A proposal to create a floating swimming pool in the Thames river will step up a gear tomorrow, as Studio Octopi will present their design for the Thames Baths at the Guardian’s World Cities Day Challenge. Originally created as part of the Architecture Foundation’s competition to design ways to reconnect Londoners with the river, the Thames Baths design has gained momentum over the last year, with a recent iteration of the design proposed for London‘s Victoria Embankment.
More on the design after the break
English Heritage has awarded a Grade-II listing to “The Rom,” a skatepark in Hornchurch on the outskirts of London. Built in 1978, the Rom was one of the UK’s first wave of purpose-built skateparks, and probably the most complete example found in the UK today. The listing makes the Rom the first protected skatepark in Europe, and just the second in the world after Tampa‘s “Bro Bowl” was added to the USA’s National Register of Historic Places last year.
More on the listing decision after the break
Architectural aid charity Article 25 has unveiled the drawings for its most important annual fundraising event, the 10×10 Drawing the City Auction. Featuring drawings donated by leading architects including Norman Foster, Ivan Harbour, Sheila O’Donnell, Terry Farrell and Ken Shuttleworth among many others, in previous years the 10×10 auction has raised over £90,000 for the charity, and this year it is hoped that it will top £100,000.
The 10×10 concept divides a section of the city up into a 10 by 10 square grid, with each participating architect assigned a section of the grid where they must find inspiration for an artwork. This year, the grid centred on the Shard, where this year’s auction will be held on November 27th. In the lead-up to the auction, bidding will also be available online from November 4th-25th, at the 10×10 website.
Read on after the break for another 20 of the pieces to be auctioned
In the second installment of their new three-part micro documentary series on architecture and water (see the first part here), Ellis Woodman and a team at the Architectural Review (AR) have collaborated with architects, developers, urbanists and thinkers to examine the latent connections between water infrastructure and our built environment. Taking a journey by narrowboat through London, the film explores the radical ideas which may offer the keys to unlocking the potential of the urban waterway. When London has an ever-increasing overwhelming need for growth, how does the densification and gentrification of the city relate to the rivers and canals?
The Decorators, an interdisciplinary group of practitioners working with space in London, recently transformed the terrace overlooking the city at Alexandra Palace by installing a mobile Italian garden. As a “landscape of scattered objects” which geometrically piece together to resemble a formal garden, the designers describe the project as somewhere between “grotto and folly, garden and landscape, stage and amphitheater,” all the while drawing from the historical character of the surrounding context. The scheme ultimately “breaks the monumental proportions of the main building to meet visitors with a more intimate scale on their first encounter” with the palace.
In the first part of their new micro documentary series on architecture and water, Ellis Woodman and a team at the Architectural Review (AR) have collaborated with architects, developers, urbanists and thinkers to examine the latent connections between water infrastructure and our built environment. Taking a journey by narrowboat through London, discussing a raft of radical ideas which may offer the keys to unlocking the potential of the river along the way, the films discuss how we might begin to shape the contemporary city’s relationship with its urban waterways. Can ”floating parks, amphibious houses, floodable public squares, new wetlands or brand new canals foster a more meaningful relationship between the citizen and the city’s waters?”
Wright & Wright Architects has revealed their designs for the Geffrye Museum in East London, a £15 million redesign that will increase the museum’s total space by almost 40% through “unlocking” previously unused areas of the museum’s 18th century almshouses. The design replaces a scheme by David Chipperfield Architects, which last year failed to secure planning permission in part because of the hugely controversial proposal to demolish the former Marquis of Lansdown Pub that occupies the corner of the site.
Sir Christopher Wren (20 October 1632 – 25 February 1723) is one the most significant architects in England‘s history, and was a recognized astronomer, scholar, and physicist-mathematician. Wren was classically trained at University of Oxford in physics and engineering where he developed his interest in architecture. He is perhaps most famous for designing London‘s iconic St. Paul’s Cathedral, however he is credited with the design of dozens of other churches, government buildings, and hospitals in England. Wren was knighted in 1673.
Architects: O’Donnell + Tuomey Architects
Location: Houghton Street, London School of Economics and Political Science, London WC2A 2AE, UK
Design Team: John Tuomey, Sheila O’Donnell, Willie Carey, Geoff Brouder, Laura Harty, Kirstie Smeaton, Gary Watkin, Anne-Louise Duignan, Ciara Reddy, Jitka Leonard, Iseult O’Cleary, Henrik Wolterstorff, Mark Grehan, Monika Hinz
Area: 6101.0 sqm
Photographs: Alex Bland, Dennis Gilbert
With more than 7 billion people now alive, the greatest population growth over the last century has occurred in urban areas. Now, a new series of interactive maps entitled “The Age of Megacities” and developed by software company ESRI allows us to visualize these dramatic effects and see just how this growth has shaped the geography of 10 of the world’s 28 megacities. Defined as areas with continuous urban development of over 10 million people, the number of megacities in the world is expected to increase, and while Tokyo still tops the list as the world’s largest megacity, other cities throughout Asia are quickly catching up. Find out more after the break.
As part of the their Architecture for All programme, London‘s Old Royal Naval College is set to host three debates about the future planned along the River Thames, investigating the issues surrounding living, building and working on the City’s waterways in the years to come. The series is curated by Ellis Woodman, critic for the Architects’ Journal and the Architectural Review, who said: “Despite the fact that the riverfront is currently the subject of redevelopment proposals of unprecedented scale, London’s ambitions for the Thames have yet to be widely articulated or debated.” Details of the three events after the break.
On the heels of Mayor Boris Johnson’s announced plan to construct an 18-mile protected bike lane by March 2016, architect David Nixon and artist Anna Hill have released their vision for relieving London’s congested streets with a floating “Thames Deckway” for cyclists. The proposal, though just in its preliminary design phase, claims the river Thames is currently a missed opportunity that could serve as a major travel artery for cyclists. If constructed, the £600 million project would run east-west for seven miles along the river’s southern bank, from Battersea to Canary Wharf, and harness it’s own energy through solar, tidal and wind power. Nixon and Hill have founded the River Cycleway Consortium in support of the project, which includes Arup and Hugh Broughton Architects.
The Battersea Power Station Development Company has revealed new images of the buildings on “Electric Boulevard,” designed by Foster + Partners and Gehry Partners. As phase three in the development of the Grade-II* power station and its surroundings, the buildings will form the primary entrance to the site, connecting the planned Battersea Underground station with the power station and forming one of London‘s most distinguished high streets.
The released images show both the exterior and interior features of Foster’s “Battersea Roof Gardens” Building (formerly called “The Skyline”) and Gehry’s “Prospect Place” and “Flower” buildings. Read on after the break to see all the images.
Pier Vittorio Aureli’s collection of thirty ‘non-compositional’ drawings, exhibited as part of a series entitled The Marriage of Reason and Squalor, will open at London’s Betts Project architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into “what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’.” This term, referring to the work of art historian Yve-Alain Bois who was himself prompted by the ambitions of the constructivist artist Alexander Rodchenko, is used to describe works that “aspire to the abandonment of composition and even the self of the artist.” This will be Aureli’s second recent exhibition in London following Dogma: 11 Projects, which was presented at London’s Architectural Association in 2013.
London‘s Mayor Boris Johnson has largely rejected the proposals by the Skyline campaign, organized by the Architects’ Journal and the Observer, which aimed to introduce measures to allow more considered development in London, following the news that the UK‘s capital is currently going through its biggest building boom in recent memory.
The Architects’ Journal reported on Friday that the mayor rejected proposals for a presumption against tall buildings submitted for planning permission, a review of over 200 tall buildings currently either proposed or being constructed, a more rigourous system of masterplanning, and an independent skyline commission to examine new proposals. However, he did support the idea of a city-wide 3D model containing both existing and proposed buildings, which would allow planning officers to make more informed decisions.
More on the issue, and a detailed look at the mayor’s response to the proposals, after the break