This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Certain materials offer a wide range of applications, and wood is undoubtedly one of them. This noble material can assume various roles: structurally in tectonics, as floor cladding in finishes, or even as a functional and decorative element in furniture design. Depending on its application, wood tells a different narrative. In facade design, its integration imparts a distinct character; indeed, beyond contributing to the building's identity and aesthetics, it also plays a crucial role in its functionality.

When discussing wood facades, screens and timber batten patterns are recurring elements. Through this approach—in contrast to modular systems—customizable combinations can be created for each project, conveying a unique artisanal beauty tailored to the intended design. Furthermore, wood offers outstanding characteristics in terms of sustainability, solar control, weather resistance, and energy efficiency. Together, these qualities allow the facade to function as a dynamic interface between interior and exterior, mediating light, shadow, and views.

Negotiating height differences comfortably and using space efficiently is the primary function of stairs. Their invention is not attributed to a single individual or specific civilization; rather, they evolved independently across various cultures throughout history. The earliest evidence of staircases is found in ancient Mesopotamia, Egypt, and the Indus Valley Civilization, with notable examples including the Mesopotamian ziggurats and the Great Pyramid of Giza. The Greeks and Romans further refined the design, and during the medieval period, spiral staircases became common in castles for defensive purposes. The Renaissance introduced even more elaborate and decorative examples crafted from stone, marble, and, later, iron and steel. In modern times, innovations in concrete and precast components emerged, reflecting advancements in materials and engineering. Floating staircases, for example, have become a major trend by visually expanding spaces and enhancing natural light within an environment. They are characterized by an elegant, minimalist design where the treads appear to float in midair without visible support, anchored to a single wall.

The global commitment to net-zero emissions and climate change mitigation presents a monumental challenge for the construction sector—an industry that currently accounts for nearly 40% of global CO₂ emissions, a figure projected to continue rising. Adopting sustainable practices is crucial to improving environmental conditions, with primary objectives including optimizing thermal comfort and reducing energy consumption in buildings. How can we achieve this if not through collective learning and knowledge sharing among different professionals and workers in the sector?

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Certain materials offer a wide range of uses, and wood is one of them. This noble material can take on various roles: structurally in tectonics, as flooring in finishes, or even as functional and decorative elements in furniture. Depending on its application, wood adopts a distinct narrative. In facade design, its integration lends a unique character, as it not only contributes to the building's identity and aesthetics but also plays a crucial role in its functionality.

When discussing facades and wood, screens and timber batten patterns are recurring elements. Through this concept—in contrast to modular systems—highly customizable combinations can be created for each project, conveying a unique, artisanal beauty tailored to the intended design. Furthermore, wood offers remarkable qualities in terms of sustainability, solar control, weather resistance, and energy efficiency. Together, these qualities allow the facade to function as a dynamic interface between interior and exterior, also mediating between light and shadow, as well as views.

Public lighting plays a fundamental role in modern cities and has evolved considerably throughout history. In Ancient Greece and Rome, rudimentary methods such as torches and oil lamps illuminated some streets. During the Middle Ages, castles and European city streets used oil lanterns and, later, candles. A significant breakthrough came with the invention of the gas lamp in the late 18th century, first used for public lighting in London in 1807, which improved street visibility and helped reduce crime. Thomas Edison’s invention of the electric lamp in 1879 revolutionized public lighting, and incandescent lamps began replacing gas, providing more efficient and safer illumination.

The Architectural Association Visiting School (AAVS) Rio de Janeiro workshop interrogated
tectonics within Rio's post-colonial, urban, and tropical context. Each year, the workshop questions, celebrates, and experiments with a characteristic element of local architecture.

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In an era where we spend most of our time indoors, contemporary architecture offers an innovative approach: dissolving the barriers between inside and outside. This fusion, now an iconic feature of many current projects, reflects a growing desire to live in harmony with nature, promoting a synergy that transcends walls and restores the human connection to the natural environment. Large windows framing landscapes and the use of biophilic design principles blur the boundaries between interior and exterior, creating flexible, light-filled spaces where nature is incorporated into the architectural design. This integration stems from meticulous design choices made possible by technological advances—such as high-performance glazing and smart systems—that enable this connection without sacrificing comfort or energy efficiency.

Austria has announced Koncesija / Konzession / Concession(e) as its contribution to the 20th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Adna Babahmetović and Ajna Babahmetović together with curator Sebastian Höglinger, the project proposes temporarily granting the Austrian Pavilion to Bosnia and Herzegovina through a cooperative concession. Selected through Austria's open competition process, the pavilion examines questions of national representation, diplomacy, and architectural exchange by responding to the absence of a Bosnian national pavilion in the Giardini, where the Biennale's historic national pavilions are located.

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Videos

The accelerating rise of a homogenized, worldwide aesthetic is forcing creators to confront a critical reality: design trends are effortlessly transcending geography, but local identity is paying the price. The fifth episode of the Room For Dreams podcast tackles a head-on investigation into whether a boundaryless market is quietly erasing design diversity. Recorded live at Milan Design Week 2026 in cooperation with INDX|GLOBAL, host Claire Broadka of designboom sits down with Sachi Gupta, Shilpi Sonar, Krithika Subrahmanian, and Sumit Dhawan to map out the reality of the borderless creator.

Snøhetta's Shanghai Grand Opera House has entered its final construction phase. Preparations are underway for the building's official opening on October 17, 2026, kicking off a performance season featuring 82 performances across 47 acclaimed productions. Snøhetta's spiralling design for the new cultural venue was selected via an international competition in 2016. In 2019, the architecture firm, along with East China Architectural Design & Research Institute (ECADI), Theatre Projects, and Nagata Acoustics, was formally commissioned to deliver the building from concept to completion. The project was originally set to be completed in 2025, as part of a broader cultural master plan aimed at reinforcing Shanghai's role as an international centre of culture and innovation.

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In November 2022, Augusta Park celebrated its first anniversary of reopening to the public. The park reached maximum capacity on its opening day and, today, has welcomed over 1.5 million visitors. The site went through a long journey before reaching consolidation. The nearly 50-year struggle for the park deserves to be highlighted, and public participation in its creation must be recorded and shared so it can inspire new campaigns for public spaces across the city.

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Italian architect Vittorio Gregotti frequently asserted that “creating the place” is the primordial architectural act, its very origin, since simply placing a stone on the ground already marks the beginning of the “modifications” that will transform a site into architecture. Driven by this urge for transformation, we see ideas materialize into relationships and concepts that often bring the genius loci to the fore through a phenomenological approach, establishing an intimate connection between architecture and context, redefining places, and reaffirming the human connection to the world.

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The built environment has historically served humans as a mechanism of environmental control. Through our intellectual capacities and ability to organize, we have used buildings to actively influence and terraform the immediate context in which they are inserted, often treating geography, water, and ecosystems as resources to be extracted and managed. However, more and more, architecture is transitioning from exploiting physical and biological matter to actively collaborating with it. This shift demands that architects explore how buildings and their materials grow, transform, decay, and persist beyond human timelines. This thinking also serves as a starting point for the profession to reflect on how it influences the natural world, as well as the non-human species around it, creating networks and connections between humans, buildings, living organisms, and natural environments.

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When it comes to facades, there are numerous options to consider to define both the appearance and the message a building seeks to convey. While glazed surfaces bring sophistication and evoke corporate environments, exposed concrete offers sobriety, and wood lends warmth, few materials are as versatile for facades as HPL (high-pressure laminate). With a wide range of dimensions, colors, and textures, these panels easily adapt to different architectural styles, opening up endless creative possibilities. 

Architecture is a business. Whether architects openly admit it or not, running an architecture firm works just like any other company. Businesses—and their founders, leaders, and stakeholders—are influenced by real-world economic forces. You cannot make payroll on a love of the work.

In our current economic system, businesses must prioritize profitability to pay their employees a living wage, operate sustainably and ethically, and continue offering their services.

Virtual reality, alongside the metaverse, is playing an increasingly important role in helping both people living with dementia and their caregivers and families cope with the symptoms of this neurodegenerative condition.

There are currently 50 million people living with dementia worldwide. This number is expected to double in the next 10 years and more than triple by 2050. Consequently, the global cost of dementia is projected to reach $2 trillion by 2030.

According to recent research, the global fashion industry generates around $2.4 trillion annually. This staggering figure, unfortunately, is matched by its waste statistics. It is estimated that every second, the equivalent of a garbage truck full of textile scraps is burned or sent to landfills. Considering that fabrics like polyester, which is widely used in garment manufacturing, take an average of 200 years to decompose, the catastrophic future of this model is easily foreseeable. Alarming news consistently highlights this issue, such as the images of the immense secondhand clothing graveyard in the Atacama Desert released a few years ago, or reports that famous British luxury brand Burberry incinerated £28.6 million worth of unsold clothing, accessories, and perfume last year to protect its brand, claiming the carbon emissions were offset, making the action "environmentally sustainable."

Although there are records of latrines dating back to 3100 BCE, the first flush toilet was invented in 1596 by Englishman John Harington. He produced two units: one for himself and another for Queen Elizabeth I.

The idea did not catch on at the time, and it was only in 1775 that Scotsman Alexander Cumming patented the modern toilet, designed to connect to a sewage system. In 1885, another Englishman, Thomas Twyford, created the first porcelain toilet, replacing the wooden models that preceded it.

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A close look at the building facades in many Brazilian cities, such as São Paulo, Belo Horizonte, and Rio de Janeiro, reveals that the use of aluminum frames is highly common and popular in Brazil. Adopted across a wide range of building typologies, including residential and commercial projects, and in various formats such as doors, windows, and railings, these versatile structures are widely used in construction, representing about 80% of the total volume of aluminum consumed by the sector in the country. But why, after all, have aluminum frames become so widely used in Brazilian cities?

Although the architecture and construction industry has been making strides in new fields like artificial intelligence (AI), parametric modeling, virtual reality (VR), and other cutting-edge tools for years, their implementation and integration into daily design workflows remain slow. In an increasingly connected and constantly evolving world, digital tools and emerging technologies are revolutionizing how architects design and build—changing the rules of the game and expanding creative horizons. Consequently, there is an ongoing need to discuss how these technologies are being incorporated and how their use within the discipline can be further enhanced.

ArchDaily featured the topic of Design Process in July, and we didn't want to miss the opportunity to open the discussion with an invitation. We believe in the power of dialogue and the exchange of ideas. We want to hear about your experiences, learn from your successes, challenges, and mistakes—and explore together how these new tools are transforming the way you practice architecture.

The era when Le Corbusier's Modulor—the perfect man—was the only one “allowed” to occupy our cities and architecture is long gone. Decades ago, it became clear that environments were being designed as ideological representations that failed to reflect actual demand and its rich diversity of social class, gender, race, age group, and sexual orientation, among other factors. Planning and design were often disguised as “neutral” concepts, while in reality they reproduced the perspective of a middle-class white man. Ultimately, the time has come for the city to move past this flawed assumption of universal appropriation and instead materialize in its spaces the specific needs of every citizen.

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Tactical urbanism is a type of urban intervention that has gained prominence and sparked widespread discussion in recent years. It is based on the premise that low-cost, small-scale civic actions can have a significant impact on the urban environment, improving its dynamics and people's daily lives. Yet, starting as localized, temporary, or small-scale interventions, once accepted and recognized, many of these initiatives have transcended their initial ambitions. They have become catalysts for broader urban processes, triggering new actions that involve other stakeholders, spheres, and even the public administration itself.

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The year was 1969. Lina Bo Bardi wandered through the São Paulo neighborhood of Bixiga, which at the time resembled a war zone. The clearings and piles of rubble were the result of a violent urbanization cutting through the region in the shape of São Paulo's East-West expressway complex.

Against this backdrop, Lina collected personal objects found in the debris, picking up "the most sordid items," as Zé Celso, director and creator of Teatro Oficina, stated in an interview. There was a clear reason for this undertaking: to compose the set for the play In the Jungle of Cities (Na selva das cidades), designed by the architect herself. In it, a stage shaped like a boxing ring was fashioned from the rubble of the demolitions taking place around the theater. The play was divided into 11 rounds, in each of which an institution is destroyed until the ring itself is demolished. At the end, the actors remove even the theater floor to reach the bare earth.

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Environmental issues have been the defining theme in architecture for several years now. The imminent scarcity of natural resources and growing awareness of the environmental damage caused by the construction industry have forced the profession to take a stand and develop solutions that mitigate its impact on the planet. While developing new technologies that enable more sustainable materials is essential, this impetus can—and must—originate at the very beginning of architectural practice: the design phase.

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