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In this interview with Louisiana Channel, Mexican architect Gabriela Carrillo introduces us to the challenges that drive her work, particularly the projects carried out as a member of Colectivo C733, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of public spaces, the relationship between architecture and land art, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.

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The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled A Call of All Beings: See You Tomorrow, Same Time, Same Place. The building, designed by SANAA, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for Taichung, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central Taiwan.

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As the solstice marks the shortest day of the year in the Northern Hemisphere, it also draws attention to something architecture has long negotiated but often overlooked: time. Beyond form or function, buildings and spaces are continuously shaped by cycles of light and darkness, seasonal shifts, and environmental rhythms that affect how they are inhabited.

In recent years, a growing number of architectural projects have begun to work explicitly with these cycles. Rather than designing spaces to function in a single, fixed way, architects are creating environments that change throughout the day, across seasons, or in response to natural phenomena such as the sun's path, lunar phases, wind patterns, or circadian rhythms. These projects operate in dialogue with time, appearing, transforming, and activating differently depending on environmental conditions.

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Renzo Piano Building Workshop, in collaboration with Betaplan Architects (Athens) and landscape architect Camille Muller (Paris), has broken ground on a new cultural center in Piraeus, the port of Athens. Commissioned by The Dinos and Lia Martinos Foundation (DLMF), the project seeks to establish an international hub connected to similar art centers abroad, open to the local community, students, and visitors, and contributing to the urban and cultural fabric of the Athens metropolitan area. The complex, called KYKLOS, is planned to host contemporary art collections and cultural programming with an international outlook. Initiated in 2023, the project is currently in development, with construction planned to extend through the last quarter of 2028.

How can architecture restore relevance to forgotten places? What dialogues can emerge when buildings and landscapes are treated not as blank slates, but as layers of memory, identity, and potential? For the Honduran architecture firm 24 Grados, these questions shape an approach rooted in adaptation, reuse, and contextual design. Their projects range from the restoration of old Spanish plazas and cultural centers to interventions in natural parks and coastal villages in Honduras. Each one is grounded in the belief that design can reweave relationships between people, place, and heritage.

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