During the IV International Congress in Pamplona, organized by the Architecture and Society Foundation, we had the opportunity to speak with Bjarke Ingels about his approach to theme "Architecture: Climate Change." The founder of BIG told us about the importance of clean technology and how these technologies must be integrated into architecture. He asserts that new industrial projects must also break from traditional paradigms and question established concepts in order to be reintegrated into communities as clean, attractive and multi-use spaces. Ingels suggests that clean technologies holds exciting possibilities for public spaces.
Similarly to how he prefers to practice architecture, Bjarke Ingels likes speaking in big, bold assertions. In his recent profile for WIRED UK, the Danish architect makes quite a few of those assertions, among them the belief that architecture could learn a thing or two from the imaginative world of architecture-based video games such as Minecraft.
From architectural lectures to coverage of local projects and events, The Architectural League of New York presents a wide range of topics through its video series to further its goal of advancing the art of architecture. Through this presentation of some of the world’s most interesting and influential architects, designers, and works, The Architectural League draws international audiences to help shape the future of the build environment by stimulating discussion and provoking design-based thinking.
Watch some of The Architectural League’s videos—like a lecture by Annabelle Selldorf or Bjarke Ingels, documentation of a miniature library installation, or a musical heart sculpture in Times Square—after the break.
Next Month, architecture will be hitting the mainstream media, as Bjarke Ingels has been selected to grace the cover of the September 2016 edition of WIRED UK. Titled “THINK BIGGER,” the issue will also feature profiles and stories from architects and designers Tom Dixon, Neri Oxman, David Adjaye and Rem Koolhaas. A Condé Nast Publication, the magazine focuses on the effects of science and technology on topics including design, architecture, culture, the economy, politics and philosophy.
1. All black.
2. Black with a bit of grey.
3. Black with a bit of white.
4. Match different shades of black.
Done. Go home.
All jokes aside, there has never been a set uniform in the architecture profession. The truth is, there are a large variety of different architectural practices, and one’s attire to do architectural work often depends on each firm’s unique culture. There are corporate firms composed of hundreds of people in office blocks where “corporate” clothing is expected, or there are atelier style firms where jeans and a simple shirt are more appropriate for the design-build.
The architecture world is unique in that we are expected to be creative like artists, execute like engineers, negotiate like businessmen, and make like craftsmen but at the same time are asked to discover our own unique style and approach. Hybridity and improvisation abounds in architecture, which is definitely reflected in our fashion choices. In general though, the architect’s wardrobe is governed by four key words: eccentric, professional, relaxed and... well, still largely black. Here we’ve profiled a few tips on how to dress by these four qualities.
In this series by renowned financial institution Goldman Sachs, Talks at GS, some of architecture’s leading minds, including David Adjaye and Maya Lin, talk about how their careers have developed, their secrets to success, and what they are working on right now. The most recent video features Bjarke Ingels discussing his design approach and the development of this year’s Serpentine Pavilion. In addition to the videos, Goldman Sachs has also sat down with two other design leaders to talk about their careers.
Find the rest of the interviews after the break.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Rem Koolhaas and Bjarke Ingels to Discuss "Change of Climate" at International Architecture Congress in Pamplona
As part of their mission to foster debate about architecture and the city within a broader social context, the Fundación Arquitectura y Sociedad will carry out the 4th edition of their International Architecture Congress from June 29-July 1st in Pamplona. Titled “Architecture: Change of Climate,” the latest event echoes themes from the previous years, which were related to the crisis affecting Spain and its architects. This year the debate seeks to emphasize the need for change in architectural practices in order to improve our environment.
The title of this year’s congress refers as much to the change of climate taking place in architecture, which the crisis has put at an economic and ethical crossroads, as to the importance of architecture and planning when facing the challenges posed by climate change, perhaps the most pressing matter of our time.
Read on after the break for the full program and text from Luis Fernández-Galiano, Director of the IV International Architecture Congress, which introduces the paradigms that architects like Rem Koolhaas, Bjarke Ingels, Winy Maas, Pierre de Meuron, Iñaki Ábalos and Jean-Philippe Vassal will examine at this event.
Bjarke Ingels is the recipient of the 2016 Louis Kahn Memorial Award, an annual prize established in 1983 to recognize "excellence in architecture" in honor of one of Philadelphia’s most influential architects. Ingels was honored at a ceremony on May 9th, hosted by the Center for Architecture and Design, where he delivered the annual talk that accompanies the award.
Speaking on the subject of Louis Kahn, who died the same year Ingels was born, in 1974, he remarked, “I wouldn't say that my work is linear of Louis' but I think that he rediscovered symbolism and designed super-functional architecture that's been lost and has been re-created by pragmatism." This fits into Ingels' own views on his practice, Bjarke Ingels Group (BIG), which he described as “pragmatic utopianism,” asserting a belief that architecture is “the art and science of turning fiction into fact.”
The team is engaged with projects both large and small in locations all over the world. The issue reflects that diversity, with the first half devoted to the large, urban-scale works for which the practice is best known, and the second half devoted to smaller works, including residences and a pavilion. Including those nearing completion, 20 of the 22 projects introduced here are currently underway. Over the next few years, we will see many more of their works finished.
Bjarke Ingels has been named one of TIME's 100 Most Influential People in the magazine's annual list of groundbreakers in five categories: Pioneers, Titans, Artists, Leaders, and Icons. Other giants of the same field endorse the authority of each selected figure and, in Ingels case, former boss Rem Koolhaas offers poignant words of praise. “Bjarke is the first major architect who disconnected the profession completely from angst,” says Koolhaas. “He threw out the ballast and soared. With that, he is completely in tune with the thinkers of Silicon Valley, who want to make the world a better place without the existential hand-wringing that previous generations felt was crucial to earn utopianist credibility.” You can review the full profile and TIME’s complete list of people here.
In an interview with the Council on Tall Buildings and Urban Habitat (CTBUH), Bjarke Ingels reflects on the design of skyscrapers, noting how "sculpture is fine, but if its arbitrary it's not as interesting." Architects, Ingels argues, have the problem of "skilled incompetence:" the notion that they "already know the answer before [they've] even heard the question." This prevents them "from questioning the question, or having the question rephrased, or elaborating on the question, or even listening for the question – because [they] already know the answer."
Photographer Laurian Ghinitoiu has captured the latest photos of BIG's courtscraper, VIA 57WEST. Exploring the urban context of this unconventional high-rise, the images illustrate how the building's swooping facade and peak appear from different sight lines.
CHART is a Nordic art and culture manifestation of the CHART ART FAIR, the leading art fair for contemporary art in the Nordic region. The aim is to build the strongest platform for showing, communicating, and integrating art and culture on an international level. Through creative alliances across art, design, gastronomy, music, performance and architecture, CHART has distinguished itself as an important platform and meeting place for art and culture in the Nordic region attracting 14,000 visitors in 2015. The 4th edition of CHART will take place at Kunsthal Charlottenborg, from Friday, August 26 to Sunday, August 28.
In the latest video from the Louisiana Channel, six architects – Bjarke Ingels, Liz Diller, Daniel Libeskind, Robert A.M. Stern, Thom Mayne, and Craig Dykers – share what it’s like to build in New York. From the High Line to the 9/11 Memorial Museum Pavilion at Ground Zero, the architects each describe their approach to designing in the iconic city.
The Serpentine Galleries have revealed that the 2016 Serpentine Pavilion will be designed by Bjarke Ingels Group (BIG), alongside a surprise announcement that four "Summer Houses" will also be built by internationally acclaimed practices. Kunlé Adeyemi – NLÉ (Amsterdam/Lagos), Barkow Leibinger (Berlin/New York), Yona Friedman (Paris), and Asif Khan (London) will each design a 25sqm structure inspired by the nearby Queen Caroline’s Temple, a neo-Classical summer house built in 1734 and "a stone’s throw from the Serpentine Gallery." In line with the criteria for the selection of the Serpentine Pavilion architect, each chosen to design a Summer House has yet to realise a permanent building in England.
This past February, BIG and Heatherwick Studio unveiled their designs for Google’s new Mountain View Headquarters in California. The project, which will be built by robots, faced sizeable critique, as well as site complications—that have since been resolved—over the past year. Now, as a part of Esquire’s 2015 Breakouts, Bjarke Ingels—founder of BIG—is speaking out about how the firm won the Google bid, and why the headquarters could create a new mold for Silicon Valley urbanism. Ingels goes on to discuss other major BIG projects, like 2 World Trade Center, and an upcoming NFL stadium. Read the full Esquire interview, here.
In recent years, the ever-increasing profile of Bjarke Ingels and his firm BIG have been hard to miss. For an office that is barely 10 years old, the number and scope of their projects is astonishing; to cope with demand, the firm has grown to employ almost 300 people. This growth, though, did not happen by accident. In this article, originally published on DesignIntelligence as "The Secret to BIG Success," Bob Fisher speaks to the firm's CEO and Partner Sheela Maini Søgaard in order to uncover the business plan behind the BIG phenomenon.
BIG may be the most appropriately named firm on the planet.
The Bjarke Ingels Group (BIG) seems to have an outsized impact in all it does. The Copenhagen-based design firm turns conventions and assumptions upside down and combines contrasting possibilities in outrageously bold, imaginative and playful ways. Projects like Via at West 57th Street in New York City and the Amager Bakke Waste-to-Energy Plant in Copenhagen are prime examples: the first a pyramid-shaped apartment building that defies the forest of rectangular towers around it, and the second a power plant that doubles as a smoke ring-blowing ski slope.
The world has taken note. Whether in praise or criticism, the architectural, cultural and business media tend to strike a heroic tone when describing the firm’s work: radical, ambitious, bold, confident. In short…BIG.