In the low-lying deltas of Bangladesh, water defines both life and loss. Every year, millions are forced to rebuild after floods wash away their homes, crops, and livelihoods. In these precarious territories, the act of building has become an act of resilience. It is here that Khudi Bari emerges as a modest yet radical proposal. Designed by Marina Tabassum Architects, the project provides a lightweight, modular, and affordable dwelling for communities displaced by climate change. Recognized as one of the winners of the 2025 Aga Khan Award for Architecture, it represents a form of architecture that empowers rather than imposes.
Aristotle is credited with the proverb "One swallow does not make a summer." In nature, the arrival of these migratory birds often announces the change of seasons, a universal symbol of renewal and hope. Yet it is only when many take flight that the true warmth of summer begins. The same can happen in architecture: an isolated project, however exemplary, rarely changes a reality on its own. When, however, a work teaches, inspires, and can be replicated, it becomes the harbinger of something greater.
Initiatives that combine simple technologies, local materials, and participatory processes show how building can also be an act of learning. Structures and bricks shape places of mutual teaching, where architects and residents share knowledge and build together, multiplying skills and strengthening bonds. These projects point to the possibility of a collective summer, a future in which knowledge spreads as widely as the walls that shelter it.
As cities continue to develop, we are seeing ever more well-planned, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and guidelines improve and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, shedding the messy, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing community improvisation in the grey zones of regulation.
In response, a growing number of initiatives around the world are proposing short-term urban installations that test alternate futures for the city. These works aim to provoke dialogue between what the city is and what it could offer its communities through thoughtful, context-specific spatial practices. One notable example is Concéntrico, the international festival in Logroño, Spain, conceived as an urban innovation laboratory. Marking its tenth edition, the festival is about to publish Concéntrico: Urban Innovation Laboratory, a book that surveys a decade of urban design and collective transformation shaped through successive editions of the festival. Its launch is paired with an international tour designed to share a decade of insights on collective transformation and design.
CRA-Carlo Ratti Associati has unveiled images of its design for a new cultural center in Addis Ababa, the capital of Ethiopia. The project is located in Kazanchis, a cultural, musical, and historic neighborhood currently undergoing transformation as part of a government-led urban renewal program focused on corridor development. This neighborhood was home to the traditional compound of the Fendika Cultural Center, a hub for Ethiopia's traditional and experimental arts, which was demolished on October 23, 2024, after the site was designated for redevelopment as part of the systematic clearing of the area. In recognition of Fendika's cultural significance, the Addis Ababa Municipality offered the institution the opportunity to remain on-site and rebuild in a way that aligned with the city's plans for the neighborhood. CRA's project responds to this context with an open stage and a four-story civic space.
The 2025 edition of the European Cultural Centre's (ECC) Time Space Existenceexhibition in Venice is guided by the mandate to "Repair, Regenerate, and Reuse." Aiming to move beyond surface-level solutions and overused terminology, the exhibition showcases a cohort of practitioners who interpret architecture as an active agent of repair. The most compelling works presented in Venice demonstrate that "repair" is a multifaceted practice, operating across material, social, and historical registers. The varied approaches showcase a shift in the role of the architect, from a master builder and designer of physical objects, to that of a mender, able to combine technology, community, and material intelligence to restore narratives and build stronger cultural systems.
At a time of ecological collapse and rising food insecurity, architecture is increasingly called upon to engage not only with landscapes but with the systems that sustain and regenerate them. Among these systems, agriculture occupies a paradoxical role, as both a leading contributor to environmental degradation and a potential agent of ecological recovery. Industrial farming has depleted soils, fragmented habitats, and driven climate change through monocultures, fossil-fuel dependency, and territorial standardization. In response, agroecology has emerged as a counter-practice rooted in biodiversity, local knowledge, and the cyclical rhythms of nature. It reframes farming not as extraction, but as regeneration of ecosystems, communities, and the soil itself.
This reframing opens space for architecture to contribute meaningfully. To align with agroecology is not only to support food production, but to engage with the broader cultural, spatial, and ecological conditions that sustain it. It implies designing with seasonal variation, supporting shared use, and building in ways that respect both the land and those who work it. Architecture becomes more than enclosure — it becomes a mediator of cultivation, reciprocity, and coexistence.
As climate uncertainty and ecosystem changes reshape design priorities, architecture plays an increasingly active role in these discussions, rather than merely observing. Within this perspective, the idea of making a "re" encourages a conscious step back to rethink, reconnect, and realign the relationship between buildings and their environments. This approach, central to regenerative architecture, extends beyond specific technologies or scales, encompassing everything from master plans that aim to re-naturalize cities to national pavilions that combine art and science.
What is the way forward? On the one hand, many current discussions emphasize technology; on the other, there are approaches that, rather than being in opposition, complement one another and broaden the range of possibilities, drawing on tradition, ancestral knowledge, and a profound understanding of the environment. Among these perspectives, the work of Rudolf Steiner and the anthroposophical movement, developed in the early 20th century, offers a vision and insights that connect architecture with ecological rhythms, materials, and community life.
HouseEurope!, a registered non-profit organization focused on promoting the social and ecological transformation of Europe's built environment, has received the 2025 OBEL Award. Presented annually by the Henrik Frode Obel Foundation, the award recognizes architectural contributions with the potential to drive meaningful change. Aligned with this year's theme, "Ready Made," the OBEL Award Jury selected HouseEurope! for its efforts in raising awareness and fostering public engagement around the need for a shift in construction and housing practices across Europe.
In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th VeniceArchitecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.
What is our vision of public spaces from the past? Consider, for instance, a park—arguably the most iconic example of this typology. It is an environment designed with winding paths and rest areas, where we often find tables and fixed benches, positioned along the way. Its design prioritizes permanence and contemplation. But when we turn to the present, how do we envision it now? Indeed, the traditional concept of public space has not disappeared entirely. However, our way of interacting with it has changed, driven by the need for flexibility in ever-changing environments. This shift has sparked the exploration of new design approaches. As a result, modular seating systems have become a dynamic field of experimentation, continuously adapting to changing uses and perceptions.
https://www.archdaily.com/1027386/are-modular-seating-systems-redefining-our-perception-of-public-spacesEnrique Tovar
HouseEurope! is the European Citizens' Initiative advocating for EU legislation to simplify, reduce the cost of, and make more socially equitable the renovation and reuse of existing buildings, has officially begun its signature gathering period. The initiative aims to curb demolition driven by speculation and foster a construction industry that prioritizes the potential of existing public and private buildings. As a tool of direct democracy, European Citizens' Initiatives allow citizens to propose legislation at the EU level. For the legislation to be officially considered and implemented by the European Commission and EU member states, it requires the support of 1 million European citizens from at least seven EU countries. The initiative opened for signatures on February 1st, 2025 and will remain open until January 31st, 2026.
The built environment significantly impacts public health, yet its potential as a tool for health promotion remains largely unrecognized. Historically, architects and urban planners have explored the connections between design and health, identifying foundational factors that improve a building's health performance. Built environment professionals possess compelling evidence on how spatial interventions can improve health outcomes, yet health practitioners often lack this perspective. Breaking down these silos is essential in the creation of spaces that promote occupant well-being.
Women have played a pivotal role in the evolution of landscape architecture, overcoming the constraints of a male-dominated profession to introduce groundbreaking ideas and fresh perspectives. From early pioneers to contemporary leaders, their work has reshaped how we interact with public and private spaces, intertwining aesthetics, functionality, and sustainability in innovative ways.
In the late 19th and early 20th centuries, female landscape architects carved out their place in the profession, emphasizing harmony between built structures and natural landscapes. Their projects showcased a deep commitment to community and ecological balance, setting the stage for an inclusive and thoughtful approach to design that continues to inspire the field today.
Reflecting on the past is often viewed as nostalgia or, from a more critical standpoint, as a sign of regression. However, looking back can offer valuable insights into a society that sometimes appears overly focused—if not obsessed—with the future and technology. In architecture, this reflection allows us to reconnect with our roots and appreciate the knowledge accumulated over generations. It invites us to explore how our ancestors designed durable structures adapted to their environment. Refined through centuries of observation, experimentation, and likely even errors, these systems demonstrate a profound understanding of local materials and building techniques.
https://www.archdaily.com/1020943/heritage-in-mud-stone-and-reeds-rediscovering-ancestral-construction-techniquesEnrique Tovar
Following the devastating earthquake that hit central Turkiye and northwest Syria in February 2023, the province of Hatay, Türkiye, was left with large sections of its urban fabric destroyed and thousands of residents displaced. Türkiye Design Council has commissioned design studio SOUR to contribute to the regeneration initiative as part of a wider design-led revitalization process.
Every August, the Black Rock Desert in Nevada transforms into a vibrant city for Burning Man, a week-long festival that culminates in the ceremonial burning of a large wooden effigy. Established in 1986, the festival is renowned for its unconventional art installations and striking desert setting. While varied in their expression, the installations follow a central theme of the year. For this edition, the title “Curiouser & Curiouser” takes inspiration from the Mad Hatter from Lewis Carroll’s Alice in Wonderland, prompting participants to engage with wonder and embrace the whimsical and mysterious. This year’s central temple installation is designed by Caroline Ghosn to represent togetherness and mutual respect. Following a Burning Man Tradition, the temple design is selected following an international competition.
Dating from the1940s, the air raid shelter in Hamburg’s St. Pauli district has been reimagined as a „green mountain,” with expansive gardens covering the top of the wartime structure. Known as the Hochbunker, translated as ‘high bunker,’ the location has undergone a substantial restoration and refurbishment process introducing restaurants, event spaces, and a hotel, together with a rooftop urban park. The bunker has opened to the public on July 5, 2025, with the purpose of reconnecting the community with the iconic structure and its complex history.
