Carlo Ratti Associati's spin-off company Scribit has partnered with leading artist Olafur Eliasson's Little Sun non-profit to draw a crowdsourced illustration of the sun's path in thousands of people's homes. Write&erase robot Scribit works as a smart vertical plotter to create illustrations inspired by sun path charts. The two teams hope to bring the climate crisis center stage and instigate change for the future of the planet.
Studio Olafur Eliasson: The Latest Architecture and News
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
March 22 is World Water Day, an annual international celebration launched and organized by the United Nations. The goal of the day is to raise awareness about a wide range of water-based issues from around the world. This year’s theme is “Nature From Water”, which invites everyone to think about how nature can provide solutions to the water challenges we face today.
To celebrate World Water Day this year, we’ve rounded up 20 of our favorite projects that utilize water as a central design feature. Whether it be Zumthor's Thermal Vals or Chritso and Jeanne-Claude's Floating Piers, water has been playing an important role in architectural design and in demarcating the boundaries of nature against our built environment.
As part of their series of "Panorama" exhibits being presented this year, Friends Of The High Line have announced that they will host Olafur Eliasson's installation, "The Collectivity Project" from May 29th until September 30th this year on the High Line at West 30th Street. The installation, which has previously traveled to Tirana, Oslo, and Copenhagen, features an interactive imaginary cityscape made of over two tons of white LEGO bricks, with visitors invited to design, build and rebuild new structures as they see fit.
In a twist to the installation's usual presentation, High Line Art has invited high-profile architects who are working in the vicinity of the High Line to contribute one "visionary" LEGO design for the installation's opening, with BIG, David M. Schwarz Architects, Diller Scofidio + Renfro, James Corner Field Operations, OMA New York, Renzo Piano Building Workshop, Robert A.M. Stern Architects, Selldorf Architects, SHoP, and Steven Holl Architects all contributing one building which the public will then be able to adapt, extend or work around.
"Be very sensitive to where you are, in what times and in what parts of the world, and how that constitutes the artistic practice," says Danish-Icelandic artist Olafur Eliasson in this recent video from Louisiana Channel. In Advice to the Young, Eliasson deliberates on creative practice, urging young artists to take risks and produce meaningful work. "Just because you think about a work of art," says Eliasson, "it is not necessarily a work of art." Most recently, Eliasson has made headlines for his immersive exhibition Riverbed at the Louisiana Museum of Modern Art which explores the intersection between nature and the built environment. Revered as one of the world's leading sculptural and installation artists, Eliasson is adamant that the practice of working with art remains to be "very fierce, very strong and very robust."
"There are no real things. This is it. We are living in models and that's how it will always be and has always been... Who has authorship of reality? Who is then real?"
In this new video from Louisiana Channel, Olafur Eliasson meditates on the deeply philosophical questions posed by his provocative exhibition, Riverbed. Discussing themes such as the currency of trust, the authorship of reality through choice of perception, and the intricate relationships between museum, art, artist, and viewer, Eliasson sits within his own artificial landscape and recounts the deep inquiries that drive his work. Describing his views on the complexity of trust in the foundational value of the museum as an institution, Eliasson argues for the empowerment of the public. "If an audience feels trusted," he states, "then they dare to get involved."
In this video from the Louisiana Museum of Modern Art's Lousiana Channel, three acclaimed writers - Sjón, James McBride and Daniel Kehlmann - talk about their experience of Olafur Eliasson's Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying "It was like a moment in a dream, when you enter a room and something is not right, but familiar."
Blurring the boundaries between the Natural world and the Manmade in one wide, sweeping gesture, Danish-Icelandic artist Olafur Eliasson's first solo exhibit, aptly titled Riverbed, brings the Outdoors in.
Recreating an enormous, ruggedly enchanting landscape, complete with riverbed and rocky earth, the artist draws heavily from site-specific inspiration. The Louisiana Museum of Modern Art's location on the Danish coast lends a raw, elemental and powerful character that extends into the building as a major intervention, transforming into a work of art.