On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world . The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project's abandonment during the country's civil war in 1975.
Organized by Magic Always Happens, PASSIONS benefits autism research and action, and is a juried award and exhibit to be shown at Unarthodox in New York City later this year. Drawing from the wildly different interests that captivate us, our passions provide a view into not only how differently each of us can experience the world, but how uniquely we can all craft or change it for the better.
Haymarket, The Soul of the City presents images by photographer Justin H. Goodstein, as well videos featuring the sights, sounds, and voices of Haymarket that reflect the stories of long-time vendors and more recent immigrants who have created a diverse cross-section of cultures at the site. Interviews conducted by Historic New England’s Ken Turino document the market’s history, special holiday foods, and specific challenges facing the market today.
In association with Haymarket, The Soul of the City on view at BSA Space this fall, this engaging presentation looks at how Boston’s Market District evolved from a small central location for peddlers at Town Dock to today’s busy market of halal butchers, artisanal cheese mongers, and Cambodian fruit sellers.
Don't miss the opening reception for Haymarket: The Soul of the City. This special event is the first opportunity to view the exhibition while enjoying complimentary drinks.
Haymarket: The Soul of the City presents images by photographer Justin H. Goodstein, as well videos featuring the sights, sounds, and voices of Haymarket that reflect the stories of long-time vendors and more recent immigrants who have created a diverse cross-section of cultures at the site. Interviews conducted by Historic New England’s Ken Turino document the market’s history, special holiday foods, and specific challenges facing the market today.
Dream of Venice Architecture, the second in a series by Bella Figura Publications, has brought together a collection of contemporary architects and architectural writers to share their personal experiences of La Serenissima: the great Italian city of Venice. "Water runs through her veins," Editor JoAnn Locktov writes. "Bridges, palaces, churches – every structure is a testament to the resiliency of imagination."
Photographer Chris Forsyth has released the latest images from his photo series Metro. Having previously gone underground to capture the surreal beauty of Montreal’s metro system, Forsyth traveled to Europe to shoot stations in Munich, Berlin and Stockholm. His photographic style portrays the stations in their best light – bright, clean, colorful and completely absent of people.
"Seeing the design strengths of various metro systems, from the hand painted cave-like stations in Stockholm, to the well-lit modern platforms of Munich’s U-Bahn, I really began to feel the how good design can change your day for the better,” says Forsyth. “Whether it be awe-inspiring or simply bright and colorful, I can only imagine how it feels to start your daily commute in one of these metro stations."
Continue after the break for a sampling of Forsyth’s favorite photos from the series.
Riccardo De Cal presents his exhibition Into the Labyrinth at Fondazione Querini Stampalia in Venice, Italy. The exhibition will include 20 photographs, primarily selected from De Cal's new publication Dream of Venice Architecture. Inspired by novelist Jorge Luis Borges's statement that the maze, "is a building built to confuse people," De Cal has created an interior environment of metal armatures, audio recordings and photography. Designed by Melissa Siben, the exhibit is a modern three-dimensional representation of the labyrinthine structure of the city of Venice.
In celebration of Earth Day, we invited Benjamin Grant—founder of the Daily Overview—to select the five "overviews" which he considers to be among the most inspiring that his platform has shared. The image above, taken on Christmas Eve in 1968 by astronauts of NASA's Apollo 8 mission is, according to Grant, "believed by many to be the first "overview" of our planet, captured by astronaut Bill Anders." This photograph dramatically pulled into focus the simultaneous magnificence, intricacy, and terrifying fragility of the planet we inhabit. Since that moment the advent, acceleration, and accessibility of satellite imagery has made one thing abundantly clear: that humankind has had a considerable effect on Earth, for better or for worse.
As recently as a century ago the idea of viewing the world from above was little more than a fantasy: the airplane was still in its infancy, with rocketry and satellites still decades into the future. Those who could not take to the air had no recourse but drawing in order to represent their world from an aerial perspective. This limitation is difficult to imagine today when access to plan photography is never further than the nearest Internet connection. Anyone with a smartphone has, in essence, the entire world in their pocket.
Earlier this week, the Supreme Court of Sweden ruled against Wikimedia Sverige in a landmark case over “Freedom of Panorama,” a ruling which The Wikimedia Foundation has “respectfully disagreed with” in a blog post. The Swedish Supreme Court’s ruling, in short, states that Wikimedia Sverige is not entitled to host photographs of copyrighted works of art on its website Offentligkonst.se, which provides maps, descriptions and images of artworks placed in public spaces in Sweden.
The concept of freedom of panorama describes a provision in copyright law which extends the right to take and to disseminate photographs of copyrighted works provided those photographs were taken in public spaces. Most people who own a camera (in other words, most people) have probably given very little thought to their freedom of panorama, or any restrictions that may have been placed upon it. But the reality of this little-known copyright-related oddity is something that many people, and architects especially, should find very concerning indeed.
Studio Esinam, in collaboration with London-based photographer Rory Gardiner, has released Utopia, a photo series that captures and pays tribute to London’s Brutalist architecture. The series aims to “highlight the subtle beauties hidden beneath the hard surface of some of London’s brutalist buildings.”
Photographed during the early spring of 2016, the project captures some of the city’s best examples of Brutalism: the Barbican Estate, Royal National Theatre, Hayward Gallery, Trellick Tower, and the Robin Hood Gardens.
This course is a thorough introduction to architectural photography through theory and practice, by professional architectural photographers. It will give you the essential conceptual and technical tools that will enable you to develop your practice, whether for a hobby or for business.
Photographs increasingly influence the way in which buildings are perceived around the world. It is said that today the photograph of a building –as opposed to the building itself- is its most widely consumed image. As architects understand the power of architectural photography, they become more and more interested in working closely with photographers. Simultaneously, an ever-growing number of photographers chooses architecture as an area within which to develop a personal artistic language as well as a business.
In this three-day in-depth workshop, internationally acclaimed architectural photographer Jeffrey Jacobs will share extensive details of how he lights and captures the architectural images that have garnered recognition worldwide. This workshop will be a mix of hands-on and classroom instruction. Learn the gear. Learn the software. Then join the Jacobs crew to participate in a full-on production shoot after the sun sets.
While drawing or even writing about architecture can be a great way to be expressive in the field, today architectural photography is by far the most direct and widely-used methods for communicating the true form of the built environment. Capturing the perfect architectural photograph, however, can be far more difficult than one might anticipate. In light of this, we have compiled a list of ten architectural photography tutorials to help you get the right shot every time.
Read on to see how to take architectural photos at twilight, for Instagram, using long exposure, and more.
In his project Abbey Time Shift architectural photographer Andy Marshall sought to capture the elusive nature of time by documenting the subtle shifts of light across the hand-laid masonry of Hexham Abbey in Hexham, Northumberland, in the northeast of England. Using the camera's ability to isolate changes in light that might be imperceptible to the human eye, Marshall set up "the gentlest of traps" to create videos and still-image collages of particular views and vantages of the Abbey as the sun emphasized the relics and architectural details within. Spending several days in the Abbey in 2013, Marshall watched light gather and fade in real time, but he has repackaged his own experience into a short video and collages for all to enjoy. In a project that counterpoints the speed and precision that characterizes most of our lives, Abbey Time Shift asks us to to slow down and admire the delicacy and beauty of the nearly indiscernible.
From architecture to music, directing and production, Portuguese photographer Ricardo Oliveira Alves worked in several different creative industries before combining his two biggest passions and starting his own architectural photography studio, Ricardo Oliveira Alves Architectural Photography, in 2010.
Alves captures emblematic national architecture projects in addition to work by prominent architects worldwide, “fusing the vision of the architect” with that of the photographer. He is also known for his “Archilapse” videos, which feature timelapse montages of architectural works.
Read an interview with Alves and view a selection of his images after the break.
Peter Marlow’s photographs depicting all 42 of the cathedrals of the Church of England are to be exhibited inside The Chapel of Christ the Servant at Coventry Cathedral. This is the first time that the work has been displayed in one of the spaces featured in the series, and the first time the project has been exhibited outside of London. The display is a continuation of Coventry Cathedral’s tradition of, and commitment to, exhibiting work by contemporary British artists.