Following the news last month that the RIBA and the Mayor of London’s Office revealed the five shortlisted designs for the new Metropolitan Police Service (MPS) headquarters, it has been announced that Allford Hall Monaghan Morris‘s (AHMM) design has won. The competition attracted submissions from the likes of Foster + Partners, Allies & Morrison, Keith Williams Architects and Lifschutz Davidson Sandilands. AHMM’s proposal will be located in London’s Whitehall Conservation Area and is set for completion in 2015.
London’s King’s Cross has seen a surge of redevelopment in recent years, the most iconic of which – John McAslan + Partner’s new concourse for King’s Cross Station – was completed last year. The area has also been defined by the new Central Saint Martin’s campus, designed by Stirling Prize winner Stanton Williams, and Google’s new London headquarters. Plans have now been unveiled for Gridiron (One St. Pancras Square), a 50,000 square foot office building nestled between St. Pancras International and King’s Cross Stations, designed by David Chipperfield Architects and set for completion in the first half of 2014.
The London School of Economics and Political Science (LSE) and the Royal Institute of British Architects (RIBA) have unveiled five shortlisted proposals for the new £90 million Global Centre for Social Sciences (GCSS) in London’s Aldwych. The competition, which has attracted designs from the likes of Rogers Stirk Harbour + Partners and OMA, will be the school’s “biggest ever building project” and is set to “transform” the world-leading institution. Other entrants include Hopkins Architects, Grafton Architects, and Henegham Peng Architects. See the anonymous proposals after the break…
UPDATE: Following ongoing discussions, the city of London and the Chinese ZhongRong Group have finally unveiled plans for the Crystal Palace replica, announcing a competition to find the “the best not the biggest” architects to take on the project.
Mayor of London, Boris Johnson said: “Paxton’s stunning Crystal Palace was a beacon of innovation in the 19th century, encapsulating a spirit of invention which was to shape London and the world for generations to come. Since the iconic building was destroyed, the conundrum of what to do with the crumbling site has not been successfully resolved.” Until now.
Check out renderings and more information, after the break…
Five proposals for reconnecting Londoners with the River Thames have gone on display at London’s Royal Academy of Arts (RA). The competition, organised by the Architecture Foundation, “launched an open call for multidisciplinary design teams to put forward new ideas and visions for self-selected sites along the Tidal Thames” earlier this year. The five selected teams were shortlisted earlier this year and recently discussed their designs at a public design workshop. The schemes are now being exhibited as part of the Richard Rogers RA: Inside Out exhibition.
Read extracts of the proposals after the break…
Architects: Zaha Hadid Architects
Location: London, England, UK
Design: Zaha Hadid with Patrik Schumacher
Project Director: Charles Walker
Project Team: Ceyhun Baskin, Torsten Broeder, David Campos, Suryansh Chandra, Inanc Eray, Matthew Hardcastle, Dillon Lin, Elke Presser, Marina Duran Sancho, Timothy Schreiber, Jianghai Shen, Marcela Spadaro, Anat Stern, Laymon Thaung, Claudia Wulf
Area: 1,566 sqm
Photographs: Luke Hayes
Following the news that the 2013 RIBA Stirling Prize was been won by Witherford Watson Mann for Astley Castle at a ceremony in London last week, the critical response to the project has been extremely positive. Joseph Rykwert (who recently won the RIBA Gold Medal) said that “Witherford Watson Mann have been gentle surgeons, saving the essential, eliminating the incidental”. Check out the critical responses from The Financial Times’ Edwin Heathcote, The Guardian’s Oliver Wainwright, Building Design’s Ellis Woodman, and the Architects’ Journal’s Rory Olcayto after the break…
The 2013 RIBA Stirling Prize has been won by Witherford Watson Mann for Astley Castle (Nuneaton, Warwickshire). The winner was just announced at a ceremony at London’s Central Saint Martins, a building designed by last year’s winner Stanton Williams. Astley Castle was also voted as BBC readers’ favourite earlier this week. Jury-member Stephen Hodder stated that “engaging with the building was such a surprise for [the jury],” and described it as an ”unassuming” building with great “rigour.”
In one of the latest short films from Nowness, director Matthew Donaldson explores the home of Ruth and Richard Rogers in London’s Chelsea. What appears to be a typical Georgian terrace from the outside, complete with “a resplendent facade in London brick with uniform windows and smart stucco”, opens up into a bold, colourful and homely series of internal spaces that could only belong to Richard Rogers.
The RIBA and the Mayor of London’s Office has revealed the five shortlisted designs for the new Metropolitan Police Service (MPS) headquarters, set for completion in 2015. The proposed designs, attracting submissions from Foster + Partners, Allies & Morrison, Keith Williams Architects, Allford Hall Monaghan Morris (AHMM), and Lifschutz Davidson Sandilands, will be located in the Whitehall Conservation Area and be renamed back to ‘Scotland Yard’.
Read more after the break…
“Architecture is too complex to be solved by any one person.”
Richard Rogers is an architect who understands the significance of collaboration. As a man with an intense social mind and a thirst for fairness in architectural and urban design, Rogers’ substantial portfolio of completed and proposed buildings is driven by the Athenian citizen’s oath of “I shall leave this city not less but more beautiful than I found it.”
In honor of his success, London’s Royal Academy (RA) is currently playing host to a vast retrospective of Richard Rogers’ work, from his collaborations with Norman Foster and Renzo Piano, to the large-scale projects that define Rogers Stirk Harbour + Partners (RSHP) today. The RA’s extensive exhibition has been condensed into a series of motifs that have defined his architectural work, punctuated by memorabilia which offer personal insights into how Rogers’ career has been shaped by the people he’s worked with and the projects that he has worked on.
Continue after the break for a selection of highlights from the exhibition.