On February 21st, 2024, American Hotelier MCR Hotels acquired the renowned BT Tower in London. The tower, a Grade II listed marvel, is nestled within London’s Fitzrovia, standing as a testament to the city’s heritage. Initially used as the British Telecommunications Tower and was known as the Post Office Tower, the BT Tower will be repurposed by Heatherwick Studio, with plans underway to breathe new life into this iconic structure.
The argument, made by architectural historian Charles Jencks in the introduction for the recently released book Postmodern Design Complete, that Postmodern styles never truly left the architectural profession is stronger than ever. The movement from the late 70s and 80s which began as a reaction against the utopian canon of modernism has recently been re-entering the architecture scene and defining our present moment of architectural culture.
This brings up an important question: What is the current movement of architecture? And what came directly after postmodernism? If anything, it was an immediate cry of “No more Po-Mo,” followed recently by a wave of “save Po-Mo” perhaps best demonstrated by the rallying to save Philip Johnson’s AT&T Tower from a Snøhetta makeover. Even Norman Foster claimed that although he was never a fan of the postmodern movement, he understood its importance in architectural history. Postmodernism is making its recursive return with Stirling-esque rule-breaking jokes and pictorial appearances.
Looming over the small Bavarian town of Hohenschwangau are the turrets and towers of one of the world’s most famous “fairytale” castles. Schloß Neuschwanstein, or “New Swan Stone Castle,” was the fantastical creation of King Ludwig II – a monarch who dreamed of creating for himself an ideal medieval palace, nestled in the Alps. Though designed to represent a 13th-century Romanesque castle[1], Neuschwanstein was a thoroughly 19th-century project, constructed using industrial methods and filled with modern comforts and conveniences; indeed, without the technological advancements of the time, Ludwig could never have escaped into his medieval fantasy.[2]
