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Venice

Dutch Pavilion at the 2018 Venice Biennale to Explore Alternative Modes of Living, Work and Leisure

10:15 - 21 September, 2017
Dutch Pavilion at the 2018 Venice Biennale to Explore Alternative Modes of Living, Work and Leisure, Anthropometric Data: Crane Cabin Operator vs Remote Control Operator. Image © Het Nieuwe Instituut
Anthropometric Data: Crane Cabin Operator vs Remote Control Operator. Image © Het Nieuwe Instituut

Het Nieuwe Instituut (HNI) have announced WORK, BODY, LEISURE as the theme of the Dutch Pavilion at the 2018 Venice Architecture Biennale. Envisioned as "a collaborative research endeavor by a national and international network," Marina Otero Verzier—head of the Research Department at HNI and a member of the After Belonging Agency, curatorial team behind the 2016 Oslo Architecture Triennale—will act as the creative mediator of a series of collaborative contributions, pooling the expertise of "architects, designers, knowledge institutions, and the private sector."

German Pavilion at the 2018 Venice Biennale Will Respond to Debates on Nations, Protectionism and Division

04:00 - 5 September, 2017
German Pavilion at the 2018 Venice Biennale Will Respond to Debates on Nations, Protectionism and Division, Curators of the German Pavilion at the 2018 Venice Architecture Biennale. Image Courtesy of GRAFT
Curators of the German Pavilion at the 2018 Venice Architecture Biennale. Image Courtesy of GRAFT

In 2018, Germany will be reunified for 28 years, the precise amount of time that the inner German border wall—which was active from between 1961 and 1989—stood between "East" and "West". With this in mind, the German State have announced "Unbuilding Walls" as the theme of the German Pavilion at the 2018 Venice Architecture Biennale. Curated by GRAFT with Marianne Birthler, the exhibition will be designed to "respond to current debates on nations, protectionism, and division." 

Australian Pavilion at the 2018 Venice Biennale Will Cultivate Thousands of Temperate Grassland Species

16:00 - 2 September, 2017
Australian Pavilion at the 2018 Venice Biennale Will Cultivate Thousands of Temperate Grassland Species, Mauro Baracco and Louise Wright. Image © Sharyn Cairns
Mauro Baracco and Louise Wright. Image © Sharyn Cairns

Following an open competition, the Australian Institute of Architects have announced "repair" as the theme of the Australian Pavilion at the 2018 Venice Architecture Biennale. Baracco+Wright Architects, collaborating with artist Linda Tegg, will oversee the cultivation of "thousands of temperate grassland species" within the pavilion, alongside "large-scale architectural projections." According to the AIA, "visitors will enter a physical dialogue between architecture and endangered plant community, reminding us what is at stake when we occupy land."

Estonian Pavilion at the 2018 Venice Biennale Will Investigate the Concept of the "Weak Monument"

14:00 - 2 September, 2017
Estonian Pavilion at the 2018 Venice Biennale Will Investigate the Concept of the "Weak Monument", Curators of the Estonian Pavilion at the 2018 Venice Architecture Biennale. Image Courtesy of Estonian Architecture Centre
Curators of the Estonian Pavilion at the 2018 Venice Architecture Biennale. Image Courtesy of Estonian Architecture Centre

Following an open competition, the Estonian Architecture Center have announced "Weak Monument" as the theme of the Estonian Pavilion at the 2018 Venice Architecture Biennale. Laura Linsi, Roland Reemaa, and Tadeáš Říha will develop a project which views the "architectural environment as a layered and historically continuous system," focusing the exhibition on "projects from the recent and more distant past."

The Power of Architectural Drawing: The Sketches That Saved St. Mark's

04:00 - 24 August, 2017
The Power of Architectural Drawing: The Sketches That Saved St. Mark's, <a href=“https://commons.wikimedia.org/wiki/File:Study_of_the_Marble_Inlaying_on_the_Front_of_the_Casa_Loredan.jpg”>Study of the Marble Inlaying on the Front of the Casa Loredan, Venice. Pencil, watercolour, and bodycolour, 32 x 26.7cm</a> (1845) licensed under Public Domain. Image Courtesy of John Ruskin
Study of the Marble Inlaying on the Front of the Casa Loredan, Venice. Pencil, watercolour, and bodycolour, 32 x 26.7cm (1845) licensed under Public Domain. Image Courtesy of John Ruskin

This short essay, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award is the 18th September 2017 and successful entries will be exhibited in both London and Berlin.

For John Ruskin, Venetian Gothic design in the guise of polychromatic gasworks in Brentford, ornate factory chimneys in Croydon, glistering gin palaces in Bloomsbury and even the well-meaning Reform Club in Manchester was nothing short of anathema. Even at their risible best, these flamboyant Victorian buildings were idle travesties of the influential 19th Century critic’s beloved Ca’ d’Oro and Palazzo Ducale adorning the Grand Canal.

Álvaro Siza and Others Imagine Possible Scenarios for a Reconstructed Syria

07:00 - 23 August, 2017

Sketch for Syria, a project initiated by by Marco Ballarin and Jacopo Galli at IUAV, Venice, has brought together 150 architects from 26 nations in a large-scale effort to "imagine, trace and share possible scenarios" for Syria, following the recent devastation of the lives of its citizens and a significant amount of its architectural heritage.

In response to the United Nations' (UN-ESCWA) drafting of an agenda on July 14th, 2016 to consider ways of reconstructing the country, this drawing project has attracted contributions from the likes of Álvaro Siza, Philippe Rahm, Peter Wilson, and Francisco Aires Mateus.

Marco Ferrari / Italy. Image © Sketch for Syria Sean Godsell / Australia. Image © Sketch for Syria Philippe Rahm / France. Image © Sketch for Syria Ahmed Al Sahli / Syria. Image © Sketch for Syria + 19

Freespace: Grafton's 2018 Venice Biennale to Celebrate Generosity, Thoughtfulness, and a Desire to Engage

06:30 - 7 June, 2017
Freespace: Grafton's 2018 Venice Biennale to Celebrate Generosity, Thoughtfulness, and a Desire to Engage, © Andrea Avezzu. Yvonne Farrell and Shelley McNamara, Directors of the 2018 Venice Architecture Biennale – "Freespace". Image Courtesy of La Biennale di Venezia
© Andrea Avezzu. Yvonne Farrell and Shelley McNamara, Directors of the 2018 Venice Architecture Biennale – "Freespace". Image Courtesy of La Biennale di Venezia

At a meeting convened today at the Biennale's headquarters at Ca’ Giustinian in Venice, Italy, Grafton ArchitectsYvonne Farrell and Shelley McNamara—revealed the theme and outline for the 2018 Venice Architecture Biennale, which they have titled Freespace. According to the Directors, the forthcoming Biennale will celebrate "generosity and thoughtfulness," and "a desire to engage."

We believe that everyone has the right to benefit from architecture. The role of architecture is to give shelter to our bodies, but also to lift our spirits. A beautiful wall forming a street edge gives pleasure to the passer-by, even if they never go inside.

Freespace will "reveal diversity, specificity, and continuity in architecture. Together," they proposed, "we can reveal the capacity of architecture to connect with history, time, place, and people. These qualities sustain the fundamental capacity of architecture to nurture and support a meaningful impact between people and place." In their closing statement, Farrell and McNamara chose to quote an Ancient Greek proverb: a society grows great when old men plant trees whose shade they know they will never sit in.

Venice: A Provocative Paradox

09:44 - 21 April, 2017
Venice: A Provocative Paradox

Moderator: Louise Braverman, FAIA
Panel: Cynthia Davidson, James Biber, FAIA, Max Levy, FAIA
Often the first reaction to Venice is one of feeling overwhelmed by the astonishing beauty of her existence. Yet if we dig a bit deeper inherent contradictions begin to appear. How do we make rational sense of a city that floats on water? What are the features that contribute to our incredulity, and what can we learn from them? From the original muddy wilderness of the 5th century to a beguiling built environment, Venice remains 1,500 years later, a provocative paradox of visceral and visual inspiration.

Anima Mundi (Venice, May-November 2017)

05:00 - 17 April, 2017
Anima Mundi (Venice, May-November 2017), Call for artists: ANIMA MUNDI | VENICE MAY-NOV 2017
Call for artists: ANIMA MUNDI | VENICE MAY-NOV 2017

It’s LIQUID Group, in collaboration with Ca’ Zanardi, is pleased to announce the open call for ANIMA MUNDI 2017, the International Art Festival. ANIMA MUNDI festival, curated by Luca Curci and Andrea Chinellato, will be presented in Venice at Palazzo Ca’ Zanardi and other prestigious venues and historical buildings, in the months between May and November 2017, in the same period of the 57th Venice Art Biennale, titled VIVA ARTE VIVA, curated by Christine Macel and organized by La Biennale di Venezia, chaired by Paolo Baratta, hosted at the Giardini and the Arsenale venues.

 

Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"

09:30 - 24 February, 2017
Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"

We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.

GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.

Considering the Airport Terminal of Tomorrow

04:00 - 19 January, 2017
Considering the Airport Terminal of Tomorrow, Courtesy of Aerial Futures
Courtesy of Aerial Futures

Aerial Futures, Grounded Visions: Shaping the Airport Terminal of Tomorrow was a two-day symposium held in October 2016 as part of the European Cultural Center's collateral event at the 2016 Venice Biennale. It encouraged discussion about the future of air travel from the perspectives of architecture, design, technology, culture and user experience. The event featured presentations and discussions by the likes of airport architect Curtis FentressNelly Ben YahounDonald Albrecht, Director of the Museum of the City of New York; Anna Gasco, post-doctoral researcher at the ETH-Future Cities Laboratory in Singapore; Jonathan Ledgard, co-founder of the Droneport Project; and Ashok Raiji, Principal at Arup New York.

Courtesy of Aerial Futures Courtesy of Aerial Futures Courtesy of Aerial Futures Courtesy of Aerial Futures + 4

Understanding Grafton Architects, Directors of the 2018 Venice Architecture Biennale

04:00 - 18 January, 2017
Understanding Grafton Architects, Directors of the 2018 Venice Architecture Biennale, UTEC / Grafton Architects. Image © Iwan Baan
UTEC / Grafton Architects. Image © Iwan Baan

“When you read Love in the Time of Cholera you come to realize the magic realism of South America.” Yvonne Farrell, Shelley McNamara and I were in a corner of the Barbican Centre’s sprawling, shallow atrium talking about the subject of their most recent accolade, the Royal Institute of British Architects inaugural International Prize, awarded that previous evening. That same night the two Irish architects, who founded their practice in Dublin in the 1970s, also delivered a lecture on the Universidad de Ingeniería and Tecnologia (UTEC)—their “modern-day Machu Picchu” in Lima—to a packed audience in London’s Portland Place.

Farrell and McNamara, who together lead a team of twenty-five as Grafton Architects, are both powerful thinkers, considered conversationalists and unobtrusively groundbreaking designers. For a practice so compact, their international portfolio is exceptionally broad. The first phase of the UTEC in the Peruvian capital, which began following an international competition in 2011, represents the farthest territory the practice have geographically occupied. The project is, in their words, a “man-made cliff” between the Pacific and the mountains – on one side a cascading garden, and on the other a “shoulder” to the city cast from bare concrete.

Venice Isn't Sinking, It's Flooding – And It Needs to Learn How to Swim

06:00 - 3 January, 2017
Venice Isn't Sinking, It's Flooding – And It Needs to Learn How to Swim, Acqua Alta in Piazza San Marco (2016). Image © James Taylor-Foster
Acqua Alta in Piazza San Marco (2016). Image © James Taylor-Foster

“Will you look at that? St. Mark’s Square is flooded!” An Australian day tripper is astonished. “This place is actually sinking,” her friend casually exclaims. They, like so many I’ve overheard on the vaporetti, are convinced that the Venetian islands exist on a precipice between the fragility of their current condition and nothing short of imminent submersion. With catastrophe always around the corner a short break in Venice is more of an extreme adventure trip than a European city-break. If it were true, that is.

Reporting from the Front: 6 Months in 5 Minutes

04:00 - 25 November, 2016

This week the 2016 Venice Architecture BiennaleReporting From the Front—will close. Six months have passed and hundreds of thousands of architects, urbanists, designers and tourists have perused both the National Participations (of which more were represented this year than ever before) and the central exhibition curated by Alejandro Aravena – the first South American to direct the most prestigious event on the architectural calendar. ArchDaily has compiled our most extensive coverage of the event and, as the 15th incarnation of Biennale shuts its gates for the last time, our collection of articles, interviews and publication excerpts remains permanently accessible.

Video: Jan Gehl on Modernism and the Social Sciences

08:00 - 6 November, 2016

The Danish Pavilion at the 2016 Venice Biennale, curated by Boris Brorman Jensen and Kristoffer Lindhardt Weiss, is dense with models – "a wunderkammer of architectural prototypes." The exhibition, which attempts to present new insights into how contemporary Danish architecture has been influenced by critics of Modernism (the "Modern approach"), features Jan Gehl—a famed Danish architect and urbanist renowned for his focus on improving the quality of urban life—as its standard bearer. In this exclusive film, shared by the curators, Gehl puts forward his position.

Call for Applications: Postgraduate Master in Curatorship of Architecture and Design

14:45 - 31 October, 2016
Call for Applications: Postgraduate Master in Curatorship of Architecture and Design, Postgraduate Master in Curatorship of Architecture and Design
Postgraduate Master in Curatorship of Architecture and Design

The role of the Curator requires a comprehensive and multifaceted training that allows them to move in different contexts and platforms. The contemporary Curator investigates and identifies relevant issues and their relationships to, then, launch through exhibitions a narrative capable of catching the audience’s interest. A Curator’s work, therefore, encourages reflection and promotes new ways of perceiving and understanding architecture and design. The Master in Curatorship of Architecture and Design at IUAV (Venice, Italy) aims to train professionals capable of developing curatorial projects with a solid foundation in theory and critical thinking, coupled with a strong knowledge of strategies in exhibition making.

Magnitude 6.6 Earthquake Strikes Central Italy; Borromini's "La Sapienza" Among Structures Damaged in Rome

15:30 - 30 October, 2016
Magnitude 6.6 Earthquake Strikes Central Italy; Borromini's "La Sapienza" Among Structures Damaged in Rome , Inspections underway in Rome. Image via La Repubblica (Roma)
Inspections underway in Rome. Image via La Repubblica (Roma)

Following an earthquake measuring 6.6 on the Richter Scale that struck central Italy this morning at 7:40 a.m. local time—the fourth to hit this part of the country in three months—a number of structures have collapsed entirely or been severely damaged. While no deaths have been reported at this time, the BBC suggests that twenty people have been injured.

This latest tragedy follows an earthquake measuring 6.2 on the Richter Scale which hit a nearby region in August of this year, killing 300 and causing widespread devastation to towns and villages. It is being suggested that the evacuation of buildings that were deemed vulnerable to the ongoing seismic activity in the region last week may have saved lives.

Expo Video: Invisible Cities at Spazio Ridotto, Venice

16:39 - 26 October, 2016
Expo Video: Invisible Cities at Spazio Ridotto, Venice, Inޟigo Manglano-Ovalle Alltagszeit
Inޟigo Manglano-Ovalle Alltagszeit

EXPO CHICAGO and Zuecca Project Space Present
EXPO VIDEO: Invisible Cities at Spazio Ridotto (Oct. 24–Nov. 25, 2016)

EXPO CHICAGO and Zuecca Project Space collaborate to present a satellite iteration of the EXPO VIDEO program, highlighting a selection of dynamic and cutting-edge film, video, and new media works by artists selected from EXPO CHICAGO 2016 Exhibitors at Spazio Ridotto in Venice, Italy. The programmatic partnership between the exposition and the satellite location extend on a programmatic partnership presented with the Italian Cultural Institute in Chicago.