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Antonio Lamela's Torres Colón is "an unprotected Madrid icon set to change completely." The twin buildings by the Spanish architect—who also designed the renovation of the Santiago Bernabéu stadium and Terminal 4 of the Madrid-Barajas Airport alongside Richard Rogers—will undergo a renovation that adds four new floors and a new facade by 2022.
As part of the cultural program of the Abierto Mexicano de Diseño, which opened in October 2019, the Franz Mayer Museum and Nouvel present InVisible: Glass Design, an exhibition featuring over 500 pieces that offers a focused look at the technical, formal, and stylistic possibilities of glass, one of the most fascinating materials. The exhibition features pieces conceptualized by artists such as Jan Hendrix, Perla Valtierra, Edgar Orlaineta, Julie Richoz, Mauricio Lara, Brian Thoreen, and Frida Escobedo, among other prominent designers.
The Latin American Coordinator of Architecture Students (CLEA Latinoamérica) has confirmed on social media that the 2020 edition of the Latin American Social Workshop (TSL) will be held in San Felipe del Progreso, Mexico.
At first glance, the title of this article might seem difficult to grasp, given that the vast number of visitors to this prominent city—the country’s primary tourist destination—are active walkers and urban catalysts. Why then the demand for a city designed for people? Those who do not just pass through, but actually live there, understand this reality best. Cars are increasingly being prioritized over pedestrians, threatening and endangering the city, its conservation, and its heritage.
I remember experiencing the magic of walking there amid drizzle, stone-paved streets, narrow alleys, colonnades, and cathedrals. It must be one of the most unique places in the world, where walking is a mystical and immersive experience.
Cusco is the historical capital of Peru, declared a UNESCO World Heritage Site in 1983. It was once the capital of the Inca Empire and later one of the most important cities of the Viceroyalty. It preserves a vast number of monuments from those eras, reflected in its churches, palaces, and plazas. The Plaza Mayor, majestically flanked by two cathedrals, is one of its main draws due to its centrality, architecture, and cultural activity, drawing large crowds—but also heavy vehicle traffic. This is the crux of the debate: Should it be pedestrianized? What is the current state of urban mobility?
Just two months ago, the final phase of Parque de la Estación was inaugurated in Buenos Aires, a project that reclaimed underutilized land at the Sarmiento Railway's 11 de Septiembre station to create a public park. One of the most significant aspects of this urban revitalization project was the active role citizens played in the design and planning process, serving as a clear example of how public participation and co-creation can be powerful tools for designing high-quality public spaces that provide real solutions for local residents.
On June 5, 2019, the College of Architects of the State of Oaxaca, a member of the Federation of Architects of the Mexican Republic (FCARM), officially launched the call for entries for the First Oaxacan Architecture Biennale 2019. The initiative aimed to showcase and promote architecture developed within the state, elevating Oaxacan architecture to a national stage. For this inaugural edition, the jury consisted of architects Aldo Paul Ortega Molina, Victor Sánchez Ruz, Prometeo Alejandro Sánchez Islas, Miquel Adriá, and Andrea Griborio.
The Architecture MasterPrize celebrates the best in design excellence and innovation in architectural, interior, and landscape design. The award program is dedicated to showcasing and promoting exceptional talent, and highlighting the value of the art and science of architecture in enriching our lives. A jury of esteemed architects, industry professionals, and academics evaluates entries across 41 categories in the disciplines of architecture, interior design, and landscape design. The AMP honors and rewards the talents of those who push boundaries and set new standards, turning the ordinary into the truly extraordinary and inspiring others today and for generations to come.
In the middle of last year, media outlets and social networks erupted: the debate over Rafael Viñoly's project for the San Rafael Hotel in Punta del Este, Uruguay, had begun.
On November 27, four major works of brutalist architecture in Argentina were declared "National Historic Monuments" four: the Mariano Moreno National Library, the Manuel Belgrano School of Commerce, the 6 de Julio Municipal Palace, and the School of Architecture at the University of Mendoza. These buildings, considered outstanding examples of brutalist architecture, will be protected under Decree 791/2019, which establishes that they cannot be modified, sold, encumbered, or alienated, nor can their facades be altered without the prior intervention of the National Commission of Monuments, Museums, and Historic Places.
Under the theme “The Rhythm That Connects the Future,” the Colombian government, in partnership with the country's public and private sectors, will participate in the global collaboration and business platform Expo Dubai 2020. The nation's pavilion was designed by Pacheco Estudio de Arquitectura in collaboration with the creative agency Buen Tipo Anchor.
Iconoclast, painter, musician, photographer, visionary, genius… and architect. Fernando Higueras [Madrid, 1930-2008] left his mark on the history of Spanish architecture in an emotional way, showcasing architecture in its most essential quality.
Born in Madrid on November 26, 1930, Fernando Higueras was, like many others, a key exponent of late architectural modernism in 1960s Spain. Far from being merely novel or exceptional, his approach reiterated the timeless lesson of the creative process: talent and grace were not enough; they had to be accompanied by immense perseverance and, above all, passion.
Argigram is a project that explores the possibilities of developing a local version of the future, presented as an exhibition from July 23 to September 8 at the Mar del Plata Museum of Contemporary Art (MAR). Curated by Martin Huberman, the exhibition focused on the production of nine cities for the 2050-2100 period, where various architects from Argentina had the opportunity to study and test territorial relationships, aesthetic tensions, and cultural developments to reclaim the creative and cultural sovereignty of Argentina's future.
As part of the Museo Jumex’s fall programming in Mexico City, internationally acclaimed artist James Turrell will illuminate two of its galleries with immersive installations from his new body of work—one of the most significant series of his career—which engages viewers with the limits of human perception. These two installations will offer contrasting experiences, transforming the spaces to blur the boundaries of the horizon in both light and darkness.
As part of Design Week Mexico 2019, Diez Company opened Maison Diez Company to the public. Led by Rodrigo Fernández, this dedicated design and lighting project brings together various elements to create an environment centered on illumination. This unique project in Mexico returns with a renewed concept, showcasing new proposals in a house in the Juárez neighborhood, aimed at those who enjoy architecture, design, hospitality, and construction.
For the third time, the Architecture and City Festival MEXTRÓPOLI is hosting the competition Arquine No. 21 | MEXTRÓPOLI Pavilion 2019. On Monday, January 14, from 10:00 am to 7:00 pm, all registered proposals were submitted. Following a deliberation at the Arquine offices at Avenida Ámsterdam 163 in Mexico City to evaluate the 297 proposals submitted (out of 371 registered), the jury—composed of Víctor Alcérreca, Sol Camacho, Mario Corea, Hernán Díaz Alonso, Jimena Hogrebe, and Fermín Espinosa (as technical juror)—reached the following decisions:
Open House Madrid has announced the winners of the 2019 City Awards, a new accolade highlighting the most innovative, socially engaged, and committed proposals shaping the future of cities. According to its founders, "these awards recognize both innovation and design as essential factors in improving citizens' quality of life, aiming to foster a culture of design and innovation in Spain."
Paseo Molino is a new complex—comprising residential and corporate towers alongside a commercial zone—set to open soon at the Antiguo Molino de La Unión in Toluca, State of Mexico, a site with over 220 years of history. Designed by architect Samuel Chávez, the project involved restoring the historic structure using traditional construction techniques, including adobe, masonry, and reclaimed antique timber.
Out of 24 projects, the design by Smiljan Radic, Cecilia Puga, and Paula Velasco was selected to represent Chile at the upcoming world expo Expo Dubai 2020, to be held from October 2020 to April 2021.
More than 10,000 readers nominated their favorite projects from nearly 1,000 built works in Latin America and Spain: the day has come to meet the finalists of ODA19.
On Wednesday, December 4, Mexican architects Arturo and Jorge Arditti received the Honorary Doctorate Latin America Leaders Awards 2019 at the United Nations headquarters in Vienna. The distinction was awarded by The Global School for Social Leaders in collaboration with 1MillionStartups, The Ban Ki-moon Centre for Global Citizens, the Humanist World Foundation, and the Analysis and Opinion Research Group (GIAO).
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Inspired by the successful Tejiendo la Calle initiative—winner of the Design and Citizen Participation Award at the 2016 Ibero-American Design Biennial—Supertrama is a public art program in the autonomous community of Extremadura, Spain, focused on rural areas. In municipalities with fewer than 5,000 inhabitants, residents collaborate with architects, artists, and other creative professionals interested in public art to transform their local public spaces.
The AR Emerging Architecture Awards have revealed their shortlist, which includes two Mexico-based practices: Estudio MMX and Comunal Taller de Arquitectura. Alongside 14 other offices, they will have the opportunity to present their projects to the judges: Anna Heringer of Anna Heringer Architecture, winner of the 2006 and 2008 AR Emerging Architecture awards; London-based Irish architect Níall McLaughlin of Níall McLaughlin Architects, who was a finalist in 2002; and Sou Fujimoto, founding director of Sou Fujimoto Architects, a previous winner in 2006 for a children's treatment center in Hokkaido, Japan.
More than 500 people attended the opening of the 21st Chilean Biennial of Architecture and Urbanism in Santiago. This year, the curatorial team presented the event as a "Free Architecture Fair" focused on the "everyday and ordinary," spanning the entire country with more than 250 public activities in Iquique, La Serena, Santiago, and Puerto Montt.
As a member of the Urban Design Expert Committee of the Ministry of Housing and Urban-Rural Development, I strongly urge an immediate increase in architectural and urban design fees. This is a matter of utmost urgency, for several key reasons:
1. The current fee structure is a relic of China’s era of rapid, large-scale incremental construction, when design work focused primarily on spatial capacity and fees were strictly tied to project scale. Today, however, almost all cities have entered the era of existing urban stock. Moving forward, as the focus shifts to urban renewal, design work can no longer be mass-produced. Instead, architects must tackle an immense volume of bespoke, custom-tailored projects. Consequently, traditional fee metrics are completely out of sync with the actual workload;
2. The flaw in traditional fee calculation methods is that when project scales shrink and design complexity increases, the upward adjustment coefficients for fees remain far too low. This is especially true for small-scale projects and renovations, which are incredibly time- and labor-intensive. Architects are essentially working at a loss, driven solely by passion. This leads to the absurd reality where years of design fees might not even equal the cost of a single tree. It is truly tragic when human value is deemed worth less than material objects;
3. While the state encourages urban design—the essence of which is fostering urban diversity—achieving diversity requires architects and urban designers to invest significantly more time and labor into custom, site-specific solutions. Without a fee mechanism adapted to this level of customization, how can we support their creative work? While passion might sustain a single project or a brief moment, only a proper mechanism can ensure fair and sustainable practice. The so-called "cookie-cutter" urban landscape is, in reality, the product of a cookie-cutter fee structure.
In short, transforming Chinese cities begins with raising design fees!
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