Sun Tower / OPEN Architecture. Image Courtesy of OPEN Architecture
As the year 2023 comes to a close, we review the evolution of the field of architecture, but we also look forward to the most anticipated projects planned to open in 2024. As Paris is preparing to host the 2024 Summer Olympic Games, several projects and infrastructure updates have been planned to support the global event. Another milestone for Paris will be the reopening of the Notre Dame Cathedral, as reconstruction works near completion for the fire-damaged 12th-century monument.
The selection of projects spans various scales and programs, from restoration and expansion works such as OMA's plan for Museo Egizio in Turin, or David CHipperfield's Grand Residential Building in Belgium, to architecture developed with indigenous peoples, such as Snøhetta's Čoarvemátta in Northern Norway, cultural facilities in Asia and Europe and environmentally-conscious buildings such as Studio Gang's Hotel in the United States.
OPEN Architects has just revealed the architectural designs for two separate cultural projects situated along the coastline of Yantai,China. One of them is “The Space Crystals,” a futuristic digital museum and experiential hub resembling an otherworldly entity that has mysteriously descended upon a seaside mark. Meanwhile, “Sea Square” is square-shaped, providing a library and community service facility, levitating above a restored sea dock. The two structures engage in a spatial and temporal conversation, one reaching towards the sky and the other facing the sea, bridging the present, the past, and the future.
OPEN Architecture’s Sun Tower, designed as a landmark for the Chinese coastal city of Yantai, topped out last month. On the summer solstice day, the 50-meter-tall structure reached its peak height. The landmark is expected to be open to the public in 2024. Acting as a cultural placeholder, the building reframes the typical understanding of "design with nature."
These days, the architecture industry cannot disregard how significant the challenge of sustainability has become. One strategy for achieving sustainable development is a circular economy, based on a sustainable life cycle. This strategy minimizes resource usage and extends the useful life of buildings from a design perspective. Moreover, another challenge is how to increase the usability of the building itself, in addition to how we've incorporated building disassembly into the cycle. This requires that designers take the future into account when making design decisions, integrating the requirements of the present with the potential outcomes of what has not yet happened.
OPEN Architecture has won the competition to design the Yichang Grand Theatre in China. The project is situated where the Yangtze River and its tributary Huangbai River converge at the tip of the Pinghu Peninsula. There are about 70,000 square meters of building space overall. The performing arts center will feature a 1600-seat grand theater, a 1200-seat concert hall, a 400-seat black box, and two outdoor theatres — one on the rooftop and one by the water. It is housed within the fluid and partially floating building. The building also has rehearsal rooms, event and exhibition spaces, coffee shops, restaurants, and observation decks. The diverse lineup reflects efforts to keep the big theatre a welcoming and active gathering place for the public at all times.
Women's studies officially began in China in the early 1980s. Women awoke and started to take bigger roles in society as it grew. Women had been working as architects for a century, but Lin Huiyin was not recognized as the country's first female architect until the 1920s due to the profession's tardy development in China. But nowadays, more and more female architects are filling crucial positions.
Western aesthetics is based on the mathematical analysis of an object's formal structure, using classical beauty laws such as balance, symmetry, and the golden mean. Eastern aesthetics differ in that, as it emphasizes intuitive experience, such as "white space" in traditional Chinese painting, through emotional communication with the "imagery" to produce a certain "Conception." The contrast between reality and emptiness allows the viewer's imagination and feelings to flourish, allowing them to realize "showing the breadth of heaven and earth even in a square inch place."
The architectural practice OPEN has revealed the design for the Shanfeng Academy, a project currently under construction that topped out at the end of April, marking the completion of its highest point. The new campus center, located in a new district of Suzhou city, will host a K-12 international school while also aiming to act as a cultural hub for the local community.
Surrounded by canals, the city of Suzhou is known for its historical gardens with temples, bridges, pavilions, and rock sculptures. These, along with traditional Chinese architecture sites, offer a counterpoint to the city’s active social life and fast-paced business sector. The challenge for OPEN architects was to create a large-scale urban project whilst being sympathetic to the heritage of the city.
OPEN recently revealed the design of Sun Tower, a new landmark structure for the Chinese coastal city of Yantai. The project echoes the area's characteristic Ming dynasty watchtowers and proposes a cultural facility that re-establish the visitor's connection with nature. Comprising a semi-outdoor theatre, an exhibition space, a library and an observation deck at the top referred to as the "phenomena space", the structure is intended as a place "of reflection and contemplation".
With over 100,000 votes cast during the last three weeks, we are happy to present the winners of the 2022 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2021.
As in previous years, the winners showcase a wide spectrum of different types of building, giving an insight into how diverse the profession has become in recent decades. High-profile practices take their place as ever, with winners such as MVRDV's Housing project in Bordeaux and Kengo Kuma's Casa Batllo's installation, showing that establishment firms are still able to make their mark, as in more traditional award systems. Alongside these are previously unsung heroes, such as PALMA and HANGHAR with their project, Types of Spaces. Among the winners, we also find Ca'n Terra House by ENSAMBLE STUDIO and Plaza of Kanagawa Institute of Technology by Junya Ishigami + Associates, extremely creative projects that today challenge their typologies.
But for all their many beautiful differences, the winners share a crucial element in common: they represent the values of our mission, to bring inspiration, knowledge, and tools to architects everywhere. Neither ArchDaily nor the Building of the Year Awards would be possible without the continued generosity of the firms that choose to publish their projects with ArchDaily every year, or without the engaged readers who take part in the voting process.
The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
The Apollo 11 Mission, departed Earth on July 16, 1969, and touched down on the moon 4 days later. This moment marked a milestone for humanity and, to this day, makes us reflect on how technological progress is bringing us ever closer to life beyond planet Earth.
With the help of 3D printers, highly developed and fully automated constructive technology, we have compiled a selection of 15 architectural projects that demonstrate that life on the moon and beyond is closer than we've ever imagined.
Space has long captured our imaginations. Looking to the ocean above us, writers, scientists and designers alike have continuously dreamed up new visions for a future on distant planets. Mars is at the center of this discourse, the most habitable planet in our solar system after Earth. Proposals for the red planet explore how we can create new realms of humanity in outer space.
“BEFORE/AFTER” documents the drastic changes, both physical and psychological, which took place during the renovation of Beijing’s Fangjia Hutong in the months between April and September 2017. In 2019, OPEN Architecture was invited to participate in “Unknown City: China Contemporary Architecture and Image Exhibition”, the opening exhibition of the Pingshan Art Museum, with their work “BEFORE/AFTER”.
OPEN Architecture’s anticipated project Chapel of Sound has finally topped out on November 15th with the pouring of its broad concrete roof.
The project, which is expected to open in the summer of 2020, includes a semi-outdoor amphitheater, an outdoor stage, and viewing platforms, overlooking the mountainous rural area of the Jinshanling Great Wall.
Architect and photographer Kris Provoost recently captured new photos of OPEN Architecture's Tsinghua Ocean Center in China. Designed as a laboratory and office building for the newly established deep-ocean research base of Tsinghua University, the project is located at the eastern end of Tsinghua graduate school campus in Shenzhen Xili University Town next to the main campus entrance. Provoost's images reveal details throughout the construction and showcase the project in its larger context.
The Prequalification Meeting of the International Competition for the Landmark Design of Qianhai New City Center was held in Banquet Hall, 3F, Tower C, MingWah International Convention Centre on May 20, 2019. The jury was made up of 7 experts and 2 client representatives. The jury studied the registration documents and conceptual proposals of the 124 applicants. After deep discussion, through 5 rounds of open votes the jury selected 10 shortlisted competitors into the competition and 2 alternatives in order who will enter Stage 2 - Proposal Preparation and Review by order if any of the 10 competitors quit.
https://www.archdaily.com/918358/prequalification-results-of-the-international-competition-for-the-landmark-design-of-qianhai-new-city-centerMilly Mo
OPEN Architecture’s highly-anticipated Tank Shanghai has opened to the public following six years of design and construction. Located on the banks of the Huangpu River in the city’s West Bund, where five abandoned aviation fuel tanks once served the historic Longhua Airport, the scheme gives shape to a new type of contemporary arts center. OPEN’s design features a seamless combination of art, nature, and urban life, “transforming containers of fuel into containers of culture while paying tribute to the site’s industrial past.”
The scheme’s design centers on a Z-shaped “Super Surface,” forming a new center ground sitting below undulating parklands in between the tanks, and above flexible indoor exhibition and service spaces to connect the tanks to one another. Two open plazas and an urban forest merge with the Super-Surface, featuring greenery, water features, smaller galleries, and public artwork.
More than 80,000 votes were cast over the last two weeks and, after careful review, the results of the 2019 ArchDaily Building of the Year Awards presented by Unreal are in. Building of the Year, which itself celebrated ten years this year, is the largest peer-based crowdsourced architecture award in the world, showcasing the projects chosen by you, our readers, as the most significant of the year.
This is no mean feat. More than 4000 projects were in contention this year, challenging readers to carefully consider a wide variety of projects across type, scale, and location. 4000 projects were whittled to 75 finalists; 75 have now been reduced to the 15 winners - one for each typological category.
The results are as diverse as the architecture itself. Well-known names are, as in years past, present among the bunch, among them Zaha Hadid Architects, MVRDV, and Heatherwick Studio. For London-based Heatherwick, their win marks the second consecutive year they have taken top honors for a refurbishment-based project. But less-renowned names dominate the ranks of the winners this year. Innocad’s serenely simple office building for a real estate company elevates what corporate architecture can be while the technical and material mastery of Sameep Padora’s Maya Somaiya Library is enough to make any architect look twice. The library is, in fact, one of two Indian projects to take top honors this year - a strong first year showing for the nation whose design talent seems finally to be coming to the fore.
But for all their many beautiful differences, the winners share a crucial element in common: they represent the values of our mission, to bring inspiration, knowledge, and tools to architects everywhere. Building of the Year - indeed, ArchDaily itself - would not be possible without the generosity of firms and readers as invested in our mission as we are. We give our profound thanks to all who participated this year, no matter the form. Congratulations to all the winners!
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