More than a trend, industrialization is a necessity in the construction industry. In recent years, we have witnessed its importance in increasing productivity and speed of execution—as well as reducing waste—in architectural projects. Beyond streamlining construction processes, this serial, mechanical, and standardized production increases quality and shortens delivery times. If initial project decisions incorporate the modulation of the various stages that can be industrialized within vertical and horizontal parameters, the outcome is much more efficient than if these are evaluated during construction (when it is no longer possible to reduce waste through modulation). Furthermore, by minimizing waste and reducing the consumption of energy and water resources, it also contributes to a more sustainable industry.
Architects and designers, as well as psychologists and sociologists, recognize that aesthetics and its underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful holds the powerful potential to alter how people respond to their environment.
Exploring the different meanings of aesthetics in architecture, from 'form follows function' to the aesthetics of the metaverse, can help us understand the potential of our physical and virtual environments on the path toward a better world.
Much has been written on the subject, from Alberto Pérez-Gómez's "The Beautiful and the Just in Architecture" to Pablo Caldera's "The Failure of Beauty." Now, however, we want to open up the debate and invite you, our readers, to share your perspectives on what makes a building or a city beautiful.
Share your thoughts in the form below. Selected responses will be published in an upcoming article.
Through the construction of a narrative fiction, this work by Federico Lagomarsino, framed around the landscape, aims to depict everything that unfolds in contemporary society when a singular event occurs—in this case, the impact of the two largest meteorites detected to date in South America.
Is Apprenticeship the Way to Keep Architecture Education Relevant?. Image via University of Michigan
"I'm an architect... now what?" must be one of the most common questions for any recent graduate with an architecture degree in hand. Over the years, many will find jobs in different industries that do not necessarily involve working in an office designing and constructing buildings.
Abajo: U. de Talca. Arriba izquierda: Universidad de Valparaíso. Arriba Derecha: Taller de Barrios, GIDPRO (U. del Bío-Bío). Image Cortesía de Rodrigo Lagos Vergara y Macarena Paz Barrientos Díaz
Below, they present some of the most important points of their publication: three pedagogical actions in Chile that understand teaching as a central practice through the academic exercise of the design project.
https://www.archdaily.com/1132492/architecture-education-in-chile-1999-2019-ecological-potential-and-collective-political-senseRodrigo Lagos Vergara y Macarena Paz Barrientos Díaz
Cortesía de Nómena y Cuatro Cero Cuatro Arquitectura
The power of visual representation in architecture fosters debate and reflection on various urban issues. "Imaginarios urbanos" (Urban Imaginaries) is a collective initiative by Nómena arquitectura and Cuatro Cero Cuatro Arquitectura. Through a series of evocative images, the project aims to raise awareness and drive change in the design of Lima's streets.
When designing residential interiors, architects increasingly lean toward creating environments where flexibility and space optimization provide solutions tailored to programmatic and functional needs, helping to achieve the well-being and comfort that turn a house into a true home.
Desde la periferia is an audiovisual project directed by José Luis Uribe, PhD in architecture and professor at the School of Architecture of the University of Talca, Chile. The project consists of three documentaries to be released progressively over the next two years, exploring various aspects associated with contemporary Latin American architecture. The first installment, Volume I: Ugly, Dirty & Bad: A Contemporary Architecture in Latin America, is an audiovisual essay that gathers some of the initial thoughts on its current state through the oral accounts of a group of architects in a hotel room in Asunción, Paraguay.
Arte Público de Estoy. Image Cortesía de Esteban Barrera
The city is in constant flux: monuments disappear, landmarks are forgotten, and new symbols emerge, prompting streets, plazas, and walls to redefine the urban landscape. In doing so, they offer new reference points, narratives, and ways of understanding the city, our history, and our society.
Thinking, discussing, and reconfiguring the city through art involves a series of processes. Researching territories, their inhabitants, sociocultural environments, and relational dynamics are essential pillars when designing and implementing installations that impact the city. The proliferation of large-scale artistic interventions that prioritize the purely aesthetic forces us to reflect on what we encounter in public spaces and how these encounters affect our daily lives.
August 19 is World Photography Day. To mark this occasion, we present the winning entries of the recent photography competition "Interculturality and Inhabited Heritage" ("Interculturalidad y Patrimonio Habitado").
The internationally renowned art collective _marina_morón (comprising Dr. Jesús Marina, PhD in History, and architect Dr. Elena Morón, PhD) inaugurated their latest work at the Pabellón de Mixtos of La Ciudadela in the city of Pamplona. The exhibition is sponsored by the Basque-Navarrese Association of Architects and the Pamplona City Council, and will remain open to the public until March 15, 2022.
May 3rd is a holiday originating from the Finding of the Holy Cross (also known as May Cross or Feast of the Crosses), which traces its roots back to Roman rites celebrating the Cross of Christ. Over time, this commemoration has evolved and been adopted across cities in Mexico, Chile, Spain, Ecuador, El Salvador, Guatemala, Paraguay, Peru, Trinidad and Tobago, Argentina, Colombia, and Venezuela, where traditions include floral decorations, processions, and dances.
San Juan de Lurigancho, Lima, Peru. Image by MarcoRosales. Image via Shutterstock
The IPCC has published its latest report on the environmental crisis, "Climate Change 2022: Impacts, Adaptation and Vulnerability." The latest findings warn that urgent priority must be given to action on the adaptability of the built environment, noting that, globally, the most rapid growth in urban vulnerability has occurred in informal and unplanned settlements, as well as in small to medium-sized urban centers in low-income countries with limited adaptive capacity. This is a recurring reality across Latin America.
Collage: Kevin Fu Fang, Cristobal Palma, Eduardo Hirose, Renzo Rebagliati, Iván Salinero
The world of gastronomy is about far more than just food; space plays a vital role in the overall dining experience. To achieve this, architecture transcends mere functionality to cultivate distinct atmospheres through the meticulous curation of light, acoustics, color, texture, and form, ensuring both intimacy and comfort for diners.
The city of Lima—capital of Peru, a preeminent culinary destination—features a diverse array of restaurants and cafés that reflect the country's rich heritage. Below, we present a selection of 10 restaurants and cafés offering unique dining experiences across the city.
Could a space be one and many at the same time? Under the name Minimum Common Multiple, Estudio BNAA has designed a space of minimal footprints—typically used for commercial premises or offices—with the unique feature of being able to transform into multiple spaces simultaneously. Located in San Luis, Argentina, the project references the mathematical concept of the least common multiple (LCM) but from a different approach and function, combining movement, flexibility, and the use of magnetism as a construction system.
Ana García, architect and founder of NeuronaLab, recently interviewed Aureli Soria-Frish from the company Starlab. They discussed how the latest technological advances are increasingly being used to objectify neural activity and the emotional states associated with architectural spaces. Below, she shares her key reflections.
https://www.archdaily.com/1132615/neuroscience-how-to-measure-the-perception-of-architectural-spaceAna García
Mexican interior designer and artist Olga Hanono has been invited to present her latest exhibition, DREAMVILLE, at La Biennale de Venezia Modigliani Opera Vision, from May 1 to July 31, 2022. The collection is inspired by the human capacity to dream, reflecting on imaginary objects that might exist within a dreamscape, along with the variety of colors and shapes found in distant stars, planets, and galaxies. Hanono has created art pieces and furniture using unconventional, luxurious materials.
This year we celebrate the fourteenth edition of the Obra del Año 2022 award—the highest recognition in the Spanish-speaking architectural world, where the winners are chosen by popular vote. Starting today, Tuesday, March 8, our readers will be responsible for determining which projects inspired us during 2021, faithfully representing the identity of our local contexts while shaping the way architecture is practiced around the world.
With nearly a thousand projects published in 2021, you can easily find your favorites by browsing through each category and using the search engine to filter projects by country and architecture firm.
The 2022 Obra del Año Award is brought to you by Dornbracht, renowned for its design leadership in architecture, which can be found internationally in bathrooms and kitchens.
CHINAS CHINAS is a research project conducted by FLORA. It maps a trajectory through the city of Buenos Aires, Argentina, based on a typological analysis of Chinese supermarkets. Its objective is to recognize and explore the modes of appropriation and domestic micro-scales that occur within them, demonstrating that urban architecture is shaped by everyday banalities. Ultimately, architecture takes on meaning when living conditions are defined by the people themselves. Inhabiting—beyond mere functionality—is precisely about this.
The fourth season of the podcast Causa Común—a co-production between Fundación Lepe and Fundación Aldea for the OH! Stgo festival, held in mid-January in Santiago, Chile—explores the past, present, and future of the capital, alongside the role of its inhabitants in prioritizing the common good and collaborative ways of making, inhabiting, and imagining our shared home.
Directed and coordinated by Francisca Cordero, Soledad Díaz de la Fuente, Magdalena Novoa, and Trinidad Piriz, the six-episode season examines the everyday stories, communities, monuments, and public spaces we inhabit from new perspectives. Featured topics range from the multiple identities of a public square, female leadership in housing projects, and the construction of urban memory, to island hills as socio-environmental opportunities, Mapuche urban dwelling, and the GAM building as an exponent of architecture and social change.
Cerro San Cristóbal, Lima - Peru. Via Shutterstock
"Lima La Impostergable" (Lima, Unpostponable) is an initiative by the Lima Regional Chapter of the College of Architects of Peru. It aims to establish a roadmap for priority issues to be addressed by the 2023–2026 municipal administration of Metropolitan Lima and Callao, built through a platform of citizen engagement.
https://www.archdaily.com/1132414/lima-the-unpostponable-a-roadmap-for-the-2023-2026-administrationDiego Vivas
The project “Moray, the lost territory – Experiencing Muyus” was developed as part of AAVS Nanoturismo, an experimental teaching, research, and development program by the AA Visiting School of the Architectural Association, School of Architecture in London, United Kingdom. It was carried out by a multidisciplinary team in 2019 in Maras, Cusco, Peru.
Nanotourism reconsiders traditional tourism, shifting it toward a critical, creative, and local perspective. Accordingly, the study utilized the PAR (Participatory Action Research) method, which, through participation, action, and research, identified key “hidden” aspects within this context.
As part of the cultural program for Art Week and as a response to the pandemic crisis, a new space has opened its doors in Mexico City to reimagine our current situation and rethink our relationship with public space and the Chapultepec Forest. From the roots of change generated by this crisis emerged the opportunity to recover and repurpose the iconic building known as "Restaurante Lago"—inaugurated on October 24, 1964, and designed by architect Alfonso Ramírez Ponce—giving it a new purpose: "to transform the private into public, the exclusive into inclusive, the social into cultural. To peel back the layers of history and return the present to its origin, rediscovering an icon of 1960s modern architecture."