Desert X is a site-specific international art exhibition taking place this year across the Coachella Valley, California. Its fifth edition, curated by Artistic Director Neville Wakefield and co-curator Kaitlin Garcia Maestas, opened on March 10, 2025, featuring eleven installations by international artists integrated into the desert landscape. Artists were invited to propose alternative ways of perceiving a world "increasingly encircled by the transformational effects of nature and humanity," through physical installations in specific locations within the California desert. In this context, architecture is understood as the most visible evidence of human transformation, while immaterial elements, such as wind and light, highlight the transformative effects not only of human activity but also of nature itself. The exhibition is free and open to all, running through May 11, 2025. Below are images and descriptions of the eleven art installations featured in this year's Desert X exhibition.
The AlUla Arts Festival, running from January 16th to February 22nd, 2025, features a significant exhibition of works by renowned Light and Space artist James Turrell. Presented by Wadi AlFann, the exhibition, curated by Michael Govan of LACMA, offers a unique preview of Turrell's upcoming monumental commission for Wadi AlFann, a sprawling contemporary art destination in the AlUla region of north-west Saudi Arabia. The exhibition, located in AlJadidah Arts District within AlUla's historic old town, provides context for Turrell's ambitious project, which will involve the creation of a series of chambers within the canyon floor, designed to create a sensory experience of light, color, and perception.
Integrating contemporary art with the landscape in a dialogue between human creation and the natural environment, the Sculpture Space of the National Autonomous University of Mexico (UNAM) represents one of the most important public artworks in Latin America. Both the Sculpture Space and the Pedregal de San Ángel Ecological Reserve at UNAM in Mexico City have recently been awarded the Carlo Scarpa International Prize for Gardens 2023-2024, granted by the Benetton Foundation for Studies and Research based in Treviso, Italy. They were recognized for their high natural, historical, and cultural value as works of preservation and collective art that emerged from a lava surface where new neighborhoods and UNAM’s University City were developed.
Dia Art Foundation announced a major landscape project to reimagine the land at Dia Beacon, New York. Commissioned landscape architect Sara Zewde of Studio Zewde aims to go beyond the simple arrangement of attractive plants and integrate ideas of ecology, culture, and people into the design. Taking over the museum’s 32-acre campus, the project will create an expanded outdoor park, free to access for visitors and locals alike, complete with native meadows, sculptural landforms, and winding pathways. The project, which has been recently extended to also include the museum’s eight back acres, is expected to open to the public in 2025.
Desert X AlUla will open its latest exhibition themed “In the Presence of Absence,” from February 9th to March 23rd, 2024. Featuring 15 commissioned artworks that explore the unseen, the festival takes place bi-yearly in the desert region of Saudi Arabia. This edition of Desert X AlUla is curated by Maya El Khalil, renowned for her art advisory and MENA-focused curation, and Marcello Dantas, an award-winning curator known for his interdisciplinary practices.
Returning for its third edition, Desert X AlUla 2024 invites artists to engage with the landscape, nature, and heritage of AlUla. The exhibition aims to position AlUla as the hub for monumental art experiences in the region. This year’s theme, “In the Presence of Absence,” challenges the concept of deserts as “empty spaces.” Artists worldwide are encouraged to investigate conceptual ideas of the invisible, engaging in a dialogue with AlUla’s environment.
Desert X AlUla has just announced its return in 2024 in the Saudi Arabian Peninsula. Marking the significant highlight of the AlUla Arts Festival, Desert X AlUla is a transient, site-responsive, and inclusive open-air art exhibit that takes place bi-yearly in the desert region of the country. Launching on February 9th and continuing until March 23rd, 2024, this edition is curated by Maya El Khalil, renowned for her art advisory and MENA-focused curation, and Marcello Dantas, an award-winning curator known for his interdisciplinary practices.
“Self Similar,” a sprawling and immersive land artwork created by Jim Denevan has just debuted in Abu Dhabi, UAE as part of a more extensive city-wide exhibition. Curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, along with Alia Zaal Lootah, this city-wide exhibition showcases 35 distinct site-specific artworks by both local and international artists. Scheduled to run until January 30, 2024, the exhibit is a diverse collection aiming to engage audiences.
Artists are frequently inspired by land — be it painter Robert S. Duncanson’s renditions of American landscapes, or William Kentridge’s subversions of colonial-era British paintings depicting African vistas. Some artists, though, have preferred to work directly with the land, creating structures that sit on landscapes, or carving into the land itself. This art style — formally termed as Land Art — gained prominence in 1960s and 70s United States, in the context of the rise of the environmental movement amidst civil rights and antiwar protests, and as artists looked to separate themselves from the art market.
Open Call for Proposals
Artists, (environmental) Architects, Designers & Makers
Architecture requires patience. Seeing a building through from initial sketches to the first occupant is a process that in most cases takes years, sometimes decades. The various details required throughout the building process at times can be stressful, but the end result is nearly always worth the struggle. The finished form reflects the decisions made throughout the process, and thus becomes a contributing member to the surrounding environment.
If you are at the point in the process where you need a quick destresser, take a moment and watch land artist Pontus Jansson work his magic. The Swedish artist uses boulders and the surrounding nature to create balancing works of art.
Until July 3rd, you can experience the latest and last work of artist duo Christo and Jean-Claude. Called The Floating Piers, the floating dock extends over the water of Italy's Lake Iseo.
The work consists of a three kilometer walkway wrapped in 100,000 square meters of yellow cloth, which is supported by a floating dock system composed of 220,000 high-density polyethylene cubes. These elements naturally undulate with the movement of the waves at Lake Iseo, which is located 100 kilometers east of Milan and 200 kilometers west of Venice. The floating yellow roads extend from the pedestrian streets of Sulzano, connecting the islands of San Paolo and Monte Isola.
The Floating Piers is the first large-scale work of Christo for more than a decade after making The Gates in 2005 with Jeanne-Claude, who passed away four years later. Due to the importance of Christo and Jeanne-Claude's work and the inspiration they have given to many architects, we wanted to investigate the process of building this spectacular project, which makes the dream of walking on water a reality.
