WoodWorks, an initiative of the Wood Products Council, has announced the winners of its 2014 National Wood Design Awards. Recognizing “outstanding projects that bring to life wood’s natural beauty and versatility in building design,” 13 projects have been selected from over 140 submissions for demonstrating “ingenuity in design or engineering.”
The 2014 National Wood Design Award Winners are…
Austrian artist, architect, designer, theoretician and Pritzker Prize laureate Hans Hollein turns 80 today. Described by Richard Meier as an architect whose “groundbreaking ideas” have “had a major impact on the thinking of designers and architects,” Hollein has worked in all aspects of design, from architecture to furniture, jewelry, glasses, lamps — even door handles. Known in particular for his museum designs, from the Abteiberg Museum in Mönchengladbach to the Museum of Modern Art in Frankfurt to Vienna’s Haas House, Hollein’s work manifests a unique, fascinating take on 1950s Modernism.
Fast Company has announced who they believe to be the most innovative practices in architecture for 2014. Topping this list is New York’s SHoP Architects who has gone from “boutique to big commissions in only a few years.” See who made the list after the break and let us know who you believe is the world’s most innovative firms in the comment section below.
Global firm Woods Bagot has unveiled designs for the Italian Serie A soccer club AS Roma’s new stadium: Stadio della Roma. Planned for completion by the 2016-17 season on the outskirts of Rome, the colosseum-inspired stadium will be capable of hosting more than 52,000 fans and designed to be easily configured to accommodate multiple sporting and entertainment events.
“The design draws visual cues from the world’s most historic spectator venue, the Roman Colosseum,” says Woods Bagot Sport Design Leader, Dan Meis. “The design features a state-of-the-art steel and concrete seating bowl wrapped in a ‘floating’ stone scrim, evocative of the rhythmic facade of the famous arena; with polycarbonate clad roof is reminiscent in form of the historic retractable fabric canopy that once covered the upper tiers of the Colosseum.”
Foster + Partners, with Heller Manus Architects, has been commissioned to design a two tower, two million square foot mixed-use development in San Francisco. The expansive “First and Mission” will be marked by a 605-foot “world class condominium” tower – which will be the tallest residential project on the West Coast – and a 850-foot “large floor plate office tower.” Together they will add more than a million square feet of flexible office and commercial space, as well as 650,000 square feet of residential units to the Transbay Area.
Earlier this year the University of Cambridge announced an ambitious new urban extension in the north west of the city in order to create a framework for a new district centered on a mixed academic and urban community. The development, planned by Aecom, has aspirations of achieving urban space that is well balanced, permanent and sustainable. Containing 1,500 homes for its key workers, accommodation for 2,000 postgraduate students, 1,500 homes for sale, 100,000 square metres of research facilities and a local centre with a primary school, community centre, health centre, supermarket, hotel and shops, proposals from Mecanoo and MUMA are now entering the planning phase. Future lots are expected to be filled by the likes of Stanton Williams, Alison Brooks Architects and by Cottrell and Vermeulen working with Sarah Wigglesworth and AOC.
A big happy birthday goes out to Ludwig Mies van der Rohe (1886-1969), who would have turned 128 years old today. Mies, who studied under influential figures such as Walter Gropius and Le Corbusier, helped to develop the most enduring architectural style of the 20th Century: modernism.
Among his most famous accomplishments are his seminal Barcelona Pavilion; his work as the head of The Bauhaus school; and, after the Nazi ascension in Germany forced him to emigrate, his leadership at the Illinois Institute of Technology. During his 20 years at IIT, Mies developed what became known as ‘the second Chicago school of architecture’, a style of simplified, rectilinear high-rise buildings exemplified by projects such as 860-880 Lakeshore Drive and the Seagram Building. Mies’s minimalist style proved very popular; his famous aphorism ‘less is more’ is still widely used, even by those who are unaware of its origins. All of this makes him one of the most influential architects of the modernist movement and the 20th century.
To celebrate him we have changed our logo to a Mies doodle (above) and have rounded up our great Mies coverage of the past. See the extensive list after the break!
MVRDV has begun construction on an adaptive reuse project that will transform a former warehouse in Hong Kong’s newly designated business area of East Kowloon – the Kwun Tong district – into a “luxurious loft style working environment” for creative companies. The 14-story structure will be stripped down to its raw concrete bones and reconstructed with glass and stainless steel to provide up to 37 naturally lit, affordable office units.
The BBC’s Tony Hall has announced that Zaha Hadid will be presenting a 60-minute Secret Knowledge film based on Kazimir Malevich. The Russian painter and theoretician, who founded the Suprematist movement, inspired Hadid’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. Hadid will be one of many influential art leaders enlisted to participate in the program, which intends to place the arts on “center-stage.”
After deliberating over the stellar proposals of three renowned firms, BIG, Büro Ole Scheeren, and OMA, Berlin-based media company AXEL SPRINGER SE has just announced that Rem Koolhaas’ design is the winning proposal for their new office building.
The task of the competition was to create additional space for the media company, particularly its digital offers, and thus design a workplace fit for the future of online media. Koolhaas’ design, which features a large 30-meter high atrium or “open valley” with interconnected terraces and public workspaces for both individual, collaborative, and mobile work, won favor with the jury for its forward-thinking concept. As Dr. Mathias Döpfner, Chief Executive Officer of Axel Springer SE, commented: “[Koolhaas] presented the conceptually and esthetically most radical model. The fundamental innovation of working environments will support the cultural transformation towards a digital publishing house.”
For his part, Koolhaas had this to say: “It is a wonderful occasion to build in Berlin again, on this historical site of all places, for a client who has mobilized architecture to help perform a radical change…a workplace in all its dimensions.”
See more of OMA’s winning proposal, after the break…
Robert A.M. Stern’s luxury 520 Park Avenue condominium tower, which is set to take its place on Manhattan skyline by 2017, will be topped with a 12,400 square foot triplex priced at $100 million – the city’s priciest unit. The penthouse will be one of 31 expansive residences offered in the limestone-clad building which, according to the a recent press release, will be “evocative of the great New York apartment buildings of the 1920′s and 1930′s.” Developers William and Arthur Zeckendorf gained approval for the 51-story skyscraper by purchasing $30.4 million in air rights from the neighboring Christ Church.
Lines Drawn, the latest gathering of student delegates by the Architecture Students Network (ASN), recently met at the Centre for Alternative Technology (CAT) to discuss the future of architectural education. Seventy RIBA Part 1, 2 and 3 students (including those on their placement years) from across twenty two schools of architecture gathered together to address and unify their voice in calling for improvements to the current pedagogy of UK’s architectural education to reflect a changing society.
The weekend conference provoked questions surrounding the merits and pitfalls of the Part 1, 2 and 3 British route to qualification, raising aspirations of a more flexible education system. Sparked by the latest directive from the European Union (EU), which seeks to “establish more uniformity across Europe by aligning the time it takes to qualify” and by making mutual recognition of the architect’s title easier between countries, the discussions centred around how architecture students’ opinions can be harnessed at this critical moment of change to have voices heard.
Continue reading for ArchDaily’s exclusive pre-coverage of the ASN’s report.
Life of an Architect’s Bob Borson has launched the 3rd annual Architect Playhouse Design Competition – a (free) competition open to all that benefits the abused children of Dallas CASA (Court Appointed Special Advocates). Entirely funded by Borson, the competition challenges participants to design a creative playhouse under $4,000 USD. The top two winning entries will be constructed then displayed and raffled at the nonprofit organization. All proceeds will be donated to Dallas CASA. Registration is now open and all submissions are due by May 12th. See last year’s winners, after the break, and register here to participate.
Yesterday we asked some prominent critics and a few of Ban’s peers to weigh in on the Japanese architect’s Pritzker win. Curators, architects, and writers praised Ban’s approach and conviction, describing what Ban’s work signifies to the architecture community. Read on for comments from Architecture for Humanity co-founder Cameron Sinclair, MoMA curators Barry Bergdoll and Pedro Gadanho, Cooper Union classmates Nanako Umemoto and Jesse Reiser, of Reiser + Umemototo, and more.
“We are very proud of Shigeru as the first Pritzker Prize Winner to have graduated from Cooper Union. Shigeru continues to embody the independent thinking that was highly emphasized through our education. We met Shigeru in 1979, and can speak to his dedication to humanity from the beginning. As we recall, each design problem for Shigeru became an occasion to explore the work of what he considered to be the master architects as a way of developing his own voice. It has become fashionable to connect architecture to social causes; however, Shigeru has never seen it as a trend, but rather something fundamental to his design practice. Unlike those in the discipline who conflate their social and political commitments with architecture, he happens to be a very fine architect. As a result of his education abroad and his inclination to define a unique practice, Shigeru has always been viewed as an independent within the Japanese scene. We are very excited that Shigeru’s work is being honored.”
- Nanako Umemoto and Jesse Reiser
Founders of Reiser + Umemototo, RUR Architecture PC
Partially credited to the spotlight cast by MoMA’s “Frank Lloyd Wright and the City: Density vs. Dispersal“ exhibition, SC Johnson (SCJ) has agreed to restore their 15-story Frank Lloyd Wright-designed Research Tower as a museum and corporate office in Racine, Wisconsin. Wright’s only constructed taproot-core, the 1950s tower is “an inspiring example of cantilever construction with an inner core extending 50 feet into the ground that provides support for the 16 million pound structure,” described SCJ. “The taproot core bears a strong resemblance to the lily pad-like columns seen throughout SC Johnson’s Administration Building, another Wright-designed facility.”