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Southeast Asia: The Latest Architecture and News

Design Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia

While adaptive reuse has been increasingly acknowledged as a vital architectural strategy worldwide, its discourse and implementation in Asia are still expanding—driven by growing ecological awareness and a shifting understanding of architectural knowledge. Rather than accelerating a developmentalist model centered on demolition and new construction, architects today are confronted with a different approach to the built environment: treating the existing structure as a resource—an archive of materials, spatial organizations, and informal histories.

Adaptive reuse is often associated with the preservation of historic buildings and culturally significant heritage. Yet the vast field of seemingly 'less-valued' structures—abandoned houses, standard yet old dwellings, non-conforming office buildings, and overlooked urban voids—has become ground for experimentation. These sites challenge architects and designers to reconsider prevailing standards of efficiency and market-driven development, and to imagine spatial and ecological practices that avoid the continual loss of embodied material and cultural knowledge inherent in constant rebuilding.

Design Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia - SustainabilityDesign Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia - SustainabilityDesign Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia - SustainabilityDesign Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia - SustainabilityDesign Ethos of Subtraction and Addition: 10 Adaptive Reuse Projects for Commercial and Social Spaces in Asia - More Images+ 29

Ammodo Architecture Awards 2025 Announces 26 Recipients for Socially and Ecologically Responsible Design

The second edition of the Ammodo Architecture Award has recognized 26 recipients for their contributions to socially and ecologically responsible design. Selected from 168 submissions spanning over 60 countries, the laureates represent a wide range of practices, from established offices to emerging collectives and community-led initiatives. Each recipient receives a grant ranging from €10,000 to €150,000 to support the continued development of their projects. Beyond recognition and financial support, the Ammodo Architecture initiative also functions as a knowledge platform, connecting awardees across regions and facilitating the exchange of ideas on key themes identified by the advisory committee.

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Snøhetta Unveils Jesselton Docklands Master Plan in Kota Kinabalu, Malaysia

Snøhetta has unveiled plans for Jesselton Docklands, a tropical waterfront master plan in Kota Kinabalu, Malaysia, on the island of Borneo. The development reimagines the city's former port as a civic and cultural hub, strengthening its connection to the waterfront and positioning it as a new gateway to Sabah and the wider Southeast Asian region. Situated near Kota Kinabalu International Airport, the development includes a new ferry and cruise terminal, integrating infrastructure with the island's ecological and cultural context to position the city as a key point of connection within the region.

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The Bioclimatic Skyscraper: Kenneth Yeang's Eco-Design Strategies

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Rising over global cities, the modern skyscraper has long been a symbol of economic growth and environmental decline. For years, they have been reviled by environmentalists for being uncontrolled energy consumers. Malaysian architect Kenneth Yeang acknowledged the skyscraper as a necessity in modern cities and adopted a pragmatic approach to greening the otherwise unsustainable building typology. Yeang’s bioclimatic skyscrapers blend the economics of space with sustainability and improved living standards.

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The Use of Indigenous and Locally Sourced Materials in Philippines Architecture

The Philippines' history and cultural background are continually reflected in the architectural landscape throughout the country, with its structures and dwellings harboring a handful of influences from the nations that once purveyed the island.

When we talk about the topic of Filipino architecture and dwellings, more often than not, we may think of the first known Filipino home: Bahay Kubo. The Bahay Kubo is a small hut comprising nipa, bamboo, and other indigenous materials. It is often times that many citizens still choose to adopt this style of habitation, however, over time, the concept of the nipa hut has evolved into a more modern structure.

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Unpacking Paul Rudolph’s Overlooked Architectural Feats in Southeast Asia

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Intiland Tower. Image © Darren Soh

To speak of Paul Rudolph’s illustrious career is to trace a grand arc stretching from the 1940s to the 1990s. More often than not, the popular narrative begins with his student days at Harvard under the tutelage of Walter Gropius, touches upon his earliest, much-loved Florida beach houses, circles around his eventual break from the rigidity of both the Sarasota School and the International Style, and finally races towards the apex: his chairmanship of the Yale School of Architecture, and the concurrent shift to a Brutalist architectural style characterized by monumental forms, rugged concrete, and interwoven, multilevelled spaces awash with a remarkable interplay of light. Then comes the fall from grace: the beloved Yale Art and Architecture Building went up in flames just as the architecture profession began to question modernist ideals, and eventually Postmodernism was ushered in. Flickering, sputtering, Rudolph's grand narrative arc lurched towards Southeast Asia, bearing away the “martyred saint.” Save for several scattered commissions in the United States, Rudolph spent the last two decades of his life building abroad, mostly across Hong Kong, Indonesia, and Singapore, until his death in 1997.

But of course, time and again, historians have sought to challenge the myth of the failed architect by rereading his understudied work from the late years. Adding to this growing corpus of fresh research and alternate perspectives is architectural photographer Darren Soh’s ongoing project documenting—so far—three of Rudolph’s major works in Southeast Asia: The Colonnade (1986) and The Concourse (1994) in Singapore, and the Intiland Tower (1997) in Surabaya, Indonesia.

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