Through the book “Nuestras Arquitectas. Re-mapeo y nuevas cartografías. Buenos Aires 1”, Dr. Architect Inés Moisset and Specialist Architect Carolina Quiroga propose a critical reflection on the contributions of women to the history of Argentine architecture, aiming to develop new cartographies grounded in approaches of equity and inclusion.

Although we typically associate their presence with playgrounds in parks, gardens, or schools, the swing or hammock—the terminology varies by region—is an element that can also function as complementary furniture in architectural projects with highly diverse programs, such as bars, restaurants, homes, and even offices and coworking spaces. These elements introduce movement and dynamism, creating interactive spaces that allow for a playful and unusual appropriation of architecture—one that fosters not only play, but also leisure and rest.  Suspended by tension-bearing elements—such as cables, chains, ropes, or solid bars—and anchored to ceilings, walls, beams, or dedicated structural supports designed to prevent overloading, these elements can completely redefine an interior or semi-covered space. In doing so, they provide a stimulus for play while also offering a place for relaxation and moments of quiet contemplation.

The following article, written by architect Marta Devia (National University of Colombia), a member of the Advisory Committee of the Leopoldo Rother Architecture Museum, presents the biography of the namesake Polish-born, naturalized Colombian architect. From 1996 to 2004, she served as director of the museum named in honor of the architect who profoundly shaped the Colombian scene during the first half of the 20th century—an influence best exemplified by the University City (Ciudad Universitaria) of the National University of Colombia.

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Rojkind Arquitectos + AmasA Estudio present a new project on a site named "Tres Cerritos" in Valle de Guadalupe, part of the wine route in the Francisco Zarco district of Ensenada, Baja California. The project arises from an understanding of nature's value and its historical use as a sanctuary and refuge, creating a hospitality concept that reconnects the visitor with the environment.

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The “Xico-Parque Sur 23” project by the Mexican firm All Arquitectura grew out of the success of “Cancha La Doce,” which was developed in collaboration with love.fútbol and sponsored by the Pincus Family Foundation. Drawing on insights gained from previous projects on-site, the design and research process built upon an existing understanding of local needs and opportunities.

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As part of an initiative by Infonavit to drive the recovery of three neighborhood parks in the city of Tuxtla Gutiérrez, Chiapas—“San Juan,” “Las Torres,” and “Canteras”—these housing developments lacked efficient infrastructure, resulting in a deteriorated urban image, high crime rates, and a complete lack of community ownership over public spaces. In response, T+E Arquitectos and Fracciona Arquitectura joined forces to transform these spaces, addressing the distinct requirements of each site.

When choosing the structural system for a house, several priority factors dictate the decision, with time and money being two of the most critical. While steel structures may not always be the most economical option, their prefabrication significantly accelerates construction times and, consequently, optimizes the overall budget. Moreover, they contribute to the project's aesthetic, providing lightness and a contemporary character.

The stigma of rudimentary architecture, combined with the idealization of high-tech technology, relegates Indigenous building knowledge to a prehistoric imaginary. This pattern, which points to a single, unequivocal direction of progress, reveals the so-called coloniality of knowledge—a concept by Peruvian sociologist Aníbal Quijano that exposes the hidden side of modernity: the creation of hierarchies among peoples, keeping Latin America, and particularly its Indigenous populations, in a subaltern position. In other words, we tend to assume that the knowledge representing the future is produced in other lands, namely the Global North.

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One of the most important factors in design is the site's specific climate. This can pose a challenge in extreme weather, where insulating materials are required to adapt to changing conditions. However, in the case of Mexico and its privileged climate, this factor works to the architects' advantage, allowing them to create microclimates and spaces that blur the transition between indoors and outdoors.

"Las Tres Esperanzas [The Three Hopes] are three constructive actions that make up the educational space where not only children and adolescents were and are shaped, but where we also formed ourselves as architects." These engaging opening words already reveal a journey which, as the result of a sequence, demonstrates that the threads of events are too complex to weave and understand from a single point of view.

For this reason, the sequence of diverse perspectives organized in this new book presented by Al Borde is so significant. It highlights not only a process—and a series of parallel events—but the singularity of a construction. It stands as testament to both the complexity, timeline, and unforeseen events, and the collaborative efforts, learning, and lessons that come with creating a work of architecture.

In the daily routine of our conventional workday, we are influenced by many distractions that affect productivity, which have already become routine. However, now that we no longer lose time commuting and are restricted to activities we can do at home, we manage our time with more holistic priorities.

The Bogotá-based firm 57Uno focuses its practice on sustainability and has now channeled its creativity toward resilience and adaptability through Arquitectura en Tránsito (Architecture in Transit). This proposal aims to address the health emergency caused by COVID-19 by repurposing decommissioned buses from one of the primary contributors to poor air quality in the Colombian capital.

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Social housing is one of the most compelling topics for our readers, representing a systemic challenge across most of Latin America. In Colombia, this challenge is even greater when it comes to rural social housing (known as VISR in Spanish), as inadequate infrastructure hinders dignified coverage throughout the country.

Originally published as "Caminando hacia la descolonización urbano-arquitectónica" in the third edition of Revista CLEA—an annual publication of the Coordinadora Latinoamericana de Estudiantes de Arquitectura (CLEA)—this article presents an introduction to the decolonization of spaces as a political, social, and methodological critique of the territorial, urban, and architectural praxis that has become established in our cities.

This article is part of a collaboration with the website coolhuntermx. It was originally published on February 2, 2020, under the title "Un parque moderno para Guadalajara" and written by David Lozano Díaz.

In 1971, architect Fernando González Gortázar, at 29 years of age, was commissioned to build González Gallo Park. This commission served a dual purpose: to commemorate the late former governor José de Jesús González Gallo and to provide a substantial new public space for the developing neighborhoods in eastern Guadalajara.

Stilt settlements have existed throughout the world wherever populations sustain their lives through constant interaction with water. In Colombia, the settlements of the Ciénaga Grande de Santa Marta, in the department of Magdalena, are a local benchmark that has endured since pre-Hispanic times. Today, these are informal dwellings, unrecognized in the official land registry. The Pontificia Universidad Javeriana and AGRA have shared their research, compiled in a book that supports the documented formalization of these dwellings using architectural representation standards, specifically by identifying the typologies of Nueva Venecia.

The Terra Preta Cidade collective is a space created from the desire of five Black women living in Salvador, São Paulo, Rio de Janeiro, and Belo Horizonte to bypass geographical distance in order to promote and celebrate coming together. Emmily Leandro, Gabriela Gaia, Luciana Mayrink, Malu de Barros, and Natalia Alves give shape and voice to this exercise of creating a shared virtual territory—which is as much a political statement as an aesthetic one—through the podcast Des-embranquecendo a Cidade, which reaches its fourth episode with the theme: "Boiling Territory — Permanent Steadfastness."

This article is a contribution from the Medellín-based firm El Taller de Arquitectos, who share their experience in structuring their practice by understanding and approaching architecture competitions as commissioned projects. Read on to explore their insights.

Recent floods in Belo Horizonte and other cities in Minas Gerais have alarmed residents. Videos showing the force of the torrents dragging cars and toppling structures shocked the entire country. This state of emergency was not confined to Minas Gerais. Much of the Southeast faced heavy rains, causing widespread disruption. In Espírito Santo, for instance, more than 5,000 people were forced to leave their homes, while São Paulo was placed on high alert for flooding. Meanwhile, in Rio de Janeiro, an algae bloom in water sources led to the opposite extreme: a water crisis triggered by the poor quality of the water reaching people's taps.

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Located on the Mexican border as the southern gateway to the United States, Ciudad Juárez encompasses a territory that blends multiculturalism, migration, and resilience. Together, these elements form a phenomenon of hybrid roots that, over decades, has shaped “border culture.”

Countries with a predominantly tropical or equatorial climate, such as Brazil, allow homes to foster a more fluid relationship between the indoors and outdoors, with little to no need, across most of the country, for architectural features that restrict this connection to retain heat. In regions marked by warmer temperatures, integrating indoor and outdoor spaces is particularly beneficial, promoting greater natural ventilation and daylighting within the home, alongside its inherent aesthetic appeal.

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Against the backdrop of Chile's ongoing social crisis, Radio Zero's program *Santiago Adicto* featured an insightful conversation in which architect Cristián Fernández shares his perspective on what the Gabriela Mistral Cultural Center (GAM) represents today for the city of Santiago.

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As part of the cultural programming of the Mexico City-based art gallery, MASA presents the exhibition Recover / Uncover, a space featuring unique and limited-edition pieces by designers and artists whose work seeks to challenge labels. In doing so, MASA celebrates contradiction as a reflection of an ongoing process of self-definition and evolution over time, presenting objects as tools for life and contemplation.

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In early October, a new space opened in Mexico City under the name Design House at Público Coworking, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past ten years, Design House has presented cutting-edge concepts from more than one hundred participating firms across various venues, collaborating with showrooms on the Design Route (Ruta del Diseño) that provide the pieces and accessories featured in the diverse installations.

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Currently, most global citizens have been directed into lockdown due to COVID-19. After spending more than two months under these circumstances, two broad reflections emerge—regardless of the personal challenges faced by each household. The first is that we might adapt and live in relative harmony within our living spaces; the second is that our living space may not be adequate for our comfort. We will delve into this second point to empathize with vulnerable populations who choose to abandon their lives in one place to migrate toward better opportunities, and to examine how architecture addresses—or fails to address—the migration emergency.