With a seminar on sustainable construction, La Ruta Solar kicked off Construye Solar 2019, the third edition of the competition that invites universities from Chile and around the world to design and build housing prototypes with high thermal and environmental standards, as well as low construction costs.

The event, which took place at the Chilean Chamber of Construction Auditorium in Santiago, Chile, and was sponsored by the Technological Center for Innovation in Construction (CTeC), was attended by the Undersecretary of Social Evaluation, Alejandra Candia, and the Chief of Staff of the Undersecretary of National Assets, Mario González, along with key speakers from industry and academia who shared their experience in developing innovations focused on sustainable housing.

Architectural print studio Desplans in collaboration with Library Illustrazioni have published the results of their architectural drawing competition titled “The Island: Between Utopia and Metaphor for Reality.” The competition asked participants to submit drawings and text interpreting the meaning of islands and utopias, considering “the double value inherent in the utopia” between aspiration and limitation.

The entries were judged by a jury of figures from Library and Desplans, with one winner and 12 honorable mentions selected. The winning entries were chosen with attention given to the relevance of the theme, dialogue between text and image, graphic research, and quality of reflection.

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Snøhetta has released images of its proposed sustainable data center concept, named “The Spark.” The project seeks to address the typical high-energy-consuming typology of the data center, transforming it into an “energy-producing resource for communities to generate their own power.”

The proposal is adaptable for a wide range of contexts and can be scaled for any location around the world, fueling connected cities with energy from the center’s excess heat.

Wood as a building material is experiencing a bit of a renaissance. Though elemental and deceivingly simple, applied technology has transformed the building material. If you have questions about how to choose and use wood, Think Wood's mission is to provide access to the expanding pool of research and information.

In support of this year’s AIA theme, Blueprint for Better Cities, Think Wood is at the AIA Conference on Architecture to share research and resources on the benefits of wood and how it offers better solutions for the communities where we work, live and play. If you're at the conference be sure to stop by the Wood Pavilion at booth 757. If you can't make but are interested in learning more, read on to see the benefits of wood.

The Council of Architecture and Urbanism of Brazil (CAU/BR) has sent an open letter to the president of the National Institute of Historic and Artistic Heritage (Iphan), historian Kátia Bogéa, demanding the professional minimum wage for architects selected through the national competition launched last week.

Toronto-based photographer Ruta Krau has captured stunning photographs of the Andrews Building, one of Canada’s most noted brutalist buildings, and a celebrated part of Toronto's concrete architecture. Designed by John Andrews, architect of Toronto’s iconic CN Tower, the Andrews Building embodies the Modernist ethos of connecting with the surrounding environment, balanced above a ravine and emerging as a stepped pyramid from a natural ridge.

Krau’s photographs capture the rough, natural aesthetic of the Modernist building, with béton brut concrete stamped with the patterns of the timber used to mold the poured-concrete structure. Visible on both the interior and exterior, this texture compliments terra-cotta-colored floor tiles and wood-paneled feature walls.

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Videos

The idea of a total work of art - Gesamtkunstwerk - guided several schools and movements in the 19th century, including the Bauhaus, which brought the term into the modern era. With the school's unstructured architecture and avant-garde furniture design came new ways of designing clothing, graphics and painting, etc. In the Bauhaus different fields influenced each other, diluting the border between art and industry as they evolved together. When the school was closed 1933 many projects were left unfinished.

In order to revive some of the work begun at the Bauhaus, Adobe launched the Hidden Treasures project to revive five fonts inspired by the original designs of five of the school's masters: Joost Schmidt, Xanti Schawinsky, Reinhold Rossig, Carl Marx and Alfred Arndt.

Penda has released images of its proposed high-rise residential tower in Tel Aviv, featuring brick arches and cascading terraces influenced by the city’s Bauhaus era and the materiality of its Old Town. The 380-foot-high (116-meter-high) scheme will house a range of one to four bedroom apartments, as well as double-height penthouses.

For the scheme’s design, Penda rejected the “generic glass tower” in favor of a form and materiality which responds to Tel Aviv’s sunny Mediterranean climate.

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Benoy has released images of their competition-winning design for a waterfront development in Wenzhou, China. INCITY MEGA will form part of the Central Green Axis masterplan, a dramatic landscaped district cutting through the urban fabric of Wenzhou.

The 2.6 million square foot (250,000 square meter) INCITY MEGA scheme will occupy two of the eight plots on the Central Green Axis, with a mixed-use program including retail, movie theaters, plazas, and gyms. The scheme is in response to a rapidly-growing consumer population in Wenzhou and will join the ranks of previous schemes in the region by Hammer Schmidt Lassen, UNStudio, and HENN.

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Solutions from the past can often provide practical answers for the problems of the future; as the London-based design and research firm, Space Popular demonstrate with their "Timber Hearth" concept. It is a building system that uses prefabrication to help DIY home-builders construct their own dwellings without needing to rely on professional or specialized labor. Presented as part of the ongoing 2018 Venice Biennale exhibition “Plots Prints Projections,” the concept takes inspiration from the ancient "hearth" tradition to explain how a system designed around a factory-built core can create new opportunities for the future of home construction.

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The Richard H. Driehaus Architecture Competition, which aims to promote architectural and urban design practices that preserve and provide continuity to local traditions, has announced the winning projects of the 2017-2018 edition.

Following an initial phase in which Spanish municipalities were invited to submit potential themes and sites, the jury selected Baza (Granada), Borox (Toledo), and Trujillo (Cáceres) as the towns that best met the criteria and were deemed most viable for subsequent implementation.

Exceptionally, and thanks to funding provided by the local city council, the competition for Jaca (Huesca) was reopened after being declared vacant last year when none of the proposals met the competition guidelines.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Turkish Pavilion. To read the initial proposal, refer to our previously published posts, "Turkey's Entry to the 2018 Venice Biennale to Offer Space for Creative Encounter" and “Turkish Pavilion at the 2018 Venice Biennale to Host a Series of Student Workshops”

Kerem Piker of the firm Kerem Piker Mimarlık curated this year’s Pavilion of Turkey entitled Vardiya (the Shift), together with associate curators Cansu Cürgen, Yelta Köm, Nizam Onur Sönmez, Yağız Söylev and Erdem Tüzün. Coordinated by the Istanbul Foundation for Culture and Arts (İKSV) and installed at Sale d’Armi, Arsenale, the pavilion functions as a space for gathering, conversation and sharing ideas, with a series of video installations projected on draped fabric screens as well as a lecture and meeting space designed to host the 122 architecture students invited from around the world to participate in workshops, discussions and keynote lectures in the space.

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C.F. Møller Architects has released images its proposed 470-foot-high (144-meter-high) office tower at the Port of Aarhus in Denmark. Intended as a “bright sculptural landmark,” the scheme combines cultural, retail, and business functions to activate the public realm in a former industrial port area.

C.F. Møller’s plans will include the retention of an existing 60,000 square foot (5,600 square meter) industrial complex on the site, which will be opened up to establish a stronger connection between indoor and outdoor spaces. The new tower’s geometry originates from the existing building, forming a dialogue between old and new urban fabric.

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Foster + Partners has released details of their proposed comprehensive refurbishment of the Plaza Colón building in Madrid. Located at a historically significant site in Madrid, the scheme will see the transformation and revitalization of the existing structure to “create a new iconic landmark.”

Located at the junction of Madrid’s main north-south and east-west arteries, the building occupies one of the most important intersections in Madrid and forms a key part of the city’s long-term urban vision. The building also faces the bustling Plaza de Colón, one of the largest public spaces in Madrid, while linking three distinct districts containing luxury shopping, finance, art, and historic tradition.

As part of the 30th National Meeting of Architecture Students (ENEA), the Association of Architecture Teaching Institutions (ASINEA) invited the country's most prestigious architecture schools to participate in this event organized by Universidad de La Salle México. The meeting took place at La Salle Cuernavaca in March 2018, bringing together the highest-performing students.

The exercises focused on the theme proposed by La Salle México, "Architecture and Design for Urban Emergencies," which arose from the events of September 19, 2017, and the urgent need to raise awareness within the profession about the importance of preparing for social disasters caused by natural phenomena.

The “London Mastaba” has opened in Hyde Park. A temporary sculpture floating on the Serpentine Lake, the project is the first major public outdoor sculpture in the United Kingdom designed by the artist Christo. The opening comes as new photographs by Wolfgang Volz are released which chart the construction and completion of the striking art piece.

Featuring 7,506 horizontally-stacked barrels floating on the Serpentine Lake, the Mastaba coincides with an exhibition of Christo and Jeanne-Claude’s work at the Serpentine Galleries featuring sculptures, drawings, collages, and photographs spanning more than 60 years.

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Videos

The LEGO House by Bjarke Ingels Group now has its own Netflix documentary. Taking viewers on a journey through the conception, design, construction, and opening of the LEGO House, the documentary offers an insight into the challenges faced throughout the process, and the thoughts and reflections of the project’s key contributors, including Bjarke Ingels.

“LEGO House – Home of the Brick” offers the most thorough insight yet into the scheme’s creation, detailing major early construction issues, delays, and (spoiler alert!) the ultimate successful completion of one of the most iconic pieces of architecture created in recent years. The documentary dives into the history of the LEGO brand, the vision, and importance placed on the LEGO House by the company’s directors, and perhaps most interestingly, a series of interviews with Bjarke Ingels in which he reflects on the role of LEGO in the development of his own career.

The downtown skyline of a city is perhaps its most symbolic feature. The iconic cityscapes that we know and love are typically formed by skyscrapers, but much of the surrounding context is made up of other high-rise buildings. Yes, there is a difference between a skyscraper and a high-rise. Research company Emporis defines a high-rise as a building at least 35 meters (115 feet) or 12 stories tall. These high-rise buildings play a major role in the more sprawled urban context of larger cities today.

Read on for Emporis' list of the 20 cities in the world with the most high-rises. You might be surprised by which cities made the cut.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Romania Pavilion. Below, the curatorial team describes the exhibition in their own words.

Mnemonics proposes a contemporary take on the event’s theme and takes an ultimately optimistic snapshot of the public urban space that Romanian society has seen transforming over the past decades. It raises the question of the social and cultural functions of the free public space in Romanian cities.

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The National Council of Architectural Registration Boards (NCARB) has recently released new data surveying the number of licensed architects in the United States. Conducted annually by NCARB, the 2017 Survey of Architectural Registration Boards provides exclusive insight into data from the architectural licensing boards of the 50 U.S. states, the District of Columbia, Guam, Puerto Rico, and the U.S. Virgin Islands. At first glance, the numbers reflect promising growth for the architecture profession. The number of architects licensed in the U.S. rose to 113,554, according to the survey, which is a 3% increase from 2016 and a 10% increase from the numbers reported a decade ago.

Even more impressive, when you compare the increase in registered architects to the U.S. population, the number of architects licensed has risen over 10% since 2008; while the total U.S. population has risen 8%, according to data from the U.S. Census Bureau. That equates to roughly 1 architect for every 2,900 people in the country. To put this into perspective, a medium-sized architecture firm of 50 people would theoretically have the potential to directly impact 145,000 people in the U.S.

Based on these statistics, one might assume that more architects naturally means more architecture, thus more influence from the profession in general. But that might not be the case. Read on for more data from NCARB's report and what it could mean for the profession as a whole.

Architect Philipp Mohr has led the renovation of an apartment at Le Corbusier’s iconic Unite d’Habitation in Berlin, carried out to the architect’s original design. Over the course of two years, Mohr’s team engaged with archival research, antique shopping, and the surveying of the Unite d’Habitation Marseille in France.

Mohr purchased the apartment in 2016 and embarked on a journey of demolition, measurement, and extensive renovation including lowering ceilings and moving walls in order to recreate the interior likely envisioned by Le Corbusier.

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UNStudio has released images of its design for IJbaan, a green, future-proof cable car linking West and North Amsterdam. The result of a crowdfunding campaign started by founders Bas Dekker and Willem Wessels in 2015, the project is to be implemented by 2025, marking the city's 750th anniversary. The “all electric” transport scheme forms part of Amsterdam’s ambition to be a European center for urban innovation, integrating forward-thinking technology with existing public transport modalities.

Stretching over one mile (1.5 kilometers), the cable car links the two thriving residential districts of Amsterdam-West and Amsterdam-Noord through a system of three slender pylons and two stations. The cable car has been designed to accommodate a future third station depending on the pattern of growth for surrounding districts.

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After conducting a concert at Munich’s Gasteig concert hall, Leonard Bernstein offered a scathing edict for the building: “burn it down.”

The Gasteig’s behemoth structure of brick and mirrored glass never met Bernstein’s decree. Instead, it has stood for decades, garnering vitriol from those who resent its postmodern aesthetic. In a design competition hosted by the Gasteig, seventeen architecture firms have attempted to change the concert hall and cultural center’s public perception with varied renovation schemes.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.

What if architecture has no form and shape? It will be freed.

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