Bjarke Ingels has been named one of TIME's 100 Most Influential People in the magazine's annual list of groundbreakers in five categories: Pioneers, Titans, Artists, Leaders, and Icons. Other giants of the same field endorse the authority of each selected figure and, in Ingels case, former boss Rem Koolhaas offers poignant words of praise. “Bjarke is the first major architect who disconnected the profession completely from angst,” says Koolhaas. “He threw out the ballast and soared. With that, he is completely in tune with the thinkers of Silicon Valley, who want to make the world a better place without the existential hand-wringing that previous generations felt was crucial to earn utopianist credibility.” You can review the full profile and TIME’s complete list of people here.
In an interview with the Council on Tall Buildings and Urban Habitat (CTBUH), Bjarke Ingels reflects on the design of skyscrapers, noting how "sculpture is fine, but if its arbitrary it's not as interesting." Architects, Ingels argues, have the problem of "skilled incompetence:" the notion that they "already know the answer before [they've] even heard the question." This prevents them "from questioning the question, or having the question rephrased, or elaborating on the question, or even listening for the question – because [they] already know the answer."
Photographer Laurian Ghinitoiu has captured the latest photos of BIG's courtscraper, VIA 57WEST. Exploring the urban context of this unconventional high-rise, the images illustrate how the building's swooping facade and peak appear from different sight lines.
CHART is a Nordic art and culture manifestation of the CHART ART FAIR, the leading art fair for contemporary art in the Nordic region. The aim is to build the strongest platform for showing, communicating, and integrating art and culture on an international level. Through creative alliances across art, design, gastronomy, music, performance and architecture, CHART has distinguished itself as an important platform and meeting place for art and culture in the Nordic region attracting 14,000 visitors in 2015. The 4th edition of CHART will take place at Kunsthal Charlottenborg, from Friday, August 26 to Sunday, August 28.
In the latest video from the Louisiana Channel, six architects – Bjarke Ingels, Liz Diller, Daniel Libeskind, Robert A.M. Stern, Thom Mayne, and Craig Dykers – share what it’s like to build in New York. From the High Line to the 9/11 Memorial Museum Pavilion at Ground Zero, the architects each describe their approach to designing in the iconic city.
The Serpentine Galleries have revealed that the 2016 Serpentine Pavilion will be designed by Bjarke Ingels Group (BIG), alongside a surprise announcement that four "Summer Houses" will also be built by internationally acclaimed practices. Kunlé Adeyemi – NLÉ (Amsterdam/Lagos), Barkow Leibinger (Berlin/New York), Yona Friedman (Paris), and Asif Khan (London) will each design a 25sqm structure inspired by the nearby Queen Caroline’s Temple, a neo-Classical summer house built in 1734 and "a stone’s throw from the Serpentine Gallery." In line with the criteria for the selection of the Serpentine Pavilion architect, each chosen to design a Summer House has yet to realise a permanent building in England.
This past February, BIG and Heatherwick Studio unveiled their designs for Google’s new Mountain View Headquarters in California. The project, which will be built by robots, faced sizeable critique, as well as site complications—that have since been resolved—over the past year. Now, as a part of Esquire’s 2015 Breakouts, Bjarke Ingels—founder of BIG—is speaking out about how the firm won the Google bid, and why the headquarters could create a new mold for Silicon Valley urbanism. Ingels goes on to discuss other major BIG projects, like 2 World Trade Center, and an upcoming NFL stadium. Read the full Esquire interview, here.
In recent years, the ever-increasing profile of Bjarke Ingels and his firm BIG have been hard to miss. For an office that is barely 10 years old, the number and scope of their projects is astonishing; to cope with demand, the firm has grown to employ almost 300 people. This growth, though, did not happen by accident. In this article, originally published on DesignIntelligence as "The Secret to BIG Success," Bob Fisher speaks to the firm's CEO and Partner Sheela Maini Søgaard in order to uncover the business plan behind the BIG phenomenon.
BIG may be the most appropriately named firm on the planet.
The Bjarke Ingels Group (BIG) seems to have an outsized impact in all it does. The Copenhagen-based design firm turns conventions and assumptions upside down and combines contrasting possibilities in outrageously bold, imaginative and playful ways. Projects like Via at West 57th Street in New York City and the Amager Bakke Waste-to-Energy Plant in Copenhagen are prime examples: the first a pyramid-shaped apartment building that defies the forest of rectangular towers around it, and the second a power plant that doubles as a smoke ring-blowing ski slope.
The world has taken note. Whether in praise or criticism, the architectural, cultural and business media tend to strike a heroic tone when describing the firm’s work: radical, ambitious, bold, confident. In short…BIG.
October has become a busy month in the design world. If you’re living in the United States, New York specifically, it means Archtober: a portmanteau that means the city is flooded with architecture activities, programs and exhibitions, piled onto an already rich design calendar. One of these events is the New York Architecture & Design Film Festival, which started on Tuesday night and runs through Sunday October 18th, and will screen 30 films from around the world in 15 curated, themed programs.
This week, I was able to visit the festival to absorb the atmosphere and speak to the festival's director Kyle Bergman, to learn the ins and outs of this year’s festival, how things got started, and where it will go in the future.
Over time, people have found many different ways to fund the construction of a building. Museums for example have long benefited from the support of deep-pocketed patrons, with The Broad Museum, a permanent public home for the renowned contemporary art collection of philanthropists Edythe and Eli Broad, being the newest example in a long history of such practices. However in our ever-more-connected world - and against a backdrop of reduced government support for creative endeavors - the onus of funding seems to be shifting once again, away from the individual and towards the crowd.
As crowdfunding makes strides in all realms of innovative enterprise, including architecture, we wanted to hear from our readers about what they thought of this new opportunity for a publicly held stake in what has historically been the realm of singular, well-heeled organizations in the form of the state or private capital. Writing about the history and current trajectories of public funding, alongside a more pointed discussion of BIG’s Kickstarter for “the world’s first steam ring generator,” we posed the question: does public funding have a place in architecture, and if so, is there a line that should be drawn?
Read on for some of the best replies.
Danish architect Bjarke Ingels (born 2 October 1974) is often cited as one of the most inspirational architects of our time. At an age when many architects are just beginning to establish themselves in professional practice, Ingels has already won numerous competitions and achieved a level of critical acclaim (and fame) that is rare for new names in the industry. His work embodies a rare optimism that is simultaneously playful, practical, and immediately accessible.
The Royal Institute of British Architects (RIBA) have announced fourteen 2016 RIBA Honorary Fellowships (of whom two are in partnership) and eight International Fellowships which will be awarded at an event on the 1st February 2016, alongside the recently announced RIBA Royal Gold Medal. RIBA Honorary Fellowships are awarded annually to people who have made "a particular contribution to architecture in its broadest sense," be it in the fields of architecture, construction, media, education, or the arts.
It has been a week since the conclusion of this year's Burning Man festival in Black Rock City, Nevada, and images of its most imaginative structures are still surfacing. Even Bjarke Ingels has published a few of his favorite findings from the week-long event. Read on to see of the best structures and installations found at Burning Man 2015.
BIG’s first foray into North America, the West 57th Street (W57) Building in New York is approaching completion. After initial releases of renderings, and photographs taken two months after topping out, a new video has surfaced, exhibiting the gradual realization of the firm’s vision. This 32-story tower with 709 apartment units combines a courtyard block and a skyscraper, affectionately dubbed a “courtscraper” by its designer. Reacting to an unorthodox, thin plot of land, the building generates its geometry from a combination of providing natural light, views to the Hudson River and maximizing living space for residents. From one angle, its almost pyramidal structure is clear, and from another, it appears to be glass spire. See the most recent developments in this new video.
Prehype, a venture development firm, has released its latest in a series of podcasts by partner Henrik Werdelin, featuring Danish architect Bjarke Ingels. Having worked with Prehype on investments into tech development, Bjarke Ingels discusses his experiences and perspectives on the industry, drawing parallels between entrepreneurship, tech development and architecture.
Update: The Kickstarter campaign launched by BIG to fund the development of their steam ring generator reached its goal of $15,000 in less than a week after it was launched. As of today (24th August) the campaign total stands just short of $25,000, with 19 days still to go.
BIG has launched a Kickstarter campaign, aiming to fund the ongoing research and prototyping of the "steam ring generator" designed to crown the firm's Waste-to-Energy power plant in Copenhagen. The campaign was announced on Friday and picked up a lot of steam (pun intended) in the design press - but at ArchDaily we were hesitant to publish news of the campaign because, in short, it led us into a minefield of questions about the role of invention, public engagement, and money in architecture.
Of course, BIG are far from the first to attempt to crowdfund an architectural project. Previous projects however have generally focused on otherwise-unfundable proposals for the public good, barely-sane moonshots or complex investment structures which depending on your viewpoint may or may not even count as crowdfunding. BIG are perhaps the first example of an established architectural firm attempting to crowdfund the design of a project that is already half-built, causing some people - ArchDaily staff included - to ask: "Why wasn't this money included in the project's budget?"
No matter what you think of it, these days there is no denying that a celebrity culture has a significant effect on the architecture world, with a small percentage of architects taking a large portion of the spotlight. Questioning this status quo, Vladimir Belogolovsky's new book "Conversations with Architects in the Age of Celebrity" interrogates some of these famous architects to find out what they think of the culture which has elevated them to such heights. In this excerpt from the book's foreword, Belogolovsky asks how we got into this celebrity-loving architectural culture, and what it means for the buildings produced.
Not to be confused with other kinds of stars, the most popular of architects are identified as “starchitects.”* Is this a good thing? The notion of starchitecture is hated wholeheartedly by most of the leading architectural critics. They run away from addressing the issue because they think it has nothing to do with professional criticism. But what do the architects think? One of the architectural megastars, Rem Koolhaas, was astonishingly self-effacing in an interview for Hanno Rauterberg’s 2008 book Talking Architecture:
“I think what we are experiencing is the global triumph of eccentricity. Lots of extravagant buildings are being built, buildings that have no meaning, no functionality. It’s rather about spectacular shapes and, of course, the architects’ egos.”
Bjarke Ingels has become know for his “promiscuous hybrids" that are reshaping skylines worldwide. Now, after news of BIG's redesign of the 2 World Trade Center, Ingels is being credited for single-handedly transforming New York City's architecture. At the New York Times' Cities of Tomorrow conference last week, architecture critic Michael Kimmelman sat down with the 40-year-old Danish architect to discuss just how BIG is changing New York.