Snøhetta has released new images of their MAX IV Laboratory Landscape Design as it opens in Lund, Sweden. Winning the commission for the project in 2011, Snøhetta’s design transformed 47-acres (19 hectares) of formerly agricultural lands northeast of the city into an undulating earthwork aimed at “creating a functional landscape solution for the high-performance synchrotron radiation laboratory MAX IV.”
Snøhetta has won a competition to design the new headquarters for Banque Libano Francaise (BLF) in Beirut, Lebanon. The building will feature a geometric facade and several large outdoor terraces carved from the built volume to create a vibrant workplace community. The project marks Snøhetta’s first ever commission in Lebanon.
Sparkling Natural Mineral Water company San Pellegrino has announced an international competition between 4 top architecture firms for the redesign of its flagship factory and bottling plant, located at the source of the mineral water, San Pellegrino Terme, Italy.
“This exciting endeavor aims to celebrate the heritage, special source and terroir of S.Pellegrino, while also promoting new standards of efficiency, environmental sustainability and compliance. Further, this project will support the revitalization of the historic region, harkening back to the golden age of San Pellegrino Terme, at the height of the Belle Époque, when the town served as an exclusive destination for European aristocracy,” a spokesperson for San Pellegrino said in a press release.
The Obama Foundation has selected Tod Williams Billie Tsien Architects (TWBTA) with partner Interactive Design Architects (IDEA) to lead the design of the Obama Presidential Center for Chicago's South Side. Chosen from a shortlist including Diller Scofidio + Renfro, John Ronan Architects, Renzo Piano Building Workshop, SHoP Architects, Snøhetta and Adjaye Associates, TWBTA stood out for their “commitment to explore the best ways of creating an innovative center for action that inspires communities and individuals to take on our biggest challenges.”
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Dorte Mandrup Arkitekter have been selected as the winners of an international competition to design The Icefjord Centre in the UNESCO-protected area of Ilulissat, Greenland. Beating out proposals from leading architects including Snøhetta, Studio Other Spaces, Rintala Eggertsson Architects and Kengo Kuma and Associates, the new pavilion will serve as an exhibition and gathering space for locals, tourists and researchers alike.
Following the shortlisting of three finalists in January, Syracuse University announced today that SHoP Architects has been selected to design the new National Veterans Resource Complex (NVRC). The winning proposal was selected by a jury led by Martha Thorne, Executive Director of the Pritzker Architecture Prize and Dean of the IE School of Architecture and Design in Madrid, beating out entries by Snøhetta and Adjaye Associates. The NVRC will serve as the headquarters of the University’s Institute for Veterans and Military Families (IVMF), which has helped more than 48,000 veterans and military families.
Temple University’s new library designed by Snøhetta, in collaboration with Stantec, is now under construction after a groundbreaking ceremony in April. The 21,000 square meter (225,000 square foot) building is adjacent to what will become a future campus quadrangle that is currently occupied by other buildings slated for demolition. The library sits at the intersection of two major pedestrian pathways, Polett Walk and Liacouras Walk, attesting to the University’s hope that the facility will be a new social and academic heart for 37,800 students.
The story of the new Museum of Modern Art in San Francisco combines a number of compelling storylines: the expansion of a major museum to become the biggest space dedicated to modern art in the country; a new headline project for the much-lauded architectural firm Snøhetta; and the alteration (or lobotomization, depending on who you ask) of a modern classic in Mario Botta's original 1995 building. As such, it's been a big talking point recently, as the museum plans to reopen this Sunday.
However, while the media has talked a lot about galleries, external appearances and staircases, much less has been said of the project's innovative combined lighting and HVAC system, efficient six-layer windows and unprecedented use of fiber-reinforced-plastic on a building so tall. Enter WIRED, whose impressive article on the building takes us on a guided tour of the more technical aspects of the project, using a 3D model as a guide. Read their article in full here.
Shoehorned into the narrow space behind Mario Botta’s 1995 building, the Snøhetta-designed new wing of the SFMOMA was forced to go where few museums have gone before: up. Rising 10 stories into the San Francisco skyline, the new building nearly triples the amount of existing gallery space and adds a new entrance into what is now one of the world’s largest buildings dedicated to modern art. As the museum is set to reopen to the public May 14th, the critics' takes are rolling in. Did the restrictive site inspire a unique design solution or limit the creative possibilities of the project? Read on to find out.
The After Belonging Agency, the curatorial team behind the 2016 Oslo Architecture Triennale (OAT), have revealed sixteen speakers who will present at the event's central conference at the Oslo Opera House this coming September. Atelier Bow-Wow, Snøhetta alongside a number of other academics, practitioners and decision-makers will come together to "address architecture’s relation to current pressing questions such as refugeeism, migration and homelessness, new mediated forms of domesticity and foreignness, environmental displacements, tourism, and the technologies and economies of sharing."
Snøhetta’s MAX IV Laboratory Landscape Design will open in June on the edge of Lund, Sweden. Selected for the project in 2011, Snøhetta’s design fills 47-acres (19 hectares) of formerly agricultural lands northeast of the city, and is the first project in a larger masterplan to transform the Brunnshög area into a “Science City.” The MAX IV national laboratory is a synchrotron facility with two electron storage rings, and is jointly operated by the Swedish Research Council and Lund University.
Look Inside a Selection of Danish, Finnish, Norwegian and Swedish Architecture Offices, Photographed by Marc Goodwin
Architectural photographer Marc Goodwin has recently completed "the ultra-marathon of photoshoots:" twenty-eight architectural offices in twenty-eight days, spread across four capital cities – Oslo, Stockholm, Copenhagen, and Helsinki. His aim was to understand what sort of spaces architects in the Nordic countries operate in, and how they differ between each respective country. From former boathouses to stables and coal deposits, Goodwin has captured some of the most unique working environments the profession has to offer.
Five major firms have been shortlisted for the Albright-Knox Art Gallery's $80 million expansion in Buffalo, New York. Chosen for their "design intellect" and ability to collaborate, the competing firms will envision ways to expand the gallery's exhibition space and create a new public urban area that maximizes the site's potential, as the Albright-Knox campus is located on the edge of Delaware Park - one of Frederick Law Olmsted’s major works.
“The selection of the architects reflects that malleability, because none of them has a fingerprint style,” Albright-Knox director Janne Sirén said. “All of them, almost, specialize in an ability to build for a given context.”
The five practices include:
Adjaye Associates, SHoP Architects and Snøhetta have been shortlisted for a new National Veterans Resource Complex (NVRC) at Syracuse University. The three practices, all of which were among seven recently shortlisted to design the Obama Presidential Library in Chicago, were selected over 28 considered firms by a group of faculty, staff, students and design professionals, including Martha Thorne.
“The three finalist firms and their teams are outstanding,” says Thorne. “I have no doubt they will propose ideas that go beyond traditional academic buildings and make the NVRC a pioneering facility that will contribute to the University, as well as the broader community.”
Confirming the speculation, Adjaye Associates has been asked alongside six others to submit design proposals for the Barack Obama Presidential Center planned for Chicago's South Side. Diller Scofidio + Renfro, John Ronan Architects, Renzo Piano Building Workshop, SHoP Architects, Snøhetta and Tod Williams Billie Tsien Architects complete the list; all are expected to provide designs for both considered sites - Jackson Park and Washington Park.
“These finalists offer a variety of backgrounds and styles, and any one of them would be an excellent choice,” Obama Foundation chairman Martin Nesbitt, according to CBS Chicago. “We are excited to see this process moving forward because the Obama Presidential Center will be so much more than a library – this facility will seek to inspire citizens across the globe to better their communities, their countries, and their world.”
Snøhetta's 10-story expansion of the San Francisco Museum of Modern Art (SFMOMA) is nearing completion. As announced by SFMOMA, the "transformed" museum will reopen to the public on Saturday, May 14, 2016. Its new 235,000-square-foot addition (that nearly tripled SFMOMA's gallery space) was designed by Snøhetta to "weave" into the city and connect "seamlessly" to the museum's existing 225,000-square-foot building designed by Mario Botta.
Australia-based cosmetics company Aesop is clearly dedicated to design. Over the years, the company has worked with architects such as Snøhetta, Paulo Mendes da Rocha, Torafu, and Ilse Crawford to create unique stores around the world.
To pay "tribute to the creative processes, materials and features" that characterize each of its store designs, Aesop has a launched a new website called Taxonomy of Design. Inspired by the compendium, we’ve rounded up some of the best Aesop store designs, each of which is distinctly developed, largely by local designers who are inspired by the location of the store. Read on for nine Aesop shops that revitalize architectural simplicity.