The African Futures Institute (AFI) has completed its new headquarters in Accra, Ghana, transforming a former tile warehouse in the city's Osu neighbourhood into a centre for architectural education, research, exhibitions, and public programmes. The project retains the existing industrial structure while introducing spaces for teaching, workshops, performances, screenings, and gatherings. Its completion gives the Institute a permanent base in Accra after several years of operating through programmes, partnerships, and temporary spaces across Africa and beyond.
The Lucas Museum of Narrative Art officially opens its doors to the public today, September 22, 2026. The museum's sculptural, curved silhouette was designed by Ma Yansong of MAD Architects, with landscape architecture by Mia Lehrer of Studio-MLA and Stantec serving as executive architect. The opening follows a Founding Members Preview held from September 5 to 11, giving members an exclusive early look at the galleries, and a star-studded opening night on Saturday, September 19, featuring celebrity co-chairs at a launch event for the museum, co-founded by George Lucas and Mellody Hobson. The date aligns with the announcement made by the institution nearly a year ago, though the project has a longer history: approved in 2017, with construction beginning the following year, the opening was originally planned for 2025. The museum sits within an 11-acre (4.5-hectare) site in Los Angeles's Exposition Park and comprises a 300,000-square-foot (27,900-square-meter) structure featuring galleries, two theaters, a retail store, a library, a café, a restaurant, and event spaces.
Can Gio Pavilions / DE-SO Asia. Image Courtesy of NS BlueScope
The Steel Architectural Awards ASEAN 2026, presented by BlueScope, has announced the 12 finalist projects selected to advance to the ASEAN-level appraisal. Representing outstanding achievements in architecture across Indonesia, Malaysia, Thailand, and Vietnam, the finalists were selected through the Country Awards programs and now move forward to regional evaluation by an international judging panel.
Now in its second ASEAN edition, the program celebrates architectural projects that demonstrate excellence in design, innovation, sustainability, and the creative application of coated steel solutions. Under the 2026 theme, "Shaping Resilient Futures: Timeless Design with Coated Steel," the Awards highlight projects that respond meaningfully to their context while delivering enduring value for future generations.
Conceptual map collage of Kampala, Khartoum and Kinshasa. Illustration by Maisa Elamein via Wikimedia Commons and Public Domain sources.
Colonial violence in African cities bled through the political dimensions into the spatial realm. It is infused into street grids, land tenure systems, drainage infrastructure and residential zones that continue to organize inequality and displacement today. Kinshasa, Khartoum, and Kampala each carry this afterlife in their urban morphology, at once historical artifacts and an active structure; shaping who has access to services, who occupies flood-prone land, and catalyzing a deepening climate instability that forces this apparatus into entirely new dimensions - including geological ones.
Masonry is often perceived through its weight, depth, texture, and sense of permanence. Yet these physical qualities also have several implications for the performance of a building envelope. From the thickness of the mortar joint to the weight of the material, every masonry decision is connected to considerations of durability, stability, and long-term performance, while preserving the material character associated with solidity and permanence.At Summer Street Apartments, thin brick offered a way to retain these qualities while accommodating the insulation and envelope requirements of an all-electric, net-zero energy building. Just as importantly, it helped give the project the residential character the architects were looking for.
Every year on September 21, the United Nations marks the International Day of Peace, an observance that invites global reflection on the conditions necessary to cultivate non-violence, social stability, and human dignity. Under the 2026 theme, "Invest in Peace – For Everyone, Everywhere, Every Day," the international body emphasizes that peace is neither static nor self-sustaining. Rather than an abstract condition defined solely by diplomatic agreements, peace operates as an ongoing social process, shaped by economic equity, institutional integrity, and the quality of civic life across communities.
"Right to Housing! Now and Forever" is an official European Citizens' Initiative (ECI) to demand affordable, sustainable, and fair housing across the European Union. The ECI is a governance tool that allows citizens to propose new laws for the European Commission to consider. Initiatives must be organized by a group of at least seven EU citizens living in seven different countries and must gather 1 million valid signatures within one year of receiving official approval. The signature collection for "Right to Housing! Now and Forever" launched on September 14, 2026, and aims to collect 1.2 million signatures across the EU to require the European Commission to formally respond to and address the proposal. The project builds on the HouseEurope! European Citizens' Initiative, which focused strictly on building renovation and closed unsuccessfully on January 31, 2026. This new proposal, put forward by a broader coalition, encompasses not only renovation but also financing tools and measures to ensure access.
UN-Habitat and Oceanix Reveal Prototype for the World's First Sustainable Floating City. Image Courtesy of Oceanix and BIG-Bjarke Ingels Group
Cities depend on systems that already exist around them. When architects design on water or beyond Earth, those systems are no longer available. Without fixed ground or nearby networks for energy, water, transport, and waste, architecture has to take on functions the larger city would normally provide.
The reason for moving beyond familiar ground also changes from one project to another. In the Maldives, building on water responds to the vulnerability of existing land. In Busan, floating development creates another direction for urban expansion. On the Moon, the challenge is more absolute: there is no existing infrastructure to connect to at all.
Howl's Moving Castle. Image Courtesy of Studio Ghibli
Every evening when we get home, without ceremony, we perform a small rite. We arrive at a door, we open it, and we step through into a space that belongs to us in a way no other space does. It is such a mundane act that we rarely notice it has a structure at all, and yet philosophers and anthropologists have written entire books describing these psychological structures. Interestingly, visual works such as the animated worlds of Studio Ghibli seem to reflect this dynamic to create worlds which contain architecture and layouts that provide a path to escape by tapping into our memories in a legible yet enchanted form.
Obsolete buildings. Image Courtesy of Matt Van der Velde
Sustainability in architecture is often discussed as though it were a universal standard—and, in principle, it should be. Buildings are increasingly evaluated through energy performance, embodied carbon, certification systems, material efficiency, biodiversity, and whole-life impact. Yet the rules determining what must actually be done remain highly local. A project designed in London, New York, or Copenhagen may be shaped by stringent energy codes, environmental review, disclosure requirements, planning controls, and increasingly ambitious carbon targets. The same practice working elsewhere may encounter a very different regulatory landscape.
This creates a difficult question for international architecture: when sustainability is not enforced to the same degree by law, what standards should architects carry with them?
While complex, layered with meaning, and categorized into various forms, heterotopia, a concept developed by the philosopher Michel Foucault, can broadly be understood as the manifestation of alternative realities. Unlike utopias – idealized, unreachable non-places – heterotopias are tangible, real-world spaces that operate according to their own internal logic, offering a lived alternative to dominant spatial and cultural paradigms.
Escapism, in an architectural sense, is not merely about fleeing standard realities; it is a critical tool for reimagining them under different cultural, social, and environmental conditions. Temporary installations serve as fertile testing grounds for these spatial possibilities. Often framed as sanctuaries or refuges, these works intentionally detach from pre-conceived norms – whether by seeking a return to a primal way of living or by provoking radical perceptual shifts.
The team led by engineering and technology group Sener, in collaboration with UK-based architecture practice RSHP and Valencia-based ERRE, has been selected to design the new ValenciaCentral Station in Spain. The proposal was chosen by Adif Alta Velocidad's Evaluation Committee following a competition for a new intermodal rail hub integrating high-speed, commuter, metro, tram, bus, taxi, and active mobility connections. The new infrastructure will be coordinated with the planned Central Park, the Access Canal project, and the future through tunnel. The scope also includes the refurbishment of the historic Valencia Nord Station, a designated Site of Cultural Interest, while preserving its architectural and urban heritage.
Mecanoo's Lawson Centre for Sustainability is the first new building for Trinity College since 1979. One of the most anticipated projects of 2026, it was designed to be one of Canada's most advanced sustainability-driven academic and residential buildings. Mecanoo worked in collaboration with Toronto architecture firm RDHA to design a sustainable community and "living lab," building on the College's traditions around shared meals and communal gatherings. Instead of the fourteen-story high-rise tower originally envisioned by the College, the team designed a walkable building that frames the existing campus and creates new landscapes for food production and social encounters. The broader campus vision included food, nature, work with local materials, and hands-on learning about sustainable living.
Asmara, the capital of Eritrea, sits at over 2,300 meters above sea level on a plateau at the edge of the Great Rift Valley escarpment. Although situated in a country not known for large visitor numbers, the city has gained fame for its unique architecture. In July 2017, it became a UNESCO World Heritage Site, inscribed as "Asmara: A Modernist African City," the first modernist urban site anywhere to be listed in its entirety, and Africa's first explicitly modernist World Heritage Site. Its heritage value came about as a result of a complex convergence of two aspects of Eritrea's history: an intense period of colonial construction as Italy pursued its imperial ambitions in Africa, and a long period of relative isolation that insulated the city from redevelopment.
The history of Brutalism has largely been written from a Western perspective. Brutalist Asia by Blue Crow Mediaoffers a different view, examining how architects across Asia adopted, questioned, and transformed the architectural language associated with the movement in response to radically different political, climatic, and cultural conditions. Spanning 28 countries, from Japan and Southeast Asia through South and Central Asia to the Middle East, Iran, and Lebanon, the book brings together 140 buildings and more than 150 photographs, placing internationally recognized works by architects including Kenzo Tange, Paul Rudolph, Balkrishna V. Doshi, Raj Rewal, Charles Correa, Kim Swoo Geun, Leandro V. Locsin, and Le Corbusier alongside important but lesser-known works that expand our understanding of post-war architecture across the continent.
Within this broader geography, one particular history unfolds in Lebanon, where the ambitions of Modernism became inseparable from a country undergoing profound social, political, and urban transformation. Read on for an excerpt from ArchDaily Editor-in-Chief Christele Harrouk's chapter in Brutalist Asia, tracing the rise of Brutalism in Lebanon, the architects and buildings that gave it a particular local expression, and the rupture that left this Modernist project unfinished.
Ben-Avid by Atelier Aveta. Featured in the Biennial's Central exhibition. Image Courtesy of Bienal Internacional de Arquitectura de Buenos Aires
Architecture this week turns toward the question of what the built environment can make possible, and what it asks in return. Discussions around democracy and public space consider how architecture can support participation, equity, and collective life, while new housing and cultural projects explore how buildings can respond to changing social needs through adaptability, shared space, and the reuse of existing structures. These concerns extend into the exhibition space, where the Tallinn Architecture Biennale examines the less visible costs of construction and the Buenos Aires Architecture Biennial looks at the many ways architecture shapes inhabitation. Across these different contexts, architecture emerges as a way of negotiating access, resources, community, and the long-term value of the built environment.
Benghazi 2050: Vision and Digital Planning Hub. Old Town. Image Courtesy of ZHA
A team composed of ZHA, A&O TEC, Prior + Partners, Homa, Buro Happold, Systematica, and Fichtner recently unveiled its concept proposal for the "Next Generation City Plan" for Benghazi, Libya. The project aims to bring together the historic port city's identity-defining features with the planning technologies required to guide its development toward 2050, in a context of rapid urbanization. The proposal, developed for A&O TEC, includes a Vision and Spatial Strategy, which consists of an interpretation of the city's character and collective memory translated into an adaptable framework for development, and a Digital Planning Hub, an evidence-based model mapping the city to identify its potential and the phenomena shaping its growth.
