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It is eight in the morning, and the car's dashboard display reads 36°C on the streets of San Pedro Sula, Honduras. The sky is almost clear: an intense blue with a few bright, drifting clouds. The air conditioning in the cars—all with tinted windows—makes you forget that upon stepping out, the warm, humid air will immediately weigh on your shoulders and break a sweat.

Puerto Cortés on the Caribbean coast is too far away for a quick dip, but in the neighborhood of Armenta, the eponymous river flows almost silently down from the Sierra del Merendón, running from west to east through gray stones. On the northern bank, tall, leafy trees along the upper edge of the ravine shade a long, dry, and dusty plaza, while thick, exposed roots give texture to the ground. The sun is less punishing.

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Architects, designers, psychologists, and sociologists alike recognize that aesthetics and their underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful has the power to shift how people respond to their environment. Exploring the different meanings of aesthetics in architecture—from 'form follows function' to the new aesthetics of the metaverse—can help us understand the potential of our physical and virtual environments on the path toward a better world.

Much has been written on the subject, from Alberto Pérez-Gómez's Lo bello y lo justo en la arquitectura to Pablo Caldera's El fracaso de lo bello. However, we wanted to open the debate to our readers to share their views on what makes a building or a city beautiful.

After reading and compiling around 300 comments from construction professionals, students, and architecture enthusiasts alike, it was a pleasant surprise to find common ground regarding the importance of collective beauty, referencing both the urban and natural contexts.

“Reading for Life” is the name of the pavilion of the Mayor’s Office of Bogotá designed by Yemail Arquitectura for this latest edition of the Bogotá International Book Fair (FILBO). Welcoming over 30,000 visitors, the pavilion made a significant impact by presenting a narrative that allowed visitors to understand the Colombian capital from different perspectives. It took into account the city’s rural composition while proposing a future with a more organic connection, where the diversity of the neighborhood, water, air, land, and all the cities found in reading, community, and nature coexist in a single space.

This article by Jheisson Joseph Lasso Imbachi was originally published under the title "Habitar tras el destierro: Desplazamiento forzado y retorno como configurador de nuevos hábitats en el Putumayo" in the 30th issue of Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.05).

It explores migration processes in the south of the country, a consequence of extractive economies that have shaped territorial organization and caused exile, forced displacement, and two lesser-studied phenomena: the settlement and permanence of the population in a host territory and the return to their place of origin. To this end, documentary and testimonial sources were studied, analyzed, and interpreted, allowing a direct approach to the community displaced by violence, in order to analyze the diverse ways of living after displacement and conclude with some considerations for future rural housing proposals that are easily accessible to the victim population.

Below, we present it as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

During each edition of the Ibero-American Biennial of Architecture and Urbanism, the Ibero-American Prize for Architecture and Urbanism is awarded to landmark professional careers within the architectural and urban planning fields in Ibero-America. Aligned with the theme “Habitar al Margen” (Living on the Margins), the XII BIAU honors individuals who have made significant contributions to housing and urban habitability. These recipients serve as active agents of change through their connections with associations, collectives, communities, or political, academic, or social action groups, as well as their work in architectural dissemination, theory, and criticism that supports marginal practices, among other criteria.

The Provincial Preliminary Project Competition for the remodeling of Plaza Gral. Manuel Belgrano in the city of Villa Allende, Córdoba, Argentina, was organized by the Association of Architects of the Province of Córdoba (CAPC) and sponsored by the Argentine Federation of Architecture Entities (FADEA). As a binding competition, the Municipality of Villa Allende will contract the winning team to develop the project, which includes construction drawings, details, and technical specifications.

Darío Emmanuel López is an architect from the University of Buenos Aires and a technical advisor on building systems at the Ministry of Health (GCBA). He is also the co-founder and chief operating officer of the BIMCABA team—which coordinates the implementation of the BIM (Building Information Modeling) methodology across all ministries of the Government of the City of Buenos Aires, allowing departments that manage projects, public works, and built assets to work in a unified and efficient manner.

He is currently focused on sharing the BIM initiatives taking place within the Argentine government, helping inform students, architects, and engineers who want to know what happens behind closed doors in the public sector and these "BIM Ministries." To that end, this interview with Darío Emmanuel López details how building information modeling is being implemented within the government of the City of Buenos Aires.

From April 21 to June 19, the PUCP Architecture Archive presents “José García Bryce: Recollections for a History of Peruvian Architecture” at the PUCP Cultural Center. This exhibition approaches the work of Peruvian architect José García Bryce through seven of his creations, arranged in a chronological narrative that offers insight into the evolution of his thought.

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As part of the programming for Mexico City Art Week, CAPITALES presents its fifth exhibition, titled "Objetos Arquitectónicos" ("Architectural Objects"), from February 8 to 13, 2022, at Frontera 88, Roma Norte. Produced in collaboration with Manada Architectural Boundaries, the exhibition features 27 studios, including Alejandro Tapia, Ariel Rojo, Blanca Arcos, Carlos Bedoya, Carlos Candia, Carlos Torre Hütt, Chuen Mx, Déjate Querer, Dosa Studio, EDAA, Enrique Rosas, Estudio Atemporal, Fernando Polidura, Jimena Hogrebe, Julia Reyes Retana C, Lanza Atelier, Lupe Toys, María Santibáñez, Martacarmela, Onnis Luque, PRODUCTORA, PLECA, Rafael Rodríguez, Roberto Michelsen, Unidad de Protocolos, and Vera Primavera.

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One of the defining features of cities is their undeniable capacity to bring together creative talent through multiculturalism and transdisciplinarity. Today, it is increasingly vital to generate spaces and platforms within these urban environments that serve as creative laboratories—places not only to share but, above all, to reflect on contemporary practice, viewing design not as a decontextualized entity, but as an integrated concept that bridges diverse disciplines.

This November, REDBAAL will mark its first decade of activity, a milestone celebrated alongside four editions of the Oscar Niemeyer Award for Latin American Architecture (ON Award). Over these years, more than 350 projects have been submitted, all of which share the distinction of having been previously recognized at the most prestigious architectural biennials across Latin America.

Anderson Marín Vidal and Juan Sebastián García, from the research group on Sustainable and Applied Emerging Technologies (T.E.S.A.), present an analysis of the primary impacts expected from the designs for the Río Molino Waterfront (Malecón del Río Molino). Created by the architecture firm Celeste & Piedra, the project won first place in a competition organized by the Mayor's Office of Popayán and Findeter.

The TAC! Urban Architecture Festival is an initiative led by the General Directorate for Urban Agenda and Architecture of the Ministry of Transport, Mobility, and Urban Agenda (MITMA), in collaboration with the Arquia Foundation. It is aimed at young architects to design and build a temporary pavilion that will host exhibitions, meetings, and activities.

Earlier this year, the Ministry of Cultures, Arts, and Heritage, through the National Cultural Heritage Service (SNPC), launched the bidding process for the design of the Valparaíso Regional Archive. The future building not only aims to preserve historical documents and collections and promote research and access to information, but also represents a major opportunity to value and reactivate the ruins of the historic Palacio Subercaseaux in Valparaíso's Barrio Puerto, Chile. 

Following an evaluation of the 13 accepted bids, the winning proposal was submitted by architects Cecilia Puga, Paula Velasco, and their team. Their design defends and protects the urban profile, showing us how to connect the new with the old. Below, discover the winning project in detail, along with the other awarded entries.

How can we analyze the environmental impact of buildings? What strategies could be developed to improve people's quality of life and achieve a harmonious relationship with the environment? Year after year, more questions are added to the design decision-making process of thousands of architects around the world. They seek to take action and implement policies that improve the environmental performance of their buildings, reducing energy and resource consumption while also lowering greenhouse gas emissions and waste production.

In the midst of today's information age, several Latin American architecture firms are returning to analog formats, ranging from fanzines and illustrations to manuals and postcards.

Against the backdrop of the Taller Social Latinoamericano in Colombia, we spoke with the firms Ruta 4 Taller (Colombia), Coonvite (Colombia), La Cabina de la Curiosidad (Ecuador), and República Portátil (Chile)—all of whom have, coincidentally, explored these formats in their recent work.

More than a trend, industrialization is a necessity in the construction industry. In recent years, we have witnessed its importance in increasing productivity and speed of execution—as well as reducing waste—in architectural projects. Beyond streamlining construction processes, this serial, mechanical, and standardized production increases quality and shortens delivery times. If initial project decisions incorporate the modulation of the various stages that can be industrialized within vertical and horizontal parameters, the outcome is much more efficient than if these are evaluated during construction (when it is no longer possible to reduce waste through modulation). Furthermore, by minimizing waste and reducing the consumption of energy and water resources, it also contributes to a more sustainable industry.

Architects and designers, as well as psychologists and sociologists, recognize that aesthetics and its underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful holds the powerful potential to alter how people respond to their environment.

Exploring the different meanings of aesthetics in architecture, from 'form follows function' to the aesthetics of the metaverse, can help us understand the potential of our physical and virtual environments on the path toward a better world.

Much has been written on the subject, from Alberto Pérez-Gómez's "The Beautiful and the Just in Architecture" to Pablo Caldera's "The Failure of Beauty." Now, however, we want to open up the debate and invite you, our readers, to share your perspectives on what makes a building or a city beautiful.

Share your thoughts in the form below. Selected responses will be published in an upcoming article.

In 2019, the Governing Council of the URJC (Universidad Rey Juan Carlos) approved an infrastructure plan to remodel several of the university's campus buildings, including the classroom and departmental building on the Madrid-Vicálvaro Campus. This led to an agreement with the COAM (Official Association of Architects of Madrid) to organize an ideas competition to select the final design for the building, which was launched in February 2022.

In the district of Miraflores, the tourist heart of Lima (the capital of Peru), the San Ramón Gastronomic Market opened in December 2021. It is located on the boulevard of the same name, in the picturesque district's well-known former Calle de las Pizzas. Open to the public, the project by the firm Arquitectura Verde aims to promote the enjoyment and awareness of the wide variety and richness of Peruvian gastronomy.

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Through the construction of a narrative fiction, this work by Federico Lagomarsino, framed around the landscape, aims to depict everything that unfolds in contemporary society when a singular event occurs—in this case, the impact of the two largest meteorites detected to date in South America.

"I'm an architect... now what?" must be one of the most common questions for any recent graduate with an architecture degree in hand. Over the years, many will find jobs in different industries that do not necessarily involve working in an office designing and constructing buildings.

Rodrigo Lagos Vergara and Macarena Paz Barrientos Díaz originally published the article titled "Architecture Education in Chile, 1999-2019: Ecological Potential and Collective Political Meaning of Design Practices" in Revista [i2]: Investigación e Innovación en Arquitectura y Territorio, from the Department of Graphic Expression, Composition, and Architectural Projects of the Universidad de Alicante, on January 1, 2022.

Below, they present some of the most important points of their publication: three pedagogical actions in Chile that understand teaching as a central practice through the academic exercise of the design project.

To promote Peruvian modern architecture internationally, the exhibition of the “Modern Movement Architecture Catalog of Peru (CAMMP)” opened on March 31 at the headquarters of the Official Association of Architects of Madrid (COAM) in Spain. The research, conducted by architects Alejandra Acevedo and Michelle Llona, was supported by the Architecture Program at the University of Lima and the Scientific Research Institute (IDIC), and will be open to the public until April 30 of this year.