Heatherwick Studio has been selected to lead the redesign of the Coex Convention Centre in Seoul, following a competition aimed at reimagining the building's purpose and facade. In collaboration with the Korea International Trade Association (KITA), the studio's proposal seeks to transform the convention centre into a more open and inviting public space that reflects Seoul's evolving identity.
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power? The book "Led by Donkeys: Adventures in Art, Activism and Accountability" offers a deep dive into their conceptual approach, charting their rapid evolution over six years. What began as a London-based response to Brexit has expanded into a global critique of political hypocrisy, addressing issues in Europe, the Middle East, and America. For Peter Weibel, former director of the ZKM Center for Art and Media in Karlsruhe, Germany, the innovative fusion of activism and art—or "Artivism"—represents the first new art form of the 21st century. Years of experience in environmental activism provided the group with crucial insights into the mechanics of political communication, the organization of public interventions, and the challenges of achieving meaningful societal change.
Henning Larsen has just launched a new initiative in Esbjerg, Denmark, aimed at rethinking urban spaces through the perspectives of teenage girls. Developed in collaboration with Esbjerg Municipality, Ramboll, Catapult Projects, and KOMPAN, the project builds on research from the Urban Minded framework to explore how co-creation can shape more inclusive public environments. Supported by a 2.3 million DKK grant from the Villum Foundation and 485,000 DKK from the Ramboll Foundation, the initiative seeks to address an often-overlooked demographic in urban planning. As cities continue to evolve, conversations around gender-inclusive urban spaces have gained momentum, particularly in light of International Women's Day.
The United Center arena in Chicago, designed by HOK Sport (now Populous), Marmon Mok, and W.E. Simpson Company, was built between 1992 and 1994. With a capacity of over 20,000 seats for sports and general events, it includes more than 6,000 parking spaces in lots surrounding the arena. These parking lots span approximately 55 acres (over 22 hectares) in Chicago's West Side (1901 W. Madison Street). A new master plan, named the 1901 Project, aims to transform this space into a mixed-use neighborhood. Led by design collective RIOS, with contributions from landscape architecture studio Field Operations, this long-term, multi-phase project aims to connect neighborhoods by creating new public spaces and infrastructure on a metropolitan scale. The proposal recently received approval from the Chicago Plan Commission.
Protests, civil disobedience, and dissent are not only a defining part of our shared history since the colonial era, they also continue to the present day on campuses, at political conventions, and elsewhere. In this context, some historic marches, sit-ins, and other actions are enshrined in our collective narrative, while others have faded from memory; however, the cultural landscapes that served as stages where these events occurred still exist. These places are the focus of Landslide 2024: Demonstration Grounds and a portal for re-engaging with the stories of little-known or even forgotten events that were pivotal in USA history. The thirteen different sites across the country, represented in the new report and digital exhibition from The Cultural Landscape Foundation (TCLF), touch on events that shaped individuals and sparked movements.
How do inflatable structures behave in public spaces? What relationships or connections can they establish among people? From the perspective of Conjuntos Empáticos, inflatable structures act as organisms that engage passersby through their lightness, materiality, and element of surprise, ensuring sensory experiences in various environments and public spaces. These structures can accommodate everything from collective interventions to moments of leisure, encouraging social interaction and creating atmospheres that dissociate the scale of the city from the domestic space.
MVRDV has recently completed Mega Mat, a temporary installation for public gatherings and performances made from recycled plastic mats. Created for Bangkok Design Week, the joint goal of the architects and the Thai Creative Economic Agency was to design a space that also raises awareness about plastic waste and recycling in Thailand. The result is an infographic public space that, in addition to featuring bright, eye-catching colors, follows a color-coded system to organize information about the country's plastic waste processing. Mega Mat takes recycled plastic to reinterpret an everyday household item: the Sua, or mat, on which Thai families have been sitting for generations. This fresh take on a familiar object showcases the potential of using recycled plastic in daily life, embodied in a versatile public space now installed in the heart of Bangkok.
In this interview with Louisiana Channel, Mexican architect Gabriela Carrillo introduces us to the challenges that drive her work, particularly the projects carried out as a member of Colectivo C733, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of public spaces, the relationship between architecture and land art, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.
At the intersection of the inevitable influence of the international modern movement and Argentinian architectural tradition, the Grupo Austral emerges as a collective of architects proposing a reinterpretation of Le Corbusier's rationalism, adapting it to the particularities of the local context. In this framework, we can speak of an international architecture that is not merely incorporated but can be considered "appropriated" architecture, meaning it is rooted in Argentina's climatic conditions, lifestyles, and local materials. This leads us to question: How does European architecture correspond with the local? Is it the product of similar situations or a process of transferring architectural images, as has happened throughout history? Is it a mix of both factors? Can we talk about appropriated architecture?
The National Athletics Centre in Budapest marks a significant milestone in urban regeneration and architectural innovation. Located on a former industrial site along the Danube, this transformative project revitalizes a neglected brownfield into a vibrant hub for sports, recreation, and community engagement. Designed by Marcel FERENCZ, architect at NAPUR Architect Ltd., with landscape design created by S-TÉR and several hundred pieces of furniture from VPI Concrete, the Centre is a cornerstone for connecting North Csepel to the city and fostering urban development.
Spain boasts a vast diversity of natural and urban landscapes, where public space plays a leading role. Its relevance has grown in recent years, solidifying it as a key axis for interaction. Beyond its architectural and landscape qualities, public space offers visitors and citizens high-quality environments that contribute to improving living conditions, whether, in an urban park, a pedestrian axis within the city, or a space simply meant for being in a natural setting and connecting with the territory.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
The Danish Architecture Center (DAC) will open its new exhibition, "Water is Coming" in October 2024, remaining open until March 12, 2025. The exhibition addresses the escalating global water crisis, prompted by melting polar ice, rising groundwater levels, and increasingly frequent and intense flooding. It acknowledges the reality of rising sea levels and extreme weather events, shifting the focus from mitigation to adaptation. The exhibition aims to foster a deeper understanding of our complex relationship with water, exploring its vital role as both a life-giving resource and a potential threat to human settlements.
Cross Works just unveiled the plans for New Tashkent, a large-scale expansion of Uzbekistan's capital, Tashkent. The project covers 25,000 hectares to the east of the existing city, located between the Chirchiq and Karasu Rivers. Designed to accommodate an estimated 2.5 million people in the coming decades, the development aims to address population growth in a sustainable manner. The initiative follows an international design competition held in early 2023, which was won by London-based design and technology firm Cross Works. Following their selection, the firm has taken the lead on masterplanning, digital twin development, and coordination of a multidisciplinary team.
In Delirious New York, Rem Koolhaas vividly discusses the Downtown Athletic Club, a striking example of how an unassuming building exterior can conceal a vibrant mix of distinct, self-contained programs. Inside the uniform facade of this skyscraper, a private athletic club hosts an eclectic range of facilities—boxing gyms next to oyster bars and interior golf ranges below swimming pools—all segregated yet highly accessible. The Downtown Athletic Club epitomized the dynamism of New York's skyscrapers at the time, showcasing the thrill of capitalism through a selective, inward-focused world of leisure and privilege for the selected. This "machine of programs" operated independently of the external city as an isolated ecosystem within its walls. Yet, one might ask: could a similar model, designed for public use, create a more inclusive, lively community and neighborhood experience? This will activate the building within, instead of only serving the selected elites, and influence and transform the urban fabric and shapes around the building. In Hong Kong, a distant parallel can be drawn with the Municipal Services Buildings (MSBs)—publicly-funded structures that serve the community by integrating diverse functions within a singular vast building mass, much like the Downtown Athletic Club.
A "meanwhile space" refers to the temporary use of an otherwise vacant area—whether it's an empty shop, a disused building, or a site awaiting redevelopment. The concept revolves around making productive use of these spaces during the interim period before a long-term purpose is established. Essentially, it's about what happens in the meantime, turning unused spaces into vibrant, functional places during periods of uncertainty or transition.
Zaha Hadid Architects has been selected to design the Zhejiang Shaoxing Shangyu District Cao'e River Culture and Art Center, located within a newly planned cultural district in Shaoxing's Shangyu area in Zhejiang province, China. The project is situated along the Cao'e River, a location with historical significance, and is envisioned to serve as a key cultural and artistic space for both the local community and visitors. Its design seeks to integrate contemporary functionality with the architectural and cultural traditions of the region.
In a quest to enhance and attract new natural experiences to city centers, the design, planning, and revitalization of certain urban spaces align with strategies aimed at improving the quality of life for residents while maintaining a connection with nature rooted in the local landscape. Through technical solutions for wastewater treatment and stormwater drainage, improved accessibility, incorporation of recreational activities, introduction of native vegetation, and more, numerous parks, plazas, and gardens are integrated into urban and rural fabrics. These efforts seek to filter pollution, purify the air, address social issues, and promote experiences that foster connections between nature, biodiversity, and society.
