Bjarke Ingels Group (BIG).
Located at 100 and 200 W. Caribbean Drive, the complex will consist of two terracing buildings containing over 1 million square feet of office space and room for up to 4,500 employees.
The final designs for one of 2018’s most awaited projects have been revealed, as SLA has released plans for the 170,000-square-foot (16,000-square-meter) park and ski slope that will cap the BIG-designed Amager Bakke Waste-to-Energy Plant in Copenhagen, Denmark.
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.jpg?1516393483 "Courtesy of BIG. Rendering by Brick Visual")
.jpg?1516393475 "Courtesy of BIG. Rendering by Brick Visual")
