If you find yourself in the city of Leandro N. Alem, Misiones, and you want to visit a landmark work of Argentine architecture, anyone will be able to point you to the location of the renowned school designed by architects Mario Soto and Raúl Rivarola.
From 1987 to 1993, architect Pablo Tomás Beitía set out to transform the former housing complex and rental houses of Argentine artist Alejandro Xul Solar into a museum. The goal was to create a new space that would adapt to exhibition requirements and engage in avant-garde dialogue with the pre-existing structure. Situated in the Palermo neighborhood within the Autonomous City of Buenos Aires, the Xul Solar Museum was designed to serve as a space for cultural encounters. The remodeling and expansion project was conceived by interpreting the artist's pictorial worldview, maintaining the facade intact, and embracing the painter's house with a new interior architecture.
On Avenida Corrientes, the Teatro Municipal General San Martín (TGSM) rises between party walls in the heart of downtown Buenos Aires. Designed by Mario Roberto Álvarez and Macedonio Oscar Ruiz in 1954, this building comes to address an artistic and cultural issue common to the large cities of America. It stands as one of Argentina's most important theaters, providing spaces for theatrical and cinematic performances as well as art exhibitions. Spanning 30,000 square meters, it constitutes a theater complex alongside the General San Martín Cultural Center, operating independently.
Some recognize in its facade the organic shape of a tree, while others, on the contrary, see human figures. Observing the Faculty of Architecture of the University of Mendoza, we can attest that we are in the presence of a building that constitutes a paradigmatic case in the context of the 1960s in Argentina.
There are reasons to visit the city of Mendoza: it serves as both the gateway to Argentine wine tourism and a diverse collection of historically and architecturally significant buildings. From the Museum of the Foundational Area to the renowned Faculty of Architecture at the University of Mendoza, this guide invites you to explore a cultural and scenic richness reflected in every facade and every street. The city's public spaces not only blend with the natural surroundings of the vast Andes but also harmonize with a system of irrigation channels and urban greenery that can be appreciated at every moment of the journey.
Perhaps without even looking for it, Cora Kavanagh would leave one of the most emblematic buildings of rationalist architecture in Argentina. Inaugurated in January 1936, with its almost 120 meters of height, the Kavanagh Building stands in front of the ravine of Plaza San Martín, located in the central neighborhood of Retiro in the Autonomous City of Buenos Aires.
"Cora Kavanagh and her Building" is the title of Marcelo Nougués' new book that gathers the entire story, revealing everything from her building and her travels to her art collection and the different houses she lived in during a period of almost 50 years. In collaboration with Díaz Ortiz Ediciones, this 572-page printed volume compiles texts, photographs, and documents from the author's collection and also showcases selected images and illustrations from extensive research. Discover a part of this story below.
In the central Recoleta neighborhood of Buenos Aires, in a large lot between Austria Street, Agüero Street, and Del Libertador Avenue, stands the current building of the Mariano Moreno National Library, designed by architects Clorindo Testa, Francisco Bullrich, and Alicia Cazzaniga.
Built on the basis of the project that won first prize in a national competition in 1961, and completed in the early 1990s, it has become a landmark of modern Argentine architecture and an example of the variant of 20th century expressionism known as "brutalism".
The Teniente General Castiñeiras building stands on a triangular plot of land in the heart of Buenos Aires, one of the most emblematic of the city's modern architecture. Better known as the SOMISA Building, its origin was the result of a design competition for the design of the new headquarters of the Sociedad Mixta Siderúrgica Argentina company. The first prize was won by MRA+A, Mario Roberto Álvarez & Associates, and its construction began around 1966, with the works completed in 1977.
Located in the Retiro district of the Autonomous City of Buenos Aires is the IBM building designed by Mario Roberto Álvarez & Associates. Conceived to house the headquarters of the IBM company, this office building was designed around 1979 and consists of a tower supported by two large concrete structural cores on a base, which is separated from the ground and the shaft of the tower to house the ground floor and a level of common areas in order to maintain the urban scale. The language of the building is recognizable from a distance as it is formed by an enclosure of horizontal bands of glass and exposed concrete parapets-parasols, which achieve a dialogue and balance in the proportion of full and empty spaces.
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Achieving the best use of space, reducing the footprint of the buildings that are constructed and designing an optimal distribution that can meet the needs of their inhabitants are some of the requirements and challenges faced, day after day, by architects around the world. Through the implementation of certain materials, the definition of the morphology or even the geographical and natural conditions of the terrain, it is possible to carry out various strategies that make it possible to design homes with the comfort that their users need and in the smallest amount of square metres possible.
Within South America, different dates have been established to pay tribute to and honour the career, life and work of architecture professionals. While in Uruguay it is celebrated every 27th of November in relation to the creation of the first Faculty of Architecture, in Brazil every 15th of December in homage to the birth of Oscar Niemeyer or in Chile every 4th of August for the founding of the College of Architects, the Argentine Federation of Architects' Associations (FADEA) kept the 1st of July to commemorate the Day of the Argentinean Architect, respecting the establishment of the International Day of Architecture, established by the International Union of Architects (UIA) in 1985.
Towards the end of the 1970s, the architectural office of Flora Manteola, Javier Sánchez Gómez, Josefina Santos, Justo Solsona and Rafael Viñoly (MSGSSV) together with Carlos Sallaberry began to devise the project for the Prourban Building, which would become one of the most emblematic buildings in the city of Buenos Aires and would be popularly nicknamed "El Rulero".
Regardless of the design adopted for kitchen spaces, for some years now and with increasing frequency, many architects have been deciding to design kitchens by integrating them into other rooms in the home. Free of dividing walls or joinery, integrated kitchens are implemented with the aim of leaving the activities that take place there in full view of everyone, encouraging interaction and communication between the inhabitants.
Over the last couple of years, terraces have become an important part of urban life, acting as a refuge, a space for enjoyment and gathering, for contemplation or as an outdoor workspace. As a result of periods of confinement around the beginning of the Covid-19 pandemic, these outdoor spaces where people can exercise, connect with nature, study or work, have become particularly popular with those living in large cities.
It was designed and built between 1943 and 1946 by Amancio Williams and Delfina Galvez Bunge over the Las Chacras Stream in the city of Mar del Plata. It eventually became known as "The House on the River" or "The Bridge House". However, it ceased to have a stream, and thus to be a bridge, in 1957 when the watercourse on which it rested was interrupted for sanitation reasons. It was used as a radio station between 1970 and 1977, but the last military dictatorship in Argentina ended up shutting it down. It remained closed, maintained by its owner until their death in 1991. Studied by all, but cared for by none. It suffered two major fires, in 2004 and 2008. Abandoned during the whole succession process, it was recovered by the Municipality of General Pueyrredón in 2012.
Whether applied as cladding to steel or timber frame structures or to structures built by traditional means, sheet metal offers an array of advantages as a building material, thanks to its low cost, ease of maintenance, and versatility.
As Francis D. K. Ching explains in his book Architectural Graphics, unlike the traditional, two-dimensional orthographic drawings used to represent layouts, sections, and floorplans, which only allow a project to be glimpsed through a series of fragmented images, axonometries, or axonometric projections, offer unique, simultaneous three-dimensional views of a project with all the depth and spatiality of tried and true technical illustrations.
The distribution of natural light, improved ventilation, and the propensity to connect living spaces with the outdoors while maintaining the privacy of the inhabitants have made courtyards a go-to in architectural design around the world over the centuries.
Courtyards are characterized as outdoor or semi-outdoor spaces that are enclosed within the walls of a house or building.
