“The greatest thing about being an architect,” pronounced Bjarke Ingels, “is that you build buildings.”
BIG has teamed up with Friday Labs to create the Friday Lock, “the world’s smallest smartlock.” Through the Friday app, users can unlock their doors wirelessly, as well as automatically as they leave or approach.
As an access-granted user’s phone approaches the system, the door unlocks automatically. Access can be easily granted, as well as revoked through the app, allowing for temporary users, as well as to remove access if a phone is stolen.
The BIG-designed LEGO House has topped out and is headed toward completion ahead of its just-announced grand opening date on September 28. Located near LEGO’s corporate campus, in the heart of Billund, Denmark, the LEGO experience center will provide an estimated 250,000 yearly guests with a variety of LEGO-themed activities within its 12,000 square meters, inviting visitors of all ages to play and unleash their creativity.
Earlier this year, Hyperloop One announced a list of design partners that included Aecom, Arup, and Bjarke Ingels Group. Now, RB Systems—which was a finalist in the SpaceX Hyperloop One Pod Competition—has released a speculative design vision for a Hyperloop station and passenger pod. The spatial and programmatic concepts are largely experimental, as there are no precedents for this futuristic building typology.
During the IV International Congress in Pamplona, organized by the Architecture and Society Foundation, we had the opportunity to speak with Bjarke Ingels about his approach to theme "Architecture: Climate Change." The founder of BIG told us about the importance of clean technology and how these technologies must be integrated into architecture. He asserts that new industrial projects must also break from traditional paradigms and question established concepts in order to be reintegrated into communities as clean, attractive and multi-use spaces. Ingels suggests that clean technologies holds exciting possibilities for public spaces.
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section, the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
The team is engaged with projects both large and small in locations all over the world. The issue reflects that diversity, with the first half devoted to the large, urban-scale works for which the practice is best known, and the second half devoted to smaller works, including residences and a pavilion. Including those nearing completion, 20 of the 22 projects introduced here are currently underway. Over the next few years, we will see many more of their works finished.
With the 2016 Salone del Mobile now behind us, Romanian photographer Laurian Ghinitoiu has shared his photos from Milan Design Week, along with his ranking of the top five architectural installations. Read on to see his exceptional collection of images accompanied by short descriptions of each project.
Photographer Laurian Ghinitoiu has captured the latest photos of BIG's courtscraper, VIA 57WEST. Exploring the urban context of this unconventional high-rise, the images illustrate how the building's swooping facade and peak appear from different sight lines.
BIG has revealed their concept for the Redskins new stadium complex. Complete with a moat, the semi-transparent, undulating structure was designed to redefine the American stadium. Rather than being (mostly) preserved for game-day, BIG envisions the stadium to be a year-round destination used for more than just football.
“The stadium is designed as much for the tailgating, like the pre-game, as for the game itself,” Bjarke Ingels said on 60 Minutes. “Tailgating literally becomes a picnic in a park. It can actually make the stadium a more lively destination throughout the year without ruining the turf for the football game.”
Five major firms have been shortlisted for the Albright-Knox Art Gallery's $80 million expansion in Buffalo, New York. Chosen for their "design intellect" and ability to collaborate, the competing firms will envision ways to expand the gallery's exhibition space and create a new public urban area that maximizes the site's potential, as the Albright-Knox campus is located on the edge of Delaware Park - one of Frederick Law Olmsted’s major works.
“The selection of the architects reflects that malleability, because none of them has a fingerprint style,” Albright-Knox director Janne Sirén said. “All of them, almost, specialize in an ability to build for a given context.”
The five practices include:
French department chain Galeries Lafayette has commissioned BIG to design its new flagship on Paris' historic Avenue des Champs-Élysées. BIG's first retail client, Galeries Lafayette hopes to position the project "as an upmarket department store for the 21st century" that will "endow the legendary boulevard with renewed cachet," according to a report on Business of Fashion.
Sited for 52 Champs-Élysées, the 7000-square-meter space will take its inspiration from the historic Art Deco building its housed in. As BIG described, they hope to enhance that space and respect the existing architecture, rather than radically transform it.
We've all been there: it's time to write a cover letter to apply for the job you've always dreamed of, but all that you can seem to muster are tired phrases and generic expressions. Well, in walks Étienne Duval to put us all to shame. Duval, a 30-year old architect, wanted to work at BIG, with "Yes is More"-man Bjarke Ingels. And what kind of cover letter did Étienne write? A rap... with an accompanying video. It's witty, well-done and (in our humble opinion) a perfect fit for BIG.
After the video made the rounds here at ArchDaily, we had some burning questions for Étienne. Check out the video, which has racked up over 20,000 views, and the short interview below.
ArchDaily: What inspired you to create a video for your application?
Reports indicate BIG will design the Washington Redskins new stadium. Details have yet to be released, however according to Sports Business Daily the practice's head of communications, Daria Pahhota confirmed BIG is working on an NFL stadium. The Redskins currently play at the 80,000-seat FedEx Field in Maryland; it is said that they are considering moving back to Washington DC or relocating to Virginia.
Until recently, the only options for providing clients and the public with visualizations of what a prospective building would look like were almost exclusively hand drawn renderings, or scale models built by hand. Both of these practices are still in use today, but now there is a much wider range of options with 3D modeling software providing the bulk of renderings, the growing presence of 3D printing, and even video fly-throughs with special effects that rival the latest Hollywood action movie. This 16mm film created by architecture firm Skidmore, Owings & Merrill (SOM) in 1984, and digitized by illustrator Peter Little, reminded us of what the early days of digital 3D modeling looked like.
Over time, people have found many different ways to fund the construction of a building. Museums for example have long benefited from the support of deep-pocketed patrons, with The Broad Museum, a permanent public home for the renowned contemporary art collection of philanthropists Edythe and Eli Broad, being the newest example in a long history of such practices. However in our ever-more-connected world - and against a backdrop of reduced government support for creative endeavors - the onus of funding seems to be shifting once again, away from the individual and towards the crowd.
As crowdfunding makes strides in all realms of innovative enterprise, including architecture, we wanted to hear from our readers about what they thought of this new opportunity for a publicly held stake in what has historically been the realm of singular, well-heeled organizations in the form of the state or private capital. Writing about the history and current trajectories of public funding, alongside a more pointed discussion of BIG’s Kickstarter for “the world’s first steam ring generator,” we posed the question: does public funding have a place in architecture, and if so, is there a line that should be drawn?
Read on for some of the best replies.
Update: The Kickstarter campaign launched by BIG to fund the development of their steam ring generator reached its goal of $15,000 in less than a week after it was launched. As of today (24th August) the campaign total stands just short of $25,000, with 19 days still to go.
BIG has launched a Kickstarter campaign, aiming to fund the ongoing research and prototyping of the "steam ring generator" designed to crown the firm's Waste-to-Energy power plant in Copenhagen. The campaign was announced on Friday and picked up a lot of steam (pun intended) in the design press - but at ArchDaily we were hesitant to publish news of the campaign because, in short, it led us into a minefield of questions about the role of invention, public engagement, and money in architecture.
Of course, BIG are far from the first to attempt to crowdfund an architectural project. Previous projects however have generally focused on otherwise-unfundable proposals for the public good, barely-sane moonshots or complex investment structures which depending on your viewpoint may or may not even count as crowdfunding. BIG are perhaps the first example of an established architectural firm attempting to crowdfund the design of a project that is already half-built, causing some people - ArchDaily staff included - to ask: "Why wasn't this money included in the project's budget?"
Bjarke Ingels has become know for his “promiscuous hybrids" that are reshaping skylines worldwide. Now, after news of BIG's redesign of the 2 World Trade Center, Ingels is being credited for single-handedly transforming New York City's architecture. At the New York Times' Cities of Tomorrow conference last week, architecture critic Michael Kimmelman sat down with the 40-year-old Danish architect to discuss just how BIG is changing New York.