In this week's reprint from the Architect's Newspaper, author Patrick Sisson tackles the implication and participation of communities in New York in shaping their built environment, especially their waterfront. He also asks about the roles of representation and if "the city’s community boards and Uniform Land Use Review Procedure act more like gatekeepers than catalysts for equitable development?" especially that a lot of new developments are labeled as housing projects.
BIG has collaborated with global technology platform for luxury fashion Farfetch and Portuguese real estate developer Castro Group to create "Fuse Valley", a purpose-built urban fashion village on the slopes of the Leça River in Porto, Portugal. The platform's newly unveiled HQ will feature 12 uniquely-designed interconnected buildings that represent the different elements of the company’s organization. The project is set to break ground by early 2023, and open its doors in 2025.
Bjarke Ingels Group has released images of a new 150,000-acre masterplan that would be built from scratch on a desert in Western United States. Titled Telosa, the project aims "to create a new city in America that sets a global standard for urban living, expands human potential, and becomes a blueprint for future generations". The project is expected to house over 5 million residents within the next 40 years, with a vision of becoming the most sustainable city in the world.
Bjarke Ingels Group has collaborated with NASA and ICON to create Mars Dune Alpha, a 3D-printed research habitat that will provide long duration habitation for astronauts on missions to Mars. The 1,700 sq.ft. structure, which is currently located at the Johnson Space Center in Houston, Texas, is designed by the award-winning architecture firm, 3D printed by construction developers ICON, and will soon be home to NASA's future crew.
"The future is already here, it's not just very evenly distributed". Starting off with this William Gibson quote, BIG’s latest publication Formgiving looks at the past and present in order to determine the future. Talking of predictions that aren’t so far down the road, but rather than could occur in 5, 10, or 50 years, the book seeks to “give form to the future”, or to what has not taken shape yet.
ArchDaily had to chance to interview Kai-Uwe Bergmann, Partner at BIG-Bjarke Ingels Group, and discuss not only the firm’s latest manuscript but the trilogy of publications: Yes is More, an “Archicomic on Architectural Evolution”, Hot to Cold an “Odyssey of Architectural Adaptation”, and Formgiving, an “Architectural Future History”.
If we ever wonder what the future could look like, all we have to do is take a look into our past, and observe how far we have come since thousands, a hundred, or even ten years ago. Life was radically different back then and it will be just as different in the future. And since we are well aware that the future merely resembles the present, we have the possibility to shape our future the way we want to. TASCHEN's latest BIG book installment Formgiving. An Architectural Future History explores the past, present, and future, drawing a timeline of the built environment from taking shape to giving form.
Bjarke Ingels Group has unveiled the final design for Västerås Travel Center, a transport infrastructure hub bringing together multiple travel modes within one cohesive architectural object. The project's defining feature is a light, undulating roofscape unfolding across the various complex elements of the program that make up the urban node, creating a new landmark for one of Sweden's largest cities.
Designed by the Danish architecture office BIG-Bjarke Ingels Group, The Smile made of black blasted stainless steel extends along 126th Street in East Harlem, Manhattan. Inspired by the surface of the moon and the cultural influences of the city district, the T-shaped building fits seamlessly into the surrounding red and brown brick buildings. The interlocking chessboard-like facade panels were manufactured in Cologne, Germany by POHL Facade Division. Flanked by room-high windows, The Smile aims to reflect sunlight and amplitude into the daily lives of its residents.
Paul Clemence has just released recent photos of Bjarke Ingels Group’s Spiral skyscraper, an under-construction 1,000 feet tall tower with a series of stepped landscaped terraces. Set for completion in 2022, the highrise that topped out in February of this year, is located at Hudson Yards in New York City.
Last September, the EU launched the New European Bauhaus, an initiative designed to transform the built environment into a more sustainable one with higher social value. The project, shaped through an unprecedented co-design process, is now calling for architects, students, specialists, and citizens to share ideas, examples and challenges to help define the movement's concrete steps.
What kind of cities do we want to live in? What do we believe is important for a good life? And what makes a good home for all of us? SPACE10 with gestalten have teamed up to gather insights from world-renowned experts to explore a better urban future for humanity. Compiled in a book entitled The Ideal City, the findings draw five core principles: The city of tomorrow should be resourceful, accessible, shared, safe, and desirable.
Taking a holistic and multidisciplinary approach to rethinking how we could design, plan, build and share our cities going forward, the publication unfolds projects from 53 different cities in 30 different countries. Discover in this article, excerpts from the book, with the foreword by Bjarke Ingels and the last word by Xiye Bastida.
The new "Spiral" skyscraper by Bjarke Ingels Group has topped out at Hudson Yards in New York City. Rising 66 stories, the project towers over 1,000 feet tall with a series of stepped, landscaped terraces that wrap the building. With over 2.8 million square feet of office space and ground floor retail once complete, the tower will feature open floor plans with views across the Financial District and the surrounding cityscape.
Space has long captured our imaginations. Looking to the ocean above us, writers, scientists and designers alike have continuously dreamed up new visions for a future on distant planets. Mars is at the center of this discourse, the most habitable planet in our solar system after Earth. Proposals for the red planet explore how we can create new realms of humanity in outer space.
Bjarke Ingels Group and Norwegian manufacturer Vestre have unveiled The Plus, a new project set to become the world’s most sustainable furniture factory. Sited in Magnor, Norway, the factory was envisioned as a village for a community dedicated to the clean, carbon neutral fabrication of urban and social furniture. The Plus aims to be a global destination for sustainable architecture and high-efficiency production.
Netflix released ten of its documentary films, shorts and docuseries free on YouTube for anyone to watch. Included in the set is Abstract: The Art of Design, exploring "the most creative designers" from various fields. The first season of this series goes into the the art, science and philosophy of design. Back in 2017, Netflix launched the documentary series with the aim of demonstrating how design influences all aspects of our lives.
Copenhagen-based architect Bjarke Ingels is not one to shy away from big ideas. Founder of the aptly named BIG (Bjarke Ingels Group), he eschews cohesive style in favor of flexible urban environments — something he believes is vital in a constantly changing world. In a new video produced for the Time Space Existence video series by PLANE -- SITE, Ingels unpacks his approach to design, incorporating humor, surprise and sustainability.
.jpg?1632815641 "© Lucian R, courtesy of BIG – Bjarke Ingels Group")
.jpg?1632815654 "© Lucian R, courtesy of BIG – Bjarke Ingels Group")
.jpg?1632815638 "© Lucian R, courtesy of BIG – Bjarke Ingels Group")
