Architecture News

On the morning of March 10, 2018 (Beijing time), at the 2018 Civic Trust Awards ceremony held at Manchester's iconic Old Trafford stadium (home of Manchester United), OPEN's completed project, the “Tsinghua Ocean Center,” was honored with a Civic Trust Award!

Established in the UK in 1959, this prestigious award is highly regarded, because it recognizes not only outstanding project design but also its value to the public. From urban planning to public art, the awards consider the built environment within a broader context, driven by the belief that design must serve its users.

Alongside Tiê, an adventurous capybara, Lina sets off on a journey through ten public spaces around the world – such as the High Line in New York or Paulista Avenue in São Paulo – to discover the secrets of how cities are built. The two are the main characters of the book Casacadabra – Cidades para Brincar (Cities to Play), a new release from Pistache Editorial, which launches its crowdfunding campaign on April 16 on Catarse. The book features text by Bianca Antunes and Simone Sayegh, with illustrations by Luísa Amoroso. This is the second title in the Casacadabra series – the first, titled Invenções para morar (Inventions for Living), presented the architecture of ten houses around the world.

As you know, ArchDaily has joined forces with Spotify, the world's largest music streaming platform. From the start, we have been sharing our own playlists for those moments in the lives of all architects. We have also invited architects from Latin America and Spain to share the music that inspires them, or better yet, the sounds that have shaped their careers.

In this installment of ArchDaily en Español + Spotify, we share an ad hoc playlist to close out the year: Fiesta para Arquitectos. A constantly updated playlist to get the party started... while you edit your plans.

Yesterday, June 13, marked the opening of the 5th International Congress of Architecture and Society, an event presided over by King Felipe VI for the second consecutive edition. The President of the Government of Navarra, Uxue Barkos, and the Minister of Development, José Luis Ábalos, also participated in the official opening.

Architect Francisco Mangado was responsible for opening the event, which in its fifth edition will focus on cities and the challenges architecture faces in addressing urban demands. The architect from Navarra stated that “Architecture is not an isolated event of personal preferences; it is a profoundly cultural and social act, linked to the city as a reality that belongs to the common good,” adding that “the quality of architecture and the city is not a luxury, it is a right for all citizens.”

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The Council of the International Union of Architects (UIA), meeting in Oaxaca, Mexico, unanimously approved on May 18 the nomination of the city of Rio de Janeiro as the UIA/UNESCO World Capital of Architecture for 2020. Securing this title is part of the program proposed by the City of Rio, with support from the Institute of Architects of Brazil (IAB), for 2020, when the city will host the 27th World Congress of Architects.

Last month, the Mies Crown Hall Americas Prize (MCHAP) announced the four finalists for the MCHAP.emerging award: the Maria Montessori Mazatlan School by EPArquitectos and Estudio Macías Peredo, the Children Village by Rosenbaum and Aleph Zero, the Embodied Computation LAB by David Benjamin, and Common Unity by Rozana Montiel Estudio de Arquitectura.

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Kiosko, the Alumnos47 initiative that explores publications outside of publishing, now has a winning design for its pavilion. Following the launch of the open call last year, forty-nine proposals were received from different states across Mexico, as well as one from abroad. After a lengthy and rigorous deliberation, the jury—composed of Chus Martínez, Daniel Garza Usabiaga, Tiago Pinto de Calvalho, and Fermín Espinosa—awarded an honorable mention and selected five finalists, from which a winner was chosen.

Invited by the organizers of UIA2020Rio, architect Paulo Mendes da Rocha will chair the Honorary Committee of the World Congress of the International Union of Architects, which will take place in two years in Rio de Janeiro under the theme "All worlds. Just one world. Architecture 21."

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Museo Jumex presents 'Proposals for a Plaza,' a collaborative project by artists Fritz Haeg (United States, 1969) and Nils Norman (United Kingdom, 1966). This temporary installation, commissioned as part of the series 'Agora: A Blueprint for Utopia,' will invite the public to imagine and participate in an alternative vision of the museum's plaza.

Inspired by the outdoor spaces of Mexico City, the project draws elements from public parks and the wildlife areas surrounding the city, while also integrating informal uses of open space. It features seating and sleeping areas, a kiosk, a fire pit, bleachers, and outdoor spaces designed for contemplation, gathering, resting, and play.

With the aim of promoting the care and recognition of cultural heritage, the Cultural Heritage Law Research Group of the Federal University of Ouro Preto (UFOP), the Technical Office of the National Institute of Historic and Artistic Heritage (Iphan) in Ouro Preto (MG), and the Public Ministry of Minas Gerais (MP-MG) have developed the Manual for Residents of Heritage-Listed Houses.

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It is our duty to place human dignity at the center of the reconstruction process.
- Telar Social México

On September 19, 2017, Mexico experienced one of the strongest earthquakes in its history. Measuring 7.1 on the Richter scale, it left more than 369 casualties and 150,000 homes destroyed across five states, with Oaxaca, Morelos, the State of Mexico, and Guerrero being the hardest hit.    

Ecatzingo, located southwest of the Popocatépetl Volcano in the State of Mexico, remains one of the municipalities most severely damaged by the earthquake, where 1,587 affected homes—601 of them uninhabitable—left entire families homeless. 

On October 13, the 2018 Archmarathon Awards concluded their fifth edition in Milan. Held at the impressive Palazzo Mezzanotte from October 11 to 13, 2018, the event featured 55 architecture and interior design projects across 16 categories, submitted by 55 studios from 23 countries and four continents. Selected by a prestigious international jury, the 55 firms were invited to present their projects to a large audience of architects, developers, and designers from around the world.

During the ceremony, the winners of each of the 16 categories and two overall winners—one for architecture and one for interior design—were announced. The selection was made by a main jury chaired by Luca Molinari, Gary Chang, Lesley Lokko, and Mexican architect Rozana Montiel, along with a guest jury comprising Massimiliano Cecconi, Cherubino Gambardella, and Evgeniya Murinets. Read on to discover the final winners in both categories.

The close relationship between architecture and landscape in Latin America is undeniable. This is due not only to the region's geographical, climatic, and ecological diversity, but also to how these countries have built and shaped their cities amidst progress and setbacks. Among these ongoing achievements is a growing respect for the landscape, an architectural language tailored to its context, and solutions designed for its diverse climates.

For this selection, we have chosen 10 projects in Colombia that have successfully adapted to their landscape, both in form and construction, across both urban and rural contexts.

On September 12, Arq.Futuro and Insper will host the 2018 edition of the Arq.Futuro International Seminar - The City and the Water. As in previous editions, the event will present the Brazilian public with iconic success stories in the restoration of urban waterways and their surroundings. For this year's seminar, three cases were selected that stand out both for their urban quality and their explicit purpose of combating different forms of urban exclusion.

Videos

Alcalá Street was filled with light last Christmas thanks to the installation designed by the architecture studio Brut Deluxe and led by Ben Busche, commissioned by the City of Madrid. 

Buenos Aires, 2018. Population? Almost 3 million. High-speed maglev trains? Zero. Skyscrapers interconnected by railways? Zero. DeLoreans flying through the air? Unfortunately, zero. Transportation innovations? The Metrobus and bike lanes. In urban terms, the city seems not to have progressed at the pace once imagined.

There was blind faith in the future—a future where anything was possible, the sky was not the limit, and people could move freely above the clouds along a network of pathways connecting towering high-rises. What happened? To find out, we must travel back in time. To the past, to be precise.

On January 13, 1943, New Yorkers—and, indeed, architects worldwide—were introduced to Brazilian architecture. Brazil builds : architecture new and old, 1652-1942 was an exhibition organized by MoMA (the Museum of Modern Art) showcasing the architecture produced in Brazil, not only at that moment but since the mid-17th century.

As part of The New York Times' documentary series "En los ojos de México" –where six filmmakers present a perspective on their country– Santiago Arau and Diego Rabasa present "Ciudad Herida" (Wounded City), a chronicle of the 2017 earthquake in central Mexico. Through drone footage, the film captures the strength and resilience shown during a moment of crisis.