In Asunção, Paraguay, the XI Ibero-American Biennial of Architecture and Urbanism announced today the winners of the Panorama of Works section for this edition of the event, "all faithful to the spirit of the XI BIAU: inhabiting, the inhabitant," according to the organizers.

Out of 997 projects in Latin America, 17 architectural works—predominantly for collective use—built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay, and Venezuela were awarded.

A common choice for commercial and corporate buildings, mirrored facades often evoke mixed feelings among architects, frequently leaning toward the negative. There is no shortage of arguments against them, and they generally hold merit—citing everything from the decline of modern architecture and the homogenization of its glass facades to climate concerns and a disregard for local context reflected in these surfaces.

Contemporary architectural production in São Paulo is as diverse as one would expect from one of the most populous cities in the world. While architecture also encompasses the outcomes of urban disorder and population growth — buildings born out of the necessity of people who, with scarce resources, build their own homes — architectural discourse often focuses on production whose genesis lies in deliberate design.

The CAU/BR is studying new rules for issuing Technical Responsibility Records (RRT) and Technical Collection Certificates (CAT) by architects and urban planners. The Professional Practice Commission, which is presenting the proposal to the public, aims to improve the registration system to protect both architects and their clients regarding the technical responsibility of architecture and urbanism services.

More than 600 million people lack access to clean drinking water. Droughts affect over 35 million every year. And by 2050, 1.3 billion people will live in flood-prone areas. Many believe that building dams, water treatment plants, and other built infrastructure are the only solutions to these challenges—but that is only because the many benefits of natural (or green) infrastructure have not been considered.

The year 1932 is a milestone in the history of Céará. One of the worst droughts ever recorded devastated the sertão, leading to scenes already immortalized in classics of Brazilian literature—such as Vidas Secas by Graciliano Ramos and O Quinze by Rachel de Queiroz: drought refugees forced to leave their homes to escape hunger and misery.

In highly urbanized areas, high land costs and competition for access to urban infrastructure make semi-detached buildings a common sight, particularly in residential zones. Almost always built along an axis of symmetry, they form pairs or rows of multiple homes which, besides lowering construction and design costs, optimize land use.

Here, we select ten Brazilian semi-detached houses that showcase different design strategies for addressing urban constraints.

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In April, UMAPaz is offering a course aimed at individuals who want to learn more about sustainability applied to architecture and construction projects, including small renovations. With an introductory approach, it seeks to clarify concepts of sustainable construction for anyone interested in the topic, without requiring prior knowledge.

One of the most distinctive features of Padua’s urban structure is its network of porticos and covered galleries, which organize pathways and open up to define plazas—public spaces for community gathering.

Projects working to preserve and promote Brazilian Cultural Heritage can now access the official guidelines to participate in this year's Rodrigo Melo Franco de Andrade Award. Globally recognized for its cultural diversity, Brazil is a country whose identity reflects the influence of various groups that helped shape Brazilian society. For 32 years, the Rodrigo Award, organized by the National Institute of Historic and Artistic Heritage (Iphan), has encouraged and recognized those who work to preserve the country's cultural assets.

Applications are now open for the 6th Instituto Tomie Ohtake AkzoNobel Architecture Prize. The initiative continues to map contemporary architectural production by highlighting, for the sixth consecutive year, significant projects built in the current Brazilian landscape that demonstrate a commitment to their site and sustainability, as well as design and constructive inventiveness. 

Photographer Manuel Sá shared with us his photo essay of the Coati Restaurant, designed in 1987 by Lina Bo Bardi, João Filgueiras Lima - Lelé (precast reinforced mortar), Marcelo Ferraz, and Marcelo Suzuki. The complete complex—comprising a restaurant, a bar, and three historic houses slated to be converted into nine apartments with ground-floor commercial space—is located in Salvador's Pelourinho district and is part of the Pilot Project for the Recovery Plan of the Historic Center of Bahia, proposed by Lina. Unfortunately, the restaurant is currently abandoned and falling into ruin, as is the rest of the complex.

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An open lecture on architect Paulo Mendes da Rocha and the Brazil Pavilion at Expo ’70 Osaka, as part of the exhibition "Architecture of Exception – The Brazil Pavilion at Expo ’70 Osaka." Exhibition curators José Paulo Gouvêa and Alexandre Benoit invite FAUUSP professor Guilherme Wisnik and Daniele Pisani, professor at Politecnico di Milano and author of the book Paulo Mendes da Rocha: Complete Works (Gustavo Gili, 2002).

One of Italy's most important culinary hubs, Bologna is aiming to encourage its residents to adopt cycling, public transit, or simply walking as their primary means of transportation—leaving their cars at home. To achieve this, the city has launched an incentive program. 

Led by the Portuguese duo Isabel Ruas and Gonçalo Ruas, the studio Oficina de Mosaicos will create a mosaic reinterpretation of the work War and Peace, the monumental panel painted by Candido Portinari and donated to the UN in 1956. The piece will be permanently displayed at the USP campus in Butantã. The project has the support of the artist's son, João Portinari, and is currently in its fundraising phase.

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Discovering the stories behind architectural projects and urban interventions is the premise of ARQ.DOC, a new series set to premiere in January 2019 on YouTube. Produced in a documentary format, the episodes explore the creative diversity of Brazilian architecture.

On October 19, a workshop on implementing an ecological sanitation system will be held. The event will take place in São Paulo's South Zone and is open to anyone interested. The workshop is organized by the social-environmental project cooperative Sapiência Ambiental in partnership with the UFABC Agroecology Center.

The urban public space between two architectural masses is defined as a street. It is where we establish the relationship between motorized vehicles, non-motorized transport, and pedestrians. In managing this relationship, public space requires a series of systems to guarantee active occupancy, in addition to infrastructure and safety. Consequently, the proper design of roadways and their immediate public surroundings becomes essential. Beyond what meets the eye, water, gas, electricity, and telecommunications networks are laid out beneath our feet, completely unnoticed.

These river journeys are intended for on-site research, documentation, and data collection focusing on rivers. They are conducted by researchers from the Fluvial Metropolis Group of the Faculty of Architecture and Urbanism at the University of São Paulo (FAUUSP), coordinated by Professor Alexandre Delijaicov. Each researcher maps out their itinerary based on personal interests, yet shares a common goal: to gather design references for fluvial infrastructure architecture, expanding the research group's imaginary and repertoire. The driving question for the researchers is: how do people relate to the river waters flowing through their metropolises, cities, or towns within the built environment along the riverbanks? The boundary defined by the elements of land and water is the starting point for this observation.

Do you like podcasts? We recently partnered with ArquiCast, an excellent Portuguese-language podcast on Architecture and Urbanism hosted by Adilson Amaral, Aline Cruz, and Raphael Rodrigues. For those who don't know, a podcast is a type of audio program periodically updated by creators via RSS (Really Simple Syndication) technology for blogs. Check out some of the episodes they have already recorded discussing articles published on ArchDaily.

A new law scheduled for approval by the end of the first half of 2019, set to take effect by decree in 2020, is expected to establish guidelines and objectives for solar energy use in the city of São Paulo. Regulations from Palmas, in the Brazilian state of Tocantins, and California, in the United States, served as benchmarks to technically develop a bill tailored to the city's needs.

Places are physical spaces imbued with cultural significance, to which values are assigned. In Brazil, the term was permanently integrated into the heritage vocabulary in 2000, following Decree No. 3,551—which established the four Registry Books, including the Registry of Places—and the implementation of the National Inventory of Cultural References. Within this framework, Place is, therefore, a category for classifying cultural assets.

Economic and urban processes are known to drive major modifications in the urban structure. In light of the events of January 25, 2019, with the collapse of the Brumadinho dam, it is clear that environmental negligence by major mining corporations also has the power to produce profound consequences and alter the ways in which people inhabit and utilize the territory.

Metropolis is a word derived from the Greek metropolis, a combination of meter (mother or womb) and polis (city). Thus, the metropolis is the mother city, the most important within a context where several interconnected cities depend on one another to fully function. In most cases, metropolises feature conurbations of multiple urban clusters.