If there is any consistent factor in his work, says Pritzker-winning architect Tadao Ando, then it is the pursuit of light. Ando’s complex choreography of light fascinates most when the viewer experiences the sensitive transitions within his architecture. Sometimes walls wait calmly for the moment to reveal striking shadow patterns, and other times water reflections animate unobtrusively solid surfaces. His combination of traditional Japanese architecture with a vocabulary of modernism has contributed greatly to critical regionalism. While he is concerned with individual solutions that have a respect for local sites and contexts Ando’s famous buildings – such as the Church of the Light, Koshino House or the Water Temple – link the notion of regional identity with a modern imagining of space, material and light. Shoji walls with diffuse light are reinterpreted in the context of another culture, for instance, filtered through the lens of Rome’s ancient Pantheon, where daylight floods through an oculus. Ando’s masterly imagination culminates in planning spatial sequences of light and dark like he envisioned for the Fondation d’Art Contemporain François Pinault in Paris.

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Today is the day to discover the finalists for ODA2024: the award for the best architecture in Spanish. Our expert jury—that is, you, the readers—has selected 15 of their favorite projects from nearly 1,000 works of architecture built in Latin America and Spain.

This award has become a true tradition, now in its sixteenth edition. It is an invitation to all our readers to recognize the projects published in 2023 that inspired them and represent the identity of their local contexts in a globalized world, shaping how architecture is practiced in Latin America and Spain within an increasingly heterogeneous and multicultural environment.

Starting today and until next Wednesday, April 3 at 11:59 PM (GMT -3), you can explore each of the finalists in detail and vote for the project that best represents the architecture in Spanish that inspires us, defines us, and shapes us. Discover all the finalist projects below.

The 2024 Obra del Año Award is presented to you thanks to Dornbracht, renowned for its leading architectural designs, which can be found in bathrooms and kitchens worldwide.

We are pleased to present the finalist projects of the 2024 ArchDaily Brasil Building of the Year Award. After two weeks of nominations, the favorite projects were chosen from hundreds of built works in Portuguese-speaking countries. Our jury, composed of thousands of readers, has once again done an excellent job of selecting these 15 works.

From today until April 3 at 11:59 PM (Brasilia time, GMT-3), you can vote once a day for the projects you consider to be the best examples of contemporary Lusophone architecture. The results will be announced on April 4.

When a brief to design a new office space asks for something fresh, energetic, and modern – a space where employees enjoy being and, crucially, enjoy working in, which helps them to focus on individual tasks but also to relax, collaborate, and create – there are few better places to begin than a color wheel. As the world of work and the varied environments it takes place in become less formal and restricted in their design, architects, designers, and, more importantly, their clients are handing the boring, monotone office its redundancy papers and looking outside the establishment at more expressive colorful options.

While blue’s ability to improve concentration, stimulate thinking, and provide mental clarity helps to increase productivity, the human body needs regular periods of rest and relaxation, too. For this, warm colors like yellows provide relaxation through warmth and comfort – perfect for break-out areas. Meanwhile, reds and oranges promote creativity and expression, meaning they can be useful for areas designated for social collaboration, whilst green encourages a calmer, more balanced approach, for a different kind of meeting.

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Videos

Business as usual cannot continue if we are to strive towards a more sustainable building industry. Our methods and strategies must transform and adapt to an entirely new way of thinking.

This is why the Living Places concept was developed by the VELUX Group, in partnership with EFFEKT Architects and Artelia. It highlights how rethinking building principles can address global climate and health challenges. Powered by this idea, Living Places Copenhagen, the concept's first prototype, presents a physical example that shows how to build more sustainably while maximizing indoor comfort.

Renowned sculptor Richard Serra, known for his monumental steel structures that reshaped the landscape of contemporary art, passed away at the age of 85 at his residence in Orient, N.Y. His groundbreaking works, characterized by massive tilting corridors and spirals of steel, offered viewers a unique experience, inviting them to navigate through and around the imposing forms to fully comprehend their essence. Because of this invitation to explore space, materiality, and site, the artist has been long-recognized in the architectural community, earning him the Architectural League of New York President’s Medal in 2014, becoming the first artist to receive the honor.

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Powerhouse Company has just revealed its designs for “The Harmony” in the Amsterdam Zuidas area. Featuring two towers, The Canyon and The Coast, the project aims to blend office spaces, commercial areas, and affordable housing. “The Harmony” establishes a new link between the Zuidas district and the upcoming residential zone of Ravel.

The future Saudi tower designed by Foster + Partners is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the Burj Khalifa in Dubai, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a development program led by Saudi Arabia, driven by the vision of Crown Prince Mohammad bin Salman to establish the country's presence through ambitious, large-scale projects. While these super-tall towers symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.

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Following two exciting weeks of nominations, ArchDaily’s readers have evaluated over 700 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.

Before we get to shortlisted nominees, we want to highlight the values of this awards process — as the world’s largest platform for architecture we are acutely aware of our responsibility to the profession, and to the advancement of architecture as a discipline. Since our mission is directly related to the architecture of the future—inspiring and educating the people who will design the urban fabric of the future—, the trust placed in us by our readers to reflect architectural trends from regions around the whole world creates challenges that we are eager to rise to. The democratically-voted, user-centered Building of the Year Awards is one of the key pillars of our response to these challenges, aiming to tear down established hierarchies and geographical barriers. Here are the 10 finalists of the 2024 China Building of the Year Award, and the voting period will run from March 27th to April 3rd at 23:59(BJT). The final winners will be announced on April 4th, 2024. Click here to see the details and how to vote.

Click the link to vote for your favorite project.

The Obama Foundation has released details about the design of a new athletic, program and event facility to take shape at the Obama Presidential Center located on the South Side of Chicago, Illinois. Designed by Moody Nolan, the facility titled Home Court will offer the largest gathering space on the campus, serving as a place for community engagement as well as health and wellness activities. The venue is scheduled to become the first space within the Obama Presidential Center campus to open in late 2025.

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We invite you to participate in the 2024 Obra del Año Award. For this fifteenth edition, we ask you to recognize the projects that are making the greatest impact on the built environment. By voting, you become part of an independent, impartial network that has consistently helped us celebrate architecture of all scales, purposes, and contexts, in countries both large and small. Only a few hours remain to vote for your favorite project and help narrow down 1,000 nominees to just 15 finalists.

Remember, registered users can vote for their favorite project. The first stage ends on Tuesday, March 26, 2024, at 11:59 PM (GMT-3). Thank you once again for helping us continue to democratize architecture.

The 2024 Obra del Año Award is brought to you by Dornbracht, renowned for its leading architectural designs, which can be found internationally in bathrooms and kitchens.

External factors shaping the built environment play a decisive role in building configuration, particularly with respect to facades. These factors can encompass physical phenomena, such as wind pressure or seismic activity, as well as climatological aspects, including precipitation, solar radiation, and temperature changes.

Consequently, facades have evolved to adapt to the design conditions they face, driving the integration of lightweight building envelopes. In this context, the exterior wall solutions by Panel Rey stand out. These systems are used as exterior cladding, incorporating various substrates, profiles, and other components. Together, these provide the facade with lightness and strength.

Foster + Partners has just unveiled the designs of two neighboring residential towers in Dubai, United Arab Emirates. Named VELA and VELA VIENO, the two towers offer waterfront living, providing direct access to the promenade and the marina. Situated in Dubai’s Marasi Bay with a direct view of the Burj Khalifa, the developments are “characterized by a horizontal rhythm, emphasized structure, and strategic voids in the massing.”

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Historically, architecture has served as a canvas for artistic expression. Building elements have been adorned with relief-carved garlands, inscriptions, fresco murals, portrait busts, and classicizing figurative sculptures, all of which emphasize the unique and intentional nature of each component. However, the industrialization of the 19th century brought about a shift in ideals, that stripped architectural components of their decorative elements. Instead, it preferenced the search for beauty in standardization and the economic accessibility provided by mass-produced building elements.

But is there room for artistry within mass production? Can artists be involved in the industrial-making processes of building elements? And how can new technology facilitate artistic mass customization of building components? These questions prompt us to consider the potential for expression, communication, and reflection in the craft of building elements in both interior and exterior spaces.

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When considering traditional brick facades, we usually conjure up images of solidity and robustness. Solid ceramic blocks, recognized for their ability to withstand compression and offer strength and durability to structures, are materials frequently used in architecture. However, innovation in construction materials has made space for solutions that combine tradition and modernity, transforming the use of materials such as brick. In contemporary construction, the integration of solar control measures has become essential to improve the energy efficiency of buildings, especially in hot climates where the need to mitigate the effects of solar radiation is critical. This is one of the areas in which brick can play a significant role, aided by new technologies.

The craft of architecture is, fundamentally, a practice of approaching the other. While the product expected of the architect is a physical object, it must respond with the utmost sensitivity to the people who will use it—that is, those who will inhabit the space. 

During the 1980s and 1990s, a paradigm shift occurred in how the social sciences understood certain social phenomena. Spatiality became a key concept for grounding social phenomena in physical space, giving rise to a new research perspective known as the "spatial turn in the social sciences." This approach aims to anchor social phenomena, such as dwelling, in concrete material spaces, acknowledging that physical space exerts agency over human social life, and vice versa.

*This article was submitted by Andrea Henríquez through our call for architectural research submissions.

Exploring unbuilt architectural projects by established firms offers a glimpse into the forefront of design innovation and future-thinking concepts. In fact, studying up-and-coming projects provides an opportunity to get ahead of emerging trends and envision the future of the built environment, fostering dialogue around new ideas. With the looming climate crisis in a post-COVID world, this week’s selection of unbuilt projects submitted to the ArchDaily community showcases the scale of problem-solving through city-making and contextual spatial activations.

Whether it’s a vertical neighborhood in Kunming, a life science facility in Manhattan, or a cultural center in Veneria Reale, these unbuilt projects capture the diverse spectrum of architectural visionaries’ progression. Each of these proposals represents a unique narrative, whether seeking to redefine residential living or revitalize urban space. Through these projects, architects can offer the environment a glimpse into the transformative potential of design when used in a problem-solving capacity.

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After becoming used to the comfort and autonomy of remote work, experts predict that workplace culture will never completely return to the way things were. Companies can maximize the productivity of their workforce by blending the flexibility of remote with the creative collaboration of in-person work in a hybrid system; but while spare rooms and kitchen tables have been sacrificed to carve out comfortable workspaces at home, the office space—originally designed around a 100% in-person system—needs to accept change too.

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Bjarke Ingels Group and A+Architecture have revealed the design for the 12,000-square-meter Marengo Multimodal Transport Hub in Toulouse, France. The project will expand the functionality of the city’s central station, Gare Matabiau, strengthening the area’s public transport networks by creating a hub for bus, railway, and metro, all connected under one roof. The design of the new hub takes cues from the city’s distinctive roofscape and the traditional use of the rose-colored “foraine” brick, employing a mass timber structure and low-carbon concrete to ensure a sustainable intervention adapted to its environment. The Hub is set to begin construction in 2026.

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3XN/GXN has just opened its exhibition “Aware: Architecture and Senses,” hosted at the Danish Architecture Center until September 15th, 2024. The display invites visitors to explore, comprehend, and interrogate their relationships with architecture. In collaboration with the Danish Architecture Center, 3XN/GXN delves into the conversation between individuals and spaces, showcasing six life-sized installations.

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India's urbanscapes are characterized by a negotiation between the formal and the informal; permanence and impermanence. Structured amidst the concrete high-rises and planned neighborhoods, makeshift markets and bazaars form the core of city life. Often composed of sustainable structures, these transient commercial hubs exhibit a form of rudimentary architecture that spreads its roots deep in India's cultural and economic traditions.

The heart of India's informal urbanism lies in its public marketplaces and roadside bazaars that have existed for centuries. These urban zones have a history, believed to have originated from the era of traveling merchants and imperial trade relations. Today, these environments have evolved into dense labyrinths of impermanent shelters made from recycled tin sheets, tarpaulin canopies, and wooden poles. These bazaars organically transform neighborhoods into a choreographed chaos of vendors, goods, and the common public. Weekly markets are usually massive in scale and are set up every few days only to disappear again.

Make the most of Milano with our curated fair and city guides – put together by our expert team of architects and designers to make sure you know exactly what to see and where to go. As Designboom, Architonic, and ArchDaily, our core vision is to inspire, connect and empower. And while we can’t physically steer you in the right direction on the city streets or Salone del Mobile’s redesigned 2024 floor plans, we can make sure you have the optimal tools to locate the biggest discoveries, best new contacts, and most exciting stories: our two curated Milan guides, one to the fair and one to the city.

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Architecture practices usually start their design process with a client, who provides a program and a site. Alejandro Haiek, founder of The Public Machinery, approaches things differently. The Public Machinery describes itself as a network of architects and designers working collectively, actively observing, imagining, and proposing public urban interventions themselves. Their proposals are at the intersection of art, architecture, and engineering and weave community engagement, ecology, and new technologies into innovative forms of social infrastructure. They secure funding through research and public grants, enabling them to create public spaces that defy expectations in both their design process and in the form their projects take.

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Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.